This is a list of compositions by John Williams.
The following list consists of select films for which John Williams composed the score and/or songs.
Year | Title | Director | Notes |
---|---|---|---|
1954 | You Are Welcome[1][2][3] | — | Promotional film for the tourist information office of Newfoundland |
1958 | Daddy-O | Lou Place | Feature film debut Credited as Johnny Williams. |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
1960 | I Passed for White | Fred M. Wilcox | Credited as Johnny Williams | |
Because They're Young | Paul Wendkos | |||
1961 | The Secret Ways | Phil Karlson Richard Widmark | ||
1962 | Bachelor Flat | Frank Tashlin Budd Grossman |
Intrada / Special Collection Volume 83 / 2008 | |
1963 | Diamond Head | Guy Green | ||
Gidget Goes to Rome | Paul Wendkos | |||
1964 | Nightmare in Chicago | Robert Altman | Television film | |
The Killers | Don Siegel | Credited as Johnny Williams Adapted material by Henry Mancini | ||
Redcap | Credited as Johnny Williams Television series; Episode "Nightwatch" |
Film Score Monthly / FSM Vol. 14 No. 16 / 2011 | ||
1965 | Lost in Space | Anton M. Leader Sobey Martin Paul Stanley |
Credited as Johnny Williams Television series; Episodes "The Reluctant Stowaway," "Island in the Sky", "The Hungry Sea" and "Mr. Friend, Mr. Nobody" |
As part of Lost In Space: 50th Anniversary Soundtrack Collection La-La Land Records / LLLCD 1366 / 2015 |
None but the Brave | Frank Sinatra | Credited as Johnny Williams | Film Score Monthly / FSM Vol. 12 No. 12 / 2009 | |
The Ghostbreaker | Credited as Johnny Williams Television series; Episode "Ghosts in Glass Houses" |
Film Score Monthly / FSM Vol. 8 No. 6 / 2005 | ||
John Goldfarb, Please Come Home! | J. Lee Thompson | Credited as Johnny Williams | Film Score Monthly / FSM Vol. 4 No. 17 / 2001 | |
1966 | The Rare Breed | Andrew V. McLaglen | ||
How to Steal a Million | William Wyler | Intrada / Special Collection Volume 83 / 2008 | ||
The Plainsman | David Lowell Rich | |||
Not with My Wife, You Don't! | Norman Panama | Film Score Monthly / FSM Vol. 14 No. 14 / 2011 | ||
Penelope | Arthur Hiller | Paired with Henry Mancini's Bachelor in Paradise Film Score Monthly – FSM Vol. 7 No. 18 / 2004 | ||
Time Tunnel | Irwin Allen | Credited as Johnny Williams Television series; Episode "Rendezvous With Yesterday" |
As part of The Time Tunnel – Vol. 1 La-La Land Records - LLLCD1559 /2021 | |
1967 | Valley of the Dolls | Mark Robson | Credited as Johnny Williams Songs written by André and Dory Previn Nominated—Academy Award for Best Scoring of Music — Adaptation or Treatment | |
A Guide for the Married Man | Gene Kelly | — | Film Score Monthly / FSM Vol. 3 No. 5 / 2000 | |
Fitzwilly | Delbert Mann | Credited as Johnny Williams | Music Box Records / MBR-035 / 2013 | |
1968 | Sergeant Ryker | Buzz Kulik | ||
Land of the Giants | Irwin Allen | Credited as Johnny Williams Television series; Episode "The Crash". Replaced a score by Alexander Courage |
As part of Land Of The Giants: 50th Anniversary Soundtrack Collection La-La Land Records - LLLCD 1486 /2018 | |
Heidi | Delbert Mann | Television film | Quartet Records / SCE062 / 2013
Boston Pops Recordings / "Main Title & Overture" / 2016 | |
1969 | Daddy's Gone A-Hunting | Mark Robson | ||
Goodbye, Mr. Chips | Herbert Ross | Nominated—Academy Award for Best Scoring of a Musical Picture — Original or Adaptation (shared with Leslie Bricusse) | Film Score Monthly – FSM Vol. 9 No. 6 / 2006 Boston Pops Recordings / "Overture" / 2016 | |
The Reivers | Mark Rydell | Nominated—Academy Award for Best Original Score — For a Motion Picture (Not a Musical) | Columbia/CK 66130 / 1995 |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
1970 | Story of a Woman | Leonardo Bercovici | Only score for a non-English language film | |
Jane Eyre | Delbert Mann | Television film | ||
