Name |
Year of birth |
Year of death |
Nationality |
Notable 20th-century works |
Remarks |
Beatrice Ohanessian | 1927 | 2008 | Armenian-Iraqi | | Iraq's first female composer. |
Haig Mardirosian | 1947 | | Armenian-American | | |
Haig Gudenian | 1885 | 1972 | Armenian-American | | |
Nikoghayos Tigranian | 1856 | 1951 | Armenian | | |
William Weiner | 1955 | | Armenian-Israeli | | |
Carter Larsen | 1955 | | American | | Larsen has composed a wide variety of concert works (Solo Piano, Two Pianos, Piano & Orchestra, Instrumental) as well as music for theater and film. |
Grigor Yeghiazaryan | 1908 | 1988 | Armenian | | |
Mikael Tariverdiev | 1931 | 1996 | Armenian | | |
Vardan Sardaryan | 1962 | | Armenian | | |
Stepan Rostomyan | 1956 | | Armenian | | |
Michel Petrossian | 1973 | | Armenian-French | | Petrossian won the 2012 Queen Elisabeth Prize for Composition. |
Konstantin Petrossian | 1946 | | Armenian | | |
Stepan Papelyan | 1875 | 1960 | Armenian | | |
Vazgen Muradian | 1921 | 2018 | Armenian-American | | |
Hrachya Melikyan | 1947 | 2006 | Armenian | | |
Rita Kassabian | 1976[1] | | Armenian | | |
Andrey Kasparov | 1966 | | Armenian-American | | |
Harutyun Hanesyan | 1911 | 1987 | Armenian | | |
Eduard Hayrapetyan | 1949 | | Armenian | | |
Gagik Hovunts | 1930 | 2019 | Armenian | | |
Ohan Durian | 1922 | 2011 | Armenian | | |
Loris Ohannes Chobanian | 1933 | | Armenian | | |
Sergey Balasanian | 1902 | 1982 | Armenian | He wrote the first Tajik opera – The Uprising at Vosse (first staged in 1939). | |
Edvard Baghdasaryan | 1922 | 1987 | Armenian | | |
Vahram Babayan | 1948 | | Armenian | | |
Edward Manukyan | 1981 | | Armenian | | |
Robert Amirkhanyan | 1939 | | Armenian | Lenin Komsomol Prize (1980) for 1978-1979 song cycles | |
Hampartzoum Berberian | 1905 | 1999 | Armenian | | |
Ruben Sargsyan | 1945 | 2013 | Armenian | | |
Vartan Adjemian | 1956 | | Armenian | | |
Ghazaros Saryan | 1920 | 1998 | Armenian |
Saryan's Armenia: Symphonic Panels was performed in 1991 at the Pierre Boulez Contemporary Music Center in Metz, France, and his Passacaglia was presented in 1995 during the Athens Music Festival. | |
Adam Khudoyan | 1921 | 2000 | Armenian | | |
Edgar Hovhannisyan | 1930 | 1998 | Armenian | State Prize of the USSR (1979) | |
Levon Chaushian | 1946 | 2022 | Armenian | | |
Khachatur Avetisyan | 1926 | 1996 | Armenian | | |
Vahram Sargsyan | 1981 | | Armenian | | |
Boris Parsadanian | 1925 | 1997 | Armenian | He wrote eleven symphonies composed between 1958 and 1987, the second of them a tribute to Martiros Saryan. | |
Nicol Galanderian | 1881 | 1944 | Armenian | | |
Makar Yekmalyan | 1856 | 1905 | Armenian | His most noted composition was the Patarag, the setting of the Armenian Apostolic Church's Divine Liturgy | |
David Satian | 1979 | | Armenian | | |
Ashot Satian | 1906 | 1958 | Armenian | His "Songs of Ararat Valley" were awarded by USSR State Prize in 1952. | |
Aram Satian | 1947 | | Armenian | First Prize in the 1969 Young Composers Review held in Moscow, for his Symphonic Variations | |
Vache Sharafyan | 1966 | | Armenian | | |
Sargis Barkhudaryan | 1887 | 1973 | Armenian | | |
Edvard Mirzoyan | 1921 | 2012 | Armenian | | |
Armen Tigranian | 1879 | 1950 | Armenian | Anoush, written in 1908 is called the "national opera of the Armenian people" | |
Uzeyir Hajibeyov | 1885 | 1948 | Azerbaijani | “Leyli and Majnun”, “Koroglu”, “Husband and wife”, “O olmasın, bu olsun”, "Arshin Mal Alan" | He is recognized as the father of Azerbaijani composed classical music and opera |
Agshin Alizadeh |
1937 |
2014 |
Azerbaijani |
He was the creator of the first in Azerbaijan heroic epic ballet "Babak". "Journey to the Caucasus". "Waltz of Hope". |
Alizade made a significant contribution to the development of the Azerbaijani ballet. |
Afrasiyab Badalbeyli |
1907 |
1976 |
Azerbaijani |
Giz Galasi (The Maiden Tower), the first Azerbaijani ballet and the first ballet in the Muslim Orient. |
Awarded People's Artist of Azerbaijan title in 1960. |
Vagif Mustafazadeh |
1940 |
1979 |
Azerbaijani |
Dusunce, Aziza, Bayati Shiraz, Mart, Baki geceleri, Gelmedi, Fantaziya, Tenhaliq, Night Baku |
Mustafazadeh is one of the pioneers and "the architect of jazz in Azerbaijan". He mainly played classical jazz |
Aziza Mustafa Zadeh |
1969 |
|
Azerbaijani |
Dance of fire, Always, Bana bana gel, New Baku, Boomerang, Inspiration |
She composes a fusion of jazz and mugam (a traditional improvisational style of Azerbaijan) with classical and avant-garde influences. |
Tofig Bakikhanov |
1930 |
|
Azerbaijani |
"Mammadali is going to resort", "One of six", "The girl is in a hurry to a date" |
Awarded People's Artist of Azerbaijan title. |
Zulfugar Hajibeyov |
1884 |
1950 |
Azerbaijani |
"The Wandering Ashiq" opera. Musical comedies: "Young at Fifty Years Old", "Eleven-Year-Old Woman", "Single while Married" |
|
Jovdat Hajiyev |
1917 |
2002 |
Azerbaijani |
"Symphony No. 1", opera "Vatan" (Motherland) |
He is remembered for his monumental orchestral works, having been the first Azerbaijani to compose a symphony (1936). Hajiyev has received Azerbaijan's highest recognition, the "Azerbaijan Order of Glory" |
Jahangir Jahangirov |
1921 |
1992 |
Azerbaijani |
"Across the river Aras", "A Song about Friendship", Fuzûlî, Nasimi suites, Sabir , Huseyn Javid-59, Great Victory. |
He was named People's Artist of the Azerbaijan SSR in 1964 |
Haji Khanmammadov |
1918 |
2005 |
Azerbaijani |
"Beautiful Nymph", "One Minute" |
Honorary Art Worker of Azerbaijan (1967), People's Artist of Azerbaijan (1988), Professor of the Azerbaijan State Conservatory (1993), Order of Honor (1998) |
Arif Malikov |
1933 |
2019 |
Azerbaijani |
"Legend of Love" ballet, "Two" ballet, "Poem of Two Hearts" ballet |
Malikov was conferred the highest award that an artist could get in the former Soviet Union — The People's Artist of the USSR. He was also honored with a concert hall named after him at Turkey's Bilkent University. |
Niyazi |
1912 |
1984 |
Azerbaijani |
Renowned symphonic mugam "Rast". "Khosrow and Shirin" opera. "Chitra" ballet. |
Niyazi was honored as the People's Artist of the USSR (1959) and received the USSR State Prize (1951, 1952) and Hero of Socialist Labour (1982). |
Said Rustamov |
1907 |
1983 |
Azerbaijani |
His monographs include Azerbaijani Folk Dances, Azerbaijani Folk Songs and Azerbaijani Ashig Songs. |
In 1951, he received the Stalin Prize, the highest-ranking award in the Soviet Union. In 1957, he became People's Artist of Azerbaijan. |
Ali Salimi |
1922 |
1997 |
Azerbaijani |
Ayriliq, Gül Ardabil, Size Salam Getirmishem |
|
Emin Sabitoglu |
1937 |
2000 |
Azerbaijani |
|
|
Huseyngulu Sarabski |
1879 |
1945 |
Azerbaijani |
Jahalat (Ignorance), Akhtaran tapar (He who searches will find) and Na dograrsan gashina, o chixar gashigina (What goes around, comes around) |
|
Eldar Mansurov |
1952 |
|
Azerbaijani |
"Bayatılar", "Bahramnameh" |
"Bayatılar" is the basis of the refrain of the 2009 Euro-dance "Stereo Love" |
Muslim Magomayev |
1885 |
1937 |
Azerbaijani |
"Nargiz" opera, "Shah Ismayil" opera |
Magomayev was selected Honoured Arts worker of Azerbaijan SSR |
Rauf Hajiyev |
1922 |
1995 |
Azerbaijani |
“Romeo is my neighbor”, “Don’t hide your smile”, “Mother, I’m going to marry”, “Guba-my love!”, “Sheykh Sanan”, “Sabuhi”, “Azi Aslanov”. |
Awarded People's Artist of Azerbaijan title. |
Soltan Hajibeyov |
1919 |
1974 |
Azerbaijani |
"Gulshen" (1950), a musical comedy "Red rose" (1940), two symphonies (1944, 1946), "Karavan" (1945) and a children's opera "Iskander and a shepherd" (1947). |
Soltan Hajibeyov contributed greatly to the formation of national symphonic music of Azerbaijan. Awarded People's Artist of Azerbaijan title. |
Farhad Badalbeyli |
1947 |
|
Azerbaijani |
Sonata No 23. Sonata No 3. |
Named People's Artist of the USSR (1990), won in 1968, ex-aequo with Viktoria Postnikova, the 4th edition of Lisbon' Vianna da Motta International Music Competition. |
Shafiga Akhundova |
1924 |
2013 |
Azerbaijani |
“Galin gayasi”, “Ev bizim, sirr bizim” |
Akhundova was the first professional female author of an opera in the East and People’s Artist of Azerbaijan. |
Charles Dancla | 1817 | 1907 | French | Solo de concours no. 7, Op. 224 | Romanticism |
Luigi Arditi | 1822 | 1903 | Italian | | |
Theodor Kirchner | 1823 | 1903 | German | | |
Carl Reinecke | 1824 | 1910 | German | Trio for piano, clarinet and horn in B♭, Op. 274; String Quartet No. 5, Op. 287 | Romanticism |
Richard Hol | 1825 | 1904 | Dutch | Organ music | Romanticism |
Ludwig Minkus | 1826 | 1917 | Austrian | | |
Morten Eskesen | 1826 | 1913 | Danish | | |
François-Auguste Gevaert | 1828 | 1908 | Belgian | | Romanticism |
Clémence de Grandval | 1828 | 1907 | French | | |
James Cutler Dunn Parker | 1828 | 1916 | American | | Romanticism |
Jacques Blumenthal | 1829 | 1908 | German | | Romanticism |
Karl Goldmark | 1830 | 1915 | Hungarian | Ein Wintermärchen; Aus Jugendtagen | |
Karl Klindworth | 1830 | 1916 | German | | |
Hans Bronsart von Schellendorff | 1830 | 1913 | German | | |
Jan Gerard Palm | 1831 | 1906 | Dutch Antillean | | |
Benjamin Dwight Allen | 1831 | 1914 | German | | |
Salomon Jadassohn | 1831 | 1902 | German | | Romanticism |
Joseph Joachim | 1831 | 1907 | Hungarian | | |
Mathilde Hannah von Rothschild | 1832 | 1924 | German | | |
Charles-Wilfrid de Bériot | 1833 | 1914 | French | | |
Caspar Joseph Brambach | 1833 | 1902 | German | | |
Josef Richard Rozkošný | 1833 | 1913 | Czech | | |
George Becker | 1834 | 1928 | German-Swiss | | |
Francesco Berger | 1834 | 1933 | English | | |
Kārlis Baumanis | 1835 | 1905 | Latvian | | |
Giuseppe Branzoli | 1835 | 1909 | Italian | | |
César Cui | 1835 | 1918 | Russian | | |
Felix Draeseke | 1835 | 1913 | German | | |
Camille Saint-Saëns | 1835 | 1921 | French | | |
Eduard Strauss | 1835 | 1916 | Austrian | | |
Friedrich Baumfelder | 1836 | 1916 | German | | |
Bertha Tammelin | 1836 | 1915 | Swedish | | |
Susan McFarland Parkhurst | 1836 | 1918 | American | | |
Mily Balakirev | 1837 | 1910 | Russian | Islamey | |
Théodore Dubois | 1837 | 1924 | French | | |
Carlotta Ferrari | 1837 | 1907 | Italian | | |
Alfred R. Gaul | 1837 | 1913 | English | The Prince of Peace (cantata) | |
Otto Winter-Hjelm | 1837 | 1931 | Norwegian | | |
Paul Lacombe | 1837 | 1927 | French | | |
Smith Newell Penfield | 1837 | 1920 | American | | |
Émile Waldteufel | 1837 | 1915 | French | | |
Max Bruch | 1838 | 1920 | German | Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 | Romanticism |
Hiromi Uehara | 1979 | | Japanese | Silver Lining Suite | |
Joseph Callaerts | 1838 | 1901 | Belgian | | |
Melesio Morales | 1838 | 1908 | Mexican | | |
Friedrich Gernsheim | 1839 | 1916 | German | | |
Eduard Nápravník | 1839 | 1916 | Czech | Francesca da Rimini (opera), Op. 71; Deux pièces russes, for orchestra, Op. 74 | |
Laura Netzel | 1839 | 1927 | Swedish | | |
John Knowles Paine | 1839 | 1906 | American | | |
Josef Rheinberger | 1839 | 1901 | German | Organ Sonata No. 20 in F Major (“Zur Friedensfeier”), Op. 196; Mass in A Minor, Op. 197 | historicist |
Johan Svendsen | 1840 | 1911 | Norwegian | | |
François Borne | 1840 | 1920 | French | | |
Ingeborg Bronsart von Schellendorf | 1840 | 1913 | Swedish-German | | |
Theodora Cormontan | 1840 | 1922 | Norwegian American | | |
Oskar Rieding | 1840 | 1918 | German | | |
Elfrida Andrée | 1841 | 1929 | Swedish | Swedish Masses Nos. 1 and 2 | |
Antonín Dvořák | 1841 | 1904 | Czech | Armida (opera), "Zpěv z Lešetínského kováře" (song) | Romanticism, folk-influenced |
