music.wikisort.org - Composition

Search / Calendar

Discovery is the second studio album by French electronic music duo Daft Punk, released internationally 12 March 2001 by Virgin Records. It marks a shift from the Chicago house sound prevalent on their first studio record, Homework (1997), to a house style more heavily inspired by disco, post-disco, garage house, and R&B. Comparing their stylistic approach to their previous album, band member Thomas Bangalter described Discovery as an exploration of song structures and musical forms whereas Homework was "raw" electronic music. He also described Discovery as a reflection of the duo's childhood memories, when they listened to music with a more playful and innocent viewpoint.

Discovery
Studio album by
Daft Punk
Released12 March 2001 (2001-03-12)
Recorded1998–2000
StudioDaft House (Paris)
Genre
  • French house
  • disco
  • post-disco
Length60:50
LabelVirgin
Producer
  • Daft Punk
  • Todd Edwards
  • Romanthony
  • DJ Sneak
Daft Punk chronology
Homework
(1997)		 Discovery
(2001)		 Alive 1997
(2001)
Japanese standard release
The Japanese cover, featuring characters from Interstella 5555.
Singles from Discovery
  1. "One More Time"
    Released: 30 November 2000
  2. "Aerodynamic"
    Released: 28 March 2001
  3. "Digital Love"
    Released: 11 June 2001
  4. "Harder, Better, Faster, Stronger"
    Released: 13 October 2001
  5. "Face to Face"
    Released: 10 October 2003
  6. "Something About Us"
    Released: 14 November 2003

The album was recorded at Bangalter's home in Paris between 1998 and 2000. The album features extensive sampling; some samples are from older records, while others were recorded by Daft Punk playing live instruments themselves. Fellow electronic musicians Romanthony, Todd Edwards, and DJ Sneak collaborated on some tracks both musically and lyrically. For the album's music videos, the group developed a concept involving the merging of science fiction with the entertainment industry. Inspired by their childhood love for Japanese anime, the duo collaborated with Leiji Matsumoto to produce Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, an anime film with the entirety of Discovery as the soundtrack. The film features no dialogue, with few sound effects.

In the lead-up to Discovery's release, the duo adopted robot costumes, claiming they had become robots as a result of an accident in their studio. They also launched Daft Club, a website which featured exclusive tracks and other bonus material. Discovery was a critical and commercial success, peaking high across several charts internationally on release. Critics praised Daft Punk for innovating the house music scene as they had done with Homework. The album produced six singles; "One More Time" was its most successful, and became a club hit. In 2020, Rolling Stone included Discovery at number 236 in its updated list of "The 500 Greatest Albums of All Time".


Background


After their debut album Homework was released, Thomas Bangalter and Guy-Manuel de Homem-Christo spent most of 1997 touring on the Daftendirektour.[1][2] For the first half of 1998, the duo was focused on their own personal labels,[nb 1] while also working on the video collection D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes. In 1999 and 2000, their time was split between making music for their own labels and recording Discovery.[1] Bangalter noted that Homework influenced many other artists to mimic its sound, prompting Daft Punk to pursue a different direction to better distinguish themselves.[3]


Recording


Discovery was recorded in the duo's own studio, Daft House, located at Bangalter's home in Paris, France.[4] Daft Punk started work on the album in 1998, and produced it over the course of two years.[5] Bangalter and Homem-Christo made music together and separately, in a similar process to their debut album Homework.[1] Although they used the same equipment as they had for Homework, the duo sought to record tracks that were more concise than their previous work. For Discovery, the group used different samplers and synthesizers, including Akai MPC, E-mu SP-1200, Oberheim DMX and LinnDrum. The track "Short Circuit", which features a Sequential Circuits drum pattern,[1] was previously heard in Daft Punk's 1997 live sets.[6] For vocoders, the group used a Roland SVC-350, and a DigiTech Vocalist. Production on the album also incorporated a PC with Auto-Tune and an early version of Logic. Every track on Discovery uses a different phase shifter.[1] The album was mastered by Nilesh Patel,[4] who also had mastered Homework.[7]

One of the first tracks to come out of the Discovery sessions, "One More Time", was completed in 1998 and was left "sitting on a shelf" until its single release in 2000. After completing "Too Long" early in the album's production, Daft Punk decided that they "didn't want to do 14 more house tracks" in the way the genre is usually defined, and thus set out to incorporate a variety of styles for the record.[8][9] The album features musical contributions from Romanthony, Todd Edwards, and DJ Sneak. Homem-Christo noted that Romanthony and Edwards were two of the producers that had a big influence on Daft Punk. The duo had wanted to work with them on Homework, but found it difficult to convince them to do so since Daft Punk were still relatively unknown.[1] DJ Sneak wrote the lyrics to "Digital Love" and assisted in the song's production.[5][10]


