The Pastoral Suite (in Swedish: Pastoralsvit), Op. 19, is a three-movement suite for orchestra written in 1938 by Swedish composer Lars-Erik Larsson. The suite remains not only one of Larsson's most celebrated compositions,[2] but also one of the most frequently performed pieces of Swedish art music. In particular, the Romance (No. 2) is often performed and recorded as a stand-alone concert piece.[3]

Pastoral Suite
by Lars-Erik Larsson
The composer
Native name	Pastoralsvit
Catalogue	Op. 19
Composed	1938 (1938)
Publisher	Gehrmans Musikförlag [sv] (1942)
Duration	Approx. 12 minutes[1]
Movements	3
Premiere
Date	11 October 1938 (1938-10-11)
Location	Stockholm, Sweden
Conductor	Lars-Erik Larsson
Performers	Radio Entertainment Orchestra

Background

Beginning in 1937, the Swedish Broadcasting Corporation—the country's national, publicly-funded radio—employed Larsson as a composer-in-residence, music producer, and conductor;[4] his main task was to write music to accompany various radio programs.[5] One of Larsson's colleagues was the Swedish poet Hjalmar Gullberg, who had joined Swedish Radio the year before and headed its drama division.[6] Together, the two men developed a genre of popular entertainment they called the "lyrical suite",[lower-alpha 1] which alternated recited poetry with musical interludes.[7][6][8] Larsson's first commission of this type was to compose four orchestral vignettes to accompany the 1938 radio recitation of a Swedish-language translation Shakespeare's The Winter's Tale; he subsequently published these as A Winter's Tale (En vintersaga; Op. 18).

Originally, the Pastoral Suite was part of a "lyrical suite" called The Hours of the Day; this featured poems by, among others, Verner von Heidenstam (bottom) and Oscar Levertin (top).

After the success of A Winter's Tale, Larsson began composing a second lyrical suite for Swedish Radio: The Hours of the Day (Dagens stunder).[lower-alpha 2] He contributed six orchestral movements to accompany six poems by various Swedish authors:[10][11]

• No. 1: Adagio

  Recitation: A Day (En dag) by Verner von Heidenstam

• No. 1 (cont.): Allegro

  Recitation: The Earth Sings (Jorden sjunger) by Erik Blomberg

• No. 2: Andantino con moto

  Recitation: Siesta by Oscar Levertin

• No. 3: Adagio

  Recitation: The Two Tones (De två tonerna) by Kerstin Hed

• No. 4: Vivice

  Recitation: An Afternoon (En eftermiddag) by Erik Lindorm [sv]

• No. 5: Andantino

  Recitation: Man's Home (Människans hem) by Erik Blomberg

• No. 6: Andante tranquillo

The Hours of the Day—and, by extension, what would later become the Pastoral Suite—premiered over Swedish Radio on 11 October 1938, with Larsson conducting the Radio Entertainment Orchestra (Radiotjänsts Underhållningsorkester) in Stockholm;[11] the Swedish actor Gunnar Sjöberg read the first, second, third, and fifth poems, while the Swedish actress Gunn Wållgren read the third and fourth poems.[10] Afterwards, Larsson excerpted Nos. 1, 3, and 4 as the Pastoral Suite,[12] while Nos. 2, 5, and 6 faded into obscurity.[lower-alpha 3]

Structure

The Pastoral Suite, which lasts about 12 to 13 minutes, is in three movements. They are as follows:[1]

As a whole, the piece is in the neoclassical style that was "fashionable" in Swedish between the two world wars.[3] In the Scherzo, Larsson's writing recalls the concerto grosso form.[2]

Instrumentation

The Pastoral Suite is scored the following instruments:[1]

• Woodwinds: 2 flutes, 2 oboes, 2 clarinets (in B♭), and 2 bassoons
• Brass: 2 horns (in F) and 2 trumpets (in C)
• Percussion: timpani
• Strings: violins, violas, cellos, and double basses

The two outer movements are for full orchestras, whereas the central Romance is for strings.[2] Gehrmans Musikförlag [sv] published the suite in 1942.[1]

Recordings

The sortable table below lists commercially available recordings of the Pastoral Suite:

Notes, references, and sources

Notes

References

Sources