Henri Gobbi | 1841 | 1920 | Hungarian | | |
Friedrich Hegar | 1841 | 1927 | Swiss | | |
Louise Héritte-Viardot | 1841 | 1918 | French | | |
Joseph Friedrich Hummel | 1841 | 1919 | Austrian | | |
Felip Pedrell | 1841 | 1922 | Spanish | | |
Giovanni Sgambati | 1841 | 1914 | Italian | | |
Giuseppe Silvestri | 1841 | 1921 | Italian | | |
Arrigo Boito | 1842 | 1918 | Italian | Nerone (opera) | |
Alphonse Duvernoy | 1842 | 1907 | French | | |
Josef Labor | 1842 | 1924 | Czech | | |
Jules Massenet | 1842 | 1912 | French | Piano Concerto; Le jongleur de Notre-Dame; Thérèse; Don Quichotte; Cigale | |
Felipe Pedrell | 1842 | 1922 | Spanish | | |
Ján Levoslav Bella | 1843 | 1936 | Slovak | | |
Émile Bernard | 1843 | 1902 | French | Nocturne, for piano and orchestra, Op. 51; String Quartet, Op. 52 | |
Josefina Brdlíková | 1843 | 1910 | Czech | | |
Louis Diémer | 1843 | 1919 | French | | |
Edvard Grieg | 1843 | 1907 | Norwegian | Lyrische Stücke, Op. 71; Slåtter, Op. 73; Four Psalms, Op. 74 | |
Asger Hamerik | 1843 | 1923 | Danish | Variations on "Jeg gik mig ud en sommerdag" | |
Franz Xaver Neruda | 1843 | 1915 | Danish | | |
Karl Michael Ziehrer | 1843 | 1922 | Austrian | | |
David Popper | 1843 | 1913 | Czech | | |
Oliveria Prescott | 1843 | 1919 | English | | |
George Stephănescu | 1843 | 1925 | Romanian | | |
Eugène Gigout | 1844 | 1925 | French | | |
Hermann Graedener | 1844 | 1929 | German | | |
Richard Hofmann | 1844 | 1918 | German | | |
Nikolai Rimsky-Korsakov | 1844 | 1908 | Russian | | |
Pablo de Sarasate | 1844 | 1908 | Spanish | | |
Charles-Marie Widor | 1844 | 1937 | French | | |
Anton Jörgen Andersen | 1845 | 1926 | Norwegian | | |
August Bungert | 1845 | 1915 | German | | |
Ion Ivanovici | 1845 | 1902 | Romanian | | |
Gabriel Fauré | 1845 | 1924 | French | Prométhée; Pénélope; Masques et bergamasques | |
Alphonse Hasselmans | 1845 | 1912 | Belgian-born French | | |
Ernst Perabo | 1845 | 1920 | German-born American | | |
Ella Adayevskaya | 1846 | 1926 | Russian | | |
Leopold Auer | 1846 | 1930 | Hungarian | | |
Ignaz Brüll | 1846 | 1907 | Austrian | | |
Luigi Denza | 1846 | 1922 | Italian | | |
Zygmunt Noskowski | 1846 | 1909 | Polish | | |
Riccardo Drigo | 1846 | 1930 | Italian | | |
Andreas Hallén | 1846 | 1925 | Swedish | Valborgsmässa (opera) | Romanticism |
Marie Jaëll | 1846 | 1925 | French | | |
Albert Lavignac | 1846 | 1916 | French | | |
Franz Ries | 1846 | 1932 | German | | |
Paolo Tosti | 1846 | 1916 | Italian | | |
Joachim Andersen | 1847 | 1909 | Danish | | |
Agathe Backer Grøndahl | 1847 | 1907 | Norwegian | | |
Ignacio Cervantes | 1847 | 1905 | Cuban | | |
Francis Chassaigne | 1847 | 1922 | Belgian-born French | | |
Constantin Dimitrescu | 1847 | 1928 | Romanian | | |
Robert Fuchs | 1847 | 1927 | Austrian | Symphony No. 3 in E major, Op. 79; Clarinet Quintet in E♭ major, Op. 102 | |
Ludwig Philipp Scharwenka | 1847 | 1917 | German-Polish | | |
Chiquinha Gonzaga | 1847 | 1935 | Brazilian | | |
Alexander Mackenzie | 1847 | 1935 | Scottish | The Cricket on the Hearth | Romanticism |
Sveinbjörn Sveinbjörnsson | 1847 | 1927 | Icelandic | | |
Rudolf Tillmetz | 1847 | 1915 | German | | |
Agnes Zimmermann | 1847 | 1925 | German | | |
Frances Allitsen | 1848 | 1912 | English | | |
Henri Duparc | 1848 | 1933 | French | | |
Richard Eilenberg | 1848 | 1927 | German | | |
František Kmoch | 1848 | 1912 | Czech | | |
Otto Malling | 1848 | 1915 | Danish | | |
William J. McCoy | 1848 | 1926 | American | | |
Hubert Parry | 1848 | 1918 | English | Jerusalem | |
Ludvig Schytte | 1848 | 1909 | Danish | | |
Fritz Seitz | 1848 | 1918 | German | | |
Johann Baptist Singenberger | 1848 | 1924 | Swiss-American | | historicist |
Catalina Berroa | 1849 | 1911 | Cuban | | |
Roberta Geddes-Harvey | 1849 | 1930 | Canadian | | |
Ernesto Köhler | 1849 | 1907 | Italian | | |
Nanna Liebmann | 1849 | 1935 | Danish | | |
Stephanie Wurmbrand-Stuppach | 1849 | 1919 | Hungarian | | |
Richard Barth | 1850 | 1923 | German | | |
Ludvig Birkedal-Barfod | 1850 | 1937 | Danish | | |
Tomás Bretón | 1850 | 1923 | Spanish | | |
Richard Heuberger | 1850 | 1914 | Austrian | | |
Iver Holter | 1850 | 1941 | Norwegian | | |
Alfredo Keil | 1850 | 1907 | Portuguese | | |
Peter Lange-Müller | 1850 | 1926 | Danish | | |
Alexandre Luigini | 1850 | 1906 | French | | |
C. A. Bracco | 1850 | 1903 | Italian | | |
Franz Xaver Scharwenka | 1850 | 1924 | German | | |
Antonio Scontrino | 1850 | 1922 | Italian | | |
Emilio Serrano y Ruiz | 1850 | 1939 | Spanish | | |
Hans Sitt | 1850 | 1922 | Czech | | |
Heinrich Reimann | 1850 | 1906 | German | | |
Alexander Taneyev | 1850 | 1918 | Russian | | |
Victor Bendix | 1851 | 1926 | Danish | Symphony No. 4 in D minor, Op. 30 | |
Jan Blockx | 1851 | 1912 | Belgian | | |
Mary Grant Carmichael | 1851 | 1935 | English | | |
Emanuel Chvála | 1851 | 1924 | Czech | | |
Gabrielle Ferrari | 1851 | 1921 | French-Italian | | |
Ludvig Hegner | 1851 | 1923 | Danish | | |
Vincent d'Indy | 1851 | 1931 | French | String Quartet No. 3; Symphony No. 2 in B♭; Jour d'été à la montagne | |
W. H. Jude | 1851 | 1922 | English | | |
André Wormser | 1851 | 1926 | French | | |
Josef Bayer | 1852 | 1913 | Austrian | Das Damenduell | Romanticism |
Frederick Corder | 1852 | 1932 | English | | Romanticism |
Frederic Hymen Cowen | 1852 | 1935 | British | Miniature Variations for orchestra | Romanticism |
Alfred Grünfeld | 1852 | 1924 | Austrian | | Romanticism |
Francisco Tárrega | 1852 | 1909 | Spanish | | |
Hans Huber | 1852 | 1921 | Swiss | | Romanticism |
Helena Munktell | 1852 | 1919 | Swedish | | Romanticism |
Henrique Oswald | 1852 | 1931 | Brazilian | | |
Raoul Pugno | 1852 | 1914 | French | | |
Émile Sauret | 1852 | 1920 | French | | Romanticism |
Charles Villiers Stanford | 1852 | 1924 | Irish | Six Irish Rhapsodies | Romanticism |
Teresa Carreño | 1853 | 1917 | Venezuelan | | Romanticism |
Arthur Foote | 1853 | 1937 | American | | Romanticism |
Hugo Richard Jüngst | 1853 | 1923 | German | | Romanticism |
Iwan Knorr | 1853 | 1916 | German | | Romanticism |
Hans von Koessler | 1853 | 1926 | German | | Romanticism |
Charles Malherbe | 1853 | 1911 | French | | Romanticism |
Jean Louis Nicodé | 1853 | 1919 | Prussian | | Romanticism |
Emil Sjögren | 1853 | 1918 | Swedish | | Romanticism |
Arturo Buzzi-Peccia | 1854 | 1943 | Italian | songs and piano works[vague] | |
George Whitefield Chadwick | 1854 | 1931 | American | | |
Oscar Fetrás | 1854 | 1931 | German | | |
Gerónimo Giménez | 1854 | 1923 | Spanish | | |
Pekka Hannikainen | 1854 | 1924 | Finnish | | |
Engelbert Humperdinck | 1854 | 1921 | German | | |
Leoš Janáček | 1854 | 1928 | Czech | Sinfonietta; Taras Bulba; Káťa Kabanová; The Cunning Little Vixen; The Makropoulos Affair; Glagolitic Mass, 2 string quartets | folk-influenced |
Alexander Kopylov | 1854 | 1911 | Russian | | |
Heinrich Köselitz | 1854 | 1918 | German | | |
Moritz Moszkowski | 1854 | 1925 | German-Polish | | |
Julie Rivé-King | 1854 | 1937 | American | | |
Antonio Smareglia | 1854 | 1929 | Austro-Hungarian | | |
John Philip Sousa | 1854 | 1932 | American | | |
Bernard Zweers | 1854 | 1924 | Dutch | | |
Károly Aggházy | 1855 | 1918 | Hungarian | | |
Jørgen Ditleff Bondesen | 1855 | 1939 | Danish | | |
Heinrich Grünfeld | 1855 | 1931 | Bohemian-Austrian | | |
Nicolaj Hansen | 1855 | 1932 | Danish | | |
Josef Klička | 1855 | 1937 | Czech | | |
Jean Pietrapertosa | 1855 | 1940 | Italian-French | | |
Anatoly Lyadov | 1855 | 1914 | Russian | | |
Arnold Mendelssohn | 1855 | 1933 | German | Deutsche Messe, Op. 89; Geistliche Chormusik, Op. 90 | |
Julius Röntgen | 1855 | 1932 | German | | |
Richard Sahla | 1855 | 1931 | German | | |
Maude Valérie White | 1855 | 1937 | French-born English | | |
Cecilia Arizti | 1856 | 1930 | Cuban | | |
Eva Dell'Acqua | 1856 | 1930 | Belgian | | |
Kateřina Emingerová | 1856 | 1934 | Czech | | |
Robert Fischhof | 1856 | 1918 | Austrian | | |
André Gedalge | 1856 | 1926 | French | | |
Helen Hopekirk | 1856 | 1945 | Scottish-American | | |
Natalia Janotha | 1856 | 1932 | Polish | | |
Felix Mottl | 1856 | 1911 | Austrian | | |
Gilda Ruta | 1856 | 1932 | Italian | | |
Mary Elizabeth Turner Salter | 1856 | 1938 | American | | |
Eduard Schütt | 1856 | 1933 | Russian | | |
Christian Sinding | 1856 | 1941 | Norwegian | | Romanticism |
George Strong | 1856 | 1948 | American | | |
Sergei Taneyev | 1856 | 1915 | Russian | String Quartet No. 6 in B♭ major; Piano Quartet in E major; Piano Quintet in G minor | |
Timothee Adamowski | 1857 | 1943 | Polish-born American | | |
Berta Bock | 1857 | 1945 | Romanian | | |
Alfred Bruneau | 1857 | 1934 | French | | |
Cécile Chaminade | 1857 | 1944 | French | Concertino for Flute | |
Frederic Cliffe | 1857 | 1931 | English | Ode to the North-East Wind | Romanticism |
Rudolf Dellinger | 1857 | 1910 | German | | |
Árpád Doppler | 1857 | 1927 | Hungarian-German | | |
Edward Elgar | 1857 | 1934 | English | Symphony No. 1; No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius; Pomp and Circumstance Marches | Romanticism |
Ethel R. Harraden | 1857 | 1917 | English | | |
Gustav Helsted | 1857 | 1924 | Danish | | |
Wilhelm Kienzl | 1857 | 1941 | Austrian | | |
Ruggero Leoncavallo | 1857 | 1919 | Italian | Zingari (opera) | verismo |
František Ondříček | 1857 | 1922 | Czech | | |
Rosalind Ellicott | 1857 | 1924 | English | | |
Henry Schoenfeld | 1857 | 1936 | American | | |
Achille Simonetti | 1857 | 1928 | Italian and English | | |
César Thomson | 1857 | 1931 | Belgian | | |
Mary Knight Wood | 1857 | 1944 | American | | |
Siegfried Alkan | 1858 | 1941 | German | | |
Heinrich Berté | 1858 | 1924 | Austrian-Hungarian | Der Glücksnarr | |
Thomas Bidgood | 1858 | 1925 | English | | |
Mélanie Bonis | 1858 | 1937 | French | | |
Isidore de Lara | 1858 | 1935 | English | | |
Catharinus Elling | 1858 | 1942 | Norwegian | Violin Concerto in D minor | Romanticism |
Richard Franck | 1858 | 1938 | German | | |
Guy d'Hardelot | 1858 | 1936 | French | | |
Ludvig Holm | 1858 | 1928 | Danish | | |
Jenő Hubay | 1858 | 1937 | Hungarian | | |
Georges Hüe | 1858 | 1948 | French | | |
Lucien-Léon Guillaume Lambert | 1858 | 1945 | French | | |
Frank Lynes | 1858 | 1913 | American | | |
Giacomo Puccini | 1858 | 1924 | Italian | La fanciulla del West; Turandot | Romanticism; post-romanticism; verismo |
Catharina van Rennes | 1858 | 1940 | Dutch | | |
Risto Savin | 1858 | 1948 | Slovenian | | |
Ethel Smyth | 1858 | 1944 | English | | |
Stella Stocker | 1858 | 1925 | American | | |
Eugène Ysaÿe | 1858 | 1931 | Belgian | | |
Gerard von Brucken Fock | 1859 | 1935 | Dutch | De wederkomst van Christus | |
Hedwige Chrétien | 1859 | 1944 | French | | |
Laura Sedgwick Collins | 1859 | 1927 | American | | |
Teresa Tanco Cordovez de Herrera | 1859 | 1946 | Colombian | | |
August Enna | 1859 | 1939 | Danish | | |
Josef Bohuslav Foerster | 1859 | 1951 | Czech | | |
Narcisa Freixas | 1859 | 1926 | Spanish | | |
Arthur Friedheim | 1859 | 1932 | Russian | | |
Susie Frances Harrison | 1859 | 1935 | Canadian | | |
Basil Harwood | 1859 | 1949 | English | | |
Victor Herbert | 1859 | 1924 | Irish-American | The Magic Knight (opera); The Red Mill (musical comedy); A Suite of Serenades | |
Mikhail Ippolitov-Ivanov | 1859 | 1935 | Russian | | |
Sergei Lyapunov | 1859 | 1924 | Russian | | |
Ida Georgina Moberg | 1859 | 1947 | Finnish | Symphony | |
Vincenza Garelli della Morea | 1859 | 1924 | Italian | | |
William Reed | 1859 | 1945 | Canadian | | |
