music.wikisort.org - CompositionConception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent.[2][3] In particular, the entirety of the 10"LP Lee Konitz: The New Sounds (PRLP 116) makes up all of side 1.
1956 compilation album by Miles Davis, Stan Getz, Lee Konitz
Conception |
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Released | 1956 |
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Recorded | 1949-1951 New York City |
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Genre | Jazz |
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Length | 39:36 |
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Label | Prestige PRLP 7013 |
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Producer | Bob Weinstock |
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Professional ratingsReview scores |
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Source | Rating |
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Allmusic |     [1] |
Track listing
- "Odjenar" (George Russell) - 2:52
- "Hibeck" (Lee Konitz) - 3:07
- "Yesterdays" (Jerome Kern) - 2:27
- "Ezz-Thetic" (Russell) - 2:54
- "Indian Summer" (Victor Herbert) - 2:35
- "Duet for Saxophone and Guitar" (Konitz) - 2:41
- "Conception" (George Shearing) - 4:03
- "My Old Flame" (Sam Coslow, Arthur Johnston) - 6:36
- "Intoit" (Stan Getz) - 3:22
- "Prezervation" (Getz) - 2:44
- "I May Be Wrong" (Gerry Mulligan) - 3:28
- "So What" (Mulligan) - 2:44
Note: The final track, "So What", is not the same composition attributed to Miles Davis for his 1959 album Kind of Blue.
Recording sessions and personnel
June 21, 1949 (NYC)
"Prezervation"
- Stan Getz - Tenor sax
- Al Haig - Piano
- Gene Ramey - Bass
- Stan Levey - Drums
originally released on the 78rpm single:
- Prestige 818: Stan Getz - Battleground / Prezervation
1950
January 6 (NYC)
"Intoit"
- Stan Getz - Tenor sax
- Al Haig - Piano
- Tommy Potter - Bass
- Roy Haynes - Drums
originally released on the 78rpm single:
- Prestige 867: Stan Getz - Intoit / You Stepped Out Of A Dream
March 15 (NYC)
"I May Be Wrong"
- Don Ferrara, Howard McGhee, Al Porcino - Trumpets
- J.J. Johnson, Kai Winding - Trombones
- Charlie Kennedy - Alto sax
- Georgie Auld, Zoot Sims - Tenor saxes
- Gerry Mulligan - Baritone sax
- Tony Aless - Piano
- Chubby Jackson - Bass
- Don Lamond - Drums
"So What"
- Gerry Mulligan - Baritone sax
- Zoot Sims - Tenor sax
- Charlie Kennedy - Alto sax
- J. J. Johnson, Kai Winding - Trombones
- Tony Aless - Piano
- Chubby Jackson - Bass
- Don Lamond - Drums
"I May Be Wrong" and "So What" were originally issued on the 10"LP Chubby Jackson All Star Big Band (PRLP 105), although they are here credited to Gerry Mulligan.
1951
March 8 (NYC)
"Odjenar", "Hibeck", "Yesterdays", "Ezz-Thetic"
- Lee Konitz - Alto sax
- Miles Davis - Trumpet
- Sal Mosca - Piano
- Billy Bauer - Guitar
- Arnold Fishkin - Bass
- Max Roach - Drums
March 13 (NYC)
"Indian Summer", "Duet for Saxophone and Guitar"
- Lee Konitz - Alto sax
- Billy Bauer - Guitar
All six Lee Konitz tracks were originally issued on the 10"LP Lee Konitz: The New Sounds (PRLP 116), which is reissued in its entirety here. The tracks with Miles Davis as a sideman were recorded after Davis' first Prestige session, and before Davis' own debut album, also called The New Sounds (PRLP 124).[4] Konitz and Davis had previously worked together on the Birth of the Cool sessions.
October 5 (Apex Studios, NYC)
"Conception", "My Old Flame"
- Miles Davis - Trumpet
- Sonny Rollins - Tenor sax
- Walter Bishop - Piano
- Tommy Potter - Bass
- Art Blakey - Drums
Both Miles Davis tracks were previously released on Miles Davis: the New Sounds (PRLP 124), Davis' first album. The other two tracks from that album were reissued on Dig (PRLP 7012), and "Conception" and "My Old Flame" have been added as bonus tracks to the later reissues of the Dig CD.
References
- Mason, Stewart (2011). "Conception - Miles Davis | AllMusic". allmusic.com. Retrieved 2 August 2011.
- Prestige 78rpm discography, the Jazz Discography Project, accessed June 25, 2014
- Prestige 10" LP discography, the Jazz Discography Project, accessed June 25, 2014
- March 8, 1951 Session Details, Miles Ahead: A Miles Davis Website, accessed June 25, 2014
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Discography |
Studio albums | Prestige era | |
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Columbia era | |
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Warner Bros. era | |
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Soundtracks | |
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Live recordings | |
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Compilations | |
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Box-sets | |
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Remix albums | |
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Compositions | |
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Related | |
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Category
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Stan Getz |
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Studio albums |
- Voyage (1986)
- Bossas & Ballads – The Lost Sessions (1989)
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Live albums | |
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Compilation albums | |
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Soundtracks | |
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Lee Konitz |
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Studio albums | |
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Live albums | |
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Compilation albums | |
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Related | |
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Max Roach |
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Albums |
- The Max Roach Quartet featuring Hank Mobley (1953)
- Max Roach + 4 (1956)
- Jazz in 3/4 Time (1956–57)
- The Max Roach 4 Plays Charlie Parker (1957–58)
- Award-Winning Drummer (1958)
- Booker Little 4 and Max Roach (1958)
- MAX (1958)
- Max Roach + 4 on the Chicago Scene (1958)
- Max Roach + 4 at Newport (1958)
- Max Roach with the Boston Percussion Ensemble (1958)
- Deeds, Not Words (1958)
- Moon Faced and Starry Eyed (with Abbey Lincoln, 1959)
- Quiet as It's Kept (1959)
- Rich Versus Roach (and Buddy Rich, 1959)
- The Many Sides of Max (1959)
- Long as You're Living (1960)
- Parisian Sketches (1960)
- We Insist! (1960)
- Percussion Bitter Sweet (1961)
- It's Time (1962)
- Money Jungle (and Duke Ellington, Charles Mingus, 1962)
- Speak, Brother, Speak! (1962)
- The Max Roach Trio Featuring the Legendary Hasaan (and Hasaan Ibn Ali, 1964)
- Drums Unlimited (1965)
- Members, Don't Git Weary (1968)
- Lift Every Voice and Sing (1971)
- Re: Percussion (M'Boom, Strata-East, 1973)
- Birth and Rebirth (and Anthony Braxton, 1978)
- Historic Concerts (and Cecil Taylor, 1979)
- M'Boom (1979)
- One in Two – Two in One (and Anthony Braxton, 1979)
- Pictures in a Frame (1979)
- The Long March (and Archie Shepp, 1979)
- In the Light (1982)
- Live at Vielharmonie (1983)
- Collage (M'Boom, 1984)
- It's Christmas Again (1984)
- Scott Free (1984)
- Survivors (1984)
- Easy Winners (1985)
- Bright Moments (1986)
- Max + Dizzy: Paris 1989 (and Dizzy Gillespie, 1989)
- To the Max! (1990–91)
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With Clifford Brown | |
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Compilations | |
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Authority control  | |
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