"Take the Long Way Home" is the third US single and sixth track of English rock band Supertramp's 1979 album Breakfast in America. It was the last song written for the album, being penned during the nine-month recording cycle.[3] In 1980, the live version from Paris became a minor hit in various European countries.
"Take the Long Way Home" | ||||
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![]() Cover of the 1980 UK live single | ||||
Single by Supertramp | ||||
from the album Breakfast in America | ||||
B-side | "From Now On" | |||
Released | October 1979 (US)
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Recorded | 1978 | |||
Studio | The Village Recorder/Studio B, Los Angeles, California | |||
Genre | Pop[2] | |||
Length |
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Label | A&M | |||
Songwriter(s) | Roger Hodgson | |||
Producer(s) | Supertramp, Peter Henderson | |||
Supertramp singles chronology | ||||
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Official audio | ||||
"Take the Long Way Home" on YouTube | ||||
According to its composer Roger Hodgson, the song deals with how the desire to go home can go both ways:
I'm talking about not wanting to go home to the wife, take the long way home to the wife because she treats you like part of the furniture, but there's a deeper level to the song, too. I really believe we all want to find our home, find that place in us where we feel at home, and to me, home is in the heart and that is really, when we are in touch with our heart and we're living our life from our heart, then we do feel like we found our home."[4]
This was the last song composed for Breakfast in America.[5]
Billboard magazine contributor David Farrell praised the "convincing melody with a crafty hook", although he felt the music contrasted with the "pessimistic lyric about man's loss of identity in an increasingly complex world."[6] Cash Box called it "a bouncy, uptempo number, laden with pop-symphonic instrumentals, highpitched vocals and harmonies and a jaunty harmonic figure"[7] Ultimate Classic Rock critic Nick DeRiso rated it as Supertramp's 8th best song.[5] Gary Graff of Billboard rated "Take the Long Way Home" as Supertramp's 7th best song, noting its "bouncy melody awash with keyboards" and the "rich sax-and-harmonica exchange between [John] Helliwell and [Rick] Davies."[8]
The single reached number 10 on the U.S. charts[9] and number 4 in the Canadian charts.
Chart (1979–80) | Peak position |
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Canada Top Singles (RPM)[10] | 4 |
Netherlands (Single Top 100)[11] | 32 |
Germany (Official German Charts)[12] | 53 |
US Billboard Hot 100[13] | 10 |
Year-end chart (1980) | Rank |
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US Top Pop Singles (Billboard)[14] | 86 |
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