Hope Temple | 1859 | 1938 | Irish | | |
Ellen Riley Wright | 1859 | 1904 | English | | |
Isaac Albéniz | 1860 | 1909 | Spanish | Iberia | Romanticism |
Valborg Aulin | 1860 | 1928 | Swedish | | |
Gustave Charpentier | 1860 | 1956 | French | Julien | |
Victor Ewald | 1860 | 1935 | Russian | | |
Bohumil Fidler | 1860 | 1944 | Czech | | |
Pietro Floridia | 1860 | 1932 | Italian | | |
Alberto Franchetti | 1860 | 1942 | Italian | | |
Axel Gade | 1860 | 1921 | Danish | | |
Raoul Gunsbourg | 1860 | 1955 | Romanian | | |
Celeste de Longpré Heckscher | 1860 | 1928 | American | | |
Edward MacDowell | 1860 | 1908 | American | | |
Hugo Wolf | 1860 | 1903 | Austrian | | |
Gustav Mahler | 1860 | 1911 | Austrian | No. 5, No. 6, No. 9, No. 10 in F; Das Lied von der Erde; Kindertotenlieder | Romanticism; modernism |
Ignacy Jan Paderewski | 1860 | 1941 | Polish | Symphony in B minor, Op. 24 | |
Edouard Potjes | 1860 | 1931 | Dutch | At Dawn Eastermorning for orchestra | |
Emil von Reznicek | 1860 | 1945 | Austrian | two symphonies | |
William Wallace | 1860 | 1940 | Scottish | | |
Felix Woyrsch | 1860 | 1944 | German | | |
Anton Arensky | 1861 | 1906 | Russian | Piano Trio no. 2 in F minor, Op. 73 | |
Spyridon Samaras | 1861 | 1917 | Greek | | |
Wilhelm Berger | 1861 | 1911 | German | Symphony No. 2 in B minor, Op. 80; Variations and Fugue on an Original Theme, Op. 97; Serenade for Twelve Winds, Op. 102 | Romanticism |
Marco Enrico Bossi | 1861 | 1925 | Italian | | |
Pierre de Bréville | 1861 | 1949 | French | | |
Georgy Catoire | 1861 | 1926 | Russian | | |
Florence Everilda Goodeve | 1861 | 1915 | English | | |
Charles Martin Loeffler | 1861 | 1935 | French-born American | | |
Rudolf Raimann | 1861 | 1913 | Hungarian | Unser Stammhalter (opera) | Romanticism |
Marie Emmanuel Augustin Savard | 1861 | 1942 | French | | |
Václav Suk | 1861 | 1933 | Czech-born Russian | | |
Ludwig Thuille | 1861 | 1907 | Austrian | | |
Conrad Ansorge | 1862 | 1930 | German | | |
Florence Aylward | 1862 | 1950 | English | | |
Meliton Balanchivadze | 1862 | 1937 | Georgian | | |
Dora Bright | 1862 | 1951 | English | Ballets The Dryad (1907), A Dancer's Adventure (1915) | |
Georgi Conus | 1862 | 1933 | Russian | | |
Walter Damrosch | 1862 | 1950 | German-born American | Sonata for violin and piano | |
Arthur De Greef | 1862 | 1940 | Belgian | Concerto for Piano and Orchestra No. 1 in C minor, Concerto for Piano and Orchestra No. 2 in B flat minor, Sonata in C minor for 2 Pianos |
|
Claude Debussy | 1862 | 1918 | French | Clair de lune; Syrinx; La mer; Pelléas et Mélisande; Préludes | impressionism |
Frederick Delius | 1862 | 1934 | English | A Village Romeo and Juliet; On Hearing the First Cuckoo in Spring | impressionism |
Alphons Diepenbrock | 1862 | 1921 | Dutch | | |
Stéphan Elmas | 1862 | 1937 | Armenian | | |
Maurice Emmanuel | 1862 | 1938 | French | | |
Edward German | 1862 | 1936 | English | Merrie England; A Princess of Kensington; Tom Jones | |
Henry Holden Huss | 1862 | 1953 | American | | |
Carrie Jacobs-Bond | 1862 | 1946 | American | "I Love You Truly" | |
Mona McBurney | 1862 | 1932 | British | | |
August Nölck | 1862 | 1928 | German | | |
Ferdinand Pfohl | 1862 | 1949 | German | | |
Emil von Sauer | 1862 | 1942 | German | | |
Alberto Williams | 1862 | 1952 | Argentine | Poema del Iguazú, nine symphonies | folk-influenced, modernism, impressionism, nationalism, post-Wagnerian |
Daniel Doura | 1957 | | Argentine | Sinfonía argentina | |
Hugo Becker | 1863 | 1941 | German | Cello Concerto | |
Felix Blumenfeld | 1863 | 1931 | Russian | | |
Charles Bordes | 1863 | 1909 | French | | |
Maria Chefaliady-Taban | 1863 | 1932 | Romanian | | |
Enrique Fernández Arbós | 1863 | 1939 | Spanish | | |
Abbie Gerrish-Jones | 1863 | 1929 | American | | |
Helen Francis Hood | 1863 | 1949 | American | | |
Hugo Kaun | 1863 | 1932 | German | Symphony No. 3 in E minor, Op. 96 | |
Izabella Kuliffay | 1863 | 1945 | Hungarian | Magyar suite | |
Pietro Mascagni | 1863 | 1945 | Italian | Amica | verismo |
Emánuel Moór | 1863 | 1931 | Hungarian | | |
Cornélie van Oosterzee | 1863 | 1943 | Dutch | | |
Horatio Parker | 1863 | 1919 | American | | |
Gabriel Pierné | 1863 | 1937 | French | Cydalise et le Chèvre-pied; Ramuntcho | |
Alfred Reisenauer | 1863 | 1907 | German | | |
Vladimir Sokalsky | 1863 | 1919 | Russian | | |
Arthur Somervell | 1863 | 1937 | English | | |
Jāzeps Vītols | 1863 | 1948 | Latvian | | |
Eugen d'Albert | 1864 | 1932 | German, Swiss; Scottish-born | Tiefland | Romanticism |
Hugh Blair | 1864 | 1932 | English | Magnificat; Nunc Dimittis for double choir | |
Hjalmar Borgstrøm | 1864 | 1925 | Norwegian | Piano Concerto in C, Op. 22, Violin Concerto in G major Op. 25, Piano Quintet in F Op. 31, | |
Ricardo Castro | 1864 | 1907 | Mexican | | |
Harry Falkenau | 1864 | 1907 | American | | |
Eleanor Everest Freer | 1864 | 1942 | American | | |
Louis Glass | 1864 | 1936 | Danish | | |
Alexander Gretchaninov | 1864 | 1956 | Russian | | |
Peter Griesbacher | 1864 | 1933 | German | | historicist |
Johan Halvorsen | 1864 | 1935 | Norwegian | Norwegian rhapsodies, three symphonies | Romanticism, French influence |
Sakunosuke Koyama | 1864 | 1927 | Japanese | | |
Alessandro Longo | 1864 | 1945 | Italian | | |
Alberto Nepomuceno | 1864 | 1920 | Brazilian | | |
Guy Ropartz | 1864 | 1955 | French | Le Pays | impressionism |
Richard Strauss | 1864 | 1949 | German | An Alpine Symphony; Der Rosenkavalier; Oboe Concerto; Salome; Metamorphosen | Romanticism |
Giovanni Tebaldini | 1864 | 1952 | Italian | | historicist |
August de Boeck | 1865 | 1937 | Belgian | | impressionism |
Herbert Brewer | 1865 | 1928 | English | | |
Eduardo di Capua | 1865 | 1917 | Italian | | |
Paul Dukas | 1865 | 1935 | French | La Péri (ballet) | |
Herbert J. Ellis | 1865 | 1903 | English | | |
Paul Gilson | 1865 | 1942 | Belgian | | impressionism |
Alexander Glazunov | 1865 | 1936 | Russian | Symphony No. 4 and No. 5; The Seasons (ballet); Violin Concerto; Saxophone Concerto | Romanticism |
Alfred Hollins | 1865 | 1942 | English | | |
Borghild Holmsen | 1865 | 1938 | Norwegian | | |
Gustav Jenner | 1865 | 1920 | German | | |
Robert Kahn | 1865 | 1951 | German | | |
Emil Kauppi | 1865 | 1930 | Finnish | | |
Albéric Magnard | 1865 | 1914 | French | Guercoeur | |
Enric Morera i Viura | 1865 | 1942 | Spanish | | |
Carl Nielsen | 1865 | 1931 | Danish | Symphony No. 4; No. 5; Maskarade; Clarinet Concerto | |
Giacomo Orefice | 1865 | 1922 | Italian | | |
Jean Sibelius | 1865 | 1957 | Finnish | Symphonies No. 2, No. 4, No. 5, No. 7; Violin Concerto; String Quartet in D minor, Voces intimae; Pelléas et Mélisande; Pohjola's Daughter; Luonnotar; The Oceanides; Tapiola; The Tempest | |
Amanda Christina Elizabeth Aldridge | 1866 | 1956 | British | | |
Tor Aulin | 1866 | 1914 | Swedish | | |
John Clare Billing | 1866 | 1955 | English | | |
Ferruccio Busoni | 1866 | 1924 | Italian | Fantasia contrappuntistica; Turandot Suite; Piano Concerto | |
Francesco Cilea | 1866 | 1950 | Italian | L'arlesiana; Adriana Lecouvreur | |
Gustave Doret | 1866 | 1943 | Swiss | | |
Vasily Kalinnikov | 1866 | 1901 | Russian | | |
Clara Anna Korn | 1866 | 1941 | American | Piano Concerto | |
Laura Lemon | 1866 | 1924 | Canadian | | |
Vladimir Rebikov | 1866 | 1920 | Russian | Yolka (opera), Basni v litzakh (9 dramatic fables for children) | |
Caro Roma | 1866 | 1937 | American | | |
Erik Satie | 1866 | 1925 | French | Gymnopédies; Relâche; Socrate | minimalism, avant-garde, furniture music |
Johann Strauss III | 1866 | 1939 | Austrian | | |
Samuel Maykapar | 1867 | 1938 | Russian | | |
Amy Beach | 1867 | 1944 | American | | |
Margherita Galeotti | 1867 | 1912 | Italian | Piano Trio in D minor | |
Umberto Giordano | 1867 | 1948 | Italian | Siberia; Madame Sans-Gêne; La cena delle beffe | verismo |
Enrique Granados | 1867 | 1916 | Spanish | Goyescas (piano suite); Goyescas | |
Fini Henriques | 1867 | 1940 | Danish | | |
Amy Elsie Horrocks | 1867 | 1920 | English | | |
Wilhelm Peterson-Berger | 1867 | 1942 | Swedish | Frösöblomster | Romantic nationalism |
Charles Koechlin | 1867 | 1950 | French | Les Bandar-log; Les Heures persanes | eclectic, atonality, twelve-tone technique, serialism, polytonality, quartal and quintal harmony |
Ferdinand Küchler | 1867 | 1937 | German | | |
Margaret Ruthven Lang | 1867 | 1972 | American | | |
Jules Mouquet | 1867 | 1946 | French | | |
Karel Navrátil | 1867 | 1936 | Czech | | |
Česlovas Sasnauskas | 1867 | 1916 | Lithuanian | | |
Martinus Sieveking | 1867 | 1950 | Dutch | | |
Gustav Strube | 1867 | 1953 | German | | |
Georges Martin Witkowski | 1867 | 1943 | French | | |
Granville Bantock | 1868 | 1946 | British | Omar Khayyám, Hebridean Symphony | Romanticism, often with an exotic flavour |
Hermann Bischoff | 1868 | 1936 | German | | |
František Drdla | 1868 | 1944 | Czech | | |
Carl Frühling | 1868 | 1937 | Austrian | Suite in F major, Op. 36 | |
Alberto Jonás | 1868 | 1943 | Spanish | | |
Scott Joplin | 1868 | 1917 | American | Treemonisha | ragtime |
Frederic Lamond | 1868 | 1948 | Scottish | | |
Signe Lund | 1868 | 1950 | Norwegian | Valse de Concert Op. 40 | |
Hamish MacCunn | 1868 | 1916 | Scottish | | |
John Blackwood McEwen | 1868 | 1948 | Scottish | | |
Oskar Merikanto | 1868 | 1924 | Finnish | | |
Vittorio Monti | 1868 | 1922 | Italian | Csárdás | |
Jan Brandts Buys | 1868 | 1933 | Dutch-Austrian | | |
Lodewijk Mortelmans | 1868 | 1952 | Belgian | | |
José Vianna da Motta | 1868 | 1948 | Portuguese | | |
Annie Patterson | 1868 | 1934 | Irish | | |
Max von Schillings | 1868 | 1933 | German | | |
Tokichi Setoguchi | 1868 | 1941 | Japanese | | |
Leone Sinigaglia | 1868 | 1944 | Italian | | |
Haldane Stewart | 1868 | 1942 | English | | |
Joséphine Boulay | 1869 | 1925 | French | | |
Vassily Brandt | 1869 | 1923 | Russian | | |
Julius Conus | 1869 | 1942 | Russian | | |
Walford Davies | 1869 | 1941 | British | | |
Christian Geisler | 1869 | 1951 | Danish | | |
Alfred Hill | 1869 | 1960 | Australian | | |
Armas Järnefelt | 1869 | 1958 | Finnish | | |
Vasily Kalafati | 1869 | 1942 | Russian | | |
John N. Klohr | 1869 | 1956 | American | Billboard March | |
Demetrios Lialios | 1869 | 1940 | Greek | chamber music[vague] | |
Henryk Melcer-Szczawiński |
1869 |
1928 |
Polish |
|
|
Hans Pfitzner | 1869 | 1949 | German | Palestrina | post-romanticism |
Maria Antonietta Picconi | 1869 | 1926 | Italian | | |
Albert Roussel | 1869 | 1937 | French | Symphony No. 3 and No. 4; Bacchus et Ariane (ballet) | neoclassicism |
Patty Stair | 1869 | 1926 | American | | |
Ludvík Čelanský | 1870 | 1931 | Czech | | |
Cornelis Dopper | 1870 | 1939 | Dutch | | |
Henry Eichheim | 1870 | 1942 | American | | |
Leopold Godowsky | 1870 | 1938 | Polish | Studies on Chopin's Études; Passacaglia; Triakontameron | |
Viktor Kalinnikov | 1870 | 1927 | Russian | | |
Nobu Kōda | 1870 | 1946 | Japanese | Violin Sonata in E-flat major; Violin Sonata in D minor | |
Arseny Koreshchenko | 1870 | 1921 | Russian | | |
Zygmunt Stojowski | 1870 | 1946 | Polish | | |
Franz Lehár | 1870 | 1948 | Hungarian | Der Graf von Luxemburg, Der Zarewitsch | operettas |
Vítězslav Novák | 1870 | 1949 | Czech | | |
Arthur Pryor | 1870 | 1942 | American | | |
Joseph Ryelandt | 1870 | 1965 | Belgian | | |
Rosario Scalero | 1870 | 1954 | Italian | | |
Florent Schmitt | 1870 | 1958 | French | La Tragédie de Salomé | |
Mon Schjelderup | 1870 | 1934 | Norwegian | Sonata in B minor, Op. 12 | |
Oscar Straus | 1870 | 1954 | Austrian | Ein Walzertraum; The Chocolate Soldier | |
