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Pyotr Ilyich Tchaikovsky wrote several works well known among the general classical public—Romeo and Juliet, the 1812 Overture, and his three ballets: The Nutcracker, Swan Lake, and The Sleeping Beauty. These five, along with two of his four concertos, three of his six symphonies (seven if his program symphony Manfred is included), and two of his ten operas, are probably[according to whom?] among his most familiar works. Almost as popular are the Manfred Symphony, Francesca da Rimini, the Capriccio Italien, and the Serenade for Strings.

Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky

Works by opus number


Works with opus numbers are listed in this section, together with their dates of composition. For a complete list of Tchaikovsky's works, including those without opus numbers, see here.[1] For more detail on dates of composition, see here.[2]

Opp. 75–80 were published posthumously.


Works by genre



Ballets



Operas



Symphonies



Concertos and concertante pieces



Other orchestral works



Program music and commissioned pieces


Orchestral suites and Serenade


Incidental music


Piano



Chamber music



Choral music


A considerable quantity of choral music (about 25 items), including:


Arrangements of the works of others[8]


Composer Work and forces Arranged for Date
Beethoven Piano Sonata No. 17 in D minor, Op. 31, No. 2, "Tempest", first movement Orchestra (4 versions) 1863
Beethoven Violin Sonata No. 9 in A, Op. 47 "Kreutzer", first movement Orchestra 1863–64
Bortniansky Complete Church Music, choir Choir, edited July – November 1881
Cimarosa "Le faccio un inchino", trio from Il matrimonio segreto (available for 3 voices and piano) 3 voices and orchestra 1870
Dargomyzhsky Little Russian Kazachok, orchestra Piano 1868
Dargomyzhsky "The golden cloud has slept", 3 voices and piano 3 voices and orchestra 1870
Dubuque Maria Dagmar Polka, piano Orchestra 1869
Glinka "Slavsya" from A Life for the Tsar, arr, couplets Mixed chorus and orchestra February 1883
Joseph Gungl Le Retour, waltz, piano Orchestra 1863–64
Haydn "Gott erhalte Franz den Kaiser", 4 voices Orchestra by 24 February 1874
Kral "Ceremonial March", piano Orchestra May 1867
Herman Laroche Karmosina, Fantasy Overture, piano Orchestra August – September 1888
Liszt "Es war ein Konig in Thule", voice and piano Voice and orchestra 3 November 1874
Alexei Lvov "God Save the Tsar!" (the then national anthem), chorus and piano Mixed chorus and orchestra February 1883
Sophie Menter Ungarische Zigeunerweisen, piano (short score) Piano and orchestra 1892
Mozart 4 works arr. orchestra as Mozartiana (Suite No. 4) June – August 1887
Mozart Fantasia in C minor, K. 475, piano Vocal quartet (Night) 15 March 1893
Anton Rubinstein Ivan the Terrible, Op. 79, orchestra Piano duet 18 October – 11 November 1869
Anton Rubinstein Don Quixote, Op. 87, orchestra Piano duet 1870
Schumann Symphonic Studies, Op. 13 (piano), Adagio and Allegro brillante Orchestra 1864
Schumann "Ballade vom Haidenknaben", Op. 122, No. 1, declamation and piano Declamation and orchestra 11 March 1874
Stradella[a 4] "O del mio dolce", song with piano Voice and orchestra 10 November 1870
Tarnovsky Song "I remember all", arr. Dubuque for piano Piano duet 1868
Weber Piano Sonata in A, J. 199, Scherzo Menuetto Orchestra 1863
Weber Piano sonata in C, J. 138 – Perpetuum mobile Piano left hand 1871

See also



References


  1. "Works - Tchaikovsky Research".
  2. "Detailed Calendar". www.geocities.com. Archived from the original on 27 October 2009. Retrieved 12 January 2022.
  3. "Paul Collin". Retrieved 21 June 2015.
  4. Russian Fairy Tales, Spring 1998: Snow Maiden Archived 1997-11-09 at the Wayback Machine
  5. John Warrack, Tchaikovsky, Comprehensive List of Works: Choral Works, p. 273
  6. 9 Sacred Pieces (Tchaikovsky, Pyotr): Scores at the International Music Score Library Project
  7. "Tchaikovsky Research: Nine Church Pieces (TH78)". Tchaikovsky Research. Retrieved 21 June 2015.
  8. John Warrack, Tchaikovsky, Comprehensive List of Works, p. 279

Notes


  1. Not related to the much later symphonic ballad The Voyevoda, Op. 78.
  2. Revised later as Cherevichki
  3. Originally performed on a double-bill with The Nutcracker
  4. The aria is now believed to have been written by Gluck, from his opera Paride ed Elena: "O, del mio dolce ardor (Gluck)". Tchaikovsky Research. Retrieved 20 May 2020.

Bibliography





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