music.wikisort.org - GroupThe 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
British pub rock band
The 101ers |
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Origin | London, England |
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Genres | |
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Years active | - 1974 (1974)–1976 (1976)
- (one-off reunion: 2003)
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Labels | - Chiswick
- Andalucia
- Big Beat
- SMS
- EMI
- Astralwerks
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Past members |
- John "Woody" Mellor
- Clive Timperley
- Dan Kelleher
- Richard Dudanski
- Simon Cassell
- Alvaro Peña-Rojas
- Antonio Narvaez
- Julian Yewdall
- Tymon Dogg
- Marwood "Mole" Chesterton
- Patrick Nother
- Martin Stone
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History
The group was named after the squat where they lived together: 101 Walterton Road, Maida Vale, although it was for a time rumoured that they were named for "Room 101", the infamous torture room in George Orwell's novel Nineteen Eighty-Four.
The band's early gigs included several at the Windsor Castle and a residency at the Elgin.[3] They were supported by the Sex Pistols at the Nashville Room on 3 April 1976.[4] Strummer claims that this is when he saw the light and got involved in the punk scene. Joe Strummer commented on this event in the Don Letts documentary Westway to the World on the end of the 101ers by saying "5 seconds into their (the Pistols') first song, I knew we were like yesterday's paper, we were over."
By the time their debut single, "Keys to Your Heart", was released, Joe Strummer had joined The Clash and the 101ers were no more. Clive Timperley later joined The Passions, Dan Kelleher went to Martian Schoolgirls and The Derelicts. Richard Dudanski went on to work with The Raincoats, Basement 5 and Public Image Ltd. Tymon Dogg worked with Strummer briefly in The Clash, playing fiddle and singing his original song, "Lose This Skin", on Sandinista!, and later in The Mescaleros.
I know the 101ers were good. In fact, as far as sound and excitement went we were much better than Eddie and the Hot Rods. The other guys in the group were twenty-five and twenty-six and they played good because they'd spent a few years getting that far. But they were just too old. What I really wanted was to get in with some young yobbo's who I was more in tune with.
The 101ers' recorded output was initially limited to one single. However, by 1981, interest in The Clash was at its height and a second single and a compilation album Elgin Avenue Breakdown was released. Several of the tracks on the latter album were live recordings, and there is no evidence that the band ever conceived of these recordings as a full-length album.
Until his death in 2002, Joe Strummer had been planning to re-release Elgin Avenue Breakdown, complete with previously unreleased tracks that would encompass everything the band ever recorded.[citation needed] The project was completed with the help of Strummer's widow Lucinda Tait and former drummer Richard Dudanski, and released in May 2005 as Elgin Avenue Breakdown Revisited via Astralwerks in the US and EMI in Europe. The last track on the 2005 re-issue was an 8-minute version of "Gloria" recorded on 22 May 1976 at the Cellar Club in Bracknell. This was recorded two weeks before the 101ers finally split.[6] Joe Strummer joined The Clash who played their first gig at the Black Swan, Sheffield supporting the Sex Pistols on 4 July 1976.
Covers
The Clash had played "Keys to Your Heart" live at around the same time it was reissued as a single. The Hypertonics have also covered this song.[7]
Line-up
- John "Woody" Mellor aka Joe Strummer – guitar, vocals
- Clive Timperley – guitar, vocals
- Dan Kelleher – bass, guitar, keyboards and lead and backing vocals plus arrangements and production
- Richard Dudanski – drums
- Simon Cassell aka "Big John" – saxophone
- Alvaro Peña-Rojas – saxophone
- Marwood Chesterton aka "Mole" – bass guitar (until Oct. 1975)
- Antonio Narvaez – drums
- Julian Yewdall – vocals, harmonica
- Patrick Nother – bass (first gig)
- Martin Stone – lead guitar (final gig)
- Tymon Dogg – fiddle, vocals
Discography
Singles / EPs
- "Keys to Your Heart" b/w "5 Star Rock & Roll Petrol" (Chiswick Records, 1976; Big Beat Records, 1979)
- "Sweet Revenge" b/w "Rabies" (Big Beat Records, 1981)
- "Keys to Your Heart" (4-track EP) (SMS Records, 1985)
- "1976" (4-track EP) (Chiswick Records, 2019)
Compilations
- Elgin Avenue Breakdown (Andalucia Records, 1981)
- Five Star Rock'n'Roll (Made In Heaven, 1993)
- Elgin Avenue Breakdown Revisited (Astralwerks/EMI, 2005; Andalucia Records/Parlophone, 2015)
References
Sources
- Complete Discography
- Books
- Films and documentaries
Further reading
- D'Ambrosio, Antonino (13 October 2004). Let Fury Have the Hour: The Punk Rock Politics of Joe Strummer. New York: Nation Books. ISBN 1-56025-625-7. OCLC 56988650.
