Psalm 103 is the 103rd psalm of the Book of Psalms, beginning in English in the King James Version: "Bless the LORD, O my soul". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as "Benedic anima mea Domino".[1] The psalm is a hymn psalm.[2]
Psalm 103 | |
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"Bless the LORD, O my soul" | |
Hymn psalm | |
![]() Psalm 103 in Luttrell Psalter c. 1325–1335 | |
Other name |
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Language | Hebrew (original) |
In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 102.
The first verse (the sub-heading in most English translations) attributes the psalm to King David. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. The psalm has been paraphrased in hymns, and has often been set to music.
Baptist preacher and biblical commentator Charles Spurgeon suggests that the psalm was written in David's later life, as seen by the psalmist's focus on the frailty of life and his "higher sense of the preciousness of pardon, because a keener sense of sin".[3] Spurgeon divides the psalm into three sections:
Lutheran minister Ernst Wilhelm Hengstenberg notes that the number of verses in the psalm parallels the 22 letters of the Hebrew alphabet, and that the concluding words repeat the opening words, "finishing" and "rounding off" the psalm into a complete whole.[3] Nonconformist minister Matthew Henry also notes this circular form, stating: "Blessing God and giving him glory must be the alpha and the omega of all our services".[4]
The Midrash Tehillim offers several explanations of the first verse, among them:
Rabbi Levi said in the name of Rabbi Hama: A sculptor makes a statue; the sculptor dies, but his sculpture endures. It is not thus with the Holy One, blessed be He. The Holy One made man, and man dies, but the Holy One lives and endures. … Another comment: A sculptor makes a statue, but cannot make a soul or vital organs. But the Holy One made a statue, man, and within him made a soul and vital organs. Therefore, David offered praise, "Bless the LORD, O my soul; and all that is within me, bless His holy name".[5]
The opening words, "Bless the LORD, O my soul", appear again at the beginning of Psalm 104, reinforcing the thematic connection between these psalms. But Patrick D. Miller also sees Psalm 103 as a logical extension of Psalm 102, pointing out that "one may see [Psalm] 102 as opening issues and questions to which [Psalm] 103 offers the solution or answer". For example, in Psalm 102 the psalmist blames his illness and pain on God's "indignation and anger" (verse 10), while Psalm 103 makes it clear that divine anger is not the final word, nor will it last forever.[6]
Verse | Hebrew |
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1 | לְדָוִ֨ד בָּֽרְכִ֣י נַ֖פְשִׁי אֶת־יְהֹוָ֑ה וְכָל־קְ֜רָבַ֗י אֶת־שֵׁ֥ם קָדְשֽׁוֹ |
2 | בָּֽרְכִ֣י נַ֖פְשִׁי אֶת־יְהֹוָ֑ה וְאַל־תִּ֜שְׁכְּחִ֗י כָּל־גְּמוּלָֽיו |
3 | הַסֹּלֵ֥חַ לְכָל־עֲוֹנֵ֑כִי הָ֜רֹֽפֵ֗א לְכָל־תַּֽחֲלוּאָֽיְכִי |
4 | הַגּוֹאֵ֣ל מִשַּׁ֣חַת חַיָּ֑יְכִי הַֽ֜מְעַטְּרֵ֗כִי חֶ֣סֶד וְרַֽחֲמִֽים |
5 | הַמַּשְׂבִּ֣יַע בַּטּ֣וֹב עֶדְיֵ֑ךְ תִּתְחַדֵּ֖שׁ כַּנֶּ֣שֶׁר נְעוּרָֽיְכִי |
6 | עֹשֵׂ֣ה צְדָק֣וֹת יְהֹוָ֑ה וּ֜מִשְׁפָּטִ֗ים לְכָל־עֲשׁוּקִֽים |
7 | יוֹדִ֣יעַ דְּרָכָ֣יו לְמֹשֶׁ֑ה לִבְנֵ֥י יִ֜שְׂרָאֵ֗ל עֲלִֽילוֹתָיו |
8 | רַח֣וּם וְחַנּ֣וּן יְהֹוָ֑ה אֶ֖רֶךְ אַפַּ֣יִם וְרַב־חָֽסֶד |
9 | לֹֽא־לָנֶ֥צַח יָרִ֑יב וְלֹ֖א לְעוֹלָ֣ם יִטּֽוֹר |
10 | לֹ֣א כַֽ֖חֲטָאֵינוּ עָ֣שָׂה לָ֑נוּ וְלֹ֥א כַֽ֜עֲוֹנֹתֵ֗ינוּ גָּ֘מַ֥ל עָלֵֽינוּ |
11 | כִּ֚י כִגְבֹ֣הַּ שָׁ֖מַיִם עַל־הָאָ֑רֶץ גָּ֘בַ֥ר חַ֜סְדּ֗וֹ עַל־יְרֵאָֽיו |
12 | כִּרְחֹ֣ק מִ֖זְרָח מִֽמַּֽעֲרָ֑ב הִרְחִ֥יק מִ֜מֶּ֗נּוּ אֶת־פְּשָׁעֵֽינוּ |
13 | כְּרַחֵ֣ם אָ֖ב עַל־בָּנִ֑ים רִ֘חַ֥ם יְ֜הֹוָ֗ה עַל־יְרֵאָֽיו |
14 | כִּ֣י ה֖וּא יָדַ֣ע יִצְרֵ֑נוּ זָ֜כ֗וּר כִּֽי־עָ֘פָ֥ר אֲנָֽחְנוּ |
15 | אֱנוֹשׁ כֶּֽחָצִ֣יר יָמָ֑יו כְּצִ֥יץ הַ֜שָּׂדֶ֗ה כֵּ֣ן יָצִֽיץ |
16 | כִּ֚י ר֣וּחַ עָֽבְרָה־בּ֣וֹ וְאֵינֶ֑נּוּ וְלֹֽא־יַכִּירֶ֖נּוּ ע֣וֹד מְקוֹמֽוֹ |
17 | וְחֶ֚סֶד יְהֹוָ֨ה מֵֽעוֹלָ֣ם וְעַד־עוֹלָם עַל־יְרֵאָ֑יו וְ֜צִדְקָת֗וֹ לִבְנֵ֥י בָנִֽים |
18 | לְשֹֽׁמְרֵ֥י בְרִית֑וֹ וּלְזֹֽכְרֵ֥י פִ֜קֻּדָ֗יו לַֽעֲשׂוֹתָֽם |