1971 | Fiddler on the Roof | Norman Jewison | Adapted from material by Jerry Bock Academy Award for Best Scoring: Adaptation and Original Song Score | |
1972 | The Cowboys | Mark Rydell | Varèse Sarabande / VCL 0618 1184 / 2018 | |
The Screaming Woman | Jack Smight | Television film | ||
The Poseidon Adventure | Ronald Neame | Nominated—Academy Award for Best Original Dramatic Score Nominated—Golden Globe Award for Best Original Score |
La-La Land Records / LLLCD 1133 / 2010 | |
Pete 'n' Tillie | Martin Ritt | Credited as John T. Williams | Varèse Sarabande VCL 0317 1178 paired with an expanded Stanley & Iris in 2017. | |
Images | Robert Altman | Composed with Stomu Yamashta Nominated—Academy Award for Best Original Dramatic Score |
Quartet Records / QR455 / 2021 | |
1973 | The Long Goodbye | Robert Altman | Also title song (with Johnny Mercer) | Quartet Records / QR185 / 2015 |
Tom Sawyer | Don Taylor | Nominated—Academy Award for Best Scoring: Original Song Score and Adaptation (shared with Robert B. Sherman and Richard M. Sherman) Nominated—Golden Globe Award for Best Original Score (shared with Robert B. Sherman and Richard M. Sherman) |
Varèse Sarabande / VSD-6601 / 2004 | |
The Man Who Loved Cat Dancing | Richard C. Sarafian | Replaced a score by Michel Legrand. | Film Score Monthly / FSM Vol. 5 No. 4 / 2002 | |
The Paper Chase | James Bridges | — | ||
Cinderella Liberty | Mark Rydell | Nominated—Academy Award for Best Original Dramatic Score Nominated—Academy Award for Best Original Song ("Nice to Be Around," lyrics by Paul Williams) Nominated—Golden Globe Award for Best Original Score | ||
1974 | Conrack | Martin Ritt | ||
The Sugarland Express | Steven Spielberg | |||
Earthquake | Mark Robson |
Nominated—Golden Globe Award for Best Original Score |
As part of La-La Land Records' Disaster Movie Soundtrack Collection with The Towering Inferno and The Poseidon Adventure. LLLCD1516B / 2019 | |
The Towering Inferno | John Guillermin | BAFTA Award for Best Film Music (shared with Jaws) Nominated—Academy Award for Best Original Dramatic Score |
Boston Pops Recordings / "Main Title" / 2016 | |
1975 | The Eiger Sanction | Clint Eastwood | — | Intrada / ISC 465 / 2021 |
Jaws | Steven Spielberg | Academy Award for Best Original Score BAFTA Award for Best Film Music (shared with The Towering Inferno) Golden Globe Award for Best Original Score Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special |
Intrada / INT 7145 / 2015 | |
1976 | Family Plot | Alfred Hitchcock | — | Varèse Sarabande / VCL 1110 1115 / 2010 |
The Missouri Breaks | Arthur Penn | — | Kritzerland / KR 20026-0 / 2013 | |
Midway | Jack Smight | — | Varèse Sarabande / VCL 1011 1124 / 2011;
Boston Pops Recordings / "The Men of The Yorktown March (with the Middlesex Fifes & Drums Corps.)" / 2016 | |
1977 | Black Sunday | John Frankenheimer | — | Film Score Monthly / FSM Vol. 12 No. 19 / 2010 |
Star Wars | George Lucas | Academy Award for Best Original Score BAFTA Award for Best Film Music Golden Globe Award for Best Original Score Grammy Award for Best Instrumental Composition ("Main Title from Star Wars") Grammy Award for Best Pop Instrumental Performance Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated—Grammy Award for Album of the Year | ||
Close Encounters of the Third Kind | Steven Spielberg | Grammy Award for Best Instrumental Composition ("Theme from Close Encounters of the Third Kind") Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Pop Instrumental Performance | ||
1978 | The Fury | Brian De Palma | — | |
Jaws 2 | Jeannot Szwarc | — | ||
Superman | Richard Donner | Grammy Award for Best Instrumental Composition ("Superman Main Title Theme") Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Pop Instrumental Performance ("Superman - Main Title") | ||
1979 | Dracula | John Badham | — | Varèse Sarabande / VCL 1018 1188 / 2018 |
1941 | Steven Spielberg |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
