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Introducing Wayne Shorter è il primo album di Wayne Shorter, pubblicato dalla Vee Jay Records nel 1959.

Introducing Wayne Shorter
album in studio
ArtistaWayne Shorter
Pubblicazione1959
Dischi1
Tracce6
GenereJazz
EtichettaVee Jay Records (VJLP 3006)
Wayne Shorter - cronologia
Album precedente
Album successivo
(1974)

Tracce


Lato A
  1. Blues a la Carte – 5:32 (Wayne Shorter) – Registrato il 9 novembre 1959 a New York ("Fine Sound Studios")
  2. Harry's Last Stand – 4:37 (Wayne Shorter) – Registrato il 9 novembre 1959 a New York ("Fine Sound Studios")
  3. Down in the Depths – 9:39 (Wayne Shorter) – Registrato il 10 novembre 1959 a New York ("Fine Sound Studios")
Lato B
  1. Pug Nose – 6:47 (Wayne Shorter) – Registrato il 10 novembre 1959 a New York ("Fine Sound Studios")
  2. Black Diamond – 5:57 (Wayne Shorter) – Registrato il 10 novembre 1959 a New York ("Fine Sound Studios")
  3. Mack the Knife – 4:25 (Kurt Weill, Marc Blitzstein) – Registrato il 10 novembre 1959 a New York ("Fine Sound Studios")
Edizione CD del 1997, pubblicato dalla Vee Jay Records
  1. Blues a la Carte – 5:32 (Wayne Shorter)
  2. Harry's Last Stand – 4:37 (Wayne Shorter)
  3. Down in the Depths – 9:39 (Wayne Shorter)
  4. Pug Nose – 6:47 (Wayne Shorter)
  5. Black Diamond – 5:57 (Wayne Shorter)
  6. Mack the Knife – 4:25 (Kurt Weill, Marc Blitzstein)
  7. Blues a la Carte – 5:42 (Wayne Shorter) – Alternate take
  8. Harry's Last Stand – 5:00 (Wayne Shorter) – Alternate take
  9. Down in the Depths – 10:16 (Wayne Shorter) – Alternate take
  10. Black Diamond – 7:44 (Wayne Shorter) – Alternate take

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[en] Introducing Wayne Shorter

Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th & 10th, 1959 at Bell Sound Studios in New York City. [2] It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.[3]
- [it] Introducing Wayne Shorter



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