music.wikisort.org - CompositionThe Eminent Jay Jay Johnson, Vol. 2 (aka The Eminent Jay Jay Johnson a.k.a. Jay Jay Johnson Quintet, Vol. 2) is the title of a 1954 Blue Note Records recording by American jazz trombonist J. J. Johnson. It is also the title used by Blue Note for two different-but-related compilation/re-issues from 1955 (12 inch LP) and 1989 (CD).[1]
1954 studio album by J. J. Johnson
The Eminent Jay Jay Johnson, Vol. 2 |
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Released | 1954; 1955 (12 inch LP); 1989 (CD) |
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Recorded | September 24, 1954 (for later compilations add June 6, 1955; June 22, 1953) WOR Studios, NYC and Van Gelder Studio, Hackensack, NJ |
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Genre | Jazz |
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Label | Blue Note |
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Jay and Kai (Savoy) (1954) |
The Eminent Jay Jay Johnson, Vol. 2 (1954) |
An Afternoon at Birdland (1954) |
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 The Eminent Jay Jay Johnson, Volume 2 |
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Reception
Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [2] |
The Penguin Guide to Jazz |     (Crown award)[3] |
The Allmusic review by Stephen Cook stated: "J.J. Johnson's Blue Note sides from the first half of the '50s represent some of the best bop of the day. And for listeners interested in just picking up one of the trombonist's early dates, this second installment of his Eminent J.J. Johnson series is the one to get... a bop classic".[2] The Penguin Guide to Jazz included both reissue volumes of The Eminent Jay Jay Johnson in its "Core Collection," and assigned its "crown" accolade, along with a four-star rating (of a possible four stars), to both albums.[3]
Release history
This album was originally released as the second of three Jay Jay Johnson albums in Blue Note's 10-inch Modern Jazz 5000 Series (BLP 5057, The Eminent Jay Jay Johnson, Vol. 2). The previous 10 inch LP release was BLP 5028, Jay Jay Johnson with Clifford Brown and the third 10-inch LP release was BLP 5070, The Eminent Jay Jay Johnson, Vol. 3. When reissued in 1955 as part of Blue Note's 12-inch 1500 series of LPs, the tracks from the three 10 inch releases were spread across two compilation albums, The Eminent Jay Jay Johnson, Volume 1 (BLP 1505) and The Eminent Jay Jay Johnson, Volume 2 (BLP 1506). The 12 inch ...Volume 1 compilation included 10 of the original 12 tracks from the first two 10 inch albums while the 12 inch ...Volume 2 release included all 6 tracks from the 10 inch ...Vol. 3 album and one track each from the first two 10 inch albums - together with two 'alternate take' bonus tracks from the 1953 ...with Clifford Brown recording session.[4] The CD ...Volume 1 and ...Volume 2 releases re-shuffled the previous material again and included additional 'alternate takes' as bonus tracks from the original 1953 and 1955 recording sessions.[5]
Track listing
- All compositions by J. J. Johnson except as indicated
1954 (10 inch LP) BLP 5057 - The Eminent Jay Jay Johnson, Vol. 2:
- Side 'A'
- "Jay" – 3:42
- "Time After Time" (Sammy Cahn, Jule Styne) – 4:13
- "Old Devil Moon" (E. Y. Harburg, Burton Lane) – 3:52
- Side 'B'
- "Too Marvelous for Words" (Johnny Mercer, Richard A. Whiting) – 3:35
- "It's You or No One" (Cahn, Styne) – 4:06
- "Coffee Pot" – 4:08
1955 (12 inch LP) BLP 1506 - The Eminent Jay Jay Johnson, Volume 2:
- Side 'A'
- "'Daylie' Double" – 4:27
- "Pennies from Heaven" (Johnny Burke, Arthur Johnston) – 4:18
- "You're Mine, You" (Johnny Green, Edward Heyman) – 3:07
- "Turnpike" [alt. take] – 4:10
- "It Could Happen To You" (Johnny Burke, Jimmy Van Heusen) – 4:42
- Side 'B'
- "Groovin'" – 4:40
- "Portrait of Jennie" (Gordon Burdge, J. Russel Robinson) – 2:56
- "Viscosity" – 4:21
- "Time After Time" (Cahn, Styne) – 4:13
- "Capri" [alt. take] – 3:47
2001 (CD) UPC 724353214425 - The Eminent Jay Jay Johnson, Volume 2:
- "Too Marvelous for Words" (Mercer, Whiting) – 3:35
- "Jay" – 3:42
- "Old Devil Moon" (Harburg, Lane) – 3:52
- "It's You or No One" (Cahn, Styne) – 4:06
- "Time After Time" (Cahn, Styne) – 4:13
- "Coffee Pot" – 4:08
- "Pennies from Heaven (Burke, Johnston) – 4:18
- "Viscosity" – 4:21
- "You're Mine, You" (Green, Heyman) – 3:07
- "Daylie Double" – 4:27
- "Groovin'" – 4:40
- "Portrait of Jennie" (Burdge, Robinson) – 2:56
- "Pennies from Heaven" [alt. take] – 4:25
- "Viscosity" [alt. take] – 4:21
- "'Daylie Double'" [alt. take] – 4:38
The 1989/1997 Blue Note CD releases (CDP 7 81506 2, The Eminent Jay Jay Johnson, Volume 2) contain the same tracks as the 2001 CD, arranged chronologically by recording session date.
