George Perle, who credits the Bartók Fourth and Fifth Quartets as precedents for his use of arrays of chords related to one another by different types of symmetry[14]
Recorded 1949, New York. Robert Mann and Robert Koff, violins; Raphael Hillyer, viola; Arthur Winograd, cello. Three LPs, 12in., monaural. Columbia Masterworks ML 4278/4279/4280.
Recorded May and September, 1963, Columbia 30th Street Studios, New York. Robert Mann and Isidore Cohen, violins; Raphael Hillyer, viola; Claus Adam, cello.[full citation needed] Three LPs, 12in., stereo. Columbia Masterworks D3L 317 (set): ML 6102, 6103, 6104. New York: Columbia Masterworks, 1965.
Recorded 13–23 May 1981, Columbia 30th Street Studios, New York. Robert Mann and Earl Carlyss, violins; Samuel Rhodes, viola; Claus Adam, cello.[full citation needed]
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