music.wikisort.org - CompositionThis 1956 recording based on George Gershwin's opera Porgy and Bess was the second "complete" recording of the opera after the 1951 version, and the first recording of the work to feature jazz singers and musicians instead of operatic singers and a classical orchestra.
1956 studio album by various
Porgy and Bess |
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Released | 1956 |
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Recorded | May 1956 |
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Genre | Show tunes Swing Traditional pop Vocal jazz |
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Label | Bethlehem Records |
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Russell Garcia arranged Gershwin's work for the Bethlehem Orchestra, the Duke Ellington Orchestra, the Australian Jazz Quintet, the Pat Moran Quartet and the Stan Levey Group. Mel Tormé sang the role of Porgy and Frances Faye the role of Bess. The Ellington Orchestra plays "Summertime" as the overture, but does not appear elsewhere on the album.
Originally released by Bethlehem Records in 1956 (3BP-1); reissued in the 1970s (EXLP-1). Highlights from this recording released by Bethlehem as BCP 6040 and BCP 6009. On CD: Bethlehem Records #BET6028-2 (Released 1994), Rhino Records #75828 (Released 1999).
Cast
Orchestra
- Duke Ellington Orchestra): Duke Ellington, piano; William "Cat" Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance (trumpet, violin); Quentin Jackson, John Sanders, Britt Woodman (trombone); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Jimmy Woode (bass); Sam Woodyard (drums)
- Australian Jazz Quintet: Dick Healey (alto saxophone, flute); Erroll Buddle (tenor saxophone, bassoon); Jack Brokensha (vibraphone); Bryce Rohde (piano); Jimmy Gannon (bass); Frank Capp (drums)
- Stan Levey Group: Conte Candoli, (trumpet); Frank Rosolino (trombone); Richie Kamuca (tenor saxophone); Sonny Clark (piano); Leroy Vinnegar (bass); Stan Levey (drums)
External links
Porgy and Bess |
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Sources | |
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Adaptations | |
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Creators | |
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Songs |
- "Summertime"
- "My Man's Gone Now"
- "I Got Plenty o' Nuttin'"
- "Bess, You Is My Woman Now"
- "It Ain't Necessarily So"
- "I Loves You, Porgy"
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Media | Jazz treatments | |
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Operatic treatments | |
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Discography |
Studio albums |
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
- Masterpieces by Ellington
- Ellington Uptown
- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
- Ellington Showcase
- Historically Speaking
- Duke Ellington Presents...
- The Complete Porgy and Bess
- A Drum Is a Woman
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
- Studio Sessions 1957 & 1962
- Ellington Indigos
- Black, Brown and Beige
- Duke Ellington at the Bal Masque
- The Cosmic Scene
- Happy Reunion
- Jazz Party
- Back to Back
- Side by Side
- Anatomy of a Murder
- Festival Session
- Blues in Orbit
- The Nutcracker Suite
- Piano in the Background
- Swinging Suites by Edward E. and Edward G.
- Unknown Session
- Piano in the Foreground
- The Great Summit: The Master Takes
- Paris Blues
- Featuring Paul Gonsalves
- Midnight in Paris
- Duke Ellington Meets Coleman Hawkins
- Studio Sessions, New York 1962
- Money Jungle
- Afro-Bossa
- The Symphonic Ellington
- Duke Ellington's Jazz Violin Session
- Studio Sessions New York 1963
- My People
- Ellington '65
- Duke Ellington Plays Mary Poppins
- Ellington '66
- Concert in the Virgin Islands
- The Popular Duke Ellington
- Far East Suite
- The Jaywalker
- Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
- ...And His Mother Called Him Bill
- Second Sacred Concert
- Studio Sessions New York, 1968
- Latin American Suite
- The Pianist
- New Orleans Suite
- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
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Live albums | |
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Collaborations | |
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Compositions | by Billy Strayhorn |
- "Take the "A" Train"
- "Lush Life"
- "Chelsea Bridge"
- "Something to Live For"
- "Satin Doll"
- "Blood Count"
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by Juan Tizol | |
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Orchestra members |
- Hayes Alvis
- Cat Anderson
- Ivie Anderson
- Harold Ashby
- Alice Babs
- Shorty Baker
- Butch Ballard
- Art Baron
- Aaron Bell
- Louie Bellson
- Joe Benjamin
- Barney Bigard
- Lou Blackburn
- Jimmy Blanton
- Wellman Braud
- Lawrence Brown
- Harry Carney
- Johnny Coles
- Willie Cook
- Buster Cooper
- Kay Davis
- Wild Bill Davis
- Wilbur de Paris
- Bobby Durham
- Mercer Ellington
- Rolf Ericson
- Jimmy Forrest
- Victor Gaskin
- Peter Giger
- Tyree Glenn
- Paul Gonsalves
- Sonny Greer
- Fred Guy
- Jimmy Hamilton
- Otto Hardwick
- Shelton Hemphill
- Rick Henderson
- Al Hibbler
- Johnny Hodges
- Major Holley
- Charlie Irvis
- Quentin Jackson
- Hilton Jefferson
- Herb Jeffries
- Freddie Jenkins
- Money Johnson
- Herbie Jones
- Wallace Jones
- Taft Jordan
- Al Killian
- Queen Esther Marrow
- Wendell Marshall
- Murray McEachern
- Louis Metcalf
- James "Bubber" Miley
- Harold "Geezil" Minerve
- Ray Nance
- Tricky Sam Nanton
- Oscar Pettiford
- Eddie Preston
- Russell Procope
- Junior Raglin
- Betty Roché
- Ernie Royal
- Al Sears
- Joya Sherrill
- Willie Smith
- Elmer Snowden
- Rex Stewart
- Billy Strayhorn
- Billy Taylor
- Clark Terry
- Juan Tizol
- Norris Turney
- Ben Webster
- Arthur Whetsel
- Cootie Williams
- Nelson Williams
- Skippy Williams
- Booty Wood
- Jimmy Woode
- Britt Woodman
- Sam Woodyard
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