Charles Tournemire | 1870 | 1939 | French | L'Orgue Mystique | |
Louis Vierne | 1870 | 1937 | French | | |
Ernest Walker | 1870 | 1949 | Indian-born English | | |
Giacomo Balla | 1871 | 1958 | Italian | | |
Henry Kimball Hadley | 1871 | 1937 | American | | |
Adolphe Biarent | 1871 | 1916 | Belgian | | |
Frederick Converse | 1871 | 1940 | American | The Mystic Trumpeter | |
Hélène-Frédérique de Faye-Jozin | 1871 | 1942 | French | | |
Leon Jessel | 1871 | 1942 | German | The Parade of the Tin Soldiers | |
Ruben Liljefors | 1871 | 1936 | Swedish | | |
Zakaria Paliashvili | 1871 | 1933 | Georgian | Operas Abesalom da Eteri, Daisi, Latavra | |
Oreste Ravanello | 1871 | 1938 | Italian | | |
Daniel Alomía Robles | 1871 | 1942 | Peruvian | | |
Alexander Spendiaryan | 1871 | 1936 | Armenian | | |
Wilhelm Stenhammar | 1871 | 1927 | Swedish | Symphony No. 2 | Romanticism |
Alexander von Zemlinsky | 1871 | 1942 | Austrian | Lyric Symphony; String Quartet No. 2; Der Zwerg | post-Romanticism, New Objectivity, neoclassicism |
Hugo Alfvén | 1872 | 1960 | Swedish | Symphony No. 4: From the Outermost Skerries; Midsummer Vigil | Romanticism |
Eyvind Alnæs | 1872 | 1932 | Norwegian | two symphonies, Piano Concerto | |
Frederic Austin | 1872 | 1952 | English | Symphony in E minor | |
Stanislav Binički | 1872 | 1942 | Serbian | Marš na Drinu | |
Henri Büsser | 1872 | 1973 | French | | |
Julius Fučík | 1872 | 1916 | Czech | Entrance of the Gladiators | |
Rubin Goldmark | 1872 | 1936 | American | | |
Siegmund von Hausegger | 1872 | 1948 | Austrian | | |
Ezra Jenkinson | 1872 | 1947 | English | | |
Paul Juon | 1872 | 1940 | Russian | | |
Joan Lamote de Grignon | 1872 | 1949 | Spanish | | |
Lorenzo Perosi | 1872 | 1956 | Italian | Il Giudizio Universale (oratorio) | historicist |
William H. Potstock | 1872 | 1941 | American | | |
Albert Seitz | 1872 | 1937 | French | | |
Bernhard Sekles | 1872 | 1934 | German | | |
Alexander Scriabin | 1872 | 1915 | Russian | The Poem of Ecstasy; Prometheus: The Poem of Fire; piano sonatas nos. 4–10 | mysticism |
Sergei Vasilenko | 1872 | 1956 | Russian | | |
Ralph Vaughan Williams | 1872 | 1958 | English | A Sea Symphony; A London Symphony; Sinfonia antartica; Fantasia on a Theme by Thomas Tallis; Fantasia on Greensleeves; The Lark Ascending | impressionism, folk-influenced |
Salvator Léonardi | 1872 | 1938 | Italian | | |
Emil Votoček | 1872 | 1950 | Czech | | |
Modest Altschuler | 1873 | 1963 | Russian | | |
Dimitri Arakishvili | 1873 | 1953 | Georgian | | |
William Henry Bell | 1873 | 1946 | English | | |
Blagoje Bersa | 1873 | 1934 | Croatian | | |
André Bloch | 1873 | 1960 | French | | |
Lucien Capet | 1873 | 1928 | French | Poème for violin and orchestra | |
Anna Cramer | 1873 | 1968 | Dutch | | |
Leo Fall | 1873 | 1925 | Austrian | Madame Pompadour (operetta) | Romanticism |
Joseph Jongen | 1873 | 1953 | Belgian | Symphonie Concertante for organ and orchestra | |
Emma Lomax | 1873 | 1963 | English | | |
Celeste Jaguaribe de Matos Faria | 1873 | 1938 | Brazilian | | |
María de las Mercedes Adam de Aróstegui | 1873 | 1957 | Cuban | | |
Mary Carr Moore | 1873 | 1957 | American | | |
Henri Rabaud | 1873 | 1949 | French | | |
Walter Rabl | 1873 | 1940 | Austrian | | Romanticism |
Pascual Marquina Narro | 1873 | 1948 | Spanish | | |
Sergei Rachmaninoff | 1873 | 1943 | Russian | Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor | Romanticism, post-romanticism |
Max Reger | 1873 | 1916 | German | organ music, Variations and Fugue on a Theme by Mozart, Hebbel Requiem | historicism, modernism |
Jean Roger-Ducasse | 1873 | 1954 | French | | |
Arnold Safroni-Middleton | 1873 | 1950 | British | | |
Nikolai Tcherepnin | 1873 | 1945 | Russian | | |
David Vaughan Thomas | 1873 | 1934 | Welsh | | |
Pol Albrecht | 1874 | 1975 | Luxembourgian | | |
Ernest Austin | 1874 | 1947 | English | Symphony | atonality, Romanticism, folk-influenced, impressionism |
Edward Bairstow | 1874 | 1946 | English | | |
Ethel Barns | 1874 | 1948 | English | | |
Giulio Bas | 1874 | 1929 | Italian | Organ Sonata in F, XVI Preludi-Corali for organ | |
George Botsford | 1874 | 1949 | American | | ragtime |
Katharine Emily Eggar | 1874 | 1961 | English | | |
Edmund Eysler | 1874 | 1949 | Austrian | | |
Reynaldo Hahn | 1874 | 1947 | Venezuelan/French | Ciboulette (Opera) | |
Carl Cohn Haste | 1874 | 1939 | Danish | | |
Gustav Holst | 1874 | 1934 | English | The Planets; Beni Mora; Egdon Heath | |
Charles Ives | 1874 | 1954 | American | The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata | avant-garde, folk-influenced |
Serge Koussevitzky | 1874 | 1951 | Russian | | |
Henri Marteau | 1874 | 1934 | French | | |
Oskar Nedbal | 1874 | 1930 | Czech | | |
František Neumann | 1874 | 1929 | Czech | | |
Arnold Schoenberg | 1874 | 1951 | Austrian | Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra; Violin Concerto | Romanticism, later expressionism and serialism; founder of the Second Viennese School |
Josef Suk | 1874 | 1935 | Czech | Asrael Symphony; A Winter's Tale | |
Franz Schmidt | 1874 | 1939 | Austrian | The Book with Seven Seals | |
Franco Alfano | 1875 | 1954 | Italian | | |
Julián Carrillo | 1875 | 1965 | Mexican | Preludio a Colón; Misa de la Restauración dedicada a Juan XXIII | microtonal music |
Samuel Coleridge-Taylor | 1875 | 1912 | English | The Song of Hiawatha (cantata) | |
Mikalojus Konstantinas Čiurlionis | 1875 | 1911 | Lithuanian | | |
Ernesto De Curtis | 1875 | 1937 | Italian | | |
Reinhold Glière | 1875 | 1956 | Russian | Horn Concerto; The Red Poppy | Romanticism |
Alexander Goldenweiser | 1875 | 1961 | Russian | | |
Dobri Hristov | 1875 | 1941 | Bulgarian | | |
Albert Ketelbey | 1875 | 1959 | English | | |
Jenő Huszka | 1875 | 1960 | Hungarian | | |
Fritz Kreisler | 1875 | 1962 | Austrian | Caprice Viennois; Liebesfreud; Liebesleid; Schön Rosmarin | |
Marcel Labey | 1875 | 1968 | French | | |
Edgar Manas | 1875 | 1964 | Turkish | | |
Erkki Melartin | 1875 | 1937 | Finnish | | |
Adolf Mišek | 1875 | 1955 | Czech | | |
Maurice Ravel | 1875 | 1937 | French | Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music | impressionism, neoclassicism |
Henriette Renié | 1875 | 1956 | French | | |
Cyril Rootham | 1875 | 1938 | English | | |
Lucia Contini Anselmi | 1876 | 1913 | Italian | | |
Hakon Børresen | 1876 | 1954 | Danish | The Royal Guest | romanticism |
Havergal Brian | 1876 | 1972 | English | Gothic Symphony | |
Edgar Bara | 1876 | 1962 | French | | |
John Alden Carpenter | 1876 | 1951 | American | | |
Pablo Casals | 1876 | 1973 | Spanish | | |
Jens Laursøn Emborg | 1876 | 1957 | Danish | | |
Manuel de Falla | 1876 | 1946 | Spanish | The Three-Cornered Hat; Nights in the Gardens of Spain | impressionism, neoclassicism |
Josef Hofmann | 1876 | 1957 | Polish-American | | |
Mieczysław Karłowicz | 1876 | 1909 | Polish | Lithuanian Rhapsody, Stanislaw i Anna Oświęcimovie, Smutna opowieść; Symphony in E Minor; Violin Concerto | Romanticism |
Filippo Tommaso Marinetti | 1876 | 1944 | Italian | | |
Fermo Dante Marchetti | 1876 | 1940 | Italian | | |
Ludolf Nielsen | 1876 | 1939 | Danish | | |
Armande de Polignac | 1876 | 1962 | French | | |
Teresa del Riego | 1876 | 1968 | English | | |
Carl Ruggles | 1876 | 1971 | American | Sun-Treader | |
Mikhail Savoyarov | 1876 | 1941 | Russian | The Drunken Moon, Trumpeters, Because of the Ladies | chansonnier, light music, jazz-influenced |
Ernest Schelling | 1876 | 1939 | American | | |
Grikor Suni | 1876 | 1939 | Armenian | | |
Ermanno Wolf-Ferrari | 1876 | 1948 | Italian | | Comic operas |
Antonio Russolo | 1877 | 1942 | Italian | | |
Russell Alexander | 1877 | 1915 | American | | |
Louis Aubert | 1877 | 1968 | French | | |
Sergei Bortkiewicz | 1877 | 1952 | Russian (Ukrainian-born) | | Romanticism |
Pavel Chesnokov | 1877 | 1944 | Russian | | |
Ernő Dohnányi | 1877 | 1960 | Hungarian | Variations on a Nursery Tune | Romanticism |
Albert Dupuis | 1877 | 1967 | Belgian | | |
Alexander Goedicke | 1877 | 1957 | Russian | | |
Yevgeny Gunst | 1877 | 1950 | Russian | | |
Jean Huré | 1877 | 1930 | French | | |
Hans Jelmoli | 1877 | 1936 | Swiss | | |
Sigfrid Karg-Elert | 1877 | 1933 | German | 66 Choral-Improvisationen for organ, Op. 65 | |
Hnat Khotkevych | 1877 | 1938 | Ukrainian | | |
Elisabeth Kuyper | 1877 | 1953 | Dutch | Violin Concerto in B minor, Violin Sonata in A major, Piano Trio in D major | |
Mykola Leontovych | 1877 | 1921 | Ukrainian | Shchedryk, Church music, Arrangements of folk songs | A capella choral music |
Roger Quilter | 1877 | 1953 | English | Songs | |
Petar Stojanović | 1877 | 1957 | Serbian | | |
Vladimir Tsybin | 1877 | 1949 | Russian | | |
Jeanne Beijerman-Walraven | 1878 | 1969 | Dutch | | |
Rutland Boughton | 1878 | 1960 | English | | |
Fritz Brun | 1878 | 1959 | Swiss | | |
Eugenia Calosso | 1878 | 1914 | Italian | | |
Conrado del Campo | 1878 | 1953 | Spanish | | |
André Caplet | 1878 | 1925 | French | | |
Adam Carse | 1878 | 1958 | English | Two symphonies | |
Mabel Wheeler Daniels | 1878 | 1971 | American | | |
Antun Dobronić | 1878 | 1955 | Croatian | | |
Gabriel Dupont | 1878 | 1914 | French | | |
Carl Ehrenberg | 1878 | 1962 | German | Anneliese (opera) | post-romanticism |
Harry Farjeon | 1878 | 1948 | British | | |
Ossip Gabrilowitsch | 1878 | 1936 | Russian-born American | | |
Joseph Holbrooke | 1878 | 1958 | English | | |
Artur Kapp | 1878 | 1952 | Estonian | | |
Albert Mallinson | 1878 | 1946 | British | | |
Selim Palmgren | 1878 | 1951 | Finnish | | |
Caradog Roberts | 1878 | 1935 | Welsh | | |
Avery Robinson | 1878 | 1965 | American | | |
Franz Schreker | 1878 | 1934 | Austrian | Der ferne Klang (opera), Kammersymphonie | modernism, eclectic (Romanticism, naturalism, symbolism, impressionism, Expressionism and Neue Sachlichkeit) |
Frank Bridge | 1879 | 1941 | English | Enter Spring; The Sea | impressionism, later expressionism; mentor of Benjamin Britten |
Viggo Brodersen | 1879 | 1965 | Danish | | |
Joseph Canteloube | 1879 | 1957 | French | Chants d'Auvergne | |
Paul Corder | 1879 | 1942 | English | | |
Jean Cras | 1879 | 1932 | French | | |
Maurice Delage | 1879 | 1961 | French | Quatre poèmes hindous; Sept haï-kaïs | impressionism, oriental-influenced |
Stefano Donaudy | 1879 | 1925 | Italian | | |
Percy Fletcher | 1879 | 1932 | English | | |
Philippe Gaubert | 1879 | 1941 | French | | |
Gabriel Grovlez | 1879 | 1944 | French | | |
Joseph Haas | 1879 | 1960 | German | | Romanticism |
Hamilton Harty | 1879 | 1941 | Irish | An Irish Symphony; With the Wild Geese | |
Josip Hatze | 1879 | 1959 | Croatian | | |
Edgar Henrichsen | 1879 | 1955 | Danish | | |
John Ireland | 1879 | 1962 | English | Piano Concerto in E flat | |
Frank La Forge | 1879 | 1953 | American | | |
Nikolaos Lavdas | 1879 | 1940 | Greek | | composer for mandolin orchestra |
Pablo Luna | 1879 | 1942 | Spanish | El niño judío | |
Stanyslav Lyudkevych | 1879 | 1979 | Ukrainian | | |
Carmela Mackenna | 1879 | 1962 | Chilean | | |
Jules Mazellier | 1879 | 1959 | French | | |
Joaquín Nin | 1879 | 1949 | Cuban | | |
Alma Mahler | 1879 | 1964 | Austrian | | |
Otto Olsson | 1879 | 1964 | Swedish | Te Deum | |
Otakar Ostrčil | 1879 | 1935 | Czech | | |
Ottorino Respighi | 1879 | 1936 | Italian | The Fountains of Rome; The Pines of Rome | impressionism |
Rudolf Sieczyński | 1879 | 1952 | Austrian | | |
Hugo Riesenfeld | 1879 | 1939 | Austrian-American | | |
Paul Rung-Keller | 1879 | 1966 | Danish | | |
Cyril Scott | 1879 | 1970 | English | | |
