music.wikisort.org - CompositionBy Any Means Necessary is the third album by saxophonist Gary Thomas recorded in 1989 and released on the JMT label.[1][2]
1989 studio album by Gary Thomas & Seventh Quadrant
By Any Means Necessary |
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Released | 1989 |
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Recorded | May 1989 |
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Studio | RPM Sound Studios, New York City |
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Genre | Jazz |
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Length | 53:58 |
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Label | JMT JMT 834 432 |
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Producer | Stefan F. Winter |
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Reception
The AllMusic review by Scott Yanow states, "The music features dense ensembles, simultaneous improvisations, eccentric funk rhythms, and rhythmic but very dissonant horn solos that have a logic of their own. One can think of this noisy date as being an updated extension of Ornette Coleman's Prime Time and is recommended to open-minded listeners who think that nothing new has been played in jazz since the mid-'70s."[3]
Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [3] |
The Penguin Guide to Jazz Recordings |    [4] |
Track listing
All compositions by Gary Thomas except as indicated
- "By Any Means Necessary" - 7:44
- "Continuum" - 6:52
- "You're Under Arrest" (John Scofield) - 7:17
- "Potential Hazard" - 6:23
- "To the Vanishing Point" - 4:37
- "Screen Gem" - 5:02
- "Janala" (Geri Allen, Greg Osby, Gary Thomas, Naná Vasconcelos) - 2:39
- "At Risk" - 7:12
- "Out of Harm's Way" - 6:12
Personnel
- Gary Thomas - tenor saxophone, flute synthesizer
- Greg Osby - alto saxophone, synthesizer (tracks 7 & 9)
- Mick Goodrick (tracks 6 & 8), John Scofield (tracks 1, 3 & 8) - guitar
- Geri Allen, (tracks 4, 5 & 7), Tim Murphy (tracks 1-6, 8 & 9) - piano, synthesizer
- Anthony Cox - bass (tracks 1-6, 8 & 9)
- Dennis Chambers - drums (tracks 1-6, 8 & 9)
- Naná Vasconcelos - percussion (tracks 1, 2, 4-6 & 8)
References
- Peabody Institute Staff Profie: Gary Thomas Archived 2014-11-29 at the Wayback Machine, accessed November 17, 2014
- Shimada, T., JMT label discography, accessed November 14, 2014
- Yanow, S., Allmusic Review accessed November 17, 2014
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1396. ISBN 978-0-141-03401-0.
Geri Allen |
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Years given are for the recording(s), not first release, except where noted. |
Albums as leader or co-leader | |
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With Oliver Lake | |
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With others |
- Movies (Franco Ambrosetti, 1986)
- Movies Too (Franco Ambrosetti, 1988)
- The Collective (Cecil Brooks III, 1989)
- Duet in Detroit (Roy Brooks, 1989)
- Droppin' Things (Betty Carter, 1990)
- Feed the Fire (Betty Carter, 1993)
- Sound Museum: Hidden Man (Ornette Coleman, 1996)
- Sound Museum: Three Women (Ornette Coleman, 1996)
- Motherland Pulse (Steve Coleman, 1985)
- Flute Talk (Buddy Collette, 1988)
- Etudes (Charlie Haden, 1987)
- The Montreal Tapes: with Geri Allen and Paul Motian (Charlie Haden, 1989)
- The Montreal Tapes: Liberation Music Orchestra (Charlie Haden, 1989)
- Reflections in Change (Craig Handy, 1999)
- Lift Every Voice (Charles Lloyd, 2002)
- Jumping the Creek (Charles Lloyd, 2004)
- Decision in Paradise (Frank Lowe, 1984)
- Monk in Motian (Paul Motian, 1988)
- Mindgames (Greg Osby, 1988)
- Living on the Edge (Dewey Redman, 1989)
- Crunchin' (Wallace Roney, 1993)
- Munchin' (Wallace Roney, 1993)
- Bemsha Swing (Woody Shaw, 1986)
- By Any Means Necessary (Gary Thomas, 1989)
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Authority control  | |
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