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The Stone: Issue Two is a 2007 live album of improvised experimental music by Fred Frith and Chris Cutler. It was recorded at The Stone in New York City on 15 December 2006 and was one of four CDs released between 2006 and 2010 by Tzadik Records to raise funds for The Stone.[1][2][3] It was Frith and Cutler's fourth collaborative album.

The Stone: Issue Two
Live album by Fred Frith and Chris Cutler
Released	February 2007 (2007-02)
Recorded	15 December 2006
Venue	The Stone, New York City
Genre	Experimental music, free improvisation
Length	50:44
Label	Tzadik (US)
Producer	John Zorn
Fred Frith and Chris Cutler chronology
2 Gentlemen in Verona (2004) The Stone: Issue Two (2007)
Fred Frith chronology
The Happy End Problem (2006) The Stone: Issue Two (2007) The Sugar Factory (2007)
The Stone Benefit series chronology
The Stone: Issue One (2006) The Stone: Issue Two (2007) The Stone: Issue Three (2008)

The Stone Benefit series

All titles released by Tzadik Records.[3]

• The Stone: Issue One (2006) – John Zorn, Dave Douglas, Rob Burger, Bill Laswell, Mike Patton and Ben Perowsky
• The Stone: Issue Two (2007) – Fred Frith and Chris Cutler
• The Stone: Issue Three (2008) – John Zorn, Lou Reed and Laurie Anderson
• The Stone: Issue Four (2010) – Chris Wood, Billy Martin and John Medeski

Background

Frith and Cutler were members of the English avant-rock group Henry Cow (1968–1978), and their collaboration at The Stone on 15 December 2006 took place during the so-called "Henry Cow reunion" weekend[1][4] when they reunited with bandmate Tim Hodgkinson.[lower-alpha 1]

Reception

Professional ratings

Review scores
Source	Rating
All About Jazz	favorable[4]
AllMusic	[7]

In a review of The Stone: Issue Two at AllMusic, Michael G. Nastos described Cutler's performance as "intriguing" "electronic colorations", and Frith's as "challenging, commanding, and demonstrative". He said this is a recording that careful listening to will demonstrate "the sense of passion, wonder, and depth these two have displayed in their music since their days with Henry Cow, but digging deeper than ever".[7]

Marc Medwin wrote in a review in All About Jazz that compared to Frith and Cutler's earlier collaborations, this set is "rich and full" and makes it sound like there are more than just two of them. Medwin added that this album is a worthy addition to The Stone's benefit series.[4]

Reviewing the album in The Wire, Barry Witherden described the music as "fascinating, bemusing, hypnotic, seductive, sometimes disturbing, sometimes consoling, sometimes chaotic, ultimately revealing a mysterious, elemental beauty".[8] He said one of the joys of listening to "sound-sculpting" like this is "trying to work out ... not only who plays what but how the sounds are created". Witherden stated that what makes this album work is Frith and Cutler's "imagination and control of design, trajectory and texture".[8]

Track listing

Sources: Liner notes,[2] Discogs,[9] Fred Frith discography.[10]

Personnel

• Fred Frith – guitars
• Chris Cutler – drums, detritus, electronics

Sources: Liner notes,[2] Discogs,[9] Fred Frith discography.[10]

Sound and artwork

• Recorded by Robert O'Haire
• Mastered by Scott Hull
• Produced by John Zorn
• Photography by Scott Friedlander
• Designed by Heung-Heung Chin

Sources: Liner notes,[2] Discogs,[9] Fred Frith discography.[10]

Notes

References

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