"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red, released on 6 October 1974.
"Starless" | |
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Song by King Crimson | |
from the album Red | |
Released | 6 October 1974 |
Recorded | August 1974 |
Studio | Olympic, London |
Genre | |
Length | 12:18 |
Label | Island (UK & Europe), Atlantic (USA) |
Composer(s) |
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Lyricist(s) |
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Producer(s) | King Crimson |
The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album Starless and Bible Black.[3] Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album.[4][5] Instead the group chose an instrumental improvisation as the title track. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford[3]) added to it, and performed live between March and June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody.[citation needed] As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless".[3]
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The piece is 12 minutes and 18 seconds in length, the longest on the Red album. It starts with mellotron strings, electric guitar and a saxophone. These introduce a vocal segment in conventional verse-chorus structure.
The middle section of the song builds, in 13/4. Starting with John Wetton's bass, shortly after joined by Bill Bruford on percussion. Robert Fripp's guitar repeats a single note theme on two adjacent guitar strings. Bruford's drumming maintains its irregularity.
The song's final section begins with an abrupt transition to a fast, jazzy saxophone solo with distorted guitars and bass, expressive tribal drumming, and the tempo doubling up to a time signature of 13/8. Variations of the middle section's bassline are played under Fripp's layered and overdriven guitar parts. The saxophone returns to play a reprise of the vocal melody, then the final section is repeated with more overdubs from Fripp. Finally, the song ends with a reprise of the opening melody, played on the saxophone instead of the guitar.
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Recorded cover versions of Starless include those by: Neal Morse, Mike Portnoy, and Randy George;[7] Craig Armstrong, on his album As If to Nothing as "Starless II"; Banco de Gaia, on their album Memories Dreams Reflections; The Unthanks, on their 2011 album Last; the Crimson Jazz Trio, on their album King Crimson Songbook Volume One (2005).[8]
The song has been covered live by Asia, a supergroup of which John Wetton was a founding member; 21st Century Schizoid Band, a group made up of earlier members of King Crimson (save for Jakko Jakszyk, who would later join King Crimson); After Crying, a Hungarian symphonic rock band, with guest vocals by Wetton; U.K., one of whose members was once again Wetton; and District 97, yet again featuring vocals from Wetton.[9]
The Canadian band FM performed a live version of "Starless" in concert in 1977 which was captured on reel-to-reel by band member Nash the Slash, shortly after the recording their classic 1st album Black Noise[10] . It came to light as part of a rarities CD, Lost In Space[11] in 2001. It is a unique cover version as the band consisted of a non-traditional trio; Cameron Hawkins (vocals, bass, keyboards/synthesizers, bass pedals), Martin Deller (Drums & Percussion) and Nash the Slash (electric mandolin, electric violin, synthesizers).
The first part of "Starless" is used in the opening of the film Mandy (2018), starring Nicolas Cage.[12]
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