music.wikisort.org - Composer
Maurice-Alexis Jarre (French: [ʒaʁ]; 13 September 1924 – 28 March 2009)[1][2][3] was a French composer and conductor. Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) to A Passage to India (1984). He was nominated for nine Academy Awards, winning three in the Best Original Score category for Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984), all of which were directed by Lean.
Maurice Jarre | |
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| Background information | |
| Born | 13 September 1924 Lyon, France |
| Died | 28 March 2009 (aged 84) Los Angeles, California, U.S. |
| Occupation(s) | Composer, conductor |
| Years active | 1958–2001 |
Notable scores for other directors included Eyes Without a Face (1959), The Longest Day (1962), The Train (1964), The Collector (1965), Grand Prix (1966), The Man Who Would Be King (1975), Mohammad, Messenger of God (1976), Jesus of Nazareth (1977), Lion of the Desert (1981), The Year of Living Dangerously (1982), Witness (1985), The Mosquito Coast (1986), Fatal Attraction (1987), Gorillas in the Mist (1988), Dead Poets Society (1989), and Ghost (1990). He worked with such directors as John Frankenheimer, Peter Weir, Georges Franju, John Huston, Adrian Lyne, Luchino Visconti, Alfred Hitchcock, Elia Kazan, and Volker Schlöndorff.
Jarre also won four Golden Globes, three BAFTA Awards, a Grammy Award, and a star on the Hollywood Walk of Fame.[4] Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) performed by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
He was the father of musician Jean-Michel Jarre and the adopted father of screenwriter Kevin Jarre.
Early life
Jarre was born in Lyon, the son of Gabrielle Renée (née Boullu) and André Jarre, a radio technical director.[5] He first enrolled in the engineering school at the Sorbonne, but decided to pursue music courses instead. He left the Sorbonne against his father's will and enrolled at the Conservatoire de Paris to study composition and harmony and chose percussion as his major instrument.[3] He became director of the Théâtre National Populaire and recorded his first film score in France in 1951.[6]
Film scoring
In 1961, Jarre's music career experienced a major change when British film producer Sam Spiegel asked him to write the score for the 1962 epic Lawrence of Arabia, directed by David Lean.[7] The acclaimed score won Jarre his first Academy Award and he would go on to compose the scores to all of Lean's subsequent films. He followed with The Train (1964) and Grand Prix (1966), both for director John Frankenheimer, and in between had another great success in David Lean's Doctor Zhivago, which included the lyricless tune "Lara's Theme" (later the tune for the song "Somewhere My Love"), and which earned him his second Oscar. He worked with Alfred Hitchcock on Topaz (1969): although Hitchcock's experiences with the film were unhappy, he was satisfied with Jarre's score, telling him, "I have not given you a great film, but you have given me a great score." His score for David Lean's Ryan's Daughter (1970), set in Ireland, completely eschews traditional Irish music styles, according to Lean's preferences. The song "It Was a Good Time," from Ryan's Daughter went on to be recorded by musical stars such as Liza Minnelli who used it in her critically acclaimed television special Liza with a Z as well as by others during the 1970s. He contributed the music for Luchino Visconti's The Damned (1969), and John Huston's The Man Who Would Be King (1975).
He was again nominated for an Academy Award for scoring The Message in 1976, for the director and producer Moustapha Akkad. He followed with Witness (1985) and Dead Poets Society (1989), for which he won a British Academy Award.
In the 1970s and 1980s, Jarre turned his hand to science fiction, with scores for The Island at the Top of the World (1974), Dreamscape (1984), Enemy Mine (1985), and Mad Max Beyond Thunderdome (1985). The latter is written for full orchestra, augmented by a chorus, four grand pianos, a pipe organ, digeridoo, fujara, a battery of exotic percussion, and three ondes Martenot, which feature in several of Jarre's other scores, including Lawrence of Arabia, Jesus of Nazareth, The Bride and Prancer. The balalaika features prominently in Jarre's score for Doctor Zhivago.