1980 | The Empire Strikes Back | Irvin Kershner | BAFTA Award for Best Film Music Grammy Award for Best Instrumental Composition (The Empire Strikes Back - Soundtrack) Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Instrumental Composition ("The Imperial March") Nominated—Grammy Award for Best Instrumental Composition ("Yoda's Theme") Nominated—Grammy Award for Best Pop Instrumental Performance ("Yoda's Theme") | |
1981 | Raiders of the Lost Ark | Steven Spielberg | Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music | |
Heartbeeps | Allan Arkush | — | ||
1982 | E.T. the Extra-Terrestrial | Steven Spielberg | Academy Award for Best Original Score BAFTA Award for Best Film Music Golden Globe Award for Best Original Score Grammy Award for Best Instrumental Composition ("Flying" - Theme from E.T. the Extra-Terrestrial) Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special Grammy Award for Best Arrangement on an Instrumental Recording ("Flying" - Theme from E.T. the Extra-Terrestrial) Nominated—Grammy Award for Best Instrumental Composition ("Adventure on Earth") Nominated—Grammy Award for Best Pop Instrumental Performance (E.T. the Extra-Terrestrial soundtrack) |
Boston Pops Recordings / "Stargazers" / 2016 |
Yes, Giorgio | Franklin J. Schaffner | Songs only; score composed by Michael J. Lewis Nominated—Academy Award for Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) Nominated—Golden Globe Award for Best Original Song ("If We Were In Love," lyrics by Alan & Marilyn Bergman) |
Space Sounds Syndicate / YES-CD19861982 / 2004 | |
Monsignor | Frank Perry | Nominated—Golden Raspberry Award for Worst Musical Score | ||
1983 | Return of the Jedi | Richard Marquand | Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Album of Original Score Written for a Motion Picture or Television Special | |
1984 | Indiana Jones and the Temple of Doom | Steven Spielberg | Nominated—Academy Award for Best Original Score | |
The River | Mark Rydell | Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score | ||
1986 | SpaceCamp | Harry Winer | — | Space Sounds Syndicate / YES-CD19861982 / 2004 |
1987 | The Witches of Eastwick | George Miller | Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television |
Boston Pops Recordings / "Devil's Dance" / 2016 |
Empire of the Sun | Steven Spielberg | BAFTA Award for Best Film Music Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television | ||
Superman IV: The Quest for Peace | Sidney J. Furie | Adapted and conducted by Alexander Courage, three new themes | ||
1988 | The Accidental Tourist | Lawrence Kasdan | Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score | |
1989 | Indiana Jones and the Last Crusade | Steven Spielberg | Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Album of Original Instrumental Background Score Written for a Motion Picture or Television | |
Born on the Fourth of July | Oliver Stone | Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Arrangement on an Instrumental | ||
Always | Steven Spielberg |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
1990 | Stanley & Iris | Martin Ritt | ||
Presumed Innocent | Alan J. Pakula | — | ||
Home Alone | Chris Columbus | Replaced Bruce Broughton Nominated—Academy Award for Best Original Score Nominated—Academy Award for Best Original Song ("Somewhere in My Memory," lyrics by Leslie Bricusse) Nominated—Grammy Award for Best Song Written Specifically for a Motion Picture or Television ("Somewhere in My Memory," lyrics by Leslie Bricusse) | ||
1991 | Hook | Steven Spielberg | Nominated—Academy Award for Best Original Song ("When You're Alone," lyrics by Leslie Bricusse) Nominated—Grammy Award for Best Pop Instrumental Performance Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | |
JFK | Oliver Stone | Nominated—Academy Award for Best Original Score | ||
1992 | Far and Away | Ron Howard | ||
Home Alone 2: Lost in New York | Chris Columbus | |||
