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"21st Century Schizoid Man" is a song by the progressive rock band King Crimson from their 1969 debut album In the Court of the Crimson King. Often regarded as the group's signature song, it has been described by sources such as Rolling Stone as "a seven-and-a-half-minute statement of purpose: rock power, jazz spontaneity, and classical precision harnessed in the service of a common aim."

This article's lead section may be too short to adequately summarize the key points. (May 2020)

"21st Century Schizoid Man"
UK single release
Song by King Crimson
from the album In the Court of the Crimson King
A-side	"Epitaph"
Released	12 October 1969 (1969-10-12) (album) 1976 (B-side)
Recorded	1 & 20–21 August 1969
Genre	Progressive rock jazz-rock heavy metal progressive metal
Length	7:24
Label	Island
Composer(s)	Robert Fripp Michael Giles Greg Lake Ian McDonald
Lyricist(s)	Peter Sinfield
Producer(s)	King Crimson

Lyrical content

The lyrics of "21st Century Schizoid Man" were written by Peter Sinfield and consist chiefly of disconnected phrases which present a series of images. All three verses follow a set pattern in presenting these images. The song criticizes the Vietnam War with the lyrics "Politicians' funeral pyre/Innocence raped with napalm fire". The line "Cat's foot, iron claw" is a reference to the French fable The Monkey and the Cat; while "death seed" in the final verse alludes what Sinfield calls the "harvest of bad things" brought about by Agent Orange. The second line is a single image, often more specific than the first two, and the third line approaches an actual sentence. The fourth and last line of each verse is the song's title.[1]

Before a live performance of the song on 15 December 1969, heard on the live album Epitaph, Robert Fripp remarked that the song was dedicated to "an American political personality whom we all know and love dearly. His name is Spiro Agnew."[2][3]

Musical structure

Clocking at nearly seven and a half minutes, the song is notable for its heavily distorted vocals, sung by Greg Lake, and its instrumental middle section, called "Mirrors". Most of the song is in either 4/4 or 6/4 time, save for the end of the song, which culminates in two bursts of noisy, abstract free jazz inspired by Duke Ellington Orchestra.[1] Fripp explained his guitar solo to Guitar Player magazine in 1974: "It's all picked down-up. The basis of the picking technique is to strike down on the on-beat and up on the off-beat. Then one must learn to reverse that. I'll generally use a downstroke on the down-beat except where I wish to accent a phrase in a particular way or create a certain kind of tension by confusing accents, in which case I might begin a run on the upstroke."[4] The song encompasses the heavy metal,[5][6] industrial,[7] jazz-rock and progressive rock genres,[8] and is considered to be an influence on the development of progressive metal.[9] The dissonant and almost atonal solo,[10] was rated number 82 in Guitar World's list of the Top 100 Greatest Guitar Solos in 2008.[11] Louder Sound ranked the solo at No. 56 in its "100 greatest guitar solos in rock" poll.[12]

Personnel

• Greg Lake – bass, lead vocals
• Ian McDonald – alto saxophone
• Robert Fripp – electric guitar
• Michael Giles – drums
• Peter Sinfield – lyrics

Covers

Japanese rock band Flower Travellin' Band covered the song on their 1970 debut album Anywhere (Flower Travellin' Band album).

Canadian rock band April Wine released a version of the song on their 1979 album Harder ... Faster.

Canadian heavy metal band Voivod released a version of the song on their 1997 album Phobos.

Belgian thrash metal band Jason Rawhead released a version of the song on their 2002 album Time.Stopped.Dead.

English heavy metal vocalist Ozzy Osbourne released a version of the song on his 2005 album Under Cover.[13]

Norwegian rock band Shining released a version of the song on their 2010 studio album Blackjazz.

Canadian rock band We Hunt Buffalo released a version of the song of their 2011 studio album We Hunt Buffalo.

British rock band Black Midi released a version of the song as a bonus track available in specific releases of their 2021 studio album Cavalcade.

Punk rock band Bad Religion paid homage by incorporating most of the song's first verse in the outro of their similarly-titled track "21st Century (Digital Boy)".

Rock band Fuzz released a version of the song as a B-side to their 2013 single "Sunderberry Dream".

Sampling

• Kanye West sampled the song on "Power", from his 2010 album My Beautiful Dark Twisted Fantasy.[14]

See also

• List of anti-war songs

References

• Buckley, Peter (2003). The Rough Guide to Rock. London: Rough Guides. ISBN 1-85828-201-2.

Notes

На других языках

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- [en] 21st Century Schizoid Man

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[es] 21st Century Schizoid Man

«21st Century Schizoid Man» es una canción del grupo de rock progresivo King Crimson, incluida en su álbum debut "In the Court of the Crimson King", de 1969.

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[ru] 21st Century Schizoid Man

21st Century Schizoid Man (в переводе с англ. — «Шизоид 21-го века») — вступительный трек с дебютного альбома 1969 года In the Court of the Crimson King британской прогрессив-рок-группы King Crimson. Песня вместе с другой композицией с того же альбома — «Epitaph» — спустя семь лет была выпущена в виде сингла.

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