music.wikisort.org - CompositionIt's Got to Be Funky is an album by jazz pianist Horace Silver, his first release on the Columbia label since Silver's Blue (1956), featuring performances by Silver with Oscar Brashear, Ron Stout, Bob Summers, Bob McChesney, Maurice Spears, Suzette Moriarty, Eddie Harris, Branford Marsalis, Red Holloway, Bob Maize, and Carl Burnett, with vocals by Andy Bey.[2] The Allmusic review by Scott Yanow awarded the album 4 stars and states: "After a 13-year period in which he mostly recorded for his private Silveto label, pianist/composer Horace Silver was rediscovered by Columbia for this session... All of the music (except for a remake of "Song for My Father") was new and served as proof that the master of jazz-funk had not lost his stuff".[3]
1993 studio album by Horace Silver
It's Got to Be Funky |
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Released | 1993 |
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Recorded | February 8 & 9, 1993 |
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Genre | Jazz |
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Label | Columbia |
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Producer | Horace Silver |
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Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [1] |
Track listing
- All compositions and lyrics by Horace Silver
- "Funky Bunky" - 7:31
- "Dufus Rufus" - 5:34
- "The Lunceford Legacy" - 7:03
- "The Hillbilly Bebopper" - 5:28
- "The Walk Around - Look up and Down Song" - 5:55
- "It's Got to Be Funky" - 6:45
- "Basically Blue" - 6:27
- "Song for My Father" - 8:33
- "When You're in Love" - 4:30
- "Put Me in the Basement" - 7:19
- "Little Mama" - 7:04
- "Yo' Mama's Mambo" - 3:37
- Recorded in NYC on February 8 & 9, 1993.
Personnel
- Horace Silver - piano
- Oscar Brashear, Ron Stout, Bob Summers - trumpet, flugelhorn
- Bob McChesney - trombone
- Maurice Spears - bass trombone
- Suzette Moriarty - french horn
- Eddie Harris, Branford Marsalis - tenor saxophone
- Red Holloway - tenor saxophone alto saxophone
- Bob Maize - bass
- Carl Burnett - drums
- Andy Bey - vocals
References
Horace Silver |
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Years indicated are for the recording(s), not first release. |
Blue Note albums | |
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Albums released on other labels | |
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Art Blakey/The Jazz Messengers | |
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With others |
- Introducing Nat Adderley (1955)
- Love and Peace: A Tribute to Horace Silver (Dee Dee Bridgewater, 1994)
- Byrd's Eye View (Donald Byrd, 1955)
- Whims of Chambers (Paul Chambers, 1956)
- Bohemia After Dark (Kenny Clarke, 1955)
- Al Cohn's Tones (Al Cohn, 1950)
- Miles Davis, Volume 3 (1954)
- Miles Davis Quartet/Blue Haze/Miles Davis Quintet/
Miles Davis All-Star Sextet/Walkin' (1953/54)
- Miles Davis with Sonny Rollins/Bags' Groove (1954)
- Quartet/Quintet/Sextet (Lou Donaldson, 1952)
- Afro-Cuban (Kenny Dorham, 1955)
- The Art Farmer Septet (1953–54)
- When Farmer Met Gryce (Art Farmer/Gigi Gryce, 1955)
- The Complete Roost Recordings (Stan Getz, 1950–51)
- Nica's Tempo (Gigi Gryce, 1955)
- Disorder at the Border (Coleman Hawkins, 1952)
- Milt Jackson Quartet (1955)
- Plenty, Plenty Soul (Milt Jackson, 1957)
- The Eminent Jay Jay Johnson Volume 2 (J.J. Johnson, 1955)
- Blowing in from Chicago (Clifford Jordan & John Gilmore, 1957)
- Hank Mobley Quartet (1955)
- Hank Mobley Sextet (1956)
- Hank Mobley and His All Stars (1957)
- Hank Mobley Quintet (1957)
- J. R. Monterose (1956)
- Lee Morgan Indeed! (1956)
- Lee Morgan Sextet (1956)
- Sonny Rollins, Vol. 2 (1957)
- Clark Terry (1955)
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Selected singles | |
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Discography |
Authority control  | |
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