Edited with an Introduction by Antonino D'Ambrosio.
- DeCurtis, Anthony (2003). "1952–2002 Joe Strummer – A tribute to the late Clash singer and songwriter, plus his final remarks on the rise and fall of the legendary punk band". Rolling Stone. Vol. 914, no. 27. San Francisco, CA: Straight Arrow. ISSN 0035-791X. OCLC 96002520.
- Dudanski, Richard (2013). Squat City Rocks: Proto-punk and beyond, a musical memoir from the margins. ISBN 9781494434977.
Illustrations by Esperanza Romero.
- Matula, Theodore (December 2003). "Joe Strummer, 1952–2002". Popular Music and Society. Bowling Green, Ohio: Taylor & Francis. 26 (4): 523–525. doi:10.1080/0300776032000144968. ISSN 0300-7766. OCLC 89586252. S2CID 191412037.
- Salewicz, Chris (15 May 2007). Redemption Song: The Ballad of Joe Strummer (1st American ed.). New York: Faber and Faber. ISBN 978-0-571-21178-4. OCLC 76794852.
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Studio albums | |
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Live albums | |
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Extended plays | |
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Singles | |
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Other songs | |
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Films | |
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Related articles | |
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Category
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Squatting in England and Wales |
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Influences |
- Diggers
- Right to housing
- Tŷ unnos
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Squatter groups |
- Advisory Service for Squatters
- Da! collective
- Exodus Collective
- Focus E15
- Grow Heathrow
- Justice?
- Justice Not Crisis
- London Street Commune
- Occupy London
- Really Free School
- Spiral Tribe
- SQUASH
- The Land is Ours
- WOMBLES
- !Wowow!
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Legalized squats |
- BASE
- Bonnington Square
- Frestonia
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Former squats |
- 12 Bar Club
- 102 Eaton Square
- 121 Centre
- 491 Gallery
- Argyle Street
- Bank of Ideas
- Bloomsbury Social Centre
- Cardboard City
- Centro Iberico
- City Racing
- Hounslow Community Land Project
- Kew Bridge Ecovillage
- Lyndhurst Way
- M11 link road protest
- Matilda Centre
- Medina House
- Oval Mansions
- rampART
- Spike Surplus Scheme
- St Agnes Place
- Sutton House
- Titnore Wood
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Notable squatters | |
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Legal framework |
- Adverse possession
- Erection of Cottages Act 1588
- Criminal Law Act 1977
- Criminal Justice and Public Order Act 1994
- Land Registration Act 2002
- Legal Aid, Sentencing and Punishment of Offenders Act 2012
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Linked topics |
- Homelessness in the United Kingdom
- New Age Travellers
- Occupation (protest)
- Principality of Sealand
- Reclaim the Streets
- Romanichal
- Self-managed social centres in the United Kingdom
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Authority control  |
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National libraries | |
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На других языках
[de] The 101’ers
The 101’ers war eine im Mai 1974 gegründete Pub-Rock-Band, in der Joe Strummer (unter dem Namen Woody Mellor) sang und Gitarre spielte. Die Band existierte bis 1976, da Strummer die Gruppe verlassen hatte, um The Clash zu gründen.
- [en] The 101ers
[ru] The 101ers
The 101ers — британская рок-группа, образовавшаяся в мае 1974 года, принадлежавшая ко второй волне паб-рока и оставшаяся в истории благодаря участию в ней Джо Страммера, фронтмена The Clash. В годы своего существования группа не выпустила пластинок, но (согласно Allmusic) сыграла важную связующую роль в процессе сближения паб- и панк-культур[1].
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