Music



Theme


Discovery is recognized as a concept album.[11][12] It relates strongly to Daft Punk's childhood memories, incorporating their love of cinema and character.[13] Thomas Bangalter specified that the album deals with the duo's experiences growing up in the decade between 1975 and 1985, rather than it just being a tribute to the music of that period.[1] The record was designed to reflect a playful, honest and open-minded attitude toward listening to music. Bangalter compared it to the state of childhood when one does not judge or analyze music.[1] Bangalter noted the stylistic approach of the album was in contrast to that of their previous effort. "Homework [...] was a way to say to the rock kids, like, 'Electronic music is cool'. Discovery was the opposite, of saying to the electronic kids, 'Rock is cool, you know? You can like that.'"[14] He elaborated that Homework had been "a rough and raw thing" focused on sound production and texture, whereas the goal with Discovery was to explore song structures and new musical forms. This change in sound was inspired by Aphex Twin's "Windowlicker".[8]


Composition


Discovery is a departure from Daft Punk's previous house sound.[15] In his review for AllMusic, John Bush wrote that Discovery is "definitely the New York garage edition" of Homework. He added that Daft Punk produced a "glammier, poppier" sound of Eurodisco and R&B by over-embellishing their pitch-bend, and vocoder effects, including loops of divas, synth-guitars, and electric piano.[16] Stylus Magazine's Keith Gwillim asserted that it is a disco album that draws on the genre's "danceable" and "sappy" elements, including its processed vocals and "prefabricated" guitar solos.[17] Other critics also described the album as post-disco.[18][19] Retrospectively, Uproxx said the album also incorporates French house.[20]

The album's opening track, "One More Time", features heavily Auto-Tuned and compressed vocals from Romanthony.[1] The next track, "Aerodynamic", has a funk groove, halt for an electric guitar solo, and ending with a separate "spacier" electronic segment.[21] This solo, which contains guitar arpeggios, was compared to Yngwie Malmsteen by Pulse!.[22] "Digital Love" contains a solo performed by the duo using a Wurlitzer piano, vintage synthesizers and music sequencers;[21] it incorporates elements of pop,[23] new wave, jazz, funk and disco.[24] "Harder, Better, Faster, Stronger", the fourth track on the album is an electro-leaning song.[24] It is followed by "Crescendolls", an instrumental. "Nightvision" is an ambient track.[23] "Superheroes" leans toward the "acid minimalism" of Homework.[16] "High Life" is built over a "gibberish" vocal sample, and contains an organ-like section.[24] "Something About Us" is a downtempo song, with digitally processed vocals by Daft Punk and lounge rhythms.[24]

"Voyager" has guitar riffs, harp-like 80s synths, and a funky bassline.[25] "Veridis Quo" is a "faux-orchestral" synthesizer baroque song;[16] according to Angus Harrison, its title is a pun on the words "very disco".[25] "Short Circuit" is an electro-R&B song[16] with breakbeats[26] and programmed drum patterns.[1] "Face to Face" is a dance-pop song featuring vocals from Todd Edwards, and is more pop-oriented than the other tracks on Discovery.[16][25] In the context of the album, Bangalter noted that the preceding track "Short Circuit" represented the act of shutting down, and that "Face to Face" represents regaining consciousness and facing reality.[27] "Too Long", the album's closer, is a ten-minute-long electro-R&B song.[28]


Samples


A significant amount of sampling is present on the album. Rather than creating new music using only the samples, Daft Punk worked with them by writing and performing additional parts.[21] The Discovery liner notes specify permitted use of samples for four tracks on the album: Part of George Duke's "I Love You More" is featured in "Digital Love"; Edwin Birdsong's "Cola Bottle Baby" was sampled for "Harder, Better, Faster, Stronger"; The Imperials' song "Can You Imagine" is used for "Crescendolls"; Barry Manilow's "Who's Been Sleeping in My Bed" is credited for "Superheroes".[4] It has been observed that "One More Time" contains a sample of Eddie Johns' song "More Spell on You",[29] despite it being uncredited in the Discovery liner notes. The Los Angeles Times confirmed this following the breakup of Daft Punk and found that Daft Punk does pay royalties for the sample twice a year to the label, GM Musipro.[30]

Several websites list many other samples present on the album, but Bangalter has stated that half of the samples he had seen listed are not true. He also stated the sampling they do is legitimately done, not something they try to hide.[31] Bangalter elaborated that the newly recorded elements were implemented in a way that was equivalent to "creating fake samples [...] where people think there are samples from disco records or funk records."[32] Guy-Manuel de Homem-Christo estimated that half of the sampled material on Discovery was played live by the duo,[5] and emphasized that the resulting quality of the music was more important than the ego of who played which instruments.[21]


Promotion and release


Leiji Matsumoto supervised production of Interstella 5555.
Leiji Matsumoto supervised production of Interstella 5555.
See also: Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

Daft Punk initially planned to release every song on Discovery as a single, according to Orla Lee-Fisher, who was head of marketing for Virgin Records UK at the time, although this plan was eventually shelved.[33] "One More Time" was released in 2000, ahead of the album's release. The album was available on 12 March 2001,[34] with singles of "Aerodynamic", "Digital Love", "Harder, Better, Faster, Stronger", "Something About Us", and "Face to Face" launched afterward.

