music.wikisort.org - CompositionReach Out! is an album by jazz saxophonist Hank Mobley recorded and released by the Blue Note label in 1968.[2][3] It features performances by Mobley with trumpeter Woody Shaw, guitarist George Benson, pianist LaMont Johnson, bassist Bob Cranshaw, and drummer Billy Higgins.
1968 studio album by Hank Mobley
Reach Out! |
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Released | November 1968[1] |
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Recorded | January 19, 1968 |
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Studio | Van Gelder Studio, Englewood Cliffs |
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Genre | Jazz |
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Length | 37:56 |
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Label | Blue Note BST 84288 |
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Producer | Francis Wolff |
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Reception
Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [4] |
The Penguin Guide to Jazz Recordings |    [5] |
Allmusic reviewer Stephen Thomas Erlewine stated "Reach Out was one of the few times Hank Mobley left behind driving, aggressive hard bop, choosing to concentrate on lightly grooving bop and soul-jazz instead. Essentially, the session resulted in the most commercially oriented record he made, complete with two pop covers and a laidback, swinging vibe. That wouldn't necessarily be a bad thing, but the band sounds constrained by the material and their desire to make the music appeal to a wide audience ... no one sounds particularly enthusiastic, including Mobley. In fact, Mobley's presence on the record feels strangely minimal. Only during "Good Pickin's"—a laidback bop original that's easily the best thing here—does he come alive, weaving a spell with long, liquid lines, but its subtle grace just illustrates the problems with this curiously bland record".[4]
In JazzTimes Bill Shomaker called it a "severely blemished date" and wrote "only the truly clinical Hank Mobley fanatic is going to buy this ’68 anomaly. ... The real torture for the garden variety Mobley freak, however, is the knowledge that there are four real-deal tracks on this sextet date. Three are penned by Mobley, and all reflect his ability to spice basic blues and hard bop structures with a deft turn of phrase".[6]
On All About Jazz Robert Spencer noted "By 1968, when this sextet date was recorded, the sweet mainstream jazz Hank Mobley loved and championed was on the defensive. This post-Lion Blue Note recording goes even farther than the gutbucket r & b that Lee Morgan was purveying in kowtowing to the rock and roll emperor: Mobley includes two pallid covers of contemporary soul hits ... Neither capture the burning dynamism of the originals ... Discs like this failed in their intention - to recapture an audience for jazz in its worst crisis - and are poignant in their documentation of fine artists searching for a viable direction. This disc is the tragedy of Hank Mobley in miniature".[7]
Track listing
All compositions by Hank Mobley except where noted.
- "Reach Out (I'll Be There)" (Lamont Dozier, Eddie Holland) - 6:49
- "Up, Over and Out" - 5:52
- "Lookin' East" - 5:19
- "Goin' Out of My Head" (Teddy Randazzo, Bob Weinstein) - 7:25
- "Good Pickin's" - 5:30
- "Beverly" (LaMont Johnson) - 7:01
Personnel
References
- Billboard Nov 2, 1968
- Jazzdisco: Hank Mobley Catalog, accessed July 18, 2019
- Jazzlists: Hank Mobley discography, accessed July 18, 2019
- Erlewine, Stephen Thomas. Hank Mobley: Reach Out – Review at AllMusic. Retrieved July 18, 2019.
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1013. ISBN 978-0-141-03401-0.
- Shoemaker, B. JazzTimes Review, accessed July 18, 2019
- Spencer, R. All About Jazz: Unsung Recordings of Hank Mobley, accessed July 18, 2019
Hank Mobley |
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Year(s) indicated are for the recording(s), not first release, except for the compilation section |
As leader or co-leader | |
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With others |
- At the Cafe Bohemia, Vol. 1 (Art Blakey/The Jazz Messengers, 1955)
- At the Cafe Bohemia, Vol. 2 (Art Blakey/The Jazz Messengers, 1955)
- The Jazz Messengers (Art Blakey, 1956)
- Originally (Art Blakey/The Jazz Messengers, 1956 [1982])
