music.wikisort.org - CompositionStudio Sessions, New York 1962 is the third volume of The Private Collection a series of recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.[1]
1987 album by Duke Ellington
Studio Sessions, New York 1962 |
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Released | 1987 |
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Recorded | July 25 and September 12 & 13, 1962. |
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Genre | Jazz |
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Label | LMR |
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Reception
The Allmusic review by Scott Yanow awarded the album 4 stars and stated "One of the strongest in The Private Collection... Recommended".[2]
Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [2] |
Track listing
:All compositions by Duke Ellington except as indicated
- "E.S.P." - 4:44
- "Blue, Too (The Shepherd)" - 4:08
- "Tune Up" - 3:25
- "Take It Slow" (Billy Strayhorn) - 2:57
- "Telstar" - 2:33
- "To Know You Is to Love You" - 2:32
- "Like Late" - 3:41
- "Major" - 4:06
- "Minor" - 1:58
- ""G" for Groove" - 4:17
- "The Lonely Ones" (Ellington, Don George) - 2:54
- "Monk's Dream" (Thelonious Monk) - 2:26
- "Frere Monk" - 2:24
- "Cordon Bleu" - 4:19
- "New Concerto for Cootie" (Ellington, Elwyn Fraser, Cootie Williams) - 2:32
- "September 12th Blues" - 5:05
- Recorded at A& R Studio, New York on July 25, 1962 (tracks 2-5 & 7-10), September 12, 1962 (tracks 1, 6 & 16), September 13, 1962 (tracks 11-15).
Personnel
- Duke Ellington – piano (tracks 1, 4, 5 & 7-16)
- Billy Strayhorn - piano (tracks 4, 5, 7 & 14)
- Ray Nance - cornet (tracks 1, 6 & 11-16)
- Cat Anderson, Bill Berry, Roy Burrowes, Cootie Williams - trumpet (tracks 1, 6, & 11-16)
- Lawrence Brown (tracks 1, 6, & 11-16), Buster Cooper, Britt Woodman (tracks 2-5, 7-10), - trombone
- Chuck Connors - bass trombone
- Jimmy Hamilton - clarinet, tenor saxophone (tracks 1, 6, & 11-16)
- Johnny Hodges - alto saxophone (tracks 1-6 & 11-16)
- Russell Procope - alto saxophone, clarinet (tracks 1, 6, & 11-16)
- Paul Gonsalves - tenor saxophone
- Harry Carney - baritone saxophone (tracks 1-6 & 11-15)
- Aaron Bell - bass
- Sam Woodyard - drums
- Milt Grayson - vocals (tracks 6 & 11)
References
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Discography |
Studio albums |
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
- Masterpieces by Ellington
- Ellington Uptown
- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
- Ellington Showcase
- Historically Speaking
- Duke Ellington Presents...
- The Complete Porgy and Bess
- A Drum Is a Woman
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
- Studio Sessions 1957 & 1962
- Ellington Indigos
- Black, Brown and Beige
- Duke Ellington at the Bal Masque
- The Cosmic Scene
- Happy Reunion
- Jazz Party
- Back to Back
- Side by Side
- Anatomy of a Murder
- Festival Session
- Blues in Orbit
- The Nutcracker Suite
- Piano in the Background
- Swinging Suites by Edward E. and Edward G.
- Unknown Session
- Piano in the Foreground
- The Great Summit: The Master Takes
- Paris Blues
- Featuring Paul Gonsalves
- Midnight in Paris
- Duke Ellington Meets Coleman Hawkins
- Studio Sessions, New York 1962
- Money Jungle
- Afro-Bossa
- The Symphonic Ellington
- Duke Ellington's Jazz Violin Session
- Studio Sessions New York 1963
- My People
- Ellington '65
- Duke Ellington Plays Mary Poppins
- Ellington '66
- Concert in the Virgin Islands
- The Popular Duke Ellington
- Far East Suite
- The Jaywalker
- Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
- ...And His Mother Called Him Bill
- Second Sacred Concert
- Studio Sessions New York, 1968
- Latin American Suite
- The Pianist
- New Orleans Suite
- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
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Live albums | |
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Collaborations | |
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Compositions | by Billy Strayhorn |
- "Take the "A" Train"
- "Lush Life"
- "Chelsea Bridge"
- "Something to Live For"
- "Satin Doll"
- "Blood Count"
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by Juan Tizol | |
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Orchestra members |
- Hayes Alvis
- Cat Anderson
- Ivie Anderson
- Harold Ashby
- Alice Babs
- Shorty Baker
- Butch Ballard
- Art Baron
- Aaron Bell
- Louie Bellson
- Joe Benjamin
- Barney Bigard
- Lou Blackburn
- Jimmy Blanton
- Wellman Braud
- Lawrence Brown
- Harry Carney
- Johnny Coles
- Willie Cook
- Buster Cooper
- Kay Davis
- Wild Bill Davis
- Wilbur de Paris
- Bobby Durham
- Mercer Ellington
- Rolf Ericson
- Jimmy Forrest
- Victor Gaskin
- Peter Giger
- Tyree Glenn
- Paul Gonsalves
- Sonny Greer
- Fred Guy
- Jimmy Hamilton
- Otto Hardwick
- Shelton Hemphill
- Rick Henderson
- Al Hibbler
- Johnny Hodges
- Major Holley
- Charlie Irvis
- Quentin Jackson
- Hilton Jefferson
- Herb Jeffries
- Freddie Jenkins
- Money Johnson
- Herbie Jones
- Wallace Jones
- Taft Jordan
- Al Killian
- Queen Esther Marrow
- Wendell Marshall
- Murray McEachern
- Louis Metcalf
- James "Bubber" Miley
- Harold "Geezil" Minerve
- Ray Nance
- Tricky Sam Nanton
- Oscar Pettiford
- Eddie Preston
- Russell Procope
- Junior Raglin
- Betty Roché
- Ernie Royal
- Al Sears
- Joya Sherrill
- Willie Smith
- Elmer Snowden
- Rex Stewart
- Billy Strayhorn
- Billy Taylor
- Clark Terry
- Juan Tizol
- Norris Turney
- Ben Webster
- Arthur Whetsel
- Cootie Williams
- Nelson Williams
- Skippy Williams
- Booty Wood
- Jimmy Woode
- Britt Woodman
- Sam Woodyard
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Related | |
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