The ideas for the album's music videos formed during the early Discovery recording sessions.[13] The album was originally intended to be accompanied by "a live-action film with each song being a part of the film", according to Todd Edwards. The band decided instead to concentrate on an anime production.[33] Daft Punk's concept for the film involved the merging of science fiction with entertainment industry culture.[35] The duo recalled watching Japanese anime as children, including favorites such as Captain Harlock, Grendizer, and Candy Candy.[36] All three brought the album and the completed story to Tokyo in the hope of creating the film with their childhood hero, Leiji Matsumoto, who had created Captain Harlock.[36][35] After Matsumoto joined the team as visual supervisor, Shinji Shimizu had been contacted to produce the animation and Kazuhisa Takenouchi to direct the film. With the translation coordination of Tamiyuki "Spike" Sugiyama, production began in October 2000 and ended in April 2003.[35] The result of the collaboration was an anime film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, which features the entirety of Discovery as the soundtrack.[36]

Daft Punk adopted robot costumes in the lead up to Discovery's release. The group told the press they were working in their studio at 9:09 am on 9 September 1999, when their sampler exploded. They had to undergo reconstructive surgery, and, regaining consciousness, they realized they had become robots.[1][13]

Shortly before the album's release, the group launched Daft Club, a website that offered exclusive tracks and other bonus material. Every Discovery CD included a Daft Club membership card bearing a unique number that provided personalized access to the website.[1] Bangalter said this was "our way of rewarding people who buy the CD".[24] The service provided by the site ended in 2003; most of the tracks were then compiled into the remix album Daft Club.[37]


Commercial performance


The album peaked at number two in the United Kingdom[38] and France,[39] and number twenty-three in the United States.[40] The album also debuted at number two on the Canadian Albums Chart, selling 13,850 copies in the country in its first week.[41] The album was certified triple platinum in France (in 2007) for shipments denoting 600,000 copies.[42] As a result of sales, Discovery was certified Gold by the Recording Industry Association of America (RIAA) on 11 October 2010.[43]

As of May 2013, the album has sold 802,000 copies in the US.[44] The album's lead single "One More Time" was its most successful, peaking at number one on the French charts[45] and the Billboard Hot Dance Club Songs charts, and peaked within the top ten on seven other charts. It remained the group's most successful single until the release of "Get Lucky" in 2013. The album's fifth single, "Face to Face", reached number one on the Billboard Hot Dance Club Songs chart in 2004. Discovery had sold at least 2.6 million copies as of 2005.[46]


Critical reception


Professional ratings
Aggregate scores
SourceRating
Metacritic74/100[47]
Review scores
SourceRating
AllMusic[16]
Entertainment WeeklyB[48]
The Guardian[49]
Mixmag[50]
NME9/10[11]
Pitchfork6.4/10[51]
Q[52]
Rolling Stone[53]
The Rolling Stone Album Guide[54]
Spin8/10[12]
The Village VoiceC+[55]

Discovery received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 74, based on 19 reviews.[47] AllMusic's John Bush said that, with their comprehensive productions and loops of manifold elements, Daft Punk had developed a sound that was "worthy of bygone electro-pop technicians from Giorgio Moroder to Todd Rundgren to Steve Miller."[16] Q wrote that the album was vigorous and innovative in its exploration of "old questions and spent ideals", hailing it as "a towering, persuasive tour de force" that "transcends the dance label" with no shortage of ideas, humor, or "brilliance".[52] Q named Discovery one of the best 50 albums of 2001.[56]

Joshua Clover, writing in Spin, dubbed Discovery disco's "latest triumph" and said although it "flags a bit" before the end, the opening stretch of songs was on-par with albums such as Prince's Sign o' the Times (1987) and Nirvana's Nevermind (1991).[12] Stephen Dalton from NME found the record's pop art ideas enthralling and credited Daft Punk for "re-inventing the mid-'80s as the coolest pop era ever".[11] In Entertainment Weekly, Will Hermes wrote that the "beat editing and EQ wizardry" still excite after Homework, despite the newly imbued sense of humor.[48] Mixmag called it "the perfect non-pop pop album" and said Daft Punk had "altered the course of dance music for the second time".[50]