Personnel
1953 June 22 recording session ("Turnpike", "Capri", "It Could Happen To You")
- J.J. Johnson – trombone
- Clifford Brown – trumpet (except "It Could Happen To You")
- Jimmy Heath – tenor saxophone, baritone saxophone (except "It Could Happen To You")
- John Lewis – piano
- Percy Heath – bass
- Kenny Clarke – drums
1954 September 24 recording session ("Jay", "Time After Time", "Old Devil Moon", "Too Marvelous For Words", "It's You Or No One", "Coffee Pot")
- J.J. Johnson – trombone
- Wynton Kelly – piano
- Charles Mingus – bass
- Kenny Clarke – drums
- Sabu Martinez – congas (except "It's You or No One" and "Time After Time")
1955 June 6 recording session ("'Daylie' Double", "You're Mine, You", "Pennies From Heaven", "Groovin'", "Viscosity", "Portrait of Jennie")
- J.J. Johnson – trombone
- Hank Mobley – tenor saxophone
- Horace Silver – piano
- Paul Chambers – bass
- Kenny Clarke – drums
References
- Blue Note discography accessed September 28, 2010
- Cook, S. Allmusic Review accessed September 14, 2010
- Cook, Richard; Brian Morton (2008). The Penguin Guide to Jazz Recordings (9th ed.). New York: Penguin. p. 786. ISBN 0-14-103401-7.
- Cook, Richard (2004) Blue Note Records: the biography Justin, Charles & Co., pp. 241–244.
- Blue Note Records discography accessed September 28, 2010
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Years indicated are for the recording(s), not first release (except for the film scores) |
As leader or co-leader | |
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With Kai Winding | |
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Albums as sideman or arranger/ composer |
- Julian "Cannonball" Adderley (1955)
- Sayin' Somethin' (Nat Adderley, 1966)
- The Soul of the City (Manny Albam, 1966)
- Basie Jam (Count Basie, 1973)
- The Bosses (Count Basie/"Big Joe" Turner, 1973)
- Night Song (Kenny Burrell, 1969)
- I'm Tryin' to Get Home (Donald Byrd, 1964)
- New York Slick (Ron Carter, 1979)
- Birth of the Cool (Miles Davis, 1949–50)
- Young Man with a Horn/Miles Davis Volume 1/Miles Davis Volume 2 (1952)
- Summertime (Paul Desmond, 1968)
- Afro-Cuban (Kenny Dorham, 1955)
- At the Opera House (Ella Fitzgerald, 1957)
- The Complete RCA Victor Recordings (Dizzy Gillespie, 1949)
- Dee Gee Days: The Savoy Sessions (Dizzy Gillespie, 1951)
- Afro (Dizzy Gillespie, 1954)
- Dizzy and Strings (Dizzy Gillespie, 1954)
- Perceptions (Dizzy Gillespie, a/c only, 1960)
- The Modern Touch (Benny Golson, 1957)
- The Hawk Flies High (Coleman Hawkins, 1957)
- Lady in Satin (Billie Holiday, 1958)
- And Then Again (Elvin Jones, 1965)
- The Modern Jazz Society Presents a Concert of Contemporary Music (John Lewis, 1955)
- The Big Band (Jimmy McGriff, 1966)
- Happenings (Hank Jones & Oliver Nelson, 1966)
- Encyclopedia of Jazz (Oliver Nelson, 1965–66)
- Nine Flags (Chico O'Farrill, 1966)
- Charlie Parker on Dial (1947)
- Sonny Rollins, Vol. 2 (1957)
- Alfie (Sonny Rollins, 1966)
- Carnival of the Spirits (Moacir Santos, 1975)
- New Fantasy (Lalo Schifrin, 1964)
- Once a Thief and Other Themes (Lalo Schifrin, 1965)
- The Cape Verdean Blues (Horace Silver, 1965)
- Sonny Stitt Plays Arrangements from the Pen of Quincy Jones (1955)
- The Matadors Meet the Bull (Sonny Stitt, 1965)
- What's New!!! (Sonny Stitt, 1966)
- Joyride (Stanley Turrentine, 1965)
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Film scores | |
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Discography |
Hank Mobley |
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Year(s) indicated are for the recording(s), not first release, except for the compilation section |
As leader or co-leader | |
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With others |
- At the Cafe Bohemia, Vol. 1 (Art Blakey/The Jazz Messengers, 1955)
- At the Cafe Bohemia, Vol. 2 (Art Blakey/The Jazz Messengers, 1955)
- The Jazz Messengers (Art Blakey, 1956)
- Originally (Art Blakey/The Jazz Messengers, 1956 [1982])
- At the Jazz Corner of the World (Art Blakey/The Jazz Messengers, 1959)
- All Night Long (Kenny Burrell, 1956)
