music.wikisort.org - CompositionMonk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in October the same year.[1][2]
1957 studio album by Thelonious Monk
Monk's Music |
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Released | October 1957 (1957-10)[1][2] |
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Recorded | June 25–26, 1957 |
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Studio | Reeves Sound Studio, New York City |
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Genre | |
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Length | 38:24 |
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Label | Riverside Records |
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Producer | Orrin Keepnews |
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Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [3] |
Pitchfork | 9.1/10[4] |
The Rolling Stone Jazz Record Guide |     [5] |
Encyclopedia of Popular Music |     [6] |
The Penguin Guide to Jazz Recordings |    [7] |
Recording and music
The first song, "Abide With Me"—a hymn by W. H. Monk—is played only by the septet's horn section. The song "Ruby, My Dear" is performed only by Monk, Coleman Hawkins, Wilbur Ware, and Art Blakey. John Coltrane had joined Monk after playing with the Miles Davis Quintet, and Monk can be heard enthusiastically calling on him ("Coltrane! Coltrane!") to take the first horn solo on the album in "Well, You Needn't." All of the songs except one are original compositions by Monk; all of the originals but "Crepuscule with Nellie" had appeared on previous Monk albums and singles in prior performances.
Mono vs. stereo
This was the first Riverside Thelonious Monk album recorded and released in both mono (RLP 12-242) and stereo (RLP 1102). The stereo version was released 9 months after the mono, in August 1958.[8] It has been noted that the mixes of these releases are extremely different. The stereo mix, while featuring the same performances as does the mono version, used an entirely different set of microphones, suspended from the ceiling, while the mono release used microphones in closer proximity to the instruments. As a result, the stereo mix has a more distant sound and Wilbur Ware's bass is much less audible.[9]
Producer Orrin Keepnews explained:
Our new stereo series had begun with a sound effects disc, so Riverside 1102 [Monk's Music] was our first stereo jazz album. But we had to deal with the fact that the studio had not yet taken the drastic step of converting to the new process: the installed equipment at Reeves Sound Studios (on 2nd Avenue between 44th and 45th Streets in Manhattan) was still monaural. Thus, we had to improvise a dual system. Studio engineer Jack Higgins presided at his usual control panel; our staff engineer Ray Fowler was in the soundproof isolation booths in the studio with a newfangled portable stereo tape recorder. Thus, on this and several subsequent occasions, ‘binaural’ was an entirely separate operation. Among other things, every musician found himself surrounded by a doubled quantity of microphones.” [10]
In the notes to the 1986 Riverside Monk box, Keepnews wrote:
This was one of our very first stereo recordings (although the separate machine failed us on Crepuscule); confusingly, the monaural version has sometimes been used in reissues, but I have managed to include here in stereo form everything that is available in that form.[11]
The original stereo LP release did not list "Crepuscule with Nellie" on its label or cover track listing (although it was referenced in the liner notes), and did not include it on the album, though the mono version always included the piece. A circa-1965 stereo re-release with serial number RLP 12-9242 also skipped "Crepuscule with Nellie", even though it was listed on the label and cover. The 1967 "stereo" pressing (RS 3004) distributed by ABC Records was an "electronically reprocessed" version of the mono mix. A 1977 Japanese vinyl version appears to be the first true stereo release that also includes the (mono) "Crepuscule with Nellie".[12]
Reception
The album was inducted into the Grammy Hall of Fame in 2001.[13]
Re-releases
The album was reissued by Original Jazz Classics on July 1, 1991.
Track listing
All songs by Thelonious Monk unless otherwise noted.
Side A
- "Abide with Me" (Henry Francis Lyte, William Henry Monk) – 0:54
- "Well, You Needn't" – 11:24
- "Ruby, My Dear" – 5:26
Side B
- "Off Minor" – 5:07
- "Epistrophy" (Monk, Kenny Clarke) – 10:46
- "Crepuscule With Nellie" – 4:38
(Note: "Crepuscule With Nellie" is missing from most or all true stereo vinyl releases of the album, even when listed, through at least the 1960s (see explanation above). In addition, the track, when listed, is misspelled as "Crepescule With Nellie" on the cover and label of most issues of the album.)
CD reissue
- "Abide With Me" – 0:54
- "Well, You Needn't" – 11:24
- "Ruby, My Dear" – 5:26
- "Off Minor (Take 5)" – 5:07
- "Off Minor (Take 4)" – 5:12
- "Epistrophy" – 10:46
- "Crepuscule with Nellie (Take 6)" – 4:38
- "Crepuscule with Nellie (Take 4 and 5)" – 4:43
Original Jazz Classics Remasters
- "Abide With Me" – 0:54
- "Well, You Needn't" – 11:24
- "Ruby, My Dear" – 5:26
- "Off Minor (Take 5)" – 5:07
- "Epistrophy" – 10:46
- "Crepuscule with Nellie (Take 6)" – 4:38
- "Off Minor (Take 4)" – 5:12
- "Crepuscule with Nellie (Takes 4 and 5)" – 4:43
- "Blues for Tomorrow" – 13:32
Personnel
- Thelonious Monk – piano on tracks 2-6
- Ray Copeland – trumpet on tracks 1, 2, 4-6
- Gigi Gryce – alto saxophone and arrangements on tracks 1, 2, 4-6
- Coleman Hawkins – tenor saxophone
- John Coltrane – tenor saxophone on tracks 1, 2, 4-6
- Wilbur Ware – double bass on tracks 2-6
- Art Blakey – drums on tracks 2-6
- Orrin Keepnews – production
- Jack Higgins – recording engineering
- Kirk Felton – digital remastering
- Paul Weller – cover photography
- Paul Bacon – cover design
References
- DeVito, Chris; Fujioka, Yasuhiro; Schmaler, Wolf; Wild, David (2013). Porter, Lewis (ed.). The John Coltrane Reference. New York/Abingdon: Routledge. p. 473. ISBN 9780415634632. Retrieved 2 January 2020.