In 1990, Jarre was again nominated for an Academy Award scoring the supernatural love story/thriller Ghost. His music for the final scene of the film is based on "Unchained Melody" composed by fellow film composer Alex North.[3] Other films for which he provided the music include A Walk in the Clouds (1995), for which he wrote the score and all of the songs, including the romantic "Mariachi Serenade". Also to his credit is the passionate love theme from Fatal Attraction (1987), and the moody electronic soundscapes of After Dark, My Sweet (1990). He was well respected by other composers including John Williams, who stated, on Jarre's death, "(He) is to be well remembered for his lasting contribution to film music ... we all have been enriched by his legacy."[8]
Jarre's television work includes the theme for the short-lived 1967 Western series on CBS, Cimarron Strip, his score for the miniseries Jesus of Nazareth (1977), directed by Franco Zeffirelli, Shōgun (1980), and the theme for PBS's Great Performances.[3]
Jarre scored his last project in 2001, a television mini-series about the Holocaust titled Uprising.[3]
He was "one of the giants of 20th-century film music"[9] who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras ... but also experimenting with electronic sounds later in his career".[10]
Music style
Jarre wrote mainly for orchestras, but began to favour synthesized music in the 1980s. Jarre pointed out that his electronic score for Witness was actually more laborious, time-consuming and expensive to produce than an orchestral score. Jarre's electronic scores from the 1980s also include Fatal Attraction, The Year of Living Dangerously, Firefox and No Way Out. A number of his scores from that era also feature electronic / acoustic blends, such as Gorillas in the Mist, Dead Poets Society, The Mosquito Coast and Jacob's Ladder.
Family
Jarre was married four times, the first three marriages ending in divorce. In the 1940s, his marriage to Francette Pejot, a French Resistance member and concentration camp survivor, produced a son, Jean-Michel Jarre, a French composer, performer, and music producer, who is one of the pioneers in electronic music. When Jean-Michel was five years old, Maurice split up with his wife and moved to the United States, leaving Jean-Michel with his mother in France.[11]
In 1965, Jarre married French actress Dany Saval; together they had a daughter, Stephanie Jarre. He next married American actress Laura Devon (1967–1984), resulting in his adopting her son, Kevin Jarre, a screenwriter, with credits on such films as Tombstone and Glory (1989). From 1984 to his death, he was married to Fong F. Khong.[12]
Death
Maurice Jarre died of cancer on 28 March 2009 in Los Angeles.[13]
Awards
Jarre received three Academy Awards and received a total of nine nominations, eight for Best Original Score and one for Best Original Song. He also won four Golden Globes and was nominated for ten.
The American Film Institute ranked Jarre's score for Lawrence of Arabia #3 on their list of the greatest film scores. His scores for the following films were also nominated for the list:
- Doctor Zhivago (1965)
- A Passage to India (1984)
- Ryan's Daughter (1970)
Numerous additional awards include ASCAP's Lifetime Achievement Award in 1993.[14]
Filmography
1950s
| Year | Title | Director | Notes |
|---|---|---|---|
| 1957 | Burning Fuse | Henri Decoin | Composed with Louis Gasté & Philippe Gérard |
| 1958 | Head Against the Wall | Georges Franju | |
| 1959 | Les Dragueurs | Jean-Pierre Mocky | |
| Beast at Bay | Pierre Chenal | ||
| Stars at Noon | Jacques Ertaud Marcel Ichac |
||
| Vous n'avez rien à déclarer? | Clément Duhour | ||
| Eyes Without a Face | Georges Franju |
1960s
1970s
1980s
| Year | Title | Director | Notes |
|---|---|---|---|
| 1980 | The American Success Company | William Richert | |
| The Black Marble | Harold Becker | ||