19 | יְֽהוָ֗ה בַּ֖שָּׁמַיִם הֵכִ֣ין כִּסְא֑וֹ וּ֜מַלְכוּת֗וֹ בַּכֹּ֥ל מָשָֽׁלָה |
20 | בָּֽרְכ֥וּ יְהֹוָ֗ה מַלְאָ֫כָ֥יו גִּבֹּ֣רֵי כֹחַ עֹשֵׂ֣י דְבָר֑וֹ לִ֜שְׁמֹ֗עַ בְּק֣וֹל דְּבָרֽוֹ |
21 | בָּֽרְכ֣וּ יְ֖הֹוָה כָּל־צְבָאָ֑יו מְ֜שָׁרְתָ֗יו עֹ֘שֵׂ֥י רְצוֹנֽוֹ |
22 | בָּֽ֘רְכ֚וּ יְהֹוָ֨ה כָּל־מַֽעֲשָׂ֗יו בְּכָל־מְקֹמ֥וֹת מֶמְשַׁלְתּ֑וֹ בָּֽ֘רְכִ֥י נַ֜פְשִׁ֗י אֶת־יְהֹוָֽה |
Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text tradition, which includes the Aleppo Codex (10th century), and Codex Leningradensis (1008).[7]
The extant palimpsest AqTaylor includes a translation into Koine Greek by Aquila of Sinope in c. 130 CE, containing verses 1–13.[8]
Verse 1 is the final verse of Nishmat.[9]
Verses 2, 10, and 13 are recited during Selichot.[10]
Verses 10, 13, and 14 are part of the Tachanun prayer.[10] Verse 14 is also recited during a burial service.[10]
Verse 17 is recited during the blessings before the Shema on the second day of Rosh Hashanah.[11]
Verse 19 is part of the Yehi kevod prayer recited during Pesukei Dezimra.[12][10]
Verse 17 is quoted in Mary's song of praise, the Magnificat, in Luke 1:50.[13]
In the Western church, this psalm was traditionally performed during the celebration of Matins of Saturday by the order of St. Benedict, probably since its founding to 530.[14]
In the Liturgy of the Hours, Psalm 103 is sung or recited during the Office of Sunday readings, second week. It is also used for Mass readings: it is the psalm read at the Mass of the Sacred Heart in Year A of the three-yearly cycle. In ordinary time, we find the 7th and the 24th Sunday of the year A and the eighth Sunday of the year B. In Lent, it is played the 3rd and 7th Sunday. Finally, it is the 7th Psalm on Easter Sunday.
In the Eastern Orthodox Church this psalm is one of the six psalms of Orthros (Matins) read every morning outside of Bright Week. It is also the first of the "Typical Psalms" of the Typica, which is read in place of the Divine Liturgy when the latter is not celebrated on days it is permitted to be. It is frequently sung as the first antiphon of the Divine Liturgy, but there it is often replaced by another antiphon on great feasts and on many weekdays, and is always thus replaced in Greek practice (except on Mount Athos).[15]
R. J. Thesman finds in this psalm a declaration that God never betrays us, never abandons us, and never forgets ..... His mercy covers our mistakes and our human tendencies,[16] while Thomas Coke, calls it an exquisite performance, very applicable to every deliverance: it may properly be said to describe the wonders of grace.[17] This Psalm is one continued hymn of praise, and includes a comprehensive view of the goodness of Jehovah, in all the great works of creation and redemption,[18] while Albert Barnes called it exceedingly regular in its structure and composition; beautiful in its language and conceptions; adapted to all times and ages; suited to express the feelings of gratitude to God for deliverance from trouble, and for the manifestation of his mercy; suited to elevate the soul, and to fill it with cheerful views.[19]
The Old Testament scholar Bernhard Duhm considers the Psalm a "compilation of all sorts of beautiful sentences from a fairly extensive reading".[20]
Psalm 103 is the basis of several hymns. A paraphrase of Psalm 103 in German is "Nun lob, mein Seel, den Herren", written by Johann Gramann in 1525, which was translated by Catherine Winkworth as "My Soul, now Praise thy Maker!" and published in 1863. English hymns include "Praise, my soul, the King of Heaven", written in the nineteenth century by Henry Francis Lyte, as well as "Sing to the Lord and praise him"; and “Like as a Father” by Florence Margaret Spencer Palmer.[21]
In the 16th century, Claudin de Sermisy set the psalm. In the 17th century, Henry Dumont set this psalm for La Chapelle Royale au Louvre (1666).
In contemporary music, the song "Bless the Lord" in the musical Godspell is based on this psalm. "10,000 Reasons (Bless the Lord)" by Matt Redman and Jonas Myrin takes lyrics from this psalm,[22] as does "The Lord is Gracious and Compassionate" by Vineyard Worship.
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