- "Jazz LPs". The Billboard. Cincinnati: Billboard Publishing Co. 28 October 1957. Retrieved 19 June 2019.
- Planer, Lindsay. Monk's Music at AllMusic
- Ratliff, Ben (12 March 2017). "Monk's Music". Pitchfork. Retrieved 12 March 2017.
- Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 145. ISBN 0-394-72643-X.
- Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1021. ISBN 978-0-141-03401-0.
- Editorial Staff, Cash Box (August 9, 1958). "August Album Releases" (PDF). The Cash Box. New York: The Cash Box Publishing Co. Inc. Retrieved 2 May 2020.
- "Thelonious Monk Monk's Music (1957) Riverside". 14 August 2012.
- "Craft Recordings".
- "SACD of Monk's Music is Stereo!!!!".
- "Roots Vinyl Guide".
- "Grammy Hall of Fame". Grammy.org. Retrieved 30 January 2015.
External links
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Discography |
Prestige albums | |
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Blue Note albums | |
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Atlantic albums | |
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Impulse! albums | |
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Posthumous albums | |
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With Miles Davis | |
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With Thelonious Monk | |
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Live albums | |
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Compilations | |
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Compositions | |
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Documentaries | |
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Related articles |
- List of sessions
- Coltrane changes
- Sheets of sound
- Alice Coltrane
- Ravi Coltrane
- Dix Hills home
- Philadelphia house
- 5893 Coltrane asteroid
- John W. Coltrane Cultural Society
- Tribute albums
- Before John Was a Jazz Giant: A Song of John Coltrane
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Coleman Hawkins |
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Years given are for the recording(s), not first release, unless stated otherwise. |
Albums as leader or co-leader |
- Body and Soul (1939–56)/The Hawk in Hi Fi (1956)
- Disorder at the Border (1952)
- The Hawk Talks (1952–53)
- The Hawk Returns (released 1954)
- Timeless Jazz (1954)
- Accent on Tenor Sax (1955)
- The Hawk in Paris (1956)
- The Gilded Hawk (1956–57)
- Coleman Hawkins Encounters Ben Webster (1957)
- The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All Stars at Newport (1957)
- The Genius of Coleman Hawkins (1957)
- The Hawk Flies High (1957)
- Bean Bags (and Milt Jackson, 1958)
- Coleman Hawkins and Confrères (1958)
- Soul (1958)
- The High and Mighty Hawk (1958)
- The Saxophone Section (1958)
- Coleman Hawkins with the Red Garland Trio (1959)
- Hawk Eyes (1959)
- Coleman Hawkins All Stars (with Vic Dickenson and Joe Thomas, 1959)
- Very Saxy (and Eddie "Lockjaw" Davis, Buddy Tate, Arnett Cobb, 1959)
- At Ease with Coleman Hawkins (1960)
- Coleman Hawkins and His Orchestra (1960)
- Night Hawk (and Eddie "Lockjaw" Davis, 1960)
- The Hawk Swings (1960)
- Jazz Reunion (and Pee Wee Russell, 1961)
- The Hawk Relaxes (1961)
- Back in Bean's Bag (and Clark Terry, 1962)
- Bluesy Burrell (with Kenny Burrell, 1962)
- Coleman Hawkins Plays Make Someone Happy from Do Re Mi (1962)
- Desafinado (1962)
- Duke Ellington Meets Coleman Hawkins (1962)
- Good Old Broadway (1962)
- Hawkins! Alive! At the Village Gate (1962)
- Hawkins! Eldridge! Hodges! Alive! At the Village Gate! (1962)
- The Jazz Version of No Strings (1962)
- Today and Now (1962)
- Sonny Meets Hawk! (and Sonny Rollins, 1963)
- Wrapped Tight (1965)
- The Greatest Jazz Concert in the World (multiple leaders, 1967)
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With others |
- Further Definitions (Benny Carter, 1951)
- All the Cats Join In (Buck Clayton, 1953–56)
- Jumpin' at the Woodside (Buck Clayton, 1954–55)
- The Complete RCA Victor Recordings (Dizzy Gillespie, 1939)
- Blues Groove (Tiny Grimes, 1958)
- At Newport '63 (Lambert, Hendricks & Bavan, 1963)
- Straight Ahead (Abbey Lincoln, 1961)
- 2-3-4 (Shelly Manne, 1962)
- Monk's Music (Thelonious Monk, 1957)
- Thelonious Monk with John Coltrane (also Hawkins, 1957)
- We Insist! (Max Roach, 1960)
- Ben Webster and Associates (1959)
- Live at the Five Spot (Randy Weston, 1959)
- At Newport '63 (Joe Williams, 1963)
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Authority control  | |
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На других языках
[de] Monk’s Music
Monk’s Music ist ein Jazz-Album von Thelonious Monk, aufgenommen am 25. und 26. Juni 1957 in New York City und veröffentlicht auf Riverside Records.
- [en] Monk's Music
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