| The Last Flight of Noah's Ark | Charles Jarrott | ||
| Resurrection | Daniel Petrie | Nominated- Saturn Award for Best Music | |
| Shōgun | Jerry London | ||
| Enola Gay | David Lowell Rich | ||
| 1981 | Lion of the Desert | Moustapha Akkad | |
| Chu Chu and the Philly Flash | David Lowell Rich | Composed with Pete Rugolo | |
| Circle of Deceit | Volker Schlöndorff | ||
| Taps | Harold Becker | ||
| 1982 | Don't Cry, It's Only Thunder | Peter Werner | |
| Coming Out of the Ice | Waris Hussein | ||
| Firefox | Clint Eastwood | ||
| Young Doctors in Love | Garry Marshall | ||
| The Year of Living Dangerously | Peter Weir | Nominated- AACTA Award for Best Original Music Score | |
| 1983 | For Those I Loved | Robert Enrico | Sept d'Or for Best Music |
| 1984 | Samson and Delilah | Lee Philips | |
| Top Secret! | Jim Abrahams David Zucker Jerry Zucker |
||
| Dreamscape | Joseph Ruben | ||
| A Passage to India | David Lean | Academy Award for Best Original Score Golden Globe Award for Best Original Score Nominated- Grammy Award for Best Score Soundtrack for Visual Media | |
| 1985 | Witness | Peter Weir | Nominated- Academy Award for Best Original Score Nominated- Golden Globe Award for Best Original Score Nominated- Grammy Award for Best Score Soundtrack for Visual Media |
| Mad Max Beyond Thunderdome | George Miller George Ogilvie |
Themes by Brian May | |
| The Bride | Franc Roddam | Nominated- Saturn Award for Best Music | |
| Enemy Mine | Wolfgang Petersen | ||
| 1986 | Apology | Robert Bierman | |
| Tai-Pan | Daryl Duke | ||
| The Mosquito Coast | Peter Weir | Nominated- Golden Globe Award for Best Original Score | |
| Solarbabies | Alan Johnson | ||
| 1987 | Tokyo Blackout | Toshio Masuda | |
| No Way Out | Roger Donaldson | ||
| Julia and Julia | Peter Del Monte | ||
| Gaby: A True Story | Luis Mandoki | ||
| Fatal Attraction | Adrian Lyne | Nominated- Grammy Award for Best Score Soundtrack for Visual Media | |
| 1988 | |||
| The Murder of Mary Phagan | William Hale | ||
| Distant Thunder | Rick Rosenthal | ||
| Wildfire | Zalman King | ||
| Moon over Parador | Paul Mazursky | ||
| Gorillas in the Mist | Michael Apted | Golden Globe Award for Best Original Score Nominated - Academy Award for Best Original Score | |
| Le palanquin des larmes | Jacques Dorfmann | ||
| Cocktail | Roger Donaldson | Rejected score Replaced by J. Peter Robinson | |
| 1989 | Chances Are | Emile Ardolino | |
| Dead Poets Society | Peter Weir | BAFTA Award for Best Film Music | |
| Prancer | John D. Hancock | ||
| Enemies, A Love Story | Paul Mazursky |
1990s
| Year | Title | Director | Notes |
|---|---|---|---|
| 1990 | Solar Crisis | Richard C. Sarafian | |
| Ghost | Jerry Zucker | Nominated- Academy Award for Best Original Score Nominated- Saturn Award for Best Music | |
| Jacob's Ladder | Adrian Lyne | ||
| Almost an Angel | John Cornell | ||
| 1991 | Only the Lonely | Chris Columbus | |
| Fires Within | Gillian Armstrong | ||
| 1992 | The Setting Sun | Rou Tomono | |
| School Ties | Robert Mandel | ||
| Shadow of the Wolf | Jacques Dorfmann Pierre Magny |
||
| 1993 | Mr. Jones | Mike Figgis | |
| Fearless | Peter Weir | ||
| 1994 | The River Wild | Curtis Hanson | Rejected score Replaced by Jerry Goldsmith |
| 1995 | A Walk in the Clouds | Alfonso Arau | Golden Globe Award for Best Original Score |
| 1996 | The Sunchaser | Michael Cimino | |
| White Squall | Ridley Scott | Rejected score Replaced by Jeff Rona & Hans Zimmer | |
| 1997 | Day and Night | Bernard-Henri Lévy | |
| 1999 | Sunshine | István Szabó | Nominated- Golden Globe Award for Best Original Score Nominated- Genie Award for Best Music Score |
2000s
| Year | Title | Director | Notes |
|---|---|---|---|
| 2000 | I Dreamed of Africa | Hugh Hudson | |
| 2001 | Uprising | Jon Avnet |
References
- McLellan, Dennis (March 31, 2009). "Maurice Jarre dies at 84; composer for 'Lawrence of Arabia'". Los Angeles Times. Retrieved March 31, 2009.