1993 | Jurassic Park | Steven Spielberg | Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | |
Schindler's List | Academy Award for Best Original Score BAFTA Award for Best Film Music Golden Globe Award for Best Original Score Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | |||
1995 | Sabrina | Sydney Pollack | Nominated—Academy Award for Best Original Musical or Comedy Score Nominated—Academy Award for Best Original Song ("Moonlight," lyrics by Alan & Marilyn Bergman) Nominated—Grammy Award for Best Song Written Specifically for a Motion Picture or Television ("Moonlight," lyrics by Alan & Marilyn Bergman) |
Boston Pops Recordings / "Theme" / 2016 |
Nixon | Oliver Stone | Nominated—Academy Award for Best Original Dramatic Score | ||
1996 | Sleepers | Barry Levinson | Nominated—Academy Award for Best Original Dramatic Score | Boston Pops Recordings / "Reunion & Finale" / 2016 |
1997 | Rosewood | John Singleton | Replaced Wynton Marsalis | |
The Lost World: Jurassic Park | Steven Spielberg | Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
Seven Years in Tibet | Jean-Jacques Annaud | Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
Amistad | Steven Spielberg | Nominated—Academy Award for Best Original Dramatic Score Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television | ||
1998 | Saving Private Ryan | Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television Nominated—Academy Award for Best Original Dramatic Score Nominated—Golden Globe Award for Best Original Score | ||
Stepmom | Chris Columbus | Replaced Patrick Doyle | ||
1999 | Star Wars: Episode I – The Phantom Menace | George Lucas | Nominated—Grammy Award for Best Instrumental Composition Written for a Motion Picture, Television, or Other Visual Media | |
Angela's Ashes | Alan Parker | Grammy Award for Best Instrumental Composition (Theme from Angela's Ashes) Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
2000 | The Patriot | Roland Emmerich | Nominated—Academy Award for Best Original Score | Boston Pops Recordings / "Theme" / 2016 |
2001 | A.I. Artificial Intelligence | Steven Spielberg | Nominated—Academy Award for Best Original Score Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | |
Harry Potter and the Sorcerer's Stone | Chris Columbus | Released internationally as Harry Potter and the Philosopher's Stone Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Instrumental Composition ("Hedwig's Theme") Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
2002 | Star Wars: Episode II – Attack of the Clones | George Lucas | ||
Minority Report | Steven Spielberg | |||
Harry Potter and the Chamber of Secrets | Chris Columbus | Adapted and conducted by William Ross Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
Catch Me If You Can | Steven Spielberg | Grammy Award for Best Instrumental Arrangement ("Escapades" for Alto Saxophone and Orchestra - 2017) Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
2004 | Harry Potter and the Prisoner of Azkaban | Alfonso Cuarón | Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | |
The Terminal | Steven Spielberg | Boston Pops Recordings / "Viktor's Tale" / 2016 | ||
2005 | Star Wars: Episode III – Revenge of the Sith | George Lucas | Nominated—Grammy Award for Best Instrumental Composition ("Anakin's Betrayal") Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | |
War of the Worlds | Steven Spielberg | Nominated—Grammy Award for Best Instrumental Composition ("The Ferry Scene") | ||
Memoirs of a Geisha | Rob Marshall | BAFTA Award for Best Film Music Golden Globe Award for Best Original Score Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Instrumental Composition ("Sayuri's Theme and End Credits") | ||
Munich | Steven Spielberg | Grammy Award for Best Instrumental Composition ("A Prayer for Peace") Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media | ||
