music.wikisort.org - Composition

Highlights from Porgy and Bess, the 1935 album of George Gershwin's opera, was recorded just days after Porgy and Bess opened on Broadway on October 10, 1935. While the opera was performed by an all-African American singing cast, the 1935 album featured mostly white opera singers. Gershwin's involvement is clearly stated on the album cover, which reads "Recorded under the supervision of the composer."

Highlights from Porgy and Bess
Studio album by various
Released	1940
Recorded	October 1935
Genre	Opera
Label	Victor Records
Various chronology
Highlights from Porgy and Bess (1940) Selections from George Gershwin's folk opera Porgy and Bess (1940)

The recordings originally came on 4 twelve-inch 78 rpm shellac records. RCA Victor assigned the publishing numbers 11878 Victor, 11879 Victor, 11880 Victor and 11881 Victor to the records.

Cast

• Lawrence Tibbett (Porgy)
• Helen Jepson (Bess)
• Alexander Smallens, conductor
• Nathaniel Shilkret, conductor (for "My Man's Gone Now")

Track listing

1. "It Ain't Necessarily So" (Act 2), Victor 11878-A
2. "The Buzzard Song" (Act 2) Victor 11878-B
3. (1) Scene: "Summertime" and Crap Game, (2) A Woman is a Sometime Thing (Act 1), Victor 11879-A
4. "Bess, You Is A Woman Now" (Act 1), Victor 11879-B
5. "I Got Plenty o' Nuttin" (Act 2), Victor 11880-A
6. "Where is my Bess" (Act 3), Victor 11880-B
7. Lullaby:"Summertime and the Livin' is Easy" (Act 1), Victor 11881-A
8. "My Man's Gone Now" (Act 1), Victor 11881-B

Re-releases

Parts of this recording have been re-issued by various recording companies on compact disc.

• Lawrence Tibbett: From Broadway to Hollywood, Nimbus Records, UPC 710357788123
• Porgy and Bess (Original Cast Recordings) (1935-1942), Naxos Records, 8.110219-20

На других языках

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- [en] Highlights from Porgy and Bess

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[es] Highlights from Porgy and Bess

Highlights from Porgy and Bess es un álbum de música de 1935 que contiene la ópera de George Gershwin, titulada Porgy and Bess. Esta ópera debutó en Broadway el 10 de octubre de 1935. Mientras la ópera era interpretada por un elenco completamente afroamericano, el álbum de 1935 presentaba principalmente a cantantes de ópera de raza blanca. El involucramiento de Gershwin queda claramente señalado en la carátula del álbum, el cual señala "Grabado bajo la supervisión del compositor".

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