"Bloody Well Right" is a song by English rock band Supertramp from their 1974 album Crime of the Century. It appeared as the B-side of the single "Dreamer" in 1974. Listeners in the United States preferred it to the A-side, and "Bloody Well Right" became their breakthrough hit in the country, peaking at number 35 on the Billboard Hot 100.[2]
"Bloody Well Right" | ||||
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Single by Supertramp | ||||
from the album Crime of the Century | ||||
A-side | "Dreamer" | |||
Released | 1974 | |||
Recorded | 1974 | |||
Genre | Hard rock, progressive rock[1] | |||
Length | 4:32 | |||
Label | A&M | |||
Songwriter(s) | Rick Davies, Roger Hodgson | |||
Producer(s) | Supertramp, Ken Scott | |||
Supertramp singles chronology | ||||
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Crime of the Century track listing | ||||
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Official audio | ||||
"Bloody Well Right" on YouTube | ||||
Davies consciously linked the song to the album's opening track "School" with the line "So you think your schooling is phoney", helping to perpetuate the false impression that Crime of the Century is a concept album. According to Hodgson, any unifying thread beyond that was left to the listener's imagination.[3] Ultimate Classic Rock critic Nick DeRiso stated "Bloody Well Right" shares the theme with "School" of "questioning the education system."[4]
The song begins with Rick Davies playing a Wurlitzer electric piano 51-second piano solo, leading into the rest of the band joining in. There is then a guitar solo played by Roger Hodgson, making use of the wah-wah pedal, leading in the first sung word at the 1:38 mark in the song. The first verse and chorus occur with a short instrumental bridge into the second verse and second, slightly modified, chorus. The rest of the song is different variations of the chorus with a saxophone solo in the background. The song slowly fades away to the sound of the saxophone.
DeRiso rated it as Supertramp's 2nd best song, praising its "sharp anti-authoritarian streak."[4] Gary Graff of Billboard also rated it as Supertramp's 2nd best song, calling it "an angry indictment of British economic caste systems couched with hard rock, jazz and Music Hall references."[5]
This song became a staple in Supertramp concerts after its release.[citation needed] The song's length is extended live often reaching over seven minutes.[citation needed] It appears on Paris, Live '88, It Was the Best of Times, and Is Everybody Listening?.
Chart (1975) | Peak position |
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Canada Top Singles (RPM)[6] | 49 |
US Billboard Hot 100[2] | 35 |
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