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The U-Men was an American rock band, formed in Seattle, Washington, in 1980 and active until 1989. They toured extensively across the United States. Their musically "dirty" sound and off-the-wall sense of humor were a forerunner for the later grunge bands to come out of Seattle.[1]

The U-Men
The U-Men performing live in Seattle.
Background information
OriginSeattle, Washington, United States
Genres
  • punk rock
  • post-punk
  • garage rock
  • noise rock
Years active1980 (1980)–1989 (1989)
Labels
  • Bombshelter
  • Homestead
  • C/Z
  • Sub Pop
  • El Jefe
  • Black Label
  • Amphetamine Reptile
  • Chuckie-Boy
MembersJohn Bigley
Tom Price
Jim Tillman
Charlie Ryan
Past membersTom Hazelmyer
Robin Buchan
Tony Ransom

History


Drummer Charlie Ryan performing with The U-Men in a Seattle club
Drummer Charlie Ryan performing with The U-Men in a Seattle club

The U-Men were fronted by vocalist John Bigley[2] and included Tom Price,[2] Charlie "Chaz" Ryan,[2] Robin Buchan,[2] Jim Tillman,[3] Tom Hazelmyer[4] and later Tony "Tone Deaf" Ransom.[4] Their alternative rock sound was credited by Allmusic for helping to inspire the Seattle grunge sound.

In 1983, The U-Men became the first band managed by renowned Seattle band manager Susan Silver.[5]

Butthole Surfers named the song "The O-Men", from the album Locust Abortion Technician, in their honor.[6]

Tom Price moved on to form Gas Huffer,[3] and also play in The Monkeywrench. Bigley and Ryan co-founded The Crows. Jim Tillman, who is recognized as the main line-up bass player having played on the first two full releases which included the self-titled EP, "The U-Men" (1984), "Stop Spinning" (1985), and the Deep Six compilation (1986) track "They", went on to play bass for other local bands, most notably Love Battery.[3] Mark Arm from Mudhoney noted on Sub Pop's anthology release announcement that the band was never the same after Tillman's departure.[7]

Tom Hazelmyer briefly played with the band[4] but left to remain in his hometown of Minneapolis (performing live just once with the band when they opened for Big Black at the Showbox Theater in March 1987) to promote his record company (Amphetamine Reptile Records) and band, Halo of Flies.[citation needed]


Band members



Discography


The U-Men performing at the Metropolis in Seattle in 1983. From L/R, vocalist John Bigley, bassist Jim Tillman, and guitarist Tom Price.

Albums



Singles and EPs



Compilation albums



Compilation and soundtrack contributions



References


  1. Gray, Julia (October 26, 2017). "Hear Grunge Forebears The U-Men's Previously Unreleased "Trouble Under Water"". Stereogum. Retrieved February 4, 2020.
  2. Segal, Dave (October 26, 2017). "Sub Pop Is Releasing the Entire U-Men Catalog". The Stranger. Retrieved February 4, 2020.
  3. Ham, Robert (November 11, 2017). "U-Men". Pitchfork. Retrieved February 4, 2020.
  4. Yarm, Mark (2011). Everybody Loves Our Town: An Oral History of Grunge. Crown Archetype. pp. 136–137. ISBN 978-0307464439.
  5. "Susan Silver steers careers toward rock stardom". Chicago Sun-Times. April 27, 1997. Archived from the original on November 25, 2004. Retrieved December 30, 2018.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  6. Howell, Stephen. "U-Men | Biography & History | AllMusic". AllMusic. Retrieved 2017-05-06.
  7. Records, Sub Pop. "Sub Pop Will Release The Comprehensive Anthology From Legendary Seattle Band The U-Men on Nov. 3rd. Now hear "Dig It a Hole"". Subpop.com. Retrieved 9 December 2017.

Further reading





На других языках


[de] The U-Men

The U-Men waren eine Grungeband aus Seattle, Washington. Die Band war einer der Vorreiter des Grunge und gehörte Mitte der 1980er Jahre neben Green River und Soundgarden zum Kern der Szene in Seattle.
- [en] The U-Men

[ru] The U-Men

The U-Men — американская панк-рок-группа сформированная в 1981 году в Сиэтле и просуществовавшая до 1989 года. В период своей активности коллектив много гастролировал по Соединённым Штатам. Характерный «грязный» звук коллектива считается предшественником жанра «гранж» (он же «Саунд Сиэтла») — музыкальной сцены, которая была чрезвычайно влиятельной на Северо-западе Америки в конце 1980-х — первой половине 1990-х годов[2].



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