Ben Ratliff from Rolling Stone was less impressed and wrote that few songs on Discovery matched the grandiosity of "One More Time". He found most of them "muddled – not only in the spectrum between serious and jokey but in its sense of an identity."[53] In The Guardian, Alexis Petridis felt Daft Punk's attempt to "salvage" older musical references resembled Homework, but was less coherent and successful.[49] Pitchfork critic Ryan Schreiber found the "prog and disco" hybrid "relatively harmless" and said that it was not "meant to be judged on its lyrics", which he dismissed as amateurish and commonplace.[51] Robert Christgau, writing in The Village Voice, facetiously said the album may appeal to young enthusiasts of Berlin techno and computing, but it was too "French" and "spirituel" for American tastes.[55] In a retrospective review for The Rolling Stone Album Guide (2004), Douglas Wolk gave Discovery three and a half stars and wrote that "the more [Daft Punk] dumb the album down, the funkier it gets" with an emphasis on hooks over songs.[57]


Legacy


Pitchfork named Discovery the 12th-best album of 2000–04[58] and the third-best of the decade.[59] In 2021, Pitchfork included Discovery on its list of review scores they "would change if they could", upgrading its score from 6.4 to 10 out of 10. Pitchfork critic Noah Yoo wrote: "If scores are meant to indicate a work's longevity or impact, the original review is invalidated by the historic record. Daft Punk's second album, Discovery, is the centerpiece of their career, an album that transcended the robots' club roots and rippled through the decades that followed."[60]

In 2009, Rhapsody named Discovery the 12th-best album of the decade.[61] It was also named the fourth best album of the decade by Resident Advisor.[62] In 2012, Rolling Stone named Discovery the 30th-greatest EDM album.[63] Rolling Stone included it at number 236 in its 2020 "500 Greatest Albums of All Time" list.[64] The album also was included on BBC Radio 1's Masterpieces in December 2009 presented by Zane Lowe, highlighting its growing standing over the decade.[65]

Several songs were sampled by other artists. Kanye West's song "Stronger" from the album Graduation features a vocal sample of "Harder, Better, Faster, Stronger". A live performance of "Stronger" was featured at the 2008 Grammy Awards, with Daft Punk performing in their trademark pyramid structure while Kanye West was on stage rapping.[66] Wiley's song "Summertime" from the album See Clear Now features a sample of "Aerodynamic".[67] Jazmine Sullivan's song "Dream Big" from the album Fearless features a sample of "Veridis Quo".[68]


Track listing


All tracks are written by Thomas Bangalter and Guy-Manuel de Homem-Christo, except where noted.

No.TitleWriter(s)Length
1."One More Time" (featuring Romanthony)
  • Bangalter
  • de Homem-Christo
  • Anthony Moore
5:20
2."Aerodynamic" 3:27
3."Digital Love"
  • Bangalter
  • de Homem-Christo
  • Carlos Sosa
  • George Duke
4:58
4."Harder, Better, Faster, Stronger"
  • Bangalter
  • de Homem-Christo
  • Edwin Birdsong
3:45
5."Crescendolls"
  • Bangalter
  • de Homem-Christo
  • Dwight Brewster
  • Aleta Jennings
3:31
6."Nightvision" 1:44
7."Superheroes"
3:57
8."High Life" 3:22
9."Something About Us" 3:51
10."Voyager" 3:47
11."Veridis Quo" 5:44
12."Short Circuit" 3:26
13."Face to Face" (featuring Todd Edwards)
  • Bangalter
  • de Homem-Christo
  • Todd Imperatrice
3:58
14."Too Long" (featuring Romanthony)
  • Bangalter
  • de Homem-Christo
  • Moore
10:00
Total length:60:50

Personnel


Adapted from Discovery liner notes.[4]


Charts



Certifications


Region CertificationCertified units/sales
Australia (ARIA)[122] Gold 35,000^
Belgium (BEA)[123] Platinum 50,000*
Canada (Music Canada)[124] Gold 50,000^
Denmark (IFPI Danmark)[125] Platinum 20,000
France (SNEP)[126] 3× Platinum 600,000*
Germany (BVMI)[127] Gold 150,000^
Italy (FIMI)[128]
sales since 2009 		Gold 25,000
Japan (RIAJ)[129] Platinum 200,000^
Switzerland (IFPI Switzerland)[130] Gold 20,000^
United Kingdom (BPI)[131] 2× Platinum 600,000^
United States (RIAA)[132] Gold 805,000[44]
Summaries
Europe (IFPI)[133] 2× Platinum 2,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.


