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André Campra (French: [kɑ̃pʁa]; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several tragédies en musique and opéra-ballets that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem.[1][2]

Portrait of André Campra
Portrait of André Campra

Biography


Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix.[3] He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year.

He served as maître de musique (music director) at the cathedrals of Arles and Toulouse and then, from 1694 to 1700, served in a similar capacity at the cathedral of Notre-Dame de Paris. Campra added violins to the performance of sacred music at the Paris cathedral, a controversial innovation in an era when they were considered street instruments. He began to compose for the theatre in 1697 and published some theatrical compositions under his brother's name to protect his reputation with church authorities. In 1700 he gave up his post at Notre-Dame and devoted himself to theatrical music with critical success. By 1705 he was such a musical celebrity that he became a target for negative articles in the press. In 1720, he adopted the composition of sacred music as his only profession.

Although Campra had obtained critical success he lacked financial security. In 1722 he was engaged briefly as maître de musique by the Prince of Conti. After the death of the regent Philippe d'Orléans in December 1723, Campra became sous-maître at the Royal Chapel in Versailles. In 1730 he became the Inspecteur Général at the Opéra (Royal Academy of Music).

He died in Versailles on 29 June 1744 at the age of 83.


Compositions and style


With his composition of L'Europe galante (1697), he became highly regarded in opéra-ballet, a musical genre originated by Pascal Colasse with Les saisons in 1695.[citation needed]


Principal works


Stage works

Cantatas

Sacred works


Legacy



References


  1. Holden, Amanda, ed. (2001). The New Penguin Opera Guide. New York: Penguin Putnam. p. 180. ISBN 0-14-029312-4.
  2. Anthony, James R. "Campra, André". Grove Music Online[permanent dead link] (subscription access)
  3. Maurice Barthélémy, André Campra – 1660–1744, Arles: Actes Sud, 1995
  4. James R. Anthony La musique en France à l'époque baroque: de Beaujoyeulx à Rameau 1981 "Enée et Didon (Livre III), qui est pratiquement une cantate-opéra, mettant en scène deux protagonistes, ... Dans les cantates plus tardives de Campra, l'usage systématique de tous les procédés lyriques se conjugue avec une utilisation ..."
  5. Porter, Andrew (28 September 1952). "Festivals in France" (PDF). New York Times. Retrieved 12 June 2015.
  6. Barron, James (24 June 1983). "Weddings March to New Tunes". New York Times. Retrieved 12 June 2015.
Additional sources



На других языках


[de] André Campra

André Campra (getauft am 4. Dezember 1660 in Aix-en-Provence; † 29. Juni 1744 in Versailles) war ein französischer Komponist.
- [en] André Campra

[es] André Campra

André Campra (Aix-en-Provence, 4 de diciembre de 1660 - Versalles, 29 de junio de 1744) fue un compositor francés. Cronológicamente situado entre Jean-Baptiste Lully y Jean-Philippe Rameau, participó en la renovación de la ópera francesa.

[ru] Кампра, Андре

Андре́ Кампра́ (фр. André Campra; 4 декабря 1660, Экс-ан-Прованс — 29 июня 1744, Версаль) — французский композитор эпохи барокко.



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