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Middle of the Moment is a soundtrack by English guitarist, composer and improvisor Fred Frith, of the 1995 documentary film, Middle of the Moment by Nicolas Humbert and Werner Penzel.

Middle of the Moment
Soundtrack album by
Released1995 (1995)
RecordedEarly 1990s, North Africa and Europe
Genre
  • Experimental rock
  • electronic music
Length60:40
LabelRecRec (Switzerland)
ProducerFred Frith
Fred Frith chronology
The Art of Memory
(1994)
Middle of the Moment
(1995)
Allies
(1996)
Music for Film series chronology
Step Across the Border
(1990)
Middle of the Moment
(1995)
Eye to Ear
(1997)
Professional ratings
Review scores
SourceRating
AllMusic[1]

The film was made over a period of three years in the early 1990s, following the tuareg in North Africa and an avant garde circus troupe, Cirque O in Europe. The music comprises Frith compositions and sound collages drawn from field recordings of ambient sounds, conversations and indigenous music.

Frith describes how he created the soundtrack:[2]

I 'travelled' through this material, formed my impressions, and created a 'sound-movie' from them, using a process analogous to that of editing a film ... My idea is more to create a parallel narrative, free to draw on music that wasn't in the film but was part of the process of making it.


Track listing


All music is composed by Fred Frith.

No.TitleLength
1."Le Jour Se Leve"6:26
2."Moving"3:55
3."Digging For Water"2:34
4."Portrait I" / "Tam-Tam in Timia"3:28
5."Le Cirque"7:10
6."Robert Lax Is"0:58
7."Gnawa Express Tanger"3:01
8."Bell Song"2:37
9."Portrait II"1:44
10."Ghost Stories"6:50
11."Portes Ouvertes"3:43
12."Le Cirque-Oh!" / "Ghost Dance" / "Portrait III"10:43
13."Le Jour S'Arrache"2:59
14."Middle of the Moment (title theme)"4:32
Total length:60:40

Personnel



Tuareg



Cirque O



Production



Re-issues



References


  1. Olewnick, Brian. "Middle of the Moment". AllMusic.com. Retrieved 20 June 2011.
  2. "Middle of the Moment". ReR USA. Archived from the original on 29 September 2007. Retrieved 29 January 2007.





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