References



Additional notes


  1. Bangalter's label was Roulé, and de Homem-Christo's was Crydamoure.[1]

Citations


  1. Gill, Chris (1 May 2001). "Robopop: Part Man, Part Machine, All Daft Punk". Remix. Archived from the original on 3 May 2008. Retrieved 28 January 2011.
  2. Murphy, Sarah (26 September 2016). "Reddit Thinks Daft Punk Are Going to Tour in 2017". Exclaim!. Retrieved 7 October 2017. They supported Homework with the "Daftendirektour" in 1997 [...]
  3. "Daft Punk" (in French). WSound. 2001. Retrieved 28 February 2021.
  4. Discovery (liner notes). Daft Punk. Virgin Records, a division of Universal Music Group. 2001.
  5. "15 Things You Didn't Know About Daft Punk's Discovery". Ministry of Sound. 26 February 2017. Archived from the original on 6 October 2017. Retrieved 6 October 2017.
  6. Cardew, Ben. "Daft Punk Confirmed to Play Glastonbury... in 1997". Cuepoint. Medium. Retrieved 8 October 2017.
  7. Homework (liner notes). Daft Punk. Virgin Records, a division of Universal Music Group. 42609. 1997.
  8. "Daft Punk Embark on a Voyage of Discovery". MTV. Archived from the original on 27 March 2006. Retrieved 22 February 2007.
  9. Dombal, Ryan (15 May 2013). "Daft Punk: Cover Story Outtakes". Pitchfork. Archived from the original on 7 June 2013. Retrieved 15 May 2013.
  10. "DJ Sneak: French Touch Information". frenchtouchinformation.com. Archived from the original on 22 February 2018. Retrieved 14 March 2018. ...I sat back and wrote the lyrics to 'Digital Love'. [...] I also co-produced the music...
  11. Dalton, Stephen (10 March 2001). "Daft Punk: Discovery". NME. London: 31. Archived from the original on 27 March 2013. Retrieved 20 April 2013.
  12. Clover, Joshua (June 2001). "Daft Punk: Discovery". Spin. Vol. 17, no. 6. New York. p. 145. Archived from the original on 17 June 2017. Retrieved 20 April 2013.
  13. Santorelli 2014
  14. Baron, Zach (May 2013). "Daft Punk Is (Finally!) Playing at Our House". GQ. 83 (5): 76–82.
  15. Dickinson, John. "Stereo IQ: Human After All: Daft Punk's Random Access Memories". The Huffington Post. Archived from the original on 13 June 2013. Retrieved 1 June 2013.
  16. Bush, John. "Discovery – Daft Punk". AllMusic. Archived from the original on 8 April 2013. Retrieved 20 April 2013.
  17. Gwillim, Keith (1 September 2003). "Daft Punk - Discovery - Review". Stylus Magazine. Archived from the original on 29 June 2013. Retrieved 31 May 2013.
  18. "Best New Music - Daft Punk (Discovery)". CMJ New Music Monthly. No. 93. CMJ Network, Inc. 2001. p. 71. ISSN 1074-6978. Although it's only fair to credit Chicago with the post-disco dance style's paternal rights, the French [Daft Punk] have (at the very least) earned covered weekend privileges.
  19. Burgess, Andrew (12 March 2001). "Daft Punk - Discovery". musicOMH. Archived from the original on 12 May 2013. Retrieved 31 May 2013.
  20. Galbraith, Alex (14 March 2016). "We Ranked Daft Punk's 'Discovery' Track By Track 15 Years Later". Uproxx. Archived from the original on 19 March 2017. Retrieved 6 October 2017.
  21. Reesman, Bryan (1 October 2001). "Daft Punk". Mix. Archived from the original on 21 May 2006. Retrieved 9 March 2018.
  22. "We Are The Robots". Pulse!. April 2001. pp. 65–69.
  23. Jones, Chris (2007). "Daft Punk Discovery Review". BBC. Archived from the original on 9 January 2016. Retrieved 6 October 2017.
  24. "Daft Punk on Road to 'Discovery'". Billboard. 23 January 2001. Archived from the original on 22 September 2014. Retrieved 6 October 2017.
  25. Harrison, Angus (21 November 2016). "Every Daft Punk Song, Ranked—Yeah, All of Them". Noisey. Vice Media. Archived from the original on 7 October 2017. Retrieved 7 October 2017.
  26. Thompson, Jason (12 March 2001). "Daft Punk: Discovery". PopMatters. Archived from the original on 24 June 2017. Retrieved 7 October 2017.
  27. Marti, Piers (3 December 2013). "Daft Punk: The Birth of the Robots". Vice. Archived from the original on 13 January 2014. Retrieved 13 January 2014.
  28. Olivier, Bobby (31 January 2017). "Daft Punk's Albums Ranked From Worst to Best: Critic's Picks". Billboard.
  29. Wunsch, Jessica (3 January 2014). "Daft Punk Sample For 'One More Time' Was Approved". Vibe. Archived from the original on 4 November 2015. Retrieved 7 October 2017.
  30. Brown, August (6 May 2021). "A homeless L.A. musician helped create a Daft Punk classic. So why hasn't he seen a dime?". The Los Angeles Times. Retrieved 15 June 2021.
  31. "Daft Punk speak out on sample sources: 'half of this list is not true'". 13 July 2007. Archived from the original on 15 July 2007. Retrieved 18 July 2007.
  32. Nadeau, Cheyne; Nies, Jennifer (July–August 2013). "The Work of Art Is Controlling You". Anthem (29): 36–37. Archived from the original on 6 January 2014.
  33. Cardew, Ben (2021). Daft Punk's Discovery: The Future Unfurled. London: Velocity Press. p. 32. ISBN 978-1-913231-11-8.
  34. Paoletta, Michael (24 February 2001). "Virgin's Hitmakers Daft Punk Return With 'Homework' Done, Parisian Pair On Road To 'Discovery'". Billboard. p. 15. ISSN 0006-2510. Due from Virgin March 12 internationally, "Discovery" will see a U.S. release the following day.
  35. Interstella 5555 DVD insert, 2003.
  36. "Daft Punk Interview". Cartoon Network. 16 September 2007. Archived from the original on 27 June 2004. Retrieved 7 June 2008.
  37. Santorelli 2014, pp. 1904, 1923.