2008 | Indiana Jones and the Kingdom of the Crystal Skull | Grammy Award for Best Instrumental Composition ("The Adventures of Mutt") Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media |
Year | Title | Director | Notes | Latest CD Release |
---|---|---|---|---|
2011 | The Adventures of Tintin | Steven Spielberg | First score for an animated film Annie Award for Music in a Feature Production Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack for Visual Media | |
War Horse | Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music Nominated—Golden Globe Award for Best Original Score | |||
2012 | Lincoln | Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music Nominated—Golden Globe Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack for Visual Media | ||
2013 | The Book Thief | Brian Percival | Grammy Award for Best Instrumental Composition ("The Book Thief") Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music Nominated—Golden Globe Award for Best Original Score | |
2015 | Star Wars: The Force Awakens | J. J. Abrams | Grammy Award for Best Score Soundtrack for Visual Media Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music |
Boston Pops Recordings / "Suite" / 2016; Boston Pops Recordings / "March Of The Resistance" / 2016; Boston Pops Recordings / "Rey's Theme" / 2016; Boston Pops Recordings / "Scherzo For X-Wings" / 2016; Boston Pops Recordings / "The Jedi Steps" / 2016; Boston Pops Recordings / "Finale" / 2016 |
2016 | The BFG | Steven Spielberg | ||
2017 | Dear Basketball | Glen Keane | Short film | |
Star Wars: The Last Jedi | Rian Johnson | Nominated—Academy Award for Best Original Score Nominated—Grammy Award for Best Score Soundtrack for Visual Media | ||
The Post | Steven Spielberg | Nominated—Golden Globe Award for Best Original Score | ||
2018 | Solo: A Star Wars Story | Ron Howard | Credited for Han Solo theme and original Star Wars music Score composed and adapted by John Powell[4][5] Nominated—Grammy Award for Best Instrumental Composition ("Mine Mission," shared with John Powell) | |
2019 | Star Wars: The Rise of Skywalker[6] | J. J. Abrams | Williams's final score for a Star Wars film[7] Nominated—Academy Award for Best Original Score Nominated—BAFTA Award for Best Film Music Nominated—Grammy Award for Best Score Soundtrack for Visual Media |
Year | Title | Director | Notes |
---|---|---|---|
2022 | The Fabelmans[8] | Steven Spielberg | |
2023 | Untitled fifth Indiana Jones film[9][10] | James Mangold | Post-production[11] |
Williams has composed music for four Olympic Games:
Year | Title | Notes |
---|---|---|
1958 | Playhouse 90 | Episode: "The Right Hand Man" |
1958–1959 | M Squad | |
1958–1964 | Wagon Train | |
1959 | Markham | Episode: "Woman of Arles" |
1959–1960 | Bachelor Father | |
1960 | Tales of Wells Fargo | |
1960–1962 | Checkmate | Theme Nominated—Grammy Award for Best Score Soundtrack for Visual Media |
General Electric Theater | Episodes: "Ten Days in the Sun" and "Journal of Hope" | |
1961 | Kraft Mystery Theatre | |
1961–1963 | Alcoa Premiere | Theme |
1962–1963 | Wide Country | Theme |
1963 | The Eleventh Hour | Episode: "The Bronze Locust" |
1963–1965 | Kraft Suspense Theatre | Theme |
1963–1967 | Bob Hope Presents the Chrysler Theatre | Theme |
1964 | Breaking Point | Episode: "Better Than a Dead Lion" |
1964–1965 | Gilligan's Island | |
1965 | Ben Casey | Episode: "A Little Fun to Match the Sorrow" |
Lost in Space | Episodes: "My Friend, Mr. Nobody", The Hungry Sea", "Island in the Sky" and "The Reluctant Stowaway" | |
1966 | The Tammy Grimes Show | Theme Episode: "How to Steal a Girl Even If It's Only Me" |
1966–1968 | The Time Tunnel | Theme Episode: "Rendezvous with Yesterday" |
1968 | Land of the Giants | Episode: "The Crash" |
CBS Playhouse | Episode: "Saturday Adoption" | |
1976 | 48th Academy Awards | Musical director |
1981–2005 | Evening at Pops | Theme |
1985–1987 | Amazing Stories | Theme Episodes: "The Mission" and "Ghost Train" |
