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"Apples and Oranges" is the third United Kingdom single by Pink Floyd, the final one written by Syd Barrett,[2] and released in 1967. The B-side was "Paint Box" written by Richard Wright. The song is about a girl whom the narrator meets at the supermarket. It is one of only a handful of songs by Pink Floyd which deals directly with love.

"Apples and Oranges"
Sleeve for UK promotional release; the UK retail single used a generic company sleeve
Single by Pink Floyd
B-side"Paint Box"
ReleasedNovember 1967
Recorded26 and 27 October 1967
GenrePsychedelic pop[1]
Length3:08
LabelColumbia (EMI)
Songwriter(s)Syd Barrett
Producer(s)Norman Smith
Pink Floyd singles chronology
"Flaming"
(1967)
"Apples and Oranges"
(1967)
"It Would Be So Nice"
(1968)
An Introduction to Syd Barrett track listing
18 tracks
  1. "Arnold Layne"
  2. "See Emily Play"
  3. "Apples and Oranges"
  4. "Matilda Mother"
  5. "Chapter 24"
  6. "Bike"
  7. "Terrapin"
  8. "Love You"
  9. "Dark Globe"
  10. "Here I Go"
  11. "Octopus"
  12. "She Took a Long Cool Look"
  13. "If It's In You"
  14. "Baby Lemonade"
  15. "Dominoes"
  16. "Gigolo Aunt"
  17. "Effervescing Elephant"
  18. "Bob Dylan Blues"

The song was recorded shortly before the band's US tour, on 26 and 27 October.[3]


TV performances


Pink Floyd, along with Barrett, mimed the song on their first US televised performances on The Pat Boone Show and American Bandstand. Barrett kept his lips closed during the first performance but mimed competently on the latter show, of which footage survives.[4] After Barrett was replaced by David Gilmour, the band recorded a promotional film in Belgium in a fruit market with Roger Waters lip synching, as Barrett had left the band by this point.[5]


Release


This was the group's first single that failed to break into the UK charts,[6] and their US label Tower Records issued a US-only single instead: "Flaming" b/w "The Gnome" (Tower 378). Waters blamed the single's sales performance on Norman Smith: "'Apples and Oranges' was destroyed by the production. It's a fucking good song".[6][7] When the single failed to reach the charts, Barrett's reply was that he "couldn't care less."[6][8]


Further release


Both sides of the single were mixed in stereo, but the single was issued in mono, which was very muddy and probably contributed to its lack of success. The stereo mix of "Paint Box" first appeared on the Relics compilation (1971), and both tracks appeared in stereo on the Masters of Rock compilation (1974). The other four early UK singles were issued in mono originally. "Arnold Layne", "See Emily Play", "It Would Be So Nice", and "Point Me at the Sky" only exist in mono or false stereo, while "Julia Dream" was remixed for stereo at a later time, for inclusion on Relics. Mono and stereo mixes of "Apples and Oranges" and the mono mix of "Paint Box" are included in the 40th Anniversary Deluxe Edition release of The Piper at the Gates of Dawn.[citation needed]


Reception


"It's a happy song, and it's got a touch of Christmas. It's about a girl who I saw just walking round town, in Richmond." — Syd Barrett[9]

NME hailed it as "the most psychedelic single the Pink Floyd have come up with", however, it was "pretty hard to get a hold of".[6]


Personnel



References



Bibliography



На других языках


- [en] Apples and Oranges (song)

[es] Apples and Oranges

«Apples and Oranges» es una canción del grupo inglés Pink Floyd escrita por Syd Barrett. Fue publicada como sencillo para el mercado británico el 18 de noviembre de 1967 y su lado B es la canción "Paint Box", compuesta por el teclista Richard Wright. La canción habla de una chica que se reúne con el narrador en un supermercado.

[ru] Apples and Oranges

«Apples and Oranges» (с англ. — «Яблоки и апельсины»[2]) — третий (в UK) сингл британской группы Pink Floyd и первый сингл этой группы, не попавший в чарты. Композиция «Apples and Oranges» написана Сидом Барреттом и считается последней композицией, написанной им в составе Pink Floyd. На второй стороне сингла помещена песня «Paint Box», написанная Ричардом Райтом и являющаяся его первой композиторской работой в составе Pink Floyd[3][4][5].



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