music.wikisort.org - CompositionHow Deep, How High, is an album by saxophonist Warne Marsh and pianist Sal Mosca recorded in concert in 1976 and studio in 1979 and released on the Interplay label.[1][2][3]
1980 studio album / Live album by Warne Marsh and Sal Mosca
How Deep, How High |
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Released | 1980 |
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Recorded | April 25, 1976, May 2, 1979 and August 8, 1979 |
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Venue | Sarah Lawrence College, NY |
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Studio | Sal Mosca Studio, Mt. Vernon, NY |
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Genre | Jazz |
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Length | 31:41 |
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Label | Interplay IP-7725 |
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Producer | Toshiya Taenaka |
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Reception
Professional ratingsReview scores |
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Source | Rating |
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The Rolling Stone Jazz Record Guide |     [4] |
Allmusic |     [5] |
The Rolling Stone Jazz Record Guide commented: "How Deep, How High reunites Marsh with another Tristano student, pianist Sal Mosca, for a re-examination of academic roots. The dedication to a fluid, melodic concept remains intact, but gone is the strict adherence to a lightly colored tone".[4] The Allmusic review states "The music ranges from introspective to more driving, but it swings throughout, and Marsh's solos are always intriguing".[5]
Track listing
All compositions by Warne Marsh except where noted
- "The Hard Way" (Sal Mosca) – 4:03
- "Noteworthy" – 4:21
- "Finishing Touch" (Mosca) – 3:41
- "How Deep, How High" – 4:30
- "Background Music" – 7:01
- "She's Funny That Way" (Neil Moret, Richard A. Whiting) – 8:05
- Recorded at Sarah Lawrence College, Bronxville, NY on April 25, 1976 (tracks 5 & 6) and at Sal Mosca's Studio in Mount Vernon, NY on May 2, 1979 (tracks 1 & 2) and August 8, 1979 (tracks 3 & 4)
Personnel
- Warne Marsh – tenor saxophone
- Sal Mosca – piano
- Sam Jones – bass (tracks 5 & 6)
- Roy Haynes – drums (tracks 5 & 6)
References
Warne Marsh |
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Years given are for the recording(s), not first release. |
As leader or co-leader |
- Live in Hollywood (1952)
- Lee Konitz with Warne Marsh (1955)
- Jazz of Two Cities (1956)
- Art Pepper with Warne Marsh (1957)
- Music for Prancing (1957)
- The Right Combination (and Joe Albany, 1957)
- Warne Marsh (1957–58)
- The Art of Improvising (1959)/Live at the Half Note (Lee Konitz, 1959)
- Ne Plus Ultra (1969)
- Report of the 1st Annual Symposium on Relaxed Improvisation (Clare Fischer, Gary Foster, 1972)
- The Unissued 1975 Copenhagen Studio Recordings (December 28, 1975)
- The Unissued Copenhagen Studio Recordings (December 29, 1975)
- Warne Marsh Quintet: Jazz Exchange Vol. 1 (and Lee Konitz, 1975)
- Live at the Montmartre Club: Jazz Exchange Vol. 2 (and Lee Konitz, 1975)
- Warne Marsh Lee Konitz: Jazz Exchange Vol. 3 (and Lee Konitz, 1975)
- All Music (1976)
- Lee Konitz Meets Warne Marsh Again (1976)
- Tenor Gladness (and Lew Tabackin, 1976)
- Warne Out (1977)
- Apogee (and Pete Christlieb, 1978)
- Conversations with Warne Volume 1 (and Pete Christlieb, 1978)
- Conversations with Warne Volume 2 (and Pete Christlieb, 1978)
- How Deep, How High (and Sal Mosca, 1976–79)
- I Remember You... (and Karin Krog, Red Mitchell, 1980)
- Star Highs (1982)
- A Ballad Album (1983)
- Ballad for You (and Susan Chen, 1985)
- Posthumous/Newly Warne (1985)
- Warne Marsh & Susan Chen (1985–86)
- Back Home (1986)
- Two Days in the Life of... (1987)
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With others | |
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Authority control  | |
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