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The Violin Concerto in A minor, Op. 82, by Alexander Glazunov is one of his most popular compositions. Written in 1904, the concerto was dedicated to violinist Leopold Auer, who gave the first performance at a Russian Musical Society concert in St. Petersburg on 15 February 1905. The British premiere of the concerto followed just over a year later, under the direction of Sir Henry Wood and with Mischa Elman as soloist.

Violin Concerto
by Alexander Glazunov
Key	A minor
Opus	82
Period	Late Romantic
Genre	Concerto
Composed	1904 (1904)
Movements	3
Scoring	Violin and orchestra
Premiere
Date	15 February 1905 (1905-02-15)
Location	St. Petersburg

The violin concerto is quite representative of Glazunov's technically brilliant style. There are no pauses or numbered sections in the concerto; it is nevertheless often described as consisting of either three or four movements, which may be variously labeled.[1][2][3][4][5] The slow second movement is seamlessly inserted by the composer into the middle of the first movement, which is an original and rare structural peculiarity of this composition.

The main cadenza at the end of the first movement was composed by Glazunov himself. It utilizes extensive double-stopping technique and is considered one of the most difficult parts of the concerto.

References

6. CD BMG 74321-63470-2: Jascha Heifetz, Walter Hendl: RCA Victor Symphony Orch, 1963: I. Moderato – II. Andante sostenuto – III. Tempo I – IV. Allegro

External links

Violin Concerto: Scores at the International Music Score Library Project

На других языках

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- [en] Violin Concerto (Glazunov)

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[ru] Концерт для скрипки с оркестром (Глазунов)

Концерт для скрипки с оркестром ля минор соч. 82 ― одно из самых популярных музыкальных сочинений Александра Глазунова. Будучи написан в 1904 году, концерт был посвящен скрипачу Леопольду Ауэру, который и исполнил его премьеру в программе Русского музыкального общества в Санкт-Петербурге 15 февраля 1905 года, дирижировал автор. Британская премьера концерта последовала чуть более года спустя под руководством сэра Генри Вуда и с Михаилом Эльманом в качестве солиста.

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