music.wikisort.org - Poet

Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000),[2] commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va".[3]

Tito Puente
Puente in 1996
Background information
Birth name	Ernest Anthony Puente Jr.
Born	(1923-04-20)April 20, 1923 New York City, U.S.
Died	June 1, 2000(2000-06-01) (aged 77) New York City, U.S.
Genres	Latin jazz Afro-Cuban jazz mambo
Occupation(s)	Musician songwriter record producer
Instrument(s)	Timbales vibraphone
Years active	1946–2000
Labels	Tico Fania Sony Discos RMM Concord Picante
Military Service[1]
Allegiance	United States
Service/branch	United States Navy
Years of service	1942-1946
Rank	Bugler First Class
Unit	USS Santee (CVE-29)
Battles/wars	World War II,Operation Torch, Guadalcanal Campaign, New Guinea Campaign, Asiatic-Pacific Theater, Battle of Philippine Sea, Battle of Guam, Luzon Campaign, Iwo Jima Operation, Okinawa Gunto Operation
Awards	World War II Victory Medal Presidential Unit Citation American Campaign Medal European-African-Middle Eastern Campaign Medal Asiatic-Pacific Campaign Medal Army of Occupation Medal Army of occupation Medal Philipine Presidential Unit Citation

Puente and his music have appeared in films including The Mambo Kings and Fernando Trueba's Calle 54. He guest-starred on television shows, including Sesame Street and The Simpsons two-part episode "Who Shot Mr. Burns?".

Early life

Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem.[4][5] His family moved frequently, but he spent the majority of his childhood in Spanish Harlem.[4] Puente's father was the foreman at a razorblade factory.[6]

As a child, he was described as hyperactive, and after neighbors complained of hearing seven-year-old Puente beating on pots and window frames, his mother sent him to 25-cent piano lessons.[6] He switched to percussion by the age of 10, drawing influence from jazz drummer Gene Krupa.[6] He later created a song-and-dance duo with his sister Anna in the 1930s and intended to become a dancer, but an ankle tendon injury prevented him from pursuing dance as a career.[5][6] When the drummer in Machito's band was drafted to the army, Puente subsequently took his place.[6]

Career

Puente served in the Navy for three years during World War II after being drafted in 1942.[7] He was discharged with a Presidential Unit Citation for serving in nine battles on the escort carrier USS Santee (CVE-29). The GI Bill allowed him to study music at Juilliard School of Music, where he completed formal education in conducting, orchestration, and theory.

During the 1950s, Puente was at the height of his popularity and helped to bring Afro-Cuban and Caribbean sounds like mambo, son, and cha-cha-chá, to mainstream audiences. Puente played popular Afro-Cuban rhythms so successfully that many people mistakenly identified him as Cuban. Dance Mania, possibly Puente's most well-known album, was released in 1958.

Among his most famous compositions is the cha-cha "Oye como va" (1963),[3] popularized by Latin rock musician Carlos Santana and later interpreted, among others, by Julio Iglesias, Irakere and Celia Cruz. In 1969, he received the key to the City of New York from former Mayor John Lindsay. In 1992, he was inducted into the National Congressional Record, and in 1993 he received the James Smithson Bicentennial Medal from the Smithsonian.[9]

In early 2000, Puente appeared in the music documentary Calle 54.[10]

Tito Puente's name is often mentioned in a television production called La Epoca,[11] a film about the Palladium era in New York, Afro-Cuban music and rhythms, mambo and salsa as dances and music and much more. The film discusses many of Puente's, as well as Arsenio Rodríguez's, contributions and features interviews with some of the musicians Puente recorded with.

Personal life and death

Puente's son Richard "Richie" Puente was the percussionist in the 1970s funk band Foxy. Puente's youngest son, Tito Puente Jr., has continued his father's legacy by presenting many of the same songs in his performances and recordings. His daughter Audrey Puente is a television meteorologist for WNYW and WWOR-TV in New York City.

After a show in Puerto Rico on May 31, 2000, he suffered a massive heart attack and was flown to New York City for surgery to repair a heart valve, but complications developed, and he died on June 1, 2000, at 2:27 am.[12] He was posthumously awarded the Grammy Lifetime Achievement Award in 2003.

