music.wikisort.org - Poet

Naphtali "Tuli" Kupferberg (September 28, 1923 – July 12, 2010) was an American counterculture poet, author, singer, cartoonist, publisher, and co-founder of the rock band The Fugs.

Tuli Kupferberg
Born	Naphtali Kupferberg (1923-09-28)September 28, 1923 New York City, U.S.
Died	July 12, 2010(2010-07-12) (aged 86) New York City, U.S.
Education	Brooklyn College
Occupation	Author, poet, musician, cartoonist, publisher
Years active	1958–2009
Known for	The Fugs 1001 Ways to Beat the Draft 1001 Ways to Live Without Working
Spouse	Sylvia Topp
Children	Joe, Noah, Samara.

Biography

Naphtali Kupferberg was born into a Jewish, Yiddish-speaking household in New York City.[1] A cum laude graduate of Brooklyn College in 1944, Kupferberg founded the magazine Birth in 1958.[2]

Kupferberg reportedly appears in Ginsberg's poem Howl as the person "who jumped off the Brooklyn Bridge and walked away unknown and forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free beer." The incident in question actually occurred on the Manhattan Bridge.[3] Ginsberg's description in Howl uses poetic license. Kupferberg did jump from the Manhattan Bridge in 1944, after which he was picked up by a passing tugboat and taken to Gouverneur Hospital.[4] Severely injured, he had broken the transverse process of his spine and spent time in a body cast.[5]

In 1964, Kupferberg formed the satirical rock group the Fugs with poet Ed Sanders.[6] Kupferberg was active in New York pacifist-anarchist circles. In 1965 he was one of the lecturers at the newly founded Free University of New York.[7] He appeared as a machine-gun-toting soldier policing Manhattan in W.R.: Mysteries of the Organism, a 1971 film about the revolutionary psychiatrist Wilhelm Reich by Dušan Makavejev. An anti-police-brutality skit from his Revolting Theatre appeared in the 1971 Richard Pryor underground film Dynamite Chicken. In 1972, Kupferberg played the role of God in the Canadian experimental film Voulez-vous coucher avec God?. Kupferberg later appeared in the music video for Williamsburg Will Oldham Horror by Jeffrey Lewis.[8]

Kupferberg suffered a stroke in April 2009 at his home in New York City, which left him severely visually impaired and in need of regular nursing care. After treatment for a number of days at a New York hospital, followed by convalescence at a nursing home, he recuperated at home.[9]

Kupferberg died in New York Downtown Hospital in Manhattan of kidney failure and sepsis on July 12, 2010.[10] In 2008, in one of his last interviews, he told Mojo Magazine, "Nobody who lived through the '50s thought the '60s could've existed. So there's always hope."[11]

Bibliography

• Birth 1, The Bohemian Issue (1958)
• Birth 2, Children's Writings (1959)
• Beating (1959)
• Children as Authors: A Big Bibliography (1959, with Sylvia Topp)
• Snow Job: Poems 1946–1959 (1959)
• Selected Fruits & Nuts (1959)
• Birth 3, parts 1 & 2 Stimulants, An Exhibition (1960)
• 1001 Ways to Live Without Working (1961)
• The Grace & Beauty of the Human Form (1961)
• 1001 Ways to Live Without Working" (1961, rev. 1968; German translation by Max Wickert & Hubert Kulterer, with facing English text, Stadtlichter Presse 2009, 2015)
• 3,000,000,000,000,000,000,000,000,000,000,000,000,000,000 Beatniks : or, The War Against the Beats (1961)
• Sex and War (1962)
• The Mississippi (A Study of the White Race) (1962)
• The Rub-Ya-Out of Omore Diem (1962)
• The Christine Keeler Colouring Book & Cautionary Tale (1963)
• Kill for Peace (1965)
• Caught in the Act: a Legal Vaudeville (1966)
• The Book of the Body (with Judith Wehlau, 1966)
• I Say to Masturbate is Human, to Fuck Divine (1966)
• 1001 Ways to Beat the Draft (with Robert Bashlow, 1966)
• Fuck Nam : a morality play (1967)
• 1001 Ways to Make Love (1969)
• Newspoems (1971)
• Listen to the Mockingbird; satiric songs to tunes you know (1973)
• As They Were (with Sylvia Topp, 1973)
• Universal Housewife (1975)
• First Glance (with Sylvia Topp, 1978)
• As They Were Too (with Sylvia Topp, 1979)
• O God! (1980)
• The Crazy Paper (1980)
• Less Newspoems (1981)
• Questionable Cartoons (1981)
• True Professions (1981)
• Why Don't We Do It in the Bed? (1982)
• Was It Good For You Too? (1983)
• After the Balls Are Ova (1984)
• In Media's Feces (1986)
• Kill For Peace, Again (1987)
• Reaganation (1987)
• The Tuli Kupferberg Instant Lottery Broadside (1988)
• The Dark Night of the Soul in the Poetry Mines (1988)
• Signed By the Artist (1990)
• Don't Make Trouble (1991)
• My Prick is Bigger Than Yours (1992)
• The Land that God Remembered (1992)
• The Old Fucks at Home (1992)
• You Know Helen : Maybe Chimps Know a Lot More Than We Think (1994)
• Hey Ann! : What's The Diff Between Religion & Patriotism? (with Dave Jordan, 1994)
• Whitman said : "In order to have great art you have to have great audiences!" (1994)
• When I Hear the Word 'Culture' I Reach for My Gun (1994)
• I Hate Poems About Poems About Poems (1994)
• Great Moments in the History of Sport : No. 4, The Spartans Invent Football (1994)
• Teach Yourself Fucking (2000)
• Paris I Have Never Seen (2001)

References

Further reading

• Adams, Larry (2005). "Kupferberg, Tuli (1923–)". In William Lawlor (ed.). Beat Culture: Lifestyles, Icons, and Impact. ABC-CLIO. p. 192. ISBN 978-1-85109-400-4.

External links

• Works by or about Tuli Kupferberg in libraries (WorldCat catalog)
• Tuli Kupferberg at IMDb
• Tuli's Youtube channel
• Interview by Jason Gross (1997)
• Interview by Matthew Paris (2004)
• Vox Tablet Podcast dedicated to Tuli Kupferberg
• The Fugs
• Kupferberg performing with The Fugs, NYC, 1967 Photo of by Michael Maggid
• Tuli Kupferberg and Sylvia Topp Papers at Fales Library and Special Collections at New York University Special Collections

На других языках

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- [en] Tuli Kupferberg

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[fr] Tuli Kupferberg

Naphtali Kupferberg dit Tuli Kupferberg, né le 28 septembre 1923 et mort le 12 juillet 2010 à New York, était un poète américain de contre-culture, écrivain, dessinateur satirique, anarchiste, pacifiste, éditeur et cofondateur du groupe The Fugs.

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