music.wikisort.org - CompositionFurther Definitions is a 1962 jazz album by Benny Carter and his orchestra, rereleased on CD in 1997 coupled with his follow-up album, 1966's Additions to Further Definitions. The earlier album features an all-star octet that includes Coleman Hawkins, with whom Carter had recorded in Paris in 1937, using the same configuration of instruments: four saxophones, piano, guitar, bass, and drums.[1][2]
Compilation album
Further Definitions |
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Released | 1962, 1966 |
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Recorded | 1961, 1966 |
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Genre | Jazz |
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Length | 33:38, 37:45 |
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Label | Impulse! |
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Producer | Bob Thiele George Cates & Bob Thiele |
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Reception
Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [3] (Further Definitions) |
Down Beat |     [4] (Original Lp version) |
AllMusic |     [5] (Additions to Further Definitions) |
The Rolling Stone Jazz Record Guide |     [6] (Further Definitions) |
The Rolling Stone Jazz Record Guide |     [6] (Additions to Further Definitions) |
The Penguin Guide to Jazz Recordings |    [7] (Further Definitions) |
The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection", calling it "a good value purchase."[7]
Track listing
- Further Definitions
- "Honeysuckle Rose" (Andy Razaf–Fats Waller) – 3:50
- "The Midnight Sun Will Never Set" (Jones–Cochran–Salvador) – 3:57
- "Crazy Rhythm" (Caesar–Meyer–Kahn) – 3:23
- "Blue Star" (Carter) – 5:19
- "Cotton Tail" (Ellington) – 4:24
- "Body and Soul" (Green–Sour–Heyman–Eyton) – 4:09
- "Cherry" (Redman–Gilbert) – 4:52
- "Doozy" (Carter) – 3:32
- Additions to Further Definitions
- "Fantastic, That's You" (Cates–Greene–Thiele) – 6:11
- "Come on Back" (Carter) – 4:14
- "We Were in Love" (Carter) – 4:27
- "If Dreams Come True" (Sampson–Goodman–Mills) – 5:49
- "Prohibido" (Carter) – 3:20
- "Doozy" (Carter) – 5:33
- "Rock Bottom" (Carter) – 4:14
- "Titmouse" (Carter) – 3:02
1–8 recorded in 1961 in New York City, on 13 November (1–3, 7) and 15 November (4–6, 8).
9–16 recorded in 1966 in Los Angeles, on 2 March (9, 10–13) and 4 March (11, 14–16).
Solo Order, by Track:
- Rouse, Woods, Hawkins, Carter
- Hawkins, Katz, Carter
- Hawkins, Woods, Rouse, Carter, Katz
- Hawkins, Carter, Katz, Carter (ad-libbing)
- Hawkins, Carter, Rouse, Woods, Hawkins, Katz
- Woods, Rouse, Carter, Hawkins
- Carter (Intro), Rouse, Carter, Rouse, Woods, Hawkins
- Katz, Woods, Hawkins, Carter, Rouse, Katz
Personnel
Further Definitions
- Benny Carter – alto saxophone
- Phil Woods – alto saxophone
- Coleman Hawkins – tenor saxophone
- Charlie Rouse – tenor saxophone
- John Collins – guitar
- Dick Katz – piano
- Jimmy Garrison – bass
- Jo Jones – drums
Additions to Further Definitions
- Benny Carter – alto saxophone
- Bud Shank – alto saxophone
- Teddy Edwards – tenor saxophone
- Buddy Collette – tenor saxophone (9–10, 12–13)
- Bill Perkins – tenor saxophone (11, 14–16)
- Bill Hood – baritone saxophone
- Barney Kessel – guitar (9–10, 12–13)
- Mundell Lowe – guitar (11, 14–16)
- Don Abney – piano
- Ray Brown – bass
- Alvin Stoller – drums
Production
- Johnny Cue - engineer
- Pete Turner - photography
References
- Dance, Stanley (December 1997), "Benny Carter: Further Definitions", JazzTimes.
- Riccardo Di Filippo, "Benny Carter", Enciclopedia del Jazz. Retrieved June 7, 2019.
- Further Definitions at AllMusic
- Down Beat: April 26, 1962, vol. 29, no. 9.
- Additions to Further Definitions at AllMusic
- Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 37. ISBN 0-394-72643-X.
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 229-230. ISBN 978-0-141-03401-0.
External links
Benny Carter |
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Years given are for the recording(s), not first release. |
As leader or co-leader | |
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Songs | |
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Coleman Hawkins |
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Years given are for the recording(s), not first release, unless stated otherwise. |
Albums as leader or co-leader |
- Body and Soul (1939–56)/The Hawk in Hi Fi (1956)
- Disorder at the Border (1952)
- The Hawk Talks (1952–53)
- The Hawk Returns (released 1954)
- Timeless Jazz (1954)
- Accent on Tenor Sax (1955)
- The Hawk in Paris (1956)
- The Gilded Hawk (1956–57)
- Coleman Hawkins Encounters Ben Webster (1957)
- The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All Stars at Newport (1957)
- The Genius of Coleman Hawkins (1957)
- The Hawk Flies High (1957)
- Bean Bags (and Milt Jackson, 1958)
- Coleman Hawkins and Confrères (1958)
- Soul (1958)
- The High and Mighty Hawk (1958)
- The Saxophone Section (1958)
- Coleman Hawkins with the Red Garland Trio (1959)
- Hawk Eyes (1959)
- Coleman Hawkins All Stars (with Vic Dickenson and Joe Thomas, 1959)
- Very Saxy (and Eddie "Lockjaw" Davis, Buddy Tate, Arnett Cobb, 1959)
- At Ease with Coleman Hawkins (1960)
- Coleman Hawkins and His Orchestra (1960)
- Night Hawk (and Eddie "Lockjaw" Davis, 1960)
- The Hawk Swings (1960)
- Jazz Reunion (and Pee Wee Russell, 1961)
- The Hawk Relaxes (1961)
- Back in Bean's Bag (and Clark Terry, 1962)
- Bluesy Burrell (with Kenny Burrell, 1962)
- Coleman Hawkins Plays Make Someone Happy from Do Re Mi (1962)
- Desafinado (1962)
- Duke Ellington Meets Coleman Hawkins (1962)
- Good Old Broadway (1962)
- Hawkins! Alive! At the Village Gate (1962)
- Hawkins! Eldridge! Hodges! Alive! At the Village Gate! (1962)
- The Jazz Version of No Strings (1962)
- Today and Now (1962)
- Sonny Meets Hawk! (and Sonny Rollins, 1963)
- Wrapped Tight (1965)
- The Greatest Jazz Concert in the World (multiple leaders, 1967)
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With others |
- Further Definitions (Benny Carter, 1951)
- All the Cats Join In (Buck Clayton, 1953–56)
- Jumpin' at the Woodside (Buck Clayton, 1954–55)
- The Complete RCA Victor Recordings (Dizzy Gillespie, 1939)
- Blues Groove (Tiny Grimes, 1958)
- At Newport '63 (Lambert, Hendricks & Bavan, 1963)
- Straight Ahead (Abbey Lincoln, 1961)
- 2-3-4 (Shelly Manne, 1962)
- Monk's Music (Thelonious Monk, 1957)
- Thelonious Monk with John Coltrane (also Hawkins, 1957)
- We Insist! (Max Roach, 1960)
- Ben Webster and Associates (1959)
- Live at the Five Spot (Randy Weston, 1959)
- At Newport '63 (Joe Williams, 1963)
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Authority control  | |
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