Marie Le Rochois (c. 1658 – 8 October 1728) was a French operatic soprano who belonged to the Académie Royale de Musique. She is often referred to as Marthe Le Rochois or simply La Rochois.
Unlike some of her wilder colleagues at the opera, Julie d'Aubigny and Fanchon Moreau, she enjoyed a reputation for moral rectitude. Less of a celebrity, she was more of an artist, as indicated by the number of important roles with which she was entrusted by Lully and his successors.
Retirement
After retiring from the stage in 1698, she became a teacher, while remaining active in the contemporary arts social world. Her students included Marie Antier and Françoise Journet. She died in Paris in 1728.
Roles created
Arethusa in Lully's Proserpine (Paris, 1680)
Merope in Lully's Persée (Paris, 1682)
Arcabonne in Lully's Amadis (Paris, 1684)
Angéligue in Lully's Roland (Paris, 1684)
Armide in Lully's Armide (Paris, 1686)
Galatée in Acis et Galatée (Paris, 1686)
Polixène in the Lully-Collasse Achille et Polyxène (Paris, 1687)
Thétis in Collasse's Thétis et Pélée (Paris, 1689)
Lavinie in Collasse's Enée et Lavinie (Paris, 1690)
The title role in Desmarets's Didon (Paris, 1693)
The title role in Charpentier's Médée (Paris, 1693)
Ariane in Marin Marais's Ariane et Bacchus (Paris, 1696)
Vénus in Desmarets's Vénus et Adonis (Paris, 1697)
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