- K.B. Blues (1957 [1979])
- Byrd's Eye View (Donald Byrd, 1955)
- Byrd in Flight (Donald Byrd, 1960)
- A New Perspective (1963)
- Mustang! (Donald Byrd, 1966)
- Blackjack (Donald Byrd, 1967)
- Dial "S" for Sonny (Sonny Clark, 1957)
- My Conception (Sonny Clark, 1957)
- Someday My Prince Will Come (Miles Davis, 1961)
- In Person Friday and Saturday Nights
at the Blackhawk, Complete (Miles Davis, 1961)
- Miles Davis at Carnegie Hall (1961)
- Afro-Cuban (Kenny Dorham, 1955)
- Whistle Stop (Kenny Dorham, 1961)
- This Is New (Kenny Drew, 1957)
- Undercurrent (Kenny Drew, 1960)
- Farmer's Market (Art Farmer, 1956)
- The Opener (Curtis Fuller, 1957)
- Sliding Easy (Curtis Fuller, 1959)
- Afro (Dizzy Gillespie, 1954)
- Dizzy and Strings (Dizzy Gillespie, 1954)
- Jazz Recital (Dizzy Gillespie, 1954–55)
- I Want to Hold Your Hand (Grant Green, 1965)
- A Blowin' Session (Johnny Griffin, 1957)
- My Point of View (Herbie Hancock, 1963)
- Informal Jazz (Elmo Hope, 1956)
- Goin' Up (Freddie Hubbard, 1960)
- Blue Spirits (Freddie Hubbard, 1965)
- The Eminent Jay Jay Johnson Volume 2 (1955)
- Together! (Elvin Jones and Philly Joe Jones, 1961)
- Midnight Walk (Elvin Jones, 1966)
- I Wanna Talk About You (Tete Montoliu, 1980)
- Introducing Lee Morgan (1956)
- Lee Morgan Sextet (1956)
- Cornbread (Lee Morgan, 1965)
- Charisma (1966)
- The Rajah (1966)
- Tenor Conclave (Prestige All Stars, 1957)
- Star Bright (Dizzy Reece, 1959)
- The Cool Voice of Rita Reys (1956)
- Good Move! (Freddie Roach 1963)
- The Max Roach Quartet featuring Hank Mobley (1953)
- Max Roach + 4 (1956)
- The Max Roach 4 Plays Charlie Parker (1957)
- MAX (Max Roach, 1958)
- Yasmina, a Black Woman (Archie Shepp, 1969)
- Poem for Malcolm (Archie Shepp, 1969)
- Horace Silver and the Jazz Messengers (1954–55)
- Silver's Blue (Horace Silver, 1956)
- 6 Pieces of Silver (Horace Silver, 1956–58)
- The Stylings of Silver (Horace Silver, 1957)
- A Date with Jimmy Smith Volume One (1957)
- A Date with Jimmy Smith Volume Two (1957)
- Julius Watkins Sextet (1955)
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Compilations | |
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Related | |
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Horace Silver |
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Years indicated are for the recording(s), not first release. |
Blue Note albums | |
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Albums released on other labels | |
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Art Blakey/The Jazz Messengers | |
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With others |
- Introducing Nat Adderley (1955)
- Love and Peace: A Tribute to Horace Silver (Dee Dee Bridgewater, 1994)
- Byrd's Eye View (Donald Byrd, 1955)
- Whims of Chambers (Paul Chambers, 1956)
- Bohemia After Dark (Kenny Clarke, 1955)
- Al Cohn's Tones (Al Cohn, 1950)
- Miles Davis, Volume 3 (1954)
- Miles Davis Quartet/Blue Haze/Miles Davis Quintet/
Miles Davis All-Star Sextet/Walkin' (1953/54)
- Miles Davis with Sonny Rollins/Bags' Groove (1954)
- Quartet/Quintet/Sextet (Lou Donaldson, 1952)
- Afro-Cuban (Kenny Dorham, 1955)
- The Art Farmer Septet (1953–54)
- When Farmer Met Gryce (Art Farmer/Gigi Gryce, 1955)
- The Complete Roost Recordings (Stan Getz, 1950–51)
- Nica's Tempo (Gigi Gryce, 1955)
- Disorder at the Border (Coleman Hawkins, 1952)
- Milt Jackson Quartet (1955)
- Plenty, Plenty Soul (Milt Jackson, 1957)
- The Eminent Jay Jay Johnson Volume 2 (J.J. Johnson, 1955)
- Blowing in from Chicago (Clifford Jordan & John Gilmore, 1957)
- Hank Mobley Quartet (1955)
- Hank Mobley Sextet (1956)
- Hank Mobley and His All Stars (1957)
- Hank Mobley Quintet (1957)
- J. R. Monterose (1956)
- Lee Morgan Indeed! (1956)
- Lee Morgan Sextet (1956)
- Sonny Rollins, Vol. 2 (1957)
- Clark Terry (1955)
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Selected singles | |
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Discography |
Authority control  | |
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