"Love Stinks" is a song written by Peter Wolf and Seth Justman that was the title track of the J. Geils Band's 1980 album Love Stinks. The song was released as a single and peaked in the US at #38, spending three weeks in the Top 40.[1][2][3] In Canada, the song reached number 15,[4] as it did on WLS-AM in Chicago.[5]
| "Love Stinks" | ||||
|---|---|---|---|---|
| Single by The J. Geils Band | ||||
| from the album Love Stinks | ||||
| B-side | "Till the Walls Come Tumblin' Down" | |||
| Released | April 1980 | |||
| Recorded | 1979 | |||
| Studio | Long View Farm, North Brookfield, Massachusetts | |||
| Genre | Rock, power pop, new wave, power metal | |||
| Length | 3:44 | |||
| Label | EMI Records | |||
| Songwriter(s) | Peter Wolf, Seth Justman | |||
| Producer(s) | Seth Justman | |||
| The J. Geils Band singles chronology | ||||
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| Music video | ||||
| "Love Stinks" on YouTube | ||||
The lyrics describe a love triangle in which two participants experience unrequited love, before segueing into a description of love gone sour in general. The lyrics may have been inspired by J. Geils Band lead singer Peter Wolf's marriage to actress Faye Dunaway, which ended in a 1979 divorce.[2] Author Maury Dean describes the opening of the song as "ponderous Power Metal."[2] Dean describes the band's playing in the refrain as generating "wild waves of flame," the guitars as "fire-breathing" and Wolf's vocals in the "yeah yeah" portion of the chorus as snarling with "heavy metal glee."[2] Justman provides extensive keyboards, which Associated Press critic James Simon feels gives the song "a little extra zing."[6] Viglione describes the riff as "Lou Reed's 'Vicious' as performed by his Rock & Roll Animal band on Lou Reed Live at half-speed," also noting that it is a hard rock version of the riff from "Louie Louie."[7] Rolling Stone critic Rob Sheffield notes that the riff was later used by Nirvana in the song "Smells Like Teen Spirit."[8]
Viglione finds such a "simple riff rocker" a departure for the J. Geils Band who were then known for blues and R&B, but admits the results are fun to listen to and acknowledges that this and some other songs from the Love Stinks album pointed the way towards their pop-oriented 1981 platinum hit album Freeze Frame.[7] AllMusic critic John Franck describes the song as "infectious," noting that it was "one of the band's most recognizable FM songs ever."[9] Music critic Robert Christgau describes the song as "broad" and "uproarious."[10] Rolling Stone critic Dave Marsh considers it one of the J. Geils Band's greatest songs, considering its lyrics to be "a hilarious spoof on new-wave nihilism as well as soul cliche."[11] Rolling Stone critic Rob Sheffield calls it "one of the great trash-rock singles of the '80's."[8] Cash Box said that the "playfully virulent lyric...mixed with Seth Justman’s whirling keyboards, creates an exciting march-like rhythm."[12] Ultimate Classic Rock critic Michael Gallucci rated it to be the band's 3rd greatest song, saying that it incorporates "'60s garage-rock guitar," "late-'70s New Wave synths" and "a singalong chorus straight outta the era's arena rock" that "meet for a glorious collision that results in one of the group's heaviest, and best-loved, songs."[13]
The B-side of the "Love Stinks" single was "Till the Walls Come Tumblin' Down", also a track from the Love Stinks album. Rolling Stone critic Rob Sheffield praised the song, describing it as "rollicking".[8]
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| Singles |
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