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Unsound Methods is the fourth studio album by Recoil, released in 1997. It was recorded at Alan Wilder's home studio, The Thin Line, in Sussex, during sessions that lasted from September 1996 to March 1997. The album was produced by Alan Wilder, with assistance and coordination by Hepzibah Sessa, and additional production and engineering by Steve Lyon. The album was mixed by Wilder (with assistance from Paul Stevens and Simon Shazell).

Unsound Methods
Studio album by Recoil
Released	27 October 1997
Recorded	September 1996 – March 1997 at The Thin Line (Sussex, England)
Genre	Electronica
Length	58:58
Label	Mute – STUMM 159 Reprise/Warner Bros. – 46820
Producer	Alan Wilder
Recoil chronology
Bloodline (1992) Unsound Methods (1997) Liquid (2000)

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
babysue	[2]

Unsound Methods was Alan Wilder's fourth Recoil release (after three extended plays), and his first since his departure from his band Depeche Mode in June 1995.

The music was very different from previous Recoil offerings. According to Wilder, "...[T]he sound relates much more to the approach taken on Depeche Mode's Songs of Faith and Devotion LP, which featured and combined lots of snatches of performance (with all their inherent feel). These parts were then sampled and sequenced utilizing all the available technology, to hopefully achieve something more interesting than the sound of a band playing together."[3]

Spoken word artist Maggie Estep, Nitzer Ebb vocalist Douglas McCarthy, Songs of Faith and Devotion back-up singer Hildia Campbell and Siobhan Lynch were all vocalists.[4] The avant-garde electronic duo Pan Sonic from Turku, Finland remixed the song "Shunt".

Track listing

All music written by Alan Wilder

1. "Incubus" (Words: Douglas McCarthy/Francis Ford Coppola (listed as F. Copolla))
2. "Drifting" (Words: Siobhan Lynch)
3. "Luscious Apparatus" (Words: Maggie Estep)
4. "Stalker" (Words: McCarthy)
5. "Red River Cargo" (Words: Thomas A. Dorsey)
6. "Control Freak" (Words: Estep)
7. "Missing Piece" (Words: Lynch)
8. "Last Breath" (Words: Ernest Gold/Pat Boone)
9. "Shunt" (Words: Wilder)

Credits and personnel

Singles

"Drifting"

CD: Mute / CD MUTE 209 (UK)

1. "Drifting"–Radio Mix (by Wilder)
2. "Drifting"–Poison Dub (by Wilder)
3. "Control Freak"–Barry Adamson Mix
4. "Shunt"–Pansonic Mix

"Stalker/Missing Piece"

CD: Mute / CD MUTE 214 (UK)

1. "Stalker"–Punished Mix (by Alan Wilder and PK)
2. "Missing Piece"–Night Dissolves (by Wilder and PK)
3. "Red River Cargo"–(album version)

Trivia

• Francis Ford Coppola is listed as a co-writer of "Incubus" as the song is filled with quotes from Apocalypse Now. Douglas McCarthy even sounds like Martin Sheen's Capt. Benjamin L. Willard. The album title also comes from a quote from Willard: "They told me that you had gone totally insane, and that your methods were unsound."^{[citation needed]}
• Pat Boone and Ernest Gold are listed as a co-writer of "Last Breath" because an interpolation of their song "Exodus (This Land Is Mine)", from the 1960 film Exodus, is used.
• Hildia Cambell was tapped to sing on the album after joining Depeche Mode as a touring singer during the Devotional Tour. She also sings on the song "Get Right with Me" on the Depeche Mode album Songs of Faith and Devotion.
• Douglas McCarthy is the only collaborator to sing lead vocals on two Recoil albums. He also sang the single "Faith Healer" on the Bloodline album.
• "Red River Cargo" is based on the Thomas A. Dorsey gospel song "Take My Hand, Precious Lord", written in 1932.
• In "Control Freak", there is an interpolation of part of the Ashford & Simpson song "You're All I Need to Get By" (made popular by Marvin Gaye and Tammi Terrell). The words are changed to "You're all I need to get high".

Notes

На других языках

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- [en] Unsound Methods

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[es] Unsound Methods

Unsound Methods (en español: Métodos dementes) es el segundo álbum de estudio del proyecto musical Recoil, a cargo de Alan Wilder. Fue publicado el 27 de octubre de 1997 por Mute Records en el Reino Unido y por Reprise Records en Estados Unidos. Este fue el primer material publicado por Wilder luego de abandonar Depeche Mode en 1995.[4]

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