2009 | Great Performances | Theme |
2022 | Obi-Wan Kenobi | Theme Score composed by Natalie Holt Theme adapted by William Ross |
Composition Year | Title | Premiere Date | Premiere Performers | Notes |
---|---|---|---|---|
1969 | Concerto for Flute and Orchestra | 1981 | Leonard Slatkin/St. Louis Symphony Orchestra – Peter Lloyd, flute – St. Louis | |
1976 | Concerto for Violin and Orchestra | 1981-01-29 | Leonard Slatkin/St. Louis Symphony Orchestra – Mark Peskanov, violin – St. Louis | Composed at the suggestion of Barbara Ruick, first wife of the composer. Begun in 1974, shortly after Ruick's death, and completed in 1976 |
1985 | Concerto for Tuba and Orchestra | 1985-05-08 | John Williams/Boston Pops Orchestra – Chester Schmitz, tuba – Boston | Composed in 1985 for the Centennial of the Boston Pops |
1991 | Concerto for Clarinet and Orchestra | 1991-04-13 | John Williams/Riverside County Philharmonic – Michele Zukovsky, clarinet – Los Angeles | Composed in 1991 for Michele Zukovsky, principal clarinet of the LA Philharmonic[13] |
1993 | Concerto for Bassoon and Orchestra (The Five Sacred Trees) | 1995-04-15 | Kurt Masur/New York Philharmonic – Judith LeClair, bassoon | Composed in 1993 for the 150th celebration of the New York Philharmonic |
1994 | Concerto for Cello and Orchestra | 1994-07-07 | John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Tanglewood | Composed in 1994 for the opening of the Seiji Ozawa Hall in Tanglewood |
1996 | Concerto for Trumpet and Orchestra | 1996-10 | Christoph von Dohnányi/Cleveland Orchestra – Michael Sachs, trumpet | Composed in 1996 for Michael Sachs, first trumpet of the Cleveland Orchestra |
1997 rev. 2002 | Elegy for Cello and Orchestra | Premiered by John Williams, piano, and John Waltz, cello. Later arranged for cello and orchestra | Composed in 1997 for a memorial service in Los Angeles. Based on a secondary theme from Seven Years in Tibet | |
2000 | TreeSong for Violin and Orchestra | 2000-07-08 | John Williams/Boston Symphony Orchestra – Gil Shaham, violin | Composed in 2000 for Gil Shaham |
2001 | Heartwood: Lyric Sketches for Cello and Orchestra | 2002-08-04 | John Williams/Boston Symphony Orchestra – Yo-Yo Ma, cello – Boston | Composed in 2001 for Yo-Yo Ma |
2003 | Concerto for Horn and Orchestra | 2003-11-29 | John Williams/Chicago Symphony Orchestra – Dale Clevenger, horn – Chicago | Composed for the Chicago Symphony Orchestra's principal horn Dale Clevenger |
2007 | Duo Concertante for Violin and Viola | 2007-08-17 | John Williams/Boston Pops Orchestra – Victor Romanul, violin – Michael Zaretsky, viola – Tanglewood | Composed for Michael Zaretsky |
2009 | Concerto for Viola and Orchestra | 2009-05-26 | John Williams/Boston Symphony Orchestra – Boston | Composed for Cathy Basrak. Unreleased |
2009 | On Willows and Birches (Concerto for Harp and Orchestra) | 2009-09-23 | John Williams/Boston Symphony Orchestra – Boston | Composed for Ann Hobson Pilot |
2011 | Concerto for Oboe and Orchestra | 2011-05-25 | John Williams/Boston Pops Orchestra – Keisuke Wakao, oboe – Boston | Composed for Keisuke Wakao |
2014 | Scherzo for Piano and Orchestra | 2014-07-03 | China Philharmonic Orchestra – Lang Lang, piano – Beijing | Composed for the Music in the Summer Air Festival |
2017 | Markings for solo violin, strings, and harp | 2017-07-16 | Andris Nelsons/Boston Symphony Orchestra – Anne-Sophie Mutter, violin – Tanglewood | Composed for Anne-Sophie Mutter |
2018 | Highwood's Ghost, An Encounter for Cello, Harp and Orchestra | 2018-08-19 | Andris Nelsons/Boston Symphony Orchestra – Yo-Yo Ma, cello – Jessica Zhou, harp – Tanglewood | Composed for Yo-Yo Ma and Jessica Zhou |
2021 | Violin Concerto No. 2 | 2021-07-24 | John Williams/Boston Symphony Orchestra – Anne-Sophie Mutter, violin – Tanglewood | Composed for Anne-Sophie Mutter |
"John Williams Compositions". johnwilliams.org. Retrieved 20 September 2018.