Johanna Senfter | 1879 | 1961 | German | | |
Marcel Tournier | 1879 | 1951 | French | | |
Richard Trunk | 1879 | 1968 | German | | |
Otakar Zich | 1879 | 1934 | Czech | | |
Rentarō Taki | 1879 | 1903 | Japanese | | |
Leo Ascher | 1880 | 1942 | Austrian | | |
Ernest Bloch | 1880 | 1959 | American (Swiss-born) | Schelomo; Suite hébraïque | |
Edgar Thomas Cook | 1880 | 1953 | English | | |
Clara Edwards | 1880 | 1974 | American | | |
John Foulds | 1880 | 1939 | English | A World Requiem | Post-romanticism, Indian influence |
Rudolf Karel | 1880 | 1945 | Czech | | |
Jan Kubelík | 1880 | 1940 | Czech | | |
Nikolai Medtner | 1880 | 1951 | Russian | 38 Skazki for piano, Piano Concerto No. 3 | Romanticism |
Ildebrando Pizzetti | 1880 | 1968 | Italian | Assassinio nella cattedrale | |
Ferdinand Rebay | 1880 | 1953 | Austrian | | |
Ivan Matetić Ronjgov | 1880 | 1960 | Croatian | | |
James Simon | 1880 | 1944 | German | | |
Robert Stolz | 1880 | 1975 | Austrian | | |
Guillermo Uribe Holguín | 1880 | 1971 | Colombian | | |
Clarence Cameron White | 1880 | 1960 | American | | neoromantic |
Healey Willan | 1880 | 1968 | English | | |
Francesco Balilla Pratella | 1880 | 1955 | Italian | | |
Domenico Alaleona | 1881 | 1928 | Italian | | |
Béla Bartók | 1881 | 1945 | Hungarian | Concerto for Orchestra; six string quartets; The Miraculous Mandarin; Piano Concerto No. 1; Piano Concerto No. 2; Piano Concerto No. 3; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion | neoclassicism, folk-influenced |
Theodor Blumer | 1881 | 1964 | German | | |
Gena Branscombe | 1881 | 1977 | Canadian | | |
Nancy Dalberg | 1881 | 1949 | Danish | String Quartet No. 2 | |
Fannie Charles Dillon | 1881 | 1947 | American | | |
Sem Dresden | 1881 | 1957 | Dutch | | |
George Enescu | 1881 | 1955 | Romanian | Romanian Rhapsody No. 1, Sonata No. 3 for Violin and Piano ("In the Romanian Popular Style"), Octet for Strings, String Quartet No. 2, Œdip (opera), Cantabile et Presto for flute and piano | folk-influenced; father of Romanian classical music |
Henry Fillmore | 1881 | 1956 | American | | marches |
Jan van Gilse | 1881 | 1944 | Dutch | Thijl | |
Peder Gram | 1881 | 1956 | Danish | | |
Richard Hageman | 1881 | 1966 | Dutch-born American | | |
Sigurd Islandsmoen | 1881 | 1964 | Norwegian | | |
Axel Jørgensen | 1881 | 1947 | Danish | Romance for Trombone and Piano | |
Edvin Kallstenius | 1881 | 1967 | Swedish | | |
Paul Le Flem | 1881 | 1984 | French | | |
Arthur Marshall | 1881 | 1968 | American | | |
Nikolai Myaskovsky | 1881 | 1950 | Russian | Symphony No. 6, No. 10 and No. 13; Cello Concerto in C minor | Romanticism |
Kenneth J. Alford | 1881 | 1945 | British | Colonel Bogey | "British March King" |
Reine Colaço Osorio-Swaab | 1881 | 1971 | Dutch | | |
Nikolai Roslavets | 1881 | 1944 | Russian | | |
Ignatz Waghalter | 1881 | 1949 | Polish-German | Concerto for Violin in A Major; Mandragola; Jugend | Romanticism |
Arthur Willner | 1881 | 1959 | Czech | | |
Hermann Zilcher | 1881 | 1948 | German | | |
Emil Ábrányi | 1882 | 1970 | Hungarian | | |
Marion Bauer | 1882 | 1955 | American | | |
Alberto Bimboni | 1882 | 1960 | Italian-born American | | |
Walter Braunfels | 1882 | 1954 | German | Organ Concerto | neotonality |
Percy Grainger | 1882 | 1961 | Australian | Mock Morris, Colonial Song, Lincolnshire Posy | folk-influenced |
Mary Howe | 1882 | 1964 | American | | |
Herbert Hughes | 1882 | 1937 | Irish | | |
Emmerich Kálmán | 1882 | 1953 | Hungarian | Operettas | |
Zoltán Kodály | 1882 | 1967 | Hungarian | Háry János; Székelyfonó; Psalmus Hungaricus | folk-influenced |
Nicholas Laucella | 1882 | 1952 | Italian-American | Mokanna – opera; Fantastic Overture; Nocturne for Orchestra; Consolva & The White House – Impressions of Norfolk – Symphonic poems; Divertimento for Flute, Oboe & English Horn; String Quartet | classical |
Maurice Le Boucher | 1882 | 1964 | French | | |
Ernestina Lecuona y Casado | 1882 | 1951 | Cuban | Bolero | |
Mary Lucas | 1882 | 1952 | English | | |
Gian Francesco Malipiero | 1882 | 1973 | Italian | | |
Joseph Marx | 1882 | 1964 | Austrian | | vocal music |
Geoffrey O'Hara | 1882 | 1967 | Canadian | | |
Manuel Ponce | 1882 | 1948 | Mexican | Concierto del Sur for guitar and orchestra, guitar and piano pieces, songs (especially "Estrellita"), and folk-song arrangements | |
John Powell | 1882 | 1963 | American | | |
Mart Saar | 1882 | 1963 | Estonian | | |
Artur Schnabel | 1882 | 1951 | Austrian | | |
Lazare Saminsky | 1882 | 1959 | Russian | | |
Igor Stravinsky | 1882 | 1971 | Russian | The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments; Canticum Sacrum; Threni | neoclassicism, neotonality, later serialism, polystylism |
Karol Szymanowski | 1882 | 1937 | Polish | Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 | impressionism, later folk-influenced |
Joaquín Turina | 1882 | 1949 | Spanish | | |
Ladislav Vycpálek | 1882 | 1969 | Czech | | |
Haydn Wood | 1882 | 1959 | English | | |
Maurice Abrahams | 1883 | 1931 | American | | |
Alexander Vasilyevich Alexandrov | 1883 | 1946 | Russian | | |
Emilius Bangert | 1883 | 1962 | Danish | | |
Augustin Barié | 1883 | 1915 | French | | |
Arnold Bax | 1883 | 1953 | English | Symphony No. 2, No. 3, and No. 6; Tintagel | Romanticism, impressionism |
Alfredo Casella | 1883 | 1947 | Italian | | |
Alexandre Eugène Cellier | 1883 | 1968 | French | | |
Édouard Commette | 1883 | 1967 | French | | |
George Dyson | 1883 | 1964 | English | Symphony in G major | |
Mikhail Gnessin | 1883 | 1957 | Russian | | |
Josef Matthias Hauer | 1883 | 1959 | Austrian | | |
Manuel Infante | 1883 | 1958 | Spanish | | |
Manolis Kalomiris | 1883 | 1962 | Greek | | |
Paul von Klenau | 1883 | 1946 | Danish | | |
Petar Konjović | 1883 | 1970 | Serbian | | |
Alexander Krein | 1883 | 1951 | Russian | | |
Luigi Russolo | 1883 | 1947 | Italian | | futurism, noise music |
Jan Kunc | 1883 | 1976 | Czech | | |
Toivo Kuula | 1883 | 1918 | Finnish | | |
Fran Lhotka | 1883 | 1962 | Czech-born Croatian | | |
Robert Graham Manson | 1883 | 1950 | British | | |
Romanos Melikian | 1883 | 1935 | Armenian | | |
Jules Van Nuffel | 1883 | 1953 | Belgian | In convertendo Dominus; Te Deum | |
Ludomir Różycki | 1883 | 1953 | Polish | | |
Theophrastos Sakellaridis | 1883 | 1950 | Greek | | |
Maximilian Steinberg | 1883 | 1946 | Russian | | |
Fritz Stiedry | 1883 | 1968 | Austrian | | |
Peeter Süda | 1883 | 1920 | Estonian | | |
Enrico Toselli | 1883 | 1926 | Italian | Serenata 'Rimpianto' Op. 6 No. 1 | |
Edgard Varèse | 1883 | 1965 | French | Amériques; Ionisation; Arcana; Density 21.5 | Musique concrète, Electronic music |
Anton Webern | 1883 | 1945 | Austrian | Symphony; Six Pieces for Orchestra | twelve-tone technique, serialism, polystylism; pupil of Arnold Schoenberg |
Bedřich Antonín Wiedermann | 1883 | 1951 | Czech | | |
Riccardo Zandonai | 1883 | 1944 | Italian | | |
Juhan Aavik | 1884 | 1982 | Estonian | | |
Dina Appeldoorn | 1884 | 1938 | Dutch | | |
Boris Asafyev | 1884 | 1949 | Russian | | |
Ralph Benatzky | 1884 | 1957 | Czech | | |
York Bowen | 1884 | 1961 | English | | |
May Brahe | 1884 | 1956 | Australian | Bless This House and other songs | |
Max Brod | 1884 | 1968 | Czech | | |
Charles Griffes | 1884 | 1920 | American | | |
Louis Gruenberg | 1884 | 1964 | Russian | The Emperor Jones (opera) | |
Juozas Gruodis | 1884 | 1948 | Lithuanian | | |
Marguerite Béclard d'Harcourt | 1884 | 1964 | French | | |
Jonny Heykens | 1884 | 1945 | Dutch | | |
Jurgis Karnavičius | 1884 | 1941 | Lithuanian | | |
Raoul Koczalski | 1884 | 1948 | Polish | Piano Concerto, Op. 83 | |
Boris Levenson | 1884 | 1947 | Russian-born American | | |
Ture Rangström | 1884 | 1947 | Swedish | four symphonies | |
Jaime Teixidor | 1884 | 1957 | Spanish | | |
Wintter Watts | 1884 | 1962 | American | | |
Xiao Youmei | 1884 | 1940 | Chinese | | |
Alexander Albrecht | 1885 | 1958 | Slovak | | |
Pedro Humberto Allende | 1885 | 1959 | Chilean | | |
Agustín Barrios | 1885 | 1944 | Paraguayan | | |
Alban Berg | 1885 | 1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | serialism, Romanticism, expressionism, polystylism; pupil of Arnold Schoenberg |
George Butterworth | 1885 | 1916 | English | | |
Henri Collet | 1885 | 1951 | French | | |
Dimitrie Cuclin | 1885 | 1978 | Romanian | | several exceptionally long symphonies |
Benjamin Dale | 1885 | 1943 | English | | |
Ernest Farrar | 1885 | 1918 | English | | |
Julius Harrison | 1885 | 1963 | English | | |
Stevan Hristić | 1885 | 1958 | Serbian | | |
Werner Josten | 1885 | 1963 | German | | |
Heino Kaski | 1885 | 1957 | Finnish | | |
Eduard Künneke | 1885 | 1953 | German | Der Vetter aus Dingsda | |
Artur Lemba | 1885 | 1963 | Estonian | | |
Adriano Lualdi | 1885 | 1971 | Italian | | |
Hildor Lundvik | 1885 | 1951 | Swedish | | |
Dora Pejačević | 1885 | 1923 | Croatian | Symphony in F-sharp Minor, Phantasie Concertante | |
Wallingford Riegger | 1885 | 1961 | American | Symphony No. 3 | |
Siegfried Salomon | 1885 | 1962 | Danish | | |
Carlos Salzedo | 1885 | 1961 | French | | |
James Scott | 1885 | 1938 | American | | ragtime |
Juhan Simm | 1885 | 1959 | Estonian | | |
Edith Swepstone | 1885 | 1930 | English | | |
Paul van Katwijk | 1885 | 1974 | Dutch-American | | |
Leó Weiner | 1885 | 1960 | Hungarian | | |
Egon Wellesz | 1885 | 1974 | Austrian | Nine symphonies | |
Mana-Zucca | 1885 | 1981 | American | | |
Joseph Achron | 1886 | 1943 | Russian | Hebrew Melody | |
Arseny Avraamov | 1886 | 1944 | Russian | | avant-garde |
Edward Ballantine | 1886 | 1971 | American | Variations on "Mary Had a Little Lamb" for piano | |
John J. Becker | 1886 | 1961 | American | | |
Rebecca Clarke | 1886 | 1979 | English | | |
Eric Coates | 1886 | 1957 | English | | |
Ellen Coleman | 1886 | 1973 | English | | |
Edward Joseph Collins | 1886 | 1951 | American | | |
Marcel Dupré | 1886 | 1971 | French | Organ music | |
Wilhelm Furtwängler | 1886 | 1954 | German | Symphony No. 1 in B minor, Symphony No. 2 in E minor, Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra | neoclassicism, folk-influenced, twelve-tone technique |
Henri Gagnebin | 1886 | 1977 | Belgian-born Swiss | | |
Carlo Giorgio Garofalo | 1886 | 1962 | Italian | | |
Jesús Guridi | 1886 | 1961 | Spanish | Sinfonia pirenaica | |
Elizabeth Gyring | 1886 | 1970 | American | | |
Algot Haquinius | 1886 | 1966 | Swedish | | |
Jef van Hoof | 1886 | 1959 | Belgian | | |
Ethel Leginska | 1886 | 1970 | British | | |
Paul Paray | 1886 | 1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | |
Emilio Pujol | 1886 | 1980 | Spanish | | |
Othmar Schoeck | 1886 | 1957 | Swiss | Penthesilea | |
Ole Windingstad | 1886 | 1959 | Norwegian-American | | |
Kōsaku Yamada | 1886 | 1965 | Japanese | Overture in D major | |
Pietro Yon | 1886 | 1943 | Italian | Gesù bambino | |
Willem Andriessen | 1887 | 1964 | Dutch | Piano Concerto in D♭ major | |
Kurt Atterberg | 1887 | 1974 | Swedish | Symphony No. 6 "Dollar Symphony" | |
Nadia Boulanger | 1887 | 1979 | French | | |
Nicolae Bretan | 1887 | 1968 | Romanian | | |
Lawrance Collingwood | 1887 | 1982 | English | | |
Mildred Couper | 1887 | 1974 | American | | quarter tone |
Heino Eller | 1887 | 1970 | Estonian | | |
Emilia Gubitosi | 1887 | 1972 | Italian | | |
Henry Ley | 1887 | 1962 | English | | |
Oskar Lindberg | 1887 | 1955 | Swedish | | |
Leevi Madetoja | 1887 | 1947 | Finnish | Symphony No. 1 (1916), Symphony No. 2 (1918), Symphony No. 3 (1926), the opera The Ostrobothnians (1923), the ballet-pantomime Okon Fuoko (1927), and Elegia (1909). | Student of Jean Sibelius, 1908–10. |
