music.wikisort.org - Composition"Use Me" is a song, composed and originally recorded by Bill Withers, which was included on his 1972 album Still Bill. It was his second-biggest hit in the United States, released in September 1972 and later reaching No. 2 on the Billboard Hot 100 chart.[1] It was kept from No. 1 by both "Ben" by Michael Jackson and "My Ding-a-Ling" by Chuck Berry.[2] "Use Me" also peaked at No. 2 on the soul chart for two weeks.[3] Withers performed the song on Soul Train on November 4, 1972.[4] Billboard ranked it as the No. 78 song for 1972.[5] The song was certified Gold by the RIAA.[6] It is noted for its repeated bass figure which is heard alongside a complex rhythm in the percussion.
1972 single by Bill Withers
"Use Me" |
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 Side A of the US single |
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B-side | "Let Me in Your Life" |
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Released | August 1972 |
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Genre | Soul, funk |
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Length | 3:45 |
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Label | Sussex Records |
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Songwriter(s) | Bill Withers |
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"Lean on Me" (1972) |
"Use Me" (1972) |
"Let Us Love" (1972) |
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"Use Me" on YouTube |
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Music critic Robert Christgau called "Use Me" "one of the few knowledgeable songs about sex our supposedly sexy music has ever produced", featuring a "cross-class attraction" in its narrative.[7]
Grace Jones covered the song - with a reggae-influenced arrangement - on her 1981 album Nightclubbing and subsequently released the track as a single.
Personnel
- Bill Withers – vocals, guitar
- Ray Jackson – clavinet, Wurlitzer electric piano
- Benorce Blackmon – guitar
- Melvin Dunlap – bass guitar
- James Gadson – drums, percussion
Charts
Weekly charts
Chart (1972) |
Peak position |
U.S. Billboard Hot 100 |
2 |
U.S. Billboard Easy Listening |
14 |
U.S. Billboard Hot Soul Singles |
2 |
U.S. Cash Box Top 100 |
5 |
Canada RPM Hot Singles |
33 |
Year-end charts
Chart (1972) |
Rank |
US Cash Box[8] |
100 |
Other recordings
A variety of artists have covered the song, including:
- Fiona Apple
- Patricia Barber
- Beans and Fatback
- Better Than Ezra
- Rick Braun from "Kisses in the Rain" (2001)[9][10]
- D'Angelo
- Holly Golightly
- Gwar
- Ben Harper
- Isaac Hayes
- Vincent Herring, on the album Hard Times
- Hootie & the Blowfish, on their 2000 compilation album Scattered, Smothered and Covered
- The House Jacks, a cappella, on their 2007 live album Get Down Mr. President
- Ike & Tina Turner, on their 1998 album Absolutely The Best
- Mick Jagger featuring Lenny Kravitz on his third album Wandering Spirit (1993)
- Eran James
- Al Jarreau
- Grace Jones, on her 1981 album Nightclubbing
- Kimiko Kasai
- As a duet, Alicia Keys and Rob Thomas[11]
- The Lachy Doley Group
- Lindsay Mac
- Liza Minnelli, on her 1973 album The Singer
- Ian Moss recorded a version for his sixth studio album, Soul on West 53rd (2009).
- My Brightest Diamond
- Aaron Neville
- Nicky Moore and the Blues Corporation
- Omar
- Esther Phillips, on her 1972 album Alone Again, Naturally.
- Raw Stylus
- Rockapella
- Kendrick Lamar Sampled the Song for His Song Sing About Me, I'm Dying of Thirst from the Album Good Kid, M.A.A.D City
- Slash's Blues Ball
- Tenth Avenue North
- UGK sampled the song for their track “Use Me Up” from their 1992 album Too Hard to Swallow
- Scott Walker, on his 1973 album Stretch
- Walter "Wolfman" Washington
- Junior Wells
- Fred Wesley & The J.B.'s
- Jim White (for the 2005 Starbucks compilation album, Sweetheart 2005: Love Songs)
- Widespread Panic
- Zoobombs
References
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Discography |
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Singles | |
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Other songs | |
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Authority control  | |
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На других языках
- [en] Use Me (Bill Withers song)
[es] Use Me (canción de Bill Withers)
«Use Me» es una canción compuesta y grabada originalmente por Bill Withers, incluida en su álbum de 1972 Still Bill. Publicado en septiembre de 1972, fue su segundo mayor éxito en Estados Unidos al llegar al n.º 2 en la lista del Billboard Hot 100.[1] «Use Me» también llegó al número 2 en la lista del soul durante dos semanas.[2] Withers interpretó la canción en el programa de televisión estadounidense Soul Train el 4 de noviembre de 1972.[3] Billboard clasificó la canción como la n.º 78 de 1972.[4] La canción fue certificada oro por la RIAA.[5] La canción se caracteriza por sus repetidos toques de bajo junto a un ritmo complejo en la percusión.
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