  38. "Daft Punk - Artist - Official Charts". UK Albums Chart. Archived from the original on 30 October 2015. Retrieved 26 August 2012.
  39. "Daft Punk - Discovery". Lescharts. Hung Medien. Archived from the original on 27 January 2016. Retrieved 30 December 2015.
  40. "Daft Punk - Chart History". Billboard. Archived from the original on 7 July 2015. Retrieved 30 July 2015.
  41. "Daft Punk crashes into Cdn. chart". Archived from the original on 7 November 2004. Retrieved 25 April 2020.
  42. "SNEP". Archived from the original on 24 December 2010. Retrieved 23 December 2009.
  43. "American album certifications – Daft Punk – Discovery". Recording Industry Association of America. Retrieved 30 December 2015.
  44. Grein, Paul (29 May 2013). "Week Ending May 26, 2013. Albums: Daft Punk Gets Lucky". Nielsen SoundScan. Yahoo! Music. Archived from the original on 14 June 2013. Retrieved 29 May 2013.
  45. "Daft Punk - One More Time". Lescharts. Hung Medien. Archived from the original on 6 March 2016. Retrieved 6 January 2016.
  46. "Daft Punk Embraces Universal Themes With Ground-Breaking New CD 'Human After All'; Duo's Third Studio Album to Hit Stores 25 March; First Single Is "Robot Rock"". PR Newswire. 26 January 2005. Archived from the original on 16 May 2011. Retrieved 14 March 2018.
  47. "Reviews for Discovery by Daft Punk". Metacritic. Archived from the original on 5 January 2013. Retrieved 20 April 2013.
  48. Hermes, Will (30 March 2001). "Discovery". Entertainment Weekly. New York (589). Archived from the original on 17 December 2014. Retrieved 20 April 2013.
  49. Petridis, Alexis (8 March 2001). "CD of the week: Daft Punk: Discovery". The Guardian. London. Friday Review section, p. 16. Archived from the original on 17 December 2014. Retrieved 20 April 2013.
  50. "Daft Punk: Discovery". Mixmag. London. 2 (119): 163. April 2001.
  51. Schreiber, Ryan (13 March 2001). "Daft Punk: Discovery". Pitchfork. Archived from the original on 20 April 2013. Retrieved 20 April 2013.
  52. "Daft Punk: Discovery". Q. London (175): 97. April 2001.
  53. Ratliff, Ben (5 March 2001). "Daft Punk: Discovery". Rolling Stone. New York. pp. 59–60. Archived from the original on 28 April 2009. Retrieved 20 April 2013.
  54. Cross, Charles R. (2004). "Daft Punk". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 207. ISBN 0-7432-0169-8.
  55. Christgau, Robert (20 November 2001). "Turkey Shoot 2001". The Village Voice. New York. Archived from the original on 5 May 2013. Retrieved 20 April 2013.
  56. "The Best 50 Albums of 2001". Q. December 2001. pp. 60–65.
  57. Wolk, Douglas (2004). "Daft Punk". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 207. ISBN 0743201698.
  58. "The Top 100 Albums of 2000-04". Pitchfork. 7 February 2005. Archived from the original on 6 October 2009. Retrieved 2 October 2009.
  59. "The Top 200 Albums of the 2000s: 20-1". Pitchfork. 2 October 2009. Archived from the original on 4 October 2009. Retrieved 2 October 2009.
  60. "Pitchfork Reviews: Rescored". Pitchfork. 5 October 2021. Retrieved 5 October 2021.
  61. "100 Best Albums of the Decade, 11-20". Rhapsody. 4 December 2009. Archived from the original on 15 December 2009. Retrieved 12 January 2010.
  62. "Top 100 albums of the '00s". Resident Advisor. 25 January 2010. Archived from the original on 14 August 2013. Retrieved 19 March 2010.
  63. Dolan, Jon; Matos, Michaelangelo (2 August 2012). "The 30 Greatest EDM Albums of All Time". Rolling Stone. Archived from the original on 5 August 2012. Retrieved 4 October 2012.
  64. "The 500 Greatest Albums of All Time". Rolling Stone. 22 September 2020. Retrieved 16 March 2021.
  65. "Zane's Masterpieces - Daft Punk: Discovery". BBC Radio 1. 3 December 2009. Archived from the original on 9 July 2013. Retrieved 6 May 2013.
  66. "Daft Punk Make Surprise Grammy Appearance with Kanye West". NME. Archived from the original on 2 April 2016. Retrieved 10 February 2008.
  67. "Grime Music Cleans Up in the Charts". The Independent. Archived from the original on 2 April 2016. Retrieved 21 August 2008.
  68. Cinquemani, Sal (21 December 2008). "Jazmine Sullivan - Fearless". Slant. Archived from the original on 12 September 2015. Retrieved 24 December 2015.
  69. "Australiancharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  70. "ARIA Dance - Week Commencing 19th March 2001 - Albums" (PDF). The ARIA Report (577): 14. Archived from the original (PDF) on 22 February 2008. Retrieved 4 July 2021 – via National Library of Australia.
  71. "Austriancharts.at – Daft Punk – Discovery" (in German). Hung Medien. Retrieved 30 May 2012.
  72. "Ultratop.be – Daft Punk – Discovery" (in Dutch). Hung Medien. Retrieved 30 May 2012.
  73. "Ultratop.be – Daft Punk – Discovery" (in French). Hung Medien. Retrieved 30 May 2012.
  74. "Daft Punk Chart History (Canadian Albums)". Billboard. Retrieved 30 May 2012.
  75. "Danishcharts.dk – Daft Punk – Discovery". Hung Medien. Retrieved 19 June 2020.
  76. "Dutchcharts.nl – Daft Punk – Discovery" (in Dutch). Hung Medien. Retrieved 19 June 2020.
  77. "Eurochart Top 100 Albums - March 31, 2001" (PDF). Music & Media. Vol. 18, no. 14. 31 March 2001. p. 20. Retrieved 7 December 2021.
  78. "Daft Punk: Discovery" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 19 June 2020.
  79. "Lescharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  80. "Offiziellecharts.de – Daft Punk – Discovery" (in German). GfK Entertainment Charts. Retrieved 12 March 2015.
