music.wikisort.org - CompositionNe Plus Ultra, is an album by saxophonist Warne Marsh recorded in 1969 and originally released on the Revelation label in 1970 before being rereleased on CD the Swiss HatOLOGY label in 2006 with a bonus track.[1][2]
For the Latin term, see ne plus ultra.
1970 studio album by Warne Marsh
Ne Plus Ultra |
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Released | 1970 |
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Recorded | September 14 & October 25, 1969 |
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Venue | Herrick Chapel Lounge, Occidental College, LA |
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Genre | Jazz |
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Length | 45:15 |
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Label | Revelation REV 12 |
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Producer | John William Hardy |
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Reception
Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [3] |
The Guardian |     [4] |
All About Jazz |     [5] |
The Penguin Guide to Jazz Recordings |    [6] |
The Allmusic review noted "This was tenor saxophonist Warne Marsh's first recording as a leader since 1960. ... A strong all-around CD reissue".[3] The Guardian's John Fordham rated the album 4 stars out of 5, saying, "A largely unsung classic, originally released in 1969, and featuring the most purist of all the followers of Cool School guru Lennie Tristano's ascetically linear method of jazz improvising. West Coast saxophonist Warne Marsh (like all the Tristanoites) liked staying in a narrow dynamic range, but within it he could perform miracles of melodic invention and rhythmic audacity – though almost always performing the latter over a metronomically steady drummer's groove".[4] Writing for All About Jazz, Nic Jones stated "The passing of time has done nothing to reduce the singularity of Warne Marsh's art, and this set, recorded at the end of the 1960s, is an excellent working definition".[5]
Track listing
- "You Stepped Out of a Dream" (Nacio Herb Brown, Gus Kahn) – 9:03
- "Lennie's Pennies" (Lennie Tristano) – 4:21
- "317 East 32nd Street" (Tristano) – 8:15
- "Subconscious-Lee" (Lee Konitz) – 7:15
- "Touch and Go" (Warne Marsh) – 15:22
- "Bach 2 Part Invention No. 13" (Johann Sebastian Bach) – 0:59 Bonus track on CD reissue
Personnel
- Warne Marsh – tenor saxophone
- Gary Foster – alto saxophone
- Dave Parlato – bass
- John Tirabasso – drums
References
Warne Marsh |
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Years given are for the recording(s), not first release. |
As leader or co-leader |
- Live in Hollywood (1952)
- Lee Konitz with Warne Marsh (1955)
- Jazz of Two Cities (1956)
- Art Pepper with Warne Marsh (1957)
- Music for Prancing (1957)
- The Right Combination (and Joe Albany, 1957)
- Warne Marsh (1957–58)
- The Art of Improvising (1959)/Live at the Half Note (Lee Konitz, 1959)
- Ne Plus Ultra (1969)
- Report of the 1st Annual Symposium on Relaxed Improvisation (Clare Fischer, Gary Foster, 1972)
- The Unissued 1975 Copenhagen Studio Recordings (December 28, 1975)
- The Unissued Copenhagen Studio Recordings (December 29, 1975)
- Warne Marsh Quintet: Jazz Exchange Vol. 1 (and Lee Konitz, 1975)
- Live at the Montmartre Club: Jazz Exchange Vol. 2 (and Lee Konitz, 1975)
- Warne Marsh Lee Konitz: Jazz Exchange Vol. 3 (and Lee Konitz, 1975)
- All Music (1976)
- Lee Konitz Meets Warne Marsh Again (1976)
- Tenor Gladness (and Lew Tabackin, 1976)
- Warne Out (1977)
- Apogee (and Pete Christlieb, 1978)
- Conversations with Warne Volume 1 (and Pete Christlieb, 1978)
- Conversations with Warne Volume 2 (and Pete Christlieb, 1978)
- How Deep, How High (and Sal Mosca, 1976–79)
- I Remember You... (and Karin Krog, Red Mitchell, 1980)
- Star Highs (1982)
- A Ballad Album (1983)
- Ballad for You (and Susan Chen, 1985)
- Posthumous/Newly Warne (1985)
- Warne Marsh & Susan Chen (1985–86)
- Back Home (1986)
- Two Days in the Life of... (1987)
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With others | |
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