Zorko Prelovec | 1887 | 1939 | Slovenian | | |
Florence Price | 1887 | 1953 | American | | |
Ernest Pingoud | 1887 | 1942 | Finnish | | |
Anatol Provazník | 1887 | 1950 | Czech | | |
Emil Reesen | 1887 | 1964 | Danish | | Operas |
Stasys Šimkus | 1887 | 1943 | Lithuanian | | |
Rudi Stephan | 1887 | 1915 | German | | Romanticism |
Heinz Tiessen | 1887 | 1971 | German | | |
Ernst Toch | 1887 | 1964 | German | 7 symphonies | |
Max Trapp | 1887 | 1971 | German | | |
Heitor Villa-Lobos | 1887 | 1959 | Brazilian | Chôros; Bachianas brasileiras; Magdalena: a Musical Adventure; Rudepoêma; | neoclassicism, folk-influenced |
Anatoly Nikolayevich Alexandrov | 1888 | 1982 | Russian | | |
May Aufderheide | 1888 | 1972 | American | | |
Carmen Barradas | 1888 | 1963 | Uruguayan | | |
Vasyl Barvinsky | 1888 | 1963 | Ukrainian | | |
Johanna Beyer | 1888 | 1944 | German-American | | |
Emil Bohnke | 1888 | 1928 | German | | |
Ina Boyle | 1888 | 1967 | Irish | | |
Philip Greeley Clapp | 1888 | 1954 | American | 12 symphonies | |
Cecil Coles | 1888 | 1918 | Scottish | | |
Claude Delvincourt | 1888 | 1954 | French | | |
Ilse Fromm-Michaels | 1888 | 1986 | German | | |
Anna Maria Klechniowska | 1888 | 1973 | Polish | | |
Ion Nonna Otescu | 1888 | 1940 | Romanian | | |
Julie Reisserová | 1888 | 1938 | Czech | | |
Maria Rodrigo | 1888 | 1967 | Spanish | | |
Poul Schierbeck | 1888 | 1949 | Danish | | |
Alexei Stanchinsky | 1888 | 1914 | Russian | | |
Cristòfor Taltabull | 1888 | 1964 | Spanish | | |
Matthijs Vermeulen | 1888 | 1967 | Dutch | Seven symphonies | |
Gabriel von Wayditch | 1888 | 1969 | Hungarian-American | | |
Emiliana de Zubeldia | 1888 | 1987 | Spanish | | |
Alton Adams | 1889 | 1987 | American | | |
Aksel Agerby | 1889 | 1942 | Danish | | |
Harald Agersnap | 1889 | 1982 | Danish | | |
Felix Arndt | 1889 | 1918 | American | | |
Grigoraș Dinicu | 1889 | 1949 | Romanian | | |
Armstrong Gibbs | 1889 | 1960 | English | | |
Ethel Glenn Hier | 1889 | 1971 | American | | |
Václav Kaprál | 1889 | 1947 | Czech | | |
Cyrillus Kreek | 1889 | 1962 | Estonian | | |
Egon Ledeč | 1889 | 1944 | Czech | | |
Rudolf Mauersberger | 1889 | 1971 | German | | |
Vilém Petrželka | 1889 | 1969 | Czech | | |
Karl Rautio | 1889 | 1963 | Finnish | | |
Levko Revutsky | 1889 | 1977 | Ukrainian | Piano Concerto in F major | |
Francisco Santiago |
1889 |
1947 |
Filipino |
|
|
Vladimir Shcherbachov | 1889 | 1952 | Russian | | |
Johannes Andersen | 1890 | 1980 | Danish | | |
Ernest Bullock | 1890 | 1979 | English | | |
Victor Dolidze | 1890 | 1933 | Soviet Georgian | | |
Samuil Feinberg | 1890 | 1962 | Russian and Soviet | | |
Luís de Freitas Branco | 1890 | 1955 | Portuguese | | |
Hans Gál | 1890 | 1987 | Austrian | | |
Carlos Gardel | 1890 | 1935 | French | | |
Ivor Gurney | 1890 | 1937 | English | | |
Pauline Hall | 1890 | 1969 | Norwegian | | |
Jacques Ibert | 1890 | 1962 | French | Concertino da camera; Escales | neoclassicism impressionism |
Philip James | 1890 | 1975 | American | | |
Sándor Jemnitz | 1890 | 1963 | Hungarian | | |
Kathleen Lockhart Manning | 1890 | 1951 | American | | |
Frank Martin | 1890 | 1974 | Swiss | Ballade for flute and piano; Petite symphonie concertante; Requiem | |
Bohuslav Martinů | 1890 | 1959 | Czech | Double Concerto for Two String Orchestras, Piano, and Timpani, Symphony No. 3, No. 4, and No. 6; operas Julietta and The Greek Passion; Gilgamesh (oratorio) | neoclassicism, folk-influenced |
Yves Nat | 1890 | 1956 | French | | |
Gösta Nystroem | 1890 | 1966 | Swedish | | |
Eda Rapoport | 1890 | 1968 | American | | |
Morishige Takei | 1890 | 1947 | Japanese | | |
Otto Albert Tichý | 1890 | 1973 | Czech | | |
Roy Agnew | 1891 | 1944 | Australian | | |
Schahan Berberian | 1891 | 1956 | Armenian | | |
Arthur Bliss | 1891 | 1975 | English | A Colour Symphony | |
Benjamin Burrows | 1891 | 1966 | English | | |
Claude Champagne | 1891 | 1965 | Canadian | | |
Noël Gallon | 1891 | 1966 | French | | |
Marcel Grandjany | 1891 | 1975 | French | Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard | Noted harpist and teacher |
Thomas Griselle | 1891 | 1955 | American | | |
Karel Boleslav Jirák | 1891 | 1972 | Czechoslovak | | |
Mihail Jora | 1891 | 1971 | Romanian | | |
Alexander Kasyanov | 1891 | 1982 | Soviet Russian | | |
Frida Kern | 1891 | 1988 | Austrian | | |
Karl King | 1891 | 1971 | American | "Barnum and Bailey's Favorite" | Marches |
Florentina Mallá | 1891 | 1973 | Czech | | |
Federico Moreno Tórroba | 1891 | 1982 | Spanish | | classical guitar |
Edmund Nick | 1891 | 1974 | German | | |
Sergei Prokofiev | 1891 | 1953 | Russian | Romeo and Juliet; The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf | neoclassicism, Romanticism |
Alexis Roland-Manuel | 1891 | 1966 | French | | |
Philip Sainton | 1891 | 1967 | British-French | | |
W. K. Stanton | 1891 | 1978 | English | | |
Catherine Murphy Urner | 1891 | 1942 | American | | |
Paul Abraham | 1892 | 1960 | Hungarian | | operettas |
Isidor Achron | 1892 | 1948 | Polish | | |
Hendrik Andriessen | 1892 | 1981 | Dutch | | father of Louis Andriessen |
Samuel L. M. Barlow | 1892 | 1982 | American | | |
Johanna Bordewijk-Roepman | 1892 | 1971 | Dutch | | |
Hans Bottermund | 1892 | 1949 | German | | |
Augusto Brandt | 1892 | 1942 | Venezuelan | | |
Katherine Kennicott Davis | 1892 | 1980 | American | | |
Giorgio Federico Ghedini | 1892 | 1965 | Italian | | |
Ferde Grofé | 1892 | 1972 | American | Grand Canyon Suite; Mississippi Suite | |
Ilmari Hannikainen | 1892 | 1955 | Finnish | | Romanticism |
Sandor Harmati | 1892 | 1936 | Hungarian-American | | |
Mirrie Hill | 1892 | 1986 | Australian | | |
Arthur Honegger | 1892 | 1955 | Swiss | Symphony No. 3 "Liturgique"; Pacific 231 | neoclassicism; also a composer of film music: Les Misérables |
Herbert Howells | 1892 | 1983 | English | Hymnus paradisi | |
Frank Hutchens | 1892 | 1965 | Australian | | |
William G. James | 1892 | 1977 | Australian | | |
Knud Jeppesen | 1892 | 1974 | Danish | | |
Louise Lincoln Kerr |
1892 |
1977 |
American |
|
|
Otakar Jeremiáš | 1892 | 1962 | Czech | | |
Yrjö Kilpinen | 1892 | 1959 | Finnish | | neoclassical |
Fritz Heinrich Klein | 1892 | 1977 | Austrian | | |
Jaroslav Kvapil | 1892 | 1958 | Czech | | |
László Lajtha | 1892 | 1963 | Hungarian | | |
Arthur Lourié | 1892 | 1966 | Russian | | |
Darius Milhaud | 1892 | 1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical, polytonal |
John Jacob Niles | 1892 | 1980 | American | | |
Nikolai Obukhov | 1892 | 1954 | Russian | | |
Felix Petyrek | 1892 | 1951 | Austrian | | |
Hilding Rosenberg | 1892 | 1985 | Swedish | Violin Concerto | |
Kaikhosru Shapurji Sorabji | 1892 | 1988 | English | Opus clavicembalisticum; 100 Transcendental Studies; Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān" – Nocturne for Piano | neoclassical, neoromantic, postimpressionistic |
Germaine Tailleferre | 1892 | 1983 | French | | |
Nicanor Abelardo |
1893 |
1934 |
Filipino |
Piano Concerto in B-flat minor |
|
Jean Absil | 1893 | 1974 | Belgian | | |
Arthur Benjamin | 1893 | 1960 | Australian | Jamaican Rhumba | |
Georges Boulanger | 1893 | 1958 | Romanian | | |
Lili Boulanger | 1893 | 1918 | French | | |
Marta Canales | 1893 | 1986 | Chilean | | |
Osvald Chlubna | 1893 | 1971 | Czech | | |
Zinovy Feldman | 1893 | 1942 | Russian | | |
Aleksandr Gauk | 1893 | 1963 | Russian/Soviet | | |
Eugene Aynsley Goossens | 1893 | 1962 | English | | |
Dorothy Gow | 1893 | 1982 | English | | |
Hambarsoom Grigorian | 1893 | 1975 | Armenian | | |
Alois Hába | 1893 | 1973 | Czech | Matka | microtonal |
Helen Eugenia Hagan | 1893 | 1964 | American | | |
Rued Langgaard | 1893 | 1952 | Danish | 16 symphonies, The Music of the Spheres, Antikrist | |
Franz Mittler | 1893 | 1970 | Austrian | | |
Federico Mompou | 1893 | 1987 | Spanish | piano music | |
Douglas Moore | 1893 | 1969 | American | The Ballad of Baby Doe, The Devil and Daniel Webster (Folk opera) | |
Ivor Novello | 1893 | 1951 | Welsh | | |
Leo Ornstein | 1893 | 2002 | American (Russian-born) | Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets | avant-garde, later neoromanticism |
Charles Wilfred Orr | 1893 | 1976 | English | Songs | |
Sergei Protopopov | 1893 | 1954 | Russian | 3 piano sonatas | Avant-garde |
Bernard Rogers | 1893 | 1968 | American | | |
John Laurence Seymour | 1893 | 1986 | American | | |
Marcel Tyberg | 1893 | 1944 | Austrian | | |
Stanisław Wiechowicz | 1893 | 1963 | Polish | | |
Pylyp Kozytskiy | 1893 | 1960 | Ukrainian | In memory of the Bolsheviks (1951) | avant-garde |
Hugo Chaim Adler | 1894 | 1955 | Belgian | | |
Aaron Avshalomov | 1894 | 1965 | Russian | | |
Krešimir Baranović | 1894 | 1975 | Yugoslav | | |
Robert Russell Bennett | 1894 | 1981 | American | Broadway arrangements; pieces for band | |
Pavel Bořkovec | 1894 | 1972 | Czech | | |
Paul Dessau | 1894 | 1979 | German | | |
Sabin Drăgoi | 1894 | 1968 | Romanian | Piano Concerto | |
Kalitha Dorothy Fox | 1894 | 1934 | English | | |
Wilhelm Grosz | 1894 | 1939 | Austrian | | |
Žiga Hirschler | 1894 | 1941 | Croatian | | |
Edmund Jenkins | 1894 | 1926 | American | | |
Jane Joseph | 1894 | 1929 | English | | |
Filip Lazăr | 1894 | 1936 | Romanian | | avant-garde |
Ernest John Moeran | 1894 | 1950 | English | Symphony in G minor | folk-influenced |
Antonio Molina |
1894 |
1980 |
Filipino |
|
|
Willem Pijper | 1894 | 1947 | Dutch | Six Adagios; Piano Concerto | atonality |
Walter Piston | 1894 | 1976 | American | The Incredible Flutist (ballet); Symphony No. 2, No. 3, No. 6, and No. 7 | Neoclassicism |
Władysław Raczkowski | 1894 | 1959 | Polish | | |
Erwin Schulhoff | 1894 | 1942 | Czech | | |
Nicolas Slonimsky | 1894 | 1995 | Russian-born American | | |
Albert Stoessel | 1894 | 1943 | American | | |
Bernard Wagenaar | 1894 | 1971 | Dutch/American | | |
Peter Warlock | 1894 | 1930 | Anglo-Welsh | Capriol Suite, The Curlew | |
Vally Weigl | 1894 | 1982 | Austrian-American | | |
Mark Wessel | 1894 | 1973 | American | The King of Babylon; Concertino for Flute or Violin and Orchestra | |
August Baeyens | 1895 | 1966 | Belgian | | |
Henriëtte Bosmans | 1895 | 1952 | Dutch | | |
Jorge Bravo de Rueda | 1895 | 1940 | Peruvian | | |
Bjarne Brustad | 1895 | 1978 | Norwegian | | |
Mario Castelnuovo-Tedesco | 1895 | 1968 | Italian | Naomi and Ruth; guitar music | |
Juan José Castro | 1895 | 1968 | Argentine | | |
Ernest Charles | 1895 | 1984 | American | | |
Georges Dandelot | 1895 | 1975 | French | | |
Johann Nepomuk David | 1895 | 1977 | Austrian | | neoclassical |
Nico Dostal | 1895 | 1981 | Austrian | | |
Lindley Evans | 1895 | 1982 | South African-born Australian | | |
Jakov Gotovac | 1895 | 1982 | Croatian | | |
Ivo Tijardović | 1895 | 1976 | Croatian | | |
Paul Hindemith | 1895 | 1963 | German | Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis' | neoclassicism, Expressionism |
Gordon Jacob | 1895 | 1984 | English | | |
Eva Jessye | 1895 | 1992 | American | | |
Rudolf Kattnigg | 1895 | 1955 | Austrian | | |
Ernesto Lecuona | 1895 | 1963 | Cuban | | |
Ernst Levy | 1895 | 1981 | Swiss | | |
Borys Lyatoshynsky | 1895 | 1968 | Ukrainian | | |
Carl Orff | 1895 | 1982 | German | Carmina Burana | polystylism |
Slavko Osterc | 1895 | 1941 | Slovenian | Symphony | |
Kathleen Richards | 1895 | 1984 | English | | |
Dane Rudhyar | 1895 | 1985 | French | | |
Boris Sobinov | 1895 | 1956 | Russian | | |
Leo Sowerby | 1895 | 1968 | American | | |
