music.wikisort.org - CompositionJumping the Creek is an album by jazz saxophonist Charles Lloyd, recorded in January 2004 by Lloyd with Geri Allen, Robert Hurst and Eric Harland.[1]
2005 studio album by Charles Lloyd
Jumping the Creek |
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Released | April 5, 2005 |
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Recorded | January 2004 |
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Studio | Cello Studios, Los Angeles |
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Genre | Jazz |
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Length | 73:44 |
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Label | ECM ECM 1911 |
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Producer | Charles Lloyd, Dorothy Darr, Manfred Eicher |
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Which Way is East (2004) |
Jumping the Creek (2005) |
Sangam (2006) |
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Reception
The Allmusic review by Thom Jurek awarded the album 4 stars and states "this, like Lloyd's other recordings on ECM is about emotion, feeling, and a sense of peace and serenity. Lloyd uses the rough places in his improvisations, to be sure, but it is only to make the rough places plain, limpid, utterly integrated in a serene whole. On Jumping the Creek he succeeds seamlessly and ups his own artistic ante".[2] The All About Jazz review by John Kelman stated "Jumping the Creek represents a clear highlight in a career filled with memorable milestones".[3]
Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [2] |
The Penguin Guide to Jazz Recordings |    [4] |
Track listing
- All compositions by Charles Lloyd except as indicated
- "Ne Me Quitte Pas (If You Go Away)" (Jacques Brel) - 13:29
- "Ken Katta Ma Om (Bright Sun Upon You)" - 5:45
- "Angel Oak Revisited" - 3:34
- "Canon Perdido" - 3:01
- "Jumping the Creek" - 5:57
- "The Sufi's Tears" - 3:06
- "Georgia Bright Suite: Pythagoras at Jeckyll Island/Sweet Georgia Bright" - 13:34
- "Come Sunday" (Duke Ellington) - 5:52
- "Both Veils Must Go" - 3:00
- "Song of the Inuit" - 11:26
Personnel
- Charles Lloyd - tenor saxophone, soprano saxophone, tarogato
- Geri Allen - piano
- Robert Hurst - double bass
- Eric Harland - drums
References
Charles Lloyd |
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Years given are for the recording(s), not first release, unless stated otherwise. |
As leader or co-leader | |
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With Cannonball Adderley | |
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With Chico Hamilton | |
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With The Beach Boys | |
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With others | |
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Geri Allen |
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Years given are for the recording(s), not first release, except where noted. |
Albums as leader or co-leader | |
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With Oliver Lake | |
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With others |
- Movies (Franco Ambrosetti, 1986)
- Movies Too (Franco Ambrosetti, 1988)
- The Collective (Cecil Brooks III, 1989)
- Duet in Detroit (Roy Brooks, 1989)
- Droppin' Things (Betty Carter, 1990)
- Feed the Fire (Betty Carter, 1993)
- Sound Museum: Hidden Man (Ornette Coleman, 1996)
- Sound Museum: Three Women (Ornette Coleman, 1996)
- Motherland Pulse (Steve Coleman, 1985)
- Flute Talk (Buddy Collette, 1988)
- Etudes (Charlie Haden, 1987)
- The Montreal Tapes: with Geri Allen and Paul Motian (Charlie Haden, 1989)
- The Montreal Tapes: Liberation Music Orchestra (Charlie Haden, 1989)
- Reflections in Change (Craig Handy, 1999)
- Lift Every Voice (Charles Lloyd, 2002)
- Jumping the Creek (Charles Lloyd, 2004)
- Decision in Paradise (Frank Lowe, 1984)
- Monk in Motian (Paul Motian, 1988)
- Mindgames (Greg Osby, 1988)
- Living on the Edge (Dewey Redman, 1989)
- Crunchin' (Wallace Roney, 1993)
- Munchin' (Wallace Roney, 1993)
- Bemsha Swing (Woody Shaw, 1986)
- By Any Means Necessary (Gary Thomas, 1989)
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Authority control  | |
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