Heitor Villa-Lobos's Étude No. 1, part of his 12 Studies for Guitar, was first published by Max Eschig, Paris, in 1953.
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Étude No. 1 | |
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Étude by Heitor Villa-Lobos | |
![]() Heitor Villa-Lobos | |
Key | E minor |
Catalogue | W235 |
Form | through-composed |
Composed | 1928 (1928): Paris |
Dedication | Andrés Segovia |
Published | 1953 (1953): Paris |
Publisher | Max Eschig |
Recorded | 27 June 1949 (1949-06-27) Andrés Segovia (issued on Villa-Lobos: Two Studies [Nos. 1 and 8]. 1 disc, 78rpm, 12 inch, monaural. Columbia L.X. 1229 (matrix nos. CAX 10567; CAX 10570). England: Columbia Records. |
Duration | 2 mins. |
Movements | 1 |
Scoring |
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Premiere | |
Date | 5 March 1947 (1947-03-05): |
Location | Wellesley College, Wellesley, Massachusetts |
Performers | Andrés Segovia, guitar |
The first public performance of this étude (together with those of Études 7 and 8) was given by Andrés Segovia on 5 March 1947 at Wellesley College in Wellesley, Massachusetts.[1]
The piece is in E minor and is marked Allegro non troppo. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachianas Brasileiras.[2]
Étude No. 1 is an arpeggio study that is predominantly focused on a cross-string right-hand technique with the exception of one scalar passage from bar (music)measure 23 to 24 and a series of cadential harmonics in measures 31 to 32.[2]
Sources
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