William Grant Still | 1895 | 1978 | American | 5 symphonies, including Symphony No. 1 "Afro-American"; Troubled Island (opera), A Bayou Legend (opera) | folk-influenced; known as "the Dean" of African-American composers |
Eduard Toldrà | 1895 | 1962 | Spanish | | |
Maria Bach | 1896 | 1978 | Austrian | Piano Quartet | |
Erling Brene | 1896 | 1980 | Danish | | |
František Brož | 1896 | 1962 | Czech | | |
Shirley Graham Du Bois | 1896 | 1977 | American | | |
Eduard Erdmann | 1896 | 1958 | German | | |
Jacobo Ficher | 1896 | 1978 | Argentine | 10 symphonies; 3 piano concertos; chamber music; El Oso (opera, after Chekhov) | eclectic |
Roberto Gerhard | 1896 | 1970 | Spanish | | |
Howard Hanson | 1896 | 1981 | American | 7 symphonies | Romanticism |
Józef Koffler | 1896 | 1944 | Polish | | |
Viktor Kosenko | 1896 | 1938 | Ukrainian | Piano concerto | |
Dimitri Mitropoulos | 1896 | 1960 | Greek | | |
María Teresa Prieto | 1896 | 1982 | Spanish | | |
Jean Rivier | 1896 | 1987 | French | | |
Leroy Robertson | 1896 | 1971 | American | | |
Roger Sessions | 1896 | 1985 | American | 9 symphonies, Violin Concerto, Montezuma | neoclassicism, twelve-tone technique |
Petko Staynov | 1896 | 1977 | Bulgarian | | |
Bolesław Szabelski | 1896 | 1979 | Polish | | |
George Thalben-Ball | 1896 | 1986 | British | | |
Virgil Thomson | 1896 | 1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic | folk-influenced, eclectic |
Wladimir Vogel | 1896 | 1984 | Swiss | | |
Jaromír Weinberger | 1896 | 1967 | Czech | Schwanda the Bagpiper | |
Sergei Aslamazyan | 1897 | 1978 | Armenian | | |
Břetislav Bakala | 1897 | 1958 | Czech | | |
Paul Ben-Haim | 1897 | 1984 | Israeli | | |
Jørgen Bentzon | 1897 | 1951 | Danish | | |
Gaspar Cassadó | 1897 | 1966 | Spanish | Toccata, Requiebros | |
Henry Cowell | 1897 | 1965 | American | The Tides of Manaunaun, Dynamic Motion | eclectic, experimental |
Oscar Lorenzo Fernández | 1897 | 1948 | Brazilian | "Batuque" from Malazarte | nationalism |
António Fragoso | 1897 | 1918 | Portuguese | | |
Luis Gianneo | 1897 | 1968 | Argentine | | |
Sim Gokkes | 1897 | 1943 | Dutch | | Modernist |
Yefim Golyshev | 1897 | 1970 | Ukrainian | String Trio | |
Hermann Heiss | 1897 | 1966 | German | | |
Harrison Kerr | 1897 | 1978 | American | | |
Erich Wolfgang Korngold | 1897 | 1957 | Austrian | Violin Concerto | also composed film music: Die Tote Stadt |
György Kósa | 1897 | 1984 | Hungarian | | |
Agustín Lara | 1897 | 1970 | Mexican | Granada | |
Theo Mackeben | 1897 | 1953 | German | | |
Enrico Mainardi | 1897 | 1976 | Italian | | |
Karl Marx | 1897 | 1985 | German | | |
Benna Moe | 1897 | 1983 | Danish | | |
Hermann Neuling | 1897 | 1967 | German | | |
Fernando Obradors | 1897 | 1945 | Spanish | Canciones clásicas españolas | |
Quincy Porter | 1897 | 1966 | American | 2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra | |
Jaroslav Řídký | 1897 | 1956 | Czech | | |
Knudåge Riisager | 1897 | 1974 | Denmark | | |
Harald Sæverud | 1897 | 1992 | Norwegian | Peer Gynt, 9 symphonies | |
Pablo Sorozábal | 1897 | 1988 | Spanish | | |
Margaret Sutherland | 1897 | 1984 | Australian | Violin Concerto Haunted Hills | |
Kay Swift | 1897 | 1993 | American | | |
Alexandre Tansman | 1897 | 1986 | French (Polish-born) | | |
Terig Tucci | 1897 | 1973 | Argentine | | |
Alexander Abramsky | 1898 | 1985 | Russian | | folk-influenced |
Thomas Armstrong | 1898 | 1994 | English | | |
Ernst Bacon | 1898 | 1990 | American | | |
Edward Boatner | 1898 | 1981 | American | | |
Carlton Cooley | 1898 | 1981 | American | | |
Norman Demuth | 1898 | 1968 | English | | |
Hanns Eisler | 1898 | 1962 | German/Austrian | Auferstanden aus Ruinen (Eastern Germany national anthem) | |
George Gershwin | 1898 | 1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess | jazz-influenced; also a composer of popular songs |
Barbara Giuranna | 1898 | 1998 | Italian | | |
Ebbe Hamerik | 1898 | 1951 | Danish | | |
Roy Harris | 1898 | 1979 | American | Symphony No. 3 | neotonality |
Tibor Harsányi | 1898 | 1954 | Hungarian | | |
Alberto Hemsi | 1898 | 1976 | Turkish | | |
Dorothy Howell | 1898 | 1982 | English | | |
Maurice Journeau | 1898 | 1999 | French | | |
Lev Knipper | 1898 | 1974 | Russian | | |
Jeanne Leleu | 1898 | 1979 | French | | |
Marcel Mihalovici | 1898 | 1985 | French (Romanian-born) | Krapp, ou, La dernière bande | neoclassicism, serialism, etc.; folk-influenced |
Günther Ramin | 1898 | 1956 | German | | |
Vittorio Rieti | 1898 | 1994 | Italian | | |
Rito Selvaggi | 1898 | 1972 | Italian | | |
María Luisa Sepúlveda | 1898 | 1958 | Chilean | | |
Viktor Ullmann | 1898 | 1944 | Austrian | | |
Ephraim Amu | 1899 | 1995 | Ghanaian | | |
Georges Auric | 1899 | 1983 | French | | |
William Baines | 1899 | 1922 | English | | |
Mansi Barberis | 1899 | 1986 | Romanian | | |
Radie Britain | 1899 | 1994 | American | | |
Carlos Chávez | 1899 | 1978 | Mexican | Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors (opera) | modernist, primitivist, folk-influenced, neoclassicism, serialist |
Frederic Curzon | 1899 | 1973 | English | | |
Arthur Duff | 1899 | 1956 | Irish | | |
Sophie Carmen Eckhardt-Gramatté | 1899 | 1974 | Russian-born Canadian | | |
Yusef Greiss | 1899 | 1961 | Egyptian | | |
Patrick Hadley | 1899 | 1973 | British | | |
Pavel Haas | 1899 | 1944 | Czech | | |
Eduardo Hernández Moncada | 1899 | 1995 | Mexican | | |
Finn Høffding | 1899 | 1997 | Danish | | |
Albert Huybrechts | 1899 | 1938 | Belgian | | |
Hans Krása | 1899 | 1944 | Czech | | |
Ricard Lamote de Grignon | 1899 | 1962 | Spanish | | |
Jón Leifs | 1899 | 1968 | Icelandic | Oratorios based on Edda | idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena |
Marcelle de Manziarly | 1899 | 1989 | French | | |
Harl McDonald | 1899 | 1955 | American | | |
George Frederick McKay | 1899 | 1970 | American | | |
Duke Ellington | 1899 | 1974 | American | | |
Francis Poulenc | 1899 | 1963 | French | Babar the Elephant; Flute Sonata; Stabat Mater | neoclassicism |
Silvestre Revueltas | 1899 | 1940 | Mexican | Janitzio; Homenaje a Federico García Lorca; Sensemayá | nationalist, political music, primitivist, popular-music influence. modernism |
Herbert Sumsion | 1899 | 1995 | English | | |
Alexander Tcherepnin | 1899 | 1977 | Russian | | |
Randall Thompson | 1899 | 1984 | American | Alleluia; The Testament of Freedom | |
Pancho Vladigerov | 1899 | 1978 | Bulgarian | 4 piano concertos | folk-influenced |
Franz Salmhofer | 1900 | 1975 | Austrian | Lieder: Heiteres Herbarium | Late romantic / progressive |
Evald Aav | 1900 | 1939 | Estonian | | |
Kai Normann Andersen | 1900 | 1967 | Danish | | |
George Antheil | 1900 | 1959 | American | Ballet mécanique; Symphony No. 4 | avant-garde, modernism, later neoclassical |
Henry Barraud | 1900 | 1997 | French | Concertino for piano, flute, clarinet, horn, bassoon and chamber orchestra | |
Nicolai Berezowsky | 1900 | 1953 | Russian-American | Christmas Festival Overture (Ukrainian Noel), Duo for Clarinet and Viola | |
Willy Burkhard | 1900 | 1955 | Swiss | | |
Alan Bush | 1900 | 1995 | English | | |
Lola Castegnaro | 1900 | 1979 | Costa Rican | | |
Niels Clemmensen | 1900 | 1950 | Danish | | |
Aaron Copland | 1900 | 1990 | American | Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto | neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism |
Isaak Dunayevsky | 1900 | 1955 | Russian | | |
Pierre-Octave Ferroud | 1900 | 1936 | French | | |
Isadore Freed | 1900 | 1960 | Belarusian-born American | | |
Grigori Gamburg | 1900 | 1967 | Russian | | |
Hector Gratton | 1900 | 1970 | Canadian | | |
Gotfrid Hasanov | 1900 | 1965 | Russian | | |
Hans Haug | 1900 | 1967 | Swiss | | |
Michael Head | 1900 | 1976 | British | | |
Maurice Jaubert | 1900 | 1940 | French | | |
Yasuji Kiyose | 1900 | 1981 | Japanese | | |
Uuno Klami | 1900 | 1961 | Finnish | Sea Pictures; Kalevala Suite | |
Paul Kletzki | 1900 | 1973 | Polish | | |
Ernst Krenek | 1900 | 1991 | Austrian | Jonny spielt auf, Karl V | neoclassical, twelve-tone, later serial, neoromantic, eclectic |
Otto Luening | 1900 | 1996 | American | | |
Colin McPhee | 1900 | 1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced |
Alexander Mosolov | 1900 | 1973 | Russian | Iron Foundry | avant-garde |
Henri Pensis | 1900 | 1958 | Luxembourger | | |
Fred Raymond | 1900 | 1954 | Austrian | | operettas; also composed film music |
Hermann Reutter | 1900 | 1985 | German | | |
Amadeo Roldán | 1900 | 1939 | Cuban | Rítmicas Nos. 5 and 6 | |
Hans Schimmerling | 1900 | 1967 | Czech | | |
Bernd Scholz | 1900 | 1969 | German | | |
Leo Smit | 1900 | 1943 | Dutch | | |
Marko Tajčević | 1900 | 1984 | Serbian | | |
Zdenka Ticharich | 1900 | 1979 | Hungarian | | |
Elinor Remick Warren | 1900 | 1991 | American | | |
Kurt Weill | 1900 | 1950 | German/American | 2 symphonies; String Quartets; "Die Dreigroschenoper"; Aufstieg und Fall der Stadt Mahagonny; "Mahagonny-Songspiel"; several Broadway musicals | neoclassical |
David Wynne | 1900 | 1983 | Welsh | | |
Walther Aeschbacher | 1901 | 1969 | Swiss | | |
Karel Albert | 1901 | 1987 | Belgian | Marieken van Niemeghen (incidental music); four symphonies | constructionist, neoclassical, twelve-tone technique |
Blaž Arnič | 1901 | 1970 | Slovenian | | neoromanticism |
Conrad Beck | 1901 | 1989 | Swiss | | |
Ruth Crawford Seeger | 1901 | 1953 | American | String Quartet | modernism |
Gerald Finzi | 1901 | 1956 | English | Cello Concerto; songs | neoromantic |
Lillian Fuchs | 1901 | 1995 | American | | |
Eivind Groven | 1901 | 1977 | Norwegian | | |
Povl Hamburger | 1901 | 1972 | Danish | | |
Victor Hely-Hutchinson | 1901 | 1947 | British | | |
Emil Hlobil | 1901 | 1987 | Czechoslovakian | | |
Dorothy James | 1901 | 1982 | American | | |
Olav Kielland | 1901 | 1985 | Norwegian | | |
Boris Koutzen | 1901 | 1966 | Russian-American | | |
Rudolf Matz | 1901 | 1988 | Croatian | | |
William McKie | 1901 | 1984 | Australian | | |
Dimitar Nenov | 1901 | 1953 | Bulgarian | Toccata | |
Harry Partch | 1901 | 1974 | American | Daphne of the Dunes, Revelation in the Courthouse Park | microtonal, just intonation, self-built instruments |
Juan Carlos Paz | 1901 | 1972 | Argentine | | twelve-tone technique and serialism |
Marcel Poot | 1901 | 1988 | Belgian | | |
Bernard Reichel | 1901 | 1992 | Swiss | | |
Joaquín Rodrigo | 1901 | 1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence |
Heinz Eric Roemheld | 1901 | 1985 | American | | |
Kjell Roikjer | 1901 | 1999 | Danish | | |
Edmund Rubbra | 1901 | 1986 | English | | |
Henri Sauguet | 1901 | 1989 | French | | |
Henri Tomasi | 1901 | 1971 | French | | |
Emmy Wegener | 1901 | 1973 | Dutch | | |
Werner Egk | 1901 | 1983 | German | | |
Jesús Arámbarri | 1902 | 1960 | Spanish | | |
Theodore Chanler | 1902 | 1961 | American | | |
Maurice Duruflé | 1902 | 1986 | French | Requiem; organ music | |
Vladimir Fere | 1902 | 1971 | Russian | | |
Evaristo Fernández Blanco | 1902 | 1993 | Spanish | | |
Lūcija Garūta | 1902 | 1977 | Latvian | Piano Concerto | |
Antonio José | 1902 | 1936 | Spanish | | |
Helvi Leiviskä | 1902 | 1982 | Finnish | | |
Lino Liviabella | 1902 | 1964 | Italian | | |
Jiro Nakano | 1902 | 2000 | Japanese | | |
Vissarion Shebalin | 1902 | 1963 | Russian | The Taming of the Shrew (opera) | |
Andriy Shtoharenko | 1902 | 1992 | Ukrainian | | |
Veselin Stoyanov | 1902 | 1969 | Bulgarian | Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin | folk-influenced |
Jenő Takács | 1902 | 2005 | Austrian | | |
Rose Thisse-Derouette | 1902 | 1989 | Belgian | | |
