First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer,[lower-alpha 1] recorded and released in 1962 by Pacific Jazz Records.[9]
| First Time Out | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1962 | |||
| Recorded | April 12 & 14, 1962 | |||
| Studio | Pacific Jazz Studios, Hollywood | |||
| Genre | Jazz | |||
| Label | Pacific Jazz PJ 52 | |||
| Producer | Richard Bock | |||
| Clare Fischer chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Atlanta Daily World | favorable[2] |
| Audio | favorable[3] |
| Down Beat | |
| Gramophone | "superlative"[5] |
| Mademoiselle | favorable[6] |
| Saturday Review | favorable[7] |
| External audio | |
|---|---|
Aside from the overwhelmingly positive response that greeted Fischer's debut, the most pervasive reaction was sheer surprise; indeed, Down Beat's 5-star review dubbed it "the biggest surprise of the year."[4] As jazz historian and critic Martin Williams observes, writing in The Saturday Review:
First Time Out is from a rather unexpected source: it is a recital by a piano trio, led by Clare Fischer, a man previously known for his arranging and composing. Fischer's piano is not 'interesting,' as an arranger's piano is apt to be. It is much more accomplished than that."[7]
While struggling to pinpoint Fischer's pianistic forebears, finding elements of both Bill Evans and Dodo Marmarosa, critic Leonard Feather echoes Williams' essential point, noting Fischer's "complete command of the keyboard; unlike Gil Evans, Tadd Dameron, and other arrangers who are secondarily pianists, he can be judged entirely by a pianistic yardstick."[10]
Gramophone's review praises "this superlative album," in part for preventing Fischer from "becoming one of the most neglected figures in jazz."[5] The Atlanta Daily World's Albert Anderson stops short of such hyperbole, but does acknowledge his own surprise:
I knew well before reviewing this record that Fischer was a composer of note. What I didn't know, though, was that he is such an outstanding pianist. However, after listening to these tracks (five of which are Fischer originals), I was tremendously impressed by his facility with a tune - He plays with mastery, melody and perhaps, too, with his audience in mind. The latter is suggested clearly in shifting moods and tempos; there is never a dull moment.[2]
All compositions by Clare Fischer except where noted.
Side 1
Side 2
| |
|---|---|
| Studio albums |
|
| Live albums | |
| Compositions |
|
| Related |
|
| Authority control |
|
|---|