  81. "Hits of the World - Greece". Billboard. Vol. 113, no. 17. 28 April 2001. p. 61. Retrieved 29 April 2021.
  82. "GFK Chart-Track Albums: Week 11, 2001". Chart-Track. IRMA. Retrieved 19 June 2020.
  83. "Italiancharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  84. "Charts.nz – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  85. "Norwegiancharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  86. "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 20 December 2020.
  87. "Hits of the World - Portugal". Billboard. Vol. 113, no. 16. 21 April 2001. p. 59. Retrieved 29 April 2021.
  88. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  89. "Swedishcharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  90. "Swisscharts.com – Daft Punk – Discovery". Hung Medien. Retrieved 30 May 2012.
  91. "Official Albums Chart Top 100". Official Charts Company. Retrieved 16 October 2017.
  92. "Daft Punk Chart History (Billboard 200)". Billboard. Retrieved 30 July 2015.
  93. "Daft Punk Chart History (Top Catalog Albums)". Billboard. Retrieved 30 May 2012.
  94. "Daft Punk Chart History (Vinyl Albums)". Billboard. Retrieved 22 May 2021.
  95. "Album Top 40 slágerlista – 2022. 4. hét" (in Hungarian). MAHASZ. Retrieved 3 February 2022.
  96. "2021 9-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. 5 March 2021. Retrieved 2 July 2021.
  97. "Daft Punk Chart History (Top Dance/Electronic Albums)". Billboard. Retrieved 22 March 2021.
  98. "ARIA Charts - End of Year Charts - Top 100 Albums 2001". Australian Recording Industry Association. Retrieved 31 January 2014.
  99. "ARIA Highest Selling Dance Albums 2001" (PDF). The ARIA Report (617): 12. Archived from the original (PDF) on 22 February 2008. Retrieved 4 July 2021 – via National Library of Australia.
  100. "Jahreshitparade 2001". austriancharts.at (in German). Hung Medien.
  101. "Jaaroverzichten 2001". Ultratop (in Dutch). Hung Medien. Retrieved 25 January 2014.
  102. "Rapports annuels 2001". Ultratop (in French). Hung Medien. Retrieved 1 February 2014.
  103. "Jaaroverzichten 2001 – Alternatieve Albums" (in Dutch). Ultratop.
  104. "Canada's Top 200 Albums of 2001 (based on sales)". Jam!. Archived from the original on 12 December 2003. Retrieved 26 March 2022.
  105. "Jaaroverzichten – Album 2001" (ASP) (in German). Retrieved 1 February 2014.
  106. "European Top 100 Albums 2001" (PDF). Music & Media. 22 December 2001. p. 15. Retrieved 27 April 2020.
  107. "Tops de l'Année - Top Albums 2001". Syndicat National de l'Édition Phonographique (in French). Retrieved 1 February 2014.
  108. "Top 100 Album-Jahrescharts – 2001" (in German). Offizielle Deutsche Charts. Retrieved 27 April 2020.
  109. "Schweizer Jahreshitparade 2001" (in German). hitpaarde.ch.
  110. "End of Year Album Chart Top 100 – 2001". Official Charts Company. Retrieved 27 April 2020.
  111. "Tops de l'Année - Top Albums 2002". Syndicat National de l'Édition Phonographique (in French). Retrieved 8 December 2020.
  112. "ARIA Australian Highest Selling Dance Albums 2008" (PDF). The ARIA Report (983): 19. Archived from the original (PDF) on 26 January 2009. Retrieved 4 July 2021 – via National Library of Australia.
  113. "ARIA Top 50 Dance Albums 2013". Australian Recording Industry Association. Retrieved 13 June 2021.
  114. "Jaaroverzichten 2013 - Mid price" (in Dutch). Ultratop. Retrieved 4 February 2021.
  115. "Rapports Annuels 2013 - Mid price" (in French). Ultratop. Retrieved 8 February 2021.
  116. "End of Year 2013" (PDF). UKChartsPlus. Retrieved 25 March 2021.
  117. "ARIA Top 50 Dance Albums 2016". Australian Recording Industry Association. Retrieved 13 June 2021.
  118. "Top Dance/Electronic Albums – Year-End 2018". Billboard. Retrieved 7 May 2021.
  119. "Top Dance/Electronic Albums – Year-End 2020". Billboard. Retrieved 6 December 2020.
  120. "Rapports Annuels 2021". Ultratop. Retrieved 14 January 2022.
  121. "Top Dance/Electronic Albums – Year-End 2021". Billboard. Retrieved 14 January 2022.
  122. "ARIA Charts – Accreditations – 2001 Albums" (PDF). Australian Recording Industry Association.
  123. "Ultratop − Goud en Platina – albums 2008". Ultratop. Hung Medien.
  124. "Canadian album certifications – Daft Punk – Discovery". Music Canada.
  125. "Danish album certifications – Daft Punk – Discovery". IFPI Danmark.
  126. "French album certifications – Daft Punk – Discovery" (in French). Syndicat National de l'Édition Phonographique.
  127. "Gold-/Platin-Datenbank (Daft Punk; 'Discovery')" (in German). Bundesverband Musikindustrie.
  128. "Italian album certifications – Daft Punk – Discovery" (in Italian). Federazione Industria Musicale Italiana. Select "2022" in the "Anno" drop-down menu. Select "Discovery" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  129. "Japanese album certifications – Daft Punk – Discovery" (in Japanese). Recording Industry Association of Japan. Retrieved 29 August 2022. Select 2002年8月 on the drop-down menu
  130. "The Official Swiss Charts and Music Community: Awards (Daft Punk; 'Discovery')". IFPI Switzerland. Hung Medien.
  131. "British album certifications – Daft Punk – Discovery". British Phonographic Industry. Retrieved 31 January 2021.
  132. "American album certifications – Daft Punk – Discovery". Recording Industry Association of America.
  133. "IFPI Platinum Europe Awards – 2014". International Federation of the Phonographic Industry. Retrieved 14 June 2018.

