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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer,[2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years,[3] would provide fertile ground for Fischer's musical explorations over the next half-century.

"Morning"
Composition by Clare Fischer
from the album Manteca!
Released1965 (1965)[1]
GenreAfro-Cuban jazz, cha-cha-chá
Length4:05
LabelPacific Jazz
Composer(s)Clare Fischer
Producer(s)Richard Bock

Form


"Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre.[4] Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of "Spring Rounds," the fourth section from Stravinsky's The Rite of Spring.[5]


Lyrics


It remains unclear exactly when Fischer's lyrics to "Morning" were written, but they were not unveiled until the debut of 2+2, the vocal group with which Fischer supplemented his fledgling Latin jazz combo, Salsa Picante, in 1980. Long before that, however, he had been upstaged, at least throughout the Spanish-speaking world, by Mexican singer José José's eponymous 1969 debut LP, which featured a "Morning" cover under the title "Una mañana" ("One morning") with Spanish lyrics written by Joaquín Prieto.[6] Head start aside, the magnitude of José's stardom all but guaranteed that any Spanish-language version supplied by the composer was doomed to obscurity, a situation still lamented by Fischer almost thirty years later.[7] Fischer's own lyrics, however, have - at least in their original language - gained some traction since their 1981 debut in Clare Fischer & Salsa Picante Present 2+2, with subsequent recordings by Lisa Rich,[8] Meredith D'Ambrosio,[9] Jeanie Bryson,[10] Dianne Reeves,[11] Alex & Nilusha,[12] and, most recently, on Roseanna Vitro's album Clarity, Music of Clare Fischer.[13] Moreover, near the end of Fischer's life, two versions of the song, one featuring the approved Spanish-language version of his lyric, the other, the Portuguese, were recorded by the Clare Fischer Voices, under the direction of the composer's son, Brent Fischer, on ...And Sometimes Instruments.[14]


Selected recordings



References


  1. "New Album Releases". Billboard. November 20, 1965. Retrieved 2013-02-04.
  2. Loza, Steven Joseph (1999). "The Salazar Perspective". Tito Puente and the Making of Latin Music. Urbana: University of Illinois Press. p. 65. ISBN 978-0-252-02332-3. Morning Clare Fischer.
  3. 'Cal Tjader Plays the Contemporary Music of Mexico and Brasil' Overview. All Music. Retrieved 2013-02-04. See also:
  4. Mauleon, Rebecca (1993). "Chapter 5: Rhythmic Styles and Structures; Salsa Standards". The Salsa Guidebook. Petaluma, CA: Sher Music Co. ISBN 978-0-9614701-9-7.
  5. Hardy, John William. "Liner notes for 'Manteca'". Pacific Jazz. November 1965.
  6. "José José - Cuidado (1969, Vinyl)". Discogs. Retrieved 18 November 2020.
  7. Clare Fischer: "'Hey! It's My Song!'" on YouTube. Retrieved 2013-02-05
  8. Ramsey, Doug. "Just One of Those Things: What makes a singer a jazz singer?". Texas Monthly. June 1985. Retrieved 2013-02-05.
  9. "South to a Warmer Place". WorldCat. Retrieved 2013-02-05.
  10. "Jeannie Bryson: Live at Warsaw Jazz Jamboree". WorldCat. Retrieved 2013-02-05.
  11. "Afro-Cuban Fantasy". WorldCat. Retrieved 2013-02-05.
  12. "Moments in time". WordCat. Retrieved 2013-02-05.
  13. Bailey, C. Michael. "Roseanna Vitro: Clarity: Music Of Clare Fischer (2014)". All About Jazz. September 29, 2014. Retrieved 2014-10-01.
  14. Loudon, Christopher. "Clare Fischer: The Clare Fischer Voices...And Sometimes Instruments". Jazz Times. March 29, 2012. Retrieved 2013-02-05.



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