Awards and recognition

• In 1995, Tito Puente received the Billboard Latin Music Lifetime Achievement Award.[13]
• During the presidency of Sen. Roberto Rexach Benítez, Tito Puente received the unique honor of having both a special session of the Senate of Puerto Rico dedicated to him and being allowed to perform in his unique style on the floor of the Senate while it was in session.
• On September 10, 2007, a United States Post Office in Spanish Harlem was named after him at a ceremony presided over by House Ways and Means Committee Chair Charles Rangel (D-NY) and Rep. José Serrano (D-NY).
• An amphitheater was named in his honor at Luis Muñoz Marín Park, next to the Roberto Clemente Coliseum, in San Juan, Puerto Rico.
• In 1995, Puente was awarded an Honorary Doctorate of Music from Berklee College of Music.[14]
• Puente performed at the closing ceremonies at the 1996 Summer Olympics in Atlanta, Georgia. The timbales he used are displayed at the National Museum of American History in Washington, D.C.
• In 1997, he was awarded the National Medal of Arts.[15]
• In 1990, he received a Star on the Hollywood Walk Of Fame.[16]
• In 1984, he received an honorary Decree from the Los Angeles City Council.
• On June 5, 2005, Puente was honored by Union City, New Jersey with a star on the Walk of Fame at Union City's Celia Cruz Park.[17]
• In 1999, he was inducted into the International Latin Music Hall of Fame.[18]
• On May 19, 1999, he received an honorary Mus.D degree from Columbia University.[19]
• On August 20, 2000, East 110th Street in Spanish Harlem was named 'Tito Puente Way'.
• On October 11, 2022, Puente was honored with a Google Doodle in honor of Hispanic Heritage Month.[20]

Discography

As leader

As sideman

With Dizzy Gillespie

• Rhythmstick (1990)

With Benny Golson

• Remembering Clifford (Milestone, 1998)

With Quincy Jones

• Quincy Plays for Pussycats (Mercury, 1959–65 [1965])

With Hilton Ruiz

• Rhythm in the House (RMM, 1976 [1998])

With Sonny Stitt

• The Matadors Meet the Bull (Roulette, 1965)

Filmography

Selected feature films

• Armed and Dangerous (1986) as Band Leader
• Radio Days (1987) as Latin Bandleader
• The Mambo Kings (1992) as Himself

Documentaries

• Tito Puente: The King of Latin Music (2000)[22]
• Profiles Featuring Tito Puente Jr. (2007)
• Latin Knights (2005)
• Calle 54 (2000)[23]

Concert films

• Tito Puente – Live in Montreal (Montreal Jazz Festival) (1983) (2003)

The Simpsons

Puente appeared in the two-part whodunit drama "Who Shot Mr. Burns?" in the sixth season finale and seventh season premiere of American comedy cartoon show The Simpsons in 1995. In the shows, Puente joins Springfield Elementary School as a music teacher after the school discovers it is located over an oil well. However, Mr. Burns manages to pump the oil first, which makes him the legal owner of the well. This causes the school to fall into debt with budget cuts to the music and maintenance departments, causing Puente to lose his job. When Burns is later shot, Puente becomes one of the prime suspects but manages to clear himself by performing one of his songs for Chief Wiggum. Seven alternative endings were filmed of various characters shooting Burns; Puente is one of the alternates. Although all endings were animated, the ending of Maggie Simpson shooting Burns was the ending chosen to air.

The Emmy-nominated song "Señor Burns" from the episode is featured on the 1999 album, Go Simpsonic with The Simpsons.

References

Further reading

• Steven Loza (1999) Tito Puente and the Making of Latin Music, University of Illinois Press
• Josephine Powell (2007) "Tito Puente: When The Drums Are Dreaming", (Authorhouse 2007)

External links

• Tito Puente at NPR Music
• Tito Puente discography at Discogs
• Tito Puente at IMDb
• Tito Puente at Find a Grave
• Tito Puente Interview NAMM Oral History Library (1997)

На других языках

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[de] Tito Puente

Tito Puente, eigentlich Ernest Anthony Puente Jr., (* 20. April 1923 in New York City; † 31. Mai 2000 ebenda) war ein US-amerikanischer Jazz-, Salsa- und Mambo-Musiker.

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- [en] Tito Puente

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[es] Tito Puente

Ernesto Antonio Puente (Nueva York, 20 de abril de 1923[1][2]-ibídem, 31 de mayo de 2000),[3][4] conocido como Tito Puente, fue un legendario percusionista estadounidense de origen puertorriqueño. Nombre ineludible del jazz a nivel mundial, desarrolló su trabajo en el campo de la música cubana (son montuno, chachachá, mambo, bolero, pachanga, guaracha), y del jazz afrocubano, el jazz latino y la salsa.

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[ru] Пуэнте, Тито

Ти́то Пуэ́нте-ста́рший (исп. Tito Puente, Sr., настоящее имя: Эрнесто Антонио Пуэнте-младший (исп. Ernesto Antonio Puente, Jr.), 20 апреля 1923, Гарлем, Нью-Йорк, США — 31 мая 2000, Нью-Йорк, США) — американский музыкант (тимбалеро, вибрафонист, перкуссионист) и композитор, один из самых известных деятелей латиноамериканской музыки стилей мамбо, сальса и латин-джаз. По происхождению — пуэрториканец. За своё мастерство и вклад в развитие латин-джаза получил прозвища «Король тимбала» (исп. El Rey del timbal) и «Король латиноамериканской музыки» (исп. El Rey de la música latina).

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