Bibliography



Further reading





На других языках

[de] Discovery (Daft-Punk-Album)

Discovery ist das zweite Studioalbum der französischen House-Band Daft Punk. Es erschien am 12. März 2001.
- [en] Discovery (Daft Punk album)

[es] Discovery (álbum de Daft Punk)

Discovery es el segundo álbum de estudio del dúo francés de música house Daft Punk, lanzado en marzo de 2001. Marcó un cambio en el sonido desde el Chicago house, género por el que eran conocidos, al disco, post-disco y house inspirado en el synthpop.[6]

[ru] Discovery (альбом Daft Punk)

Discovery (рус. Открытие) — второй студийный альбом французского электронного дуэта Daft Punk, выпущенный 3 марта 2001 года студией Virgin Records. Ознаменовал собой переход звучания от Чикаго-хауса, которым коллектив прославился до этого, к диско, ню-диско[2], гэридж-хаусу[3] и хаусу, вдохновлённому синтипопом. Альбом послужил саундтреком к аниме-фильму «Интерстелла 5555: История секретной звёздной системы», в создании которого приняли участие Лэйдзи Мацумото и кинокомпания Toei Animation. Видеоклипы для каждой композиции составляют единый фильм о похищении и пребывании на Земле инопланетной музыкальной группы.


Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии