Passion: Hymns Ancient and Modern is a 2004 live album recorded at Passion in 2003.
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| Passion: Hymns Ancient and Modern | ||||
|---|---|---|---|---|
| Live album by Passion | ||||
| Released | February 24, 2004 | |||
| Recorded | April 2003 | |||
| Genre | Contemporary worship | |||
| Length | 64:43 | |||
| Label | SixStepsSparrow/Sparrow | |||
| Producer | Louie Giglio, Nathan Nockels, Brad O'Donnell | |||
| Passion chronology | ||||
| ||||
| No. | Title | Writer(s) | Artist(s) | Length |
|---|---|---|---|---|
| 1. | "O Worship the King" | Johann M. Haydn, Robert Grant | Chris Tomlin | 3:57 |
| 2. | "Doxology" | Louis Bourgeois, Thomas Ken | David Crowder Band | 4:36 |
| 3. | "Joyful, Joyful We Adore Thee" | Ludwig van Beethoven, Henry van Dyke | Charlie Hall | 5:34 |
| 4. | "Praise to the Lord, the Almighty" | Catherine Winkworth, Joachim Neander | Christy Nockels | 4:56 |
| 5. | "Father Let Me Dedicate" | George A. Macfarren, Lawrence Tuttiett | Matt Redman | 5:19 |
| 6. | "How Great Thou Art" | Carl Boberg, Stuart K. Hine | Charlie Hall | 4:40 |
| 7. | "Raise Up the Crown (All Hail the Power of Jesus' Name)" | Edward Perronet, John Rippon, Oliver Holden | Chris Tomlin | 3:26 |
| 8. | "All Creatures of Our God and King" | Ralph Vaughan Williams, St. Francis of Assisi, William H. Draper | David Crowder Band | 5:46 |
| 9. | "The Solid Rock (On Christ the Solid Rock)" | Edward Mote, William B. Bradbury | Charlie Hall | 4:28 |
| 10. | "Phos Hilaron (Hail Gladdening Light)" | John Keble | Passion Band | 1:28 |
| 11. | "Joyous Light" | Tomlin, David Crowder, Louie Giglio | Chris Tomlin | 4:30 |
| 12. | "Here Is Love" | Robert Lowry, William Rees, William Williams | Matt Redman | 5:33 |
| 13. | "Fairest Lord Jesus" | Christy Nockels | 5:18 | |
| 14. | "Take My Life (And Let It Be)" | Frances R. Havergal, Louis J. Hérold | Chris Tomlin | 5:06 |
| Total length: | 64:43 | |||
Andree Farias, writing for Christianity Today, gave the album 3.5 out of 5 stars, writing that it "[adds] a new twist to the lyrically and theologically starved modern worship scene," and calling it "one of the more enjoyable and worshipful Passion projects."[1]
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