music.wikisort.org - CompositionMiles Davis with Sonny Rollins (PRLP 187) is a 1954 10 inch LP album by Miles Davis, released by Prestige Records.[2][3] The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.[4]
1954 studio album by Miles Davis
Miles Davis with Sonny Rollins |
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Released | 1954 |
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Recorded | June 29, 1954 |
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Studio | Van Gelder (Hackensack) |
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Genre | Jazz |
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Length | 20:55 |
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Label | Prestige |
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Producer | Bob Weinstock |
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Source | Rating |
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The Encyclopedia of Popular Music |     [1] |
The album showcases the musical and compositional abilities of Sonny Rollins, who was Davis' favoured saxophonist at this point in his career. Three of the four tunes were Sonny Rollins originals, and would go on to become regular parts of both Davis' and Rollins' live sets. In his autobiography, Davis says that Rollins was writing the music on scraps of paper in the studio during the recording session. Davis also states the cover of Gershwin's "But Not for Me" was an early example of himself being influenced by the spacing and lyricism of the pianist Ahmad Jamal.[5]
After the 10" LP format was discontinued, all four tracks, along with the alternate take, were included on side 2 of the 12" album Bags' Groove (PRLP 7109).
Track listing
Side oneTitle | Writer(s) |
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1. | "Airegin" | Sonny Rollins | 5:01 |
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2. | "Oleo" | Sonny Rollins | 5:14 |
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Personnel
References
- Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
- Miles Davis with Sonny Rollins, the Jazz Discography Project, accessed May 27, 2014.
- Miles Davis with Sonny Rollins, Miles Ahead: A Miles Davis Website, accessed May 27, 2014.
- June 29, 1954 Session Details, Miles Ahead: A Miles Davis Website, accessed May 27, 2014.
- "Miles: the Autobiography", Miles Davis with Quincy Troupe, 1989, p. 178.
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Discography |
Studio albums | Prestige era | |
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Columbia era | |
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Warner Bros. era | |
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Soundtracks | |
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Live recordings | |
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Compilations | |
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Box sets | |
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Remix albums | |
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Compositions | |
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Related articles | |
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Category
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Years indicated are for the recording(s), not first release. |
Blue Note albums | |
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Albums released on other labels | |
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Art Blakey/The Jazz Messengers | |
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With others |
- Introducing Nat Adderley (1955)
- Love and Peace: A Tribute to Horace Silver (Dee Dee Bridgewater, 1994)
- Byrd's Eye View (Donald Byrd, 1955)
- Whims of Chambers (Paul Chambers, 1956)
- Bohemia After Dark (Kenny Clarke, 1955)
- Al Cohn's Tones (Al Cohn, 1950)
- Miles Davis, Volume 3 (1954)
- Miles Davis Quartet/Blue Haze/Miles Davis Quintet/
Miles Davis All-Star Sextet/Walkin' (1953/54)
- Miles Davis with Sonny Rollins/Bags' Groove (1954)
- Quartet/Quintet/Sextet (Lou Donaldson, 1952)
- Afro-Cuban (Kenny Dorham, 1955)
- The Art Farmer Septet (1953–54)
- When Farmer Met Gryce (Art Farmer/Gigi Gryce, 1955)
- The Complete Roost Recordings (Stan Getz, 1950–51)
- Nica's Tempo (Gigi Gryce, 1955)
- Disorder at the Border (Coleman Hawkins, 1952)
- Milt Jackson Quartet (1955)
- Plenty, Plenty Soul (Milt Jackson, 1957)
- The Eminent Jay Jay Johnson Volume 2 (J.J. Johnson, 1955)
- Blowing in from Chicago (Clifford Jordan & John Gilmore, 1957)
- Hank Mobley Quartet (1955)
- Hank Mobley Sextet (1956)
- Hank Mobley and His All Stars (1957)
- Hank Mobley Quintet (1957)
- J. R. Monterose (1956)
- Lee Morgan Indeed! (1956)
- Lee Morgan Sextet (1956)
- Sonny Rollins, Vol. 2 (1957)
- Clark Terry (1955)
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Selected singles | |
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Discography |
Authority control  | |
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