- Weber, Bruce (March 31, 2009). "Maurice Jarre, Hollywood Composer, Dies at 84". The New York Times. Retrieved March 31, 2009.
- allmusic Biography
- "Maurice Jarre". IMDb.com. Retrieved 17 September 2021.
- "Maurice Jarre at". Filmreference.com. Retrieved 2012-07-22.
- "Maurice Jarre: Information and Much More from". Answers.com. Retrieved 2012-07-22.
- Leydon, Joe (2009-03-30). "MovingPictureBlog.blogspot.com, March 30, 2009". Movingpictureblog.blogspot.com. Retrieved 2012-07-22.
- "Award Winning Musical Film Composer Maurice Jarre Dies From Cancer At 84". Archived from the original on 25 May 2011. Retrieved 17 September 2021.
- McLellan, Dennis (March 31, 2009). "Maurice Jarre dies at 84; composer for 'Lawrence of Arabia'". Los Angeles Times. Retrieved December 26, 2014.
- Weber, Bruce (March 31, 2009). "Maurice Jarre, Hollywood Composer, Dies at 84". The New York Times. Retrieved December 26, 2014.
- Stuart, Julia (22 August 2004). "Jean Michel Jarre: Smooth operator". The Independent. Archived from the original on 2022-05-12. Retrieved 8 July 2016.
- "Oscar-winning movie legend Maurice Jarre dies". Cnn.com. March 31, 2009. Retrieved 2012-07-22.
- Corliss, Richard (2009-03-30). "Obituary". Time.com. Archived from the original on April 2, 2009. Retrieved 2012-07-22.
- "Maurice Jarre - Awards". IMDb.com. Retrieved 21 September 2012.
External links
- Maurice Jarre at IMDb
- Filmography, soundtrack reviews, capsule biography
- Obituary by the Associated Press on Legacy.com
- O'Connor, Patrick (31 March 2009). "Obituary". The Guardian. London.
Authority control | |
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На других языках
[de] Maurice Jarre
Maurice-Alexis Jarre[2] (* 13. September 1924 in Lyon; † 29. März 2009 in Los Angeles, Kalifornien) war ein französischer Komponist, der vor allem für seine Filmmusik bekannt ist. Berühmt wurden insbesondere seine Kompositionen für die Filmepen von David Lean. Für sein künstlerisches Werk wurde er vielfach ausgezeichnet. Unter anderem erhielt er einen Goldenen Ehrenbären der Berlinale[3] und wurde mehrfach mit dem Oscar und dem Golden Globe ausgezeichnet. Er ist der Vater des Musikers und Musikproduzenten Jean Michel Jarre.- [en] Maurice Jarre
[es] Maurice Jarre
Maurice Jarre (Lyon, Francia, 13 de septiembre de 1924-Los Ángeles, Estados Unidos, 28 de marzo de 2009)[1] fue un compositor de bandas sonoras francés.[ru] Жарр, Морис
Морис Жарр (фр. Maurice Jarre; 13 сентября 1924 — 28 марта 2009) — французский композитор, лауреат трёх премий «Оскар» (1963, 1966 и 1985), премии «Грэмми» (1967) и четырёх премий «Золотой глобус» (1966, 1985, 1989 и 1996) за музыку к фильмам.Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
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