- At the Jazz Corner of the World (Art Blakey/The Jazz Messengers, 1959)
- All Night Long (Kenny Burrell, 1956)
- K.B. Blues (1957 [1979])
- Byrd's Eye View (Donald Byrd, 1955)
- Byrd in Flight (Donald Byrd, 1960)
- A New Perspective (1963)
- Mustang! (Donald Byrd, 1966)
- Blackjack (Donald Byrd, 1967)
- Dial "S" for Sonny (Sonny Clark, 1957)
- My Conception (Sonny Clark, 1957)
- Someday My Prince Will Come (Miles Davis, 1961)
- In Person Friday and Saturday Nights
at the Blackhawk, Complete (Miles Davis, 1961)
- Miles Davis at Carnegie Hall (1961)
- Afro-Cuban (Kenny Dorham, 1955)
- Whistle Stop (Kenny Dorham, 1961)
- This Is New (Kenny Drew, 1957)
- Undercurrent (Kenny Drew, 1960)
- Farmer's Market (Art Farmer, 1956)
- The Opener (Curtis Fuller, 1957)
- Sliding Easy (Curtis Fuller, 1959)
- Afro (Dizzy Gillespie, 1954)
- Dizzy and Strings (Dizzy Gillespie, 1954)
- Jazz Recital (Dizzy Gillespie, 1954–55)
- I Want to Hold Your Hand (Grant Green, 1965)
- A Blowin' Session (Johnny Griffin, 1957)
- My Point of View (Herbie Hancock, 1963)
- Informal Jazz (Elmo Hope, 1956)
- Goin' Up (Freddie Hubbard, 1960)
- Blue Spirits (Freddie Hubbard, 1965)
- The Eminent Jay Jay Johnson Volume 2 (1955)
- Together! (Elvin Jones and Philly Joe Jones, 1961)
- Midnight Walk (Elvin Jones, 1966)
- I Wanna Talk About You (Tete Montoliu, 1980)
- Introducing Lee Morgan (1956)
- Lee Morgan Sextet (1956)
- Cornbread (Lee Morgan, 1965)
- Charisma (1966)
- The Rajah (1966)
- Tenor Conclave (Prestige All Stars, 1957)
- Star Bright (Dizzy Reece, 1959)
- The Cool Voice of Rita Reys (1956)
- Good Move! (Freddie Roach 1963)
- The Max Roach Quartet featuring Hank Mobley (1953)
- Max Roach + 4 (1956)
- The Max Roach 4 Plays Charlie Parker (1957)
- MAX (Max Roach, 1958)
- Yasmina, a Black Woman (Archie Shepp, 1969)
- Poem for Malcolm (Archie Shepp, 1969)
- Horace Silver and the Jazz Messengers (1954–55)
- Silver's Blue (Horace Silver, 1956)
- 6 Pieces of Silver (Horace Silver, 1956–58)
- The Stylings of Silver (Horace Silver, 1957)
- A Date with Jimmy Smith Volume One (1957)
- A Date with Jimmy Smith Volume Two (1957)
- Julius Watkins Sextet (1955)
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Compilations | |
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Related | |
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Woody Shaw |
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Years given are for the recording(s), not first release. |
As leader or co-leader | |
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With others |
- Home! (Gary Bartz, 1969)
- Coral Keys (Walter Bishop Jr., 1971)
- Child's Dance (Art Blakey and the Jazz Messengers, 1972)
- Buhaina (Art Blakey and the Jazz Messengers, 1973)
- Anthenagin (Art Blakey and the Jazz Messengers, 1973)
- The Free Slave (Roy Brooks, 1970)
- Duet in Detroit (Roy Brooks, 1983)
- The Almoravid (Joe Chambers, 1971)
- Tones for Joan's Bones (Chick Corea, 1966)
- The Complete "Is" Sessions (Chick Corea, 1969)
- Brilliant Circles (Stanley Cowell, 1969)
- Conversations (Eric Dolphy, 1963)
- Iron Man (Eric Dolphy, 1963)
- Tex Book Tenor/Back from the Gig (Booker Ervin, 1968)
- Ichi-Ban (Louis Hayes and Junior Cook, 1976)
- The Real Thing (Louis Hayes, 1977)
- If You're Not Part of the Solution, You're Part of the Problem (Joe Henderson, 1970)
- Joe Henderson Quintet at the Lighthouse (1970)
- Grass Roots (Andrew Hill, 1968)
- Lift Every Voice (Andrew Hill, 1969–70)
- Passing Ships (Andrew Hill, 1969)
- Bobby Hutcherson Live at Montreux (1973)
- Cirrus (Bobby Hutcherson, 1974)
- Bridge into the New Age (Azar Lawrence, 1974)
- 'Bout Soul (Jackie McLean, 1967)
- Demon's Dance (Jackie McLean, 1967)
- Reach Out! (Hank Mobley, 1968)
- Thinking of Home (Hank Mobley, 1970)
- Deaf Dumb Blind (Summun Bukmun Umyun) (Pharoah Sanders, 1970)
- The Cape Verdean Blues (Horace Silver, 1965)
- The Jody Grind (Horace Silver, 1966)
- Natural Soul (Buddy Terry, 1967)
- Pure Dynamite (Buddy Terry, 1972)
- Expansions (McCoy Tyner, 1968)
- The Git Go – Live at the Village Vanguard (Mal Waldron, 1986)
- The Seagulls of Kristiansund (Mal Waldron, 1986)
- Natural Essence (Tyrone Washington, 1967)
- Unity (Larry Young, 1965)
- Zawinul (Joe Zawinul, 1970)
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Box-sets | |
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Authority control  | |
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