Antonio María Valencia | 1902 | 1952 | Colombian | | |
John Vincent | 1902 | 1977 | American | Consort for Piano and Strings | neoclassical |
William Walton | 1902 | 1983 | English | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) | avant-garde (early), neoromantic, neoclassical; also a composer of film music |
Meredith Willson | 1902 | 1984 | American | | |
Stefan Wolpe | 1902 | 1972 | German | Battle Piece for piano | serial, modernism |
Claude Arrieu | 1903 | 1990 | French | | |
Lennox Berkeley | 1903 | 1989 | English | Horn Trio | neoclassical, later serial |
Boris Blacher | 1903 | 1975 | German | | |
Abram Chasins | 1903 | 1987 | American | Two piano concertos; Parade for orchestra | |
Tudor Ciortea | 1903 | 1983 | Romanian | | |
Rhoda Coghill | 1903 | 2000 | Irish | | |
Avril Coleridge-Taylor | 1903 | 1998 | English | | |
Hugo Distler | 1908 | 1942 | German | | |
Vernon Duke | 1903 | 1969 | Russian | | both post-tonal style as Dukelsky and in the style of Tin Pan Alley as Duke |
André Fleury | 1903 | 1995 | French | | |
Vittorio Giannini | 1903 | 1966 | Italian | Blennerhassett | neoclassical |
Walter Goehr | 1903 | 1960 | German | | |
Berthold Goldschmidt | 1903 | 1996 | German | | |
Hilding Hallnäs | 1903 | 1984 | Swedish | | |
He Luting | 1903 | 1999 | Chinese | | |
Vladimir Horowitz | 1903 | 1989 | American | | |
Jens Bjerre Jacobsen | 1903 | 1986 | Danish | | |
Aram Khachaturian | 1903 | 1978 | Armenian | Gayane (ballet, includes Sabre Dance); Spartacus (ballet); concertos; Masquerade Suite | |
Mykola Kolessa | 1903 | 2006 | Ukrainian | | |
Marc Lavry | 1903 | 1967 | Israeli | Symphonic Poem Emek, Opera Dan Hashomer | |
Leighton Lucas | 1903 | 1982 | English | | |
Robin Milford | 1903 | 1959 | English | | |
Saburō Moroi | 1903 | 1977 | Japanese | | |
Ervin Nyiregyházi | 1903 | 1987 | Hungarian | | Romanticism |
Carl Gustav Sparre Olsen | 1903 | 1984 | Norwegian | | |
Flor Peeters | 1903 | 1986 | Belgian | | |
Mario Pilati | 1903 | 1938 | Italian | Piedigrotta (opera) | |
Thomas Pitfield | 1903 | 1999 | British | | |
Priaulx Rainier | 1903 | 1986 | South African / English | Ploërmel, Quanta, String Trio | |
Günter Raphael | 1903 | 1960 | German | | |
Luis H. Salgado | 1903 | 1977 | Ecuadorian | Sanjuanito futurista; Eunice; Cumandá | folk-influenced, modernist |
Åke Uddén | 1903 | 1987 | Swedish | | |
Vladimir Vlasov | 1903 | 1986 | Russian | | |
Rudolf Wagner-Régeny | 1903 | 1969 | German | Prometheus (opera) | |
Percy Whitlock | 1903 | 1946 | English | | |
Richard Addinsell | 1904 | 1977 | British | Warsaw Concerto | |
Joseph Ahrens | 1904 | 1997 | German | | |
Herbert Kennedy Andrews | 1904 | 1965 | English | | |
John Antill | 1904 | 1986 | Australian | Corroboree (ballet suite) | |
Jean Berveiller | 1904 | 1976 | French | | |
Walter Bricht | 1904 | 1970 | Austrian | | |
Antonino Buenaventura |
1904 |
1996 |
Filipino |
|
|
Erik Chisholm | 1904 | 1965 | Scottish | Piano Concerto No. 2 ("Hindustani") | "Scotland's forgotten composer", nicknamed "MacBartok" |
Karl Clausen | 1904 | 1972 | Danish | | |
Luigi Dallapiccola | 1904 | 1975 | Italian | Il prigioniero (opera); Il canto sospeso | serialism, electronic music |
Balys Dvarionas | 1904 | 1974 | Lithuanian | | |
Kunihiko Hashimoto | 1904 | 1949 | Japanese | | |
Huang Tzu | 1904 | 1938 | Chinese | In Memoriam | |
Dmitry Kabalevsky | 1904 | 1987 | Russian | The Comedians | |
Tadeusz Kassern | 1904 | 1957 | Polish | | |
Iša Krejčí | 1904 | 1968 | Czech | 20 Variations on the Composer s Own Theme in the Style of a Folk Song | neoclassical |
Goffredo Petrassi | 1904 | 2003 | Italian | | |
Gavriil Popov | 1904 | 1972 | Russian | Chamber Symphony; Symphony No. 1 | |
Cemal Reşit Rey | 1904 | 1985 | Turkish | | |
Manuel Rosenthal | 1904 | 2003 | French | | |
Theodor Schaefer | 1904 | 1969 | Czech | | |
Hermann Schroeder | 1904 | 1984 | German | | |
Nikos Skalkottas | 1904 | 1949 | Greek | 36 Greek Dances for orchestra; Violin Concerto | twelve-tone, folk music influence, modernism |
Franz Syberg | 1904 | 1955 | Danish | | |
Jack Westrup | 1904 | 1975 | English | | |
Konrad Wölki | 1904 | 1983 | German | | |
Aleksey Zhivotov | 1904 | 1964 | Russian | | |
Heikki Aaltoila | 1905 | 1992 | Finnish | | |
William Alwyn | 1905 | 1985 | English | Lyra Angelica; Elizabethan Dances | neoromantic |
Boris Arapov | 1905 | 1992 | Russian | Violin Concerto | neoromantic, atonality |
Albert Arlen | 1905 | 1993 | Turkish Australian | | |
Paul Arma | 1905 | 1987 | Hungarian-French | | |
Vytautas Bacevičius | 1905 | 1970 | Lithuanian | | atonality |
Marc Blitzstein | 1905 | 1964 | American | The Cradle Will Rock (musical) | political music |
Eugène Bozza | 1905 | 1991 | French | | |
Mario Braggiotti | 1905 | 1996 | American (Italian-born) | | |
Yevgeny Brusilovsky | 1905 | 1981 | Kazakhstani | | |
Francis Chagrin | 1905 | 1972 | Romanian | | |
Ulric Cole | 1905 | 1992 | American | | |
Christian Darnton | 1905 | 1981 | British | | |
Ferenc Farkas | 1905 | 2000 | Hungarian | | |
Karl Amadeus Hartmann | 1905 | 1963 | German | Concerto funebre; Gesangsszene; Symphony No. 1; Symphony No. 4 | |
André Hossein | 1905 | 1983 | Iranian | | |
André Jolivet | 1905 | 1974 | French | Flute Concerto No. 1 | |
Erich Itor Kahn | 1905 | 1956 | German | | |
Taneli Kuusisto | 1905 | 1988 | Finnish | | |
Constant Lambert | 1905 | 1951 | English | The Rio Grande | popular music influence, jazz influence |
Guillaume Landré | 1905 | 1968 | Dutch | | |
Walter Leigh | 1905 | 1942 | English | Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings | neoclassical |
Ernst Hermann Meyer | 1905 | 1988 | German | | |
Léon Orthel | 1905 | 1987 | Dutch | | |
Alan Rawsthorne | 1905 | 1971 | English | 3 symphonies; Symphonic Studies | neoclassical |
Luis Sandi | 1905 | 1996 | Mexican | | |
Giacinto Scelsi | 1905 | 1988 | Italian | Quattro pezzi chiascuno su una nota sola | |
Verdina Shlonsky | 1905 | 1990 | Israeli | Piano Concerto; String Quartet; numerous piano music, including Pages from the Diary; Five Sketches; Youth Suite; Reflection; Still Life | Polystylism |
Fela Sowande | 1905 | 1987 | Nigerian | | |
Daniel Sternefeld | 1905 | 1986 | Belgian | | |
Michael Tippett | 1905 | 1998 | English | The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) | |
Eduard Tubin | 1905 | 1982 | Estonian | 11 symphonies | |
Xian Xinghai | 1905 | 1945 | Chinese | Yellow River Cantata | |
Xiao Shuxian | 1905 | 1991 | Chinese | | |
Winfried Zillig | 1905 | 1963 | German | | |
Murray Adaskin | 1906 | 2002 | Canadian | | |
Ahn Eak-tai | 1906 | 1965 | Korean | Aegukga | |
Hasan Ferit Alnar | 1906 | 1978 | Turkish | | |
Daniel Ayala Pérez | 1906 | 1975 | Mexican | Tribu (symphonic poem) | |
Andria Balanchivadze | 1906 | 1992 | Georgian | | |
Franz Biebl | 1906 | 2001 | German | Ave Maria | |
Walter Braithwaite | 1906 | 1991 | English | | |
Pierre Capdevielle | 1906 | 1969 | French | | |
Bernhard Christensen | 1906 | 2004 | Danish | | |
Alessandro Cicognini | 1906 | 1995 | Italian | | |
Milo Cipra | 1906 | 1985 | Croatian | | |
Arnold Cooke | 1906 | 2005 | British | | |
Paul Creston | 1906 | 1985 | American | | neoclassical |
Volfgangs Dārziņš | 1906 | 1962 | Latvian | | |
Claire Delbos | 1906 | 1959 | French | | |
Antal Doráti | 1906 | 1988 | American | | |
Klaus Egge | 1906 | 1979 | Norwegian | | |
Will Eisenmann | 1906 | 1992 | German-Swiss | | |
Ulvi Cemal Erkin | 1906 | 1972 | Turkish | | |
Eric Fenby | 1906 | 1997 | English | | |
Armando José Fernandes | 1906 | 1983 | Portuguese | | neoclassical |
Benjamin Frankel | 1906 | 1973 | English | | |
Giovanni Fusco | 1906 | 1968 | Italian | | |
Alejandro García Caturla | 1906 | 1940 | Cuban | | |
Zoltán Gárdonyi | 1906 | 1986 | Hungarian | Psalm 46, organ sonatas, motets | sacred music |
Miriam Gideon | 1906 | 1996 | American | | modernism |
Radamés Gnattali | 1906 | 1988 | Brazilian | | |
Philip Herschkowitz | 1906 | 1989 | Romanian | | atonality, twelve-tone technique pupil of Alban Berg & Anton Webern |
Willy Hess | 1906 | 1997 | Swiss | | |
Joaquim Homs | 1906 | 2003 | Spanish | | |
Tomojirō Ikenouchi | 1906 | 1991 | Japanese | | |
Jānis Ivanovs | 1906 | 1983 | Latvian | | neoromantic |
Maxime Jacob | 1906 | 1977 | French | | |
Jaroslav Ježek | 1906 | 1942 | Czech | | |
Eugen Kapp | 1906 | 1996 | Estonian | | |
Jacques Leguerney | 1906 | 1997 | French | | |
Oscar Levant | 1906 | 1972 | American | | |
Zara Levina | 1906 | 1976 | Ukrainian | | |
Normand Lockwood | 1906 | 2002 | American | | |
Fernando Lopes-Graça | 1906 | 1994 | Portuguese | | |
Elisabeth Lutyens | 1906 | 1983 | English | | |
Abdylas Maldybaev | 1906 | 1978 | Kyrgyzstani | | |
Peter Mieg | 1906 | 1990 | Swiss | | neoclassical |
Alexander Moyzes | 1906 | 1984 | Slovak | | neoromantic |
Willson Osborne | 1906 | 1979 | American | | neoclassical |
Carmelo Pace | 1906 | 1993 | Maltese | | |
Boris Papandopulo | 1906 | 1991 | Croatian | | |
Ludovit Rajter | 1906 | 2000 | Slovak | | |
Dmitri Shostakovich | 1906 | 1975 | Russian | 15 symphonies, including No. 5, No. 7, No. 9, No. 10, and No. 11; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; 15 string quartets, including String Quartet No. 8; Piano Quintet; The Gadfly Suite | modernism, neoclassical, neoromantic, polystylism |
Berta Alves de Sousa | 1906 | 1997 | Portuguese | | |
Leopold Spinner | 1906 | 1980 | Ukrainian | | |
Louise Talma | 1906 | 1996 | American | | |
Teng Yu-hsien | 1906 | 1944 | Taiwanese | | |
Johannes Paul Thilman | 1906 | 1973 | German | | |
David Van Vactor | 1906 | 1994 | American | | |
Grace Williams | 1906 | 1977 | Welsh | | |
Lora Aborn | 1907 | 2005 | American | Toccata for Piano | folk-influenced |
Kurken Alemshah | 1907 | 1947 | Armenian | | |
Henk Badings | 1907 | 1987 | Dutch | | |
Günter Bialas | 1907 | 1995 | German | | |
Yvonne Desportes | 1907 | 1993 | French | | |
Roy Douglas | 1907 | 2015 | British | | |
Federico Elizalde | 1907 | 1979 | Filipino-Spanish | Concertos, symphonic poems | |
Wolfgang Fortner | 1907 | 1987 | German | Bluthochzeit (opera) | |
Koharik Gazarossian | 1907 | 1967 | Armenian | | |
Camargo Guarnieri | 1907 | 1993 | Brazilian | Dansa brasileira, Pedro Malazarte (opera), Suite IV Centenário | nationalism, neoclassicism, twelve-tone technique |
Gene Gutchë | 1907 | 2000 | German | | |
Heinz Friedrich Hartig | 1907 | 1969 | German | | |
Karl Höller | 1907 | 1987 | German | | |
Imogen Holst | 1907 | 1984 | British | | |
Jeronimas Kačinskas | 1907 | 2005 | Lithuanian-born American | | |
Walter Kaufmann | 1907 | 1984 | Czech | | |
Jean Langlais | 1907 | 1991 | French | | |
Elizabeth Maconchy | 1907 | 1994 | English | Quintet for oboe and strings; 13 string quartets | |
Yoritsune Matsudaira | 1907 | 2001 | Japanese | | |
Otto Mortensen | 1907 | 1986 | Danish | | |
Zygmunt Mycielski | 1907 | 1987 | Polish | | |
Roman Palester | 1907 | 1989 | Polish | | |
Ödön Pártos | 1907 | 1977 | Hungarian-Israeli | | |
Maria Teresa Pelegrí i Marimón | 1907 | 1995 | Spanish | | |
Burrill Phillips | 1907 | 1988 | American | Selections from McGuffey's Reader | |
Hisato Ohzawa | 1907 | 1953 | Japanese | | |
Willem van Otterloo | 1907 | 1978 | Dutch | | |
Miklós Rózsa | 1907 | 1995 | Hungarian | | folk-influenced |
Tolibjon Sadikov | 1907 | 1957 | Uzbekistani | | |
Ahmed Adnan Saygun | 1907 | 1991 | Turkish | | |
Martin Scherber | 1907 | 1974 | German | | |
Howard Swanson | 1907 | 1978 | American | Short Symphony; The Negro Speaks of Rivers | neoclassical |
Václav Trojan | 1907 | 1983 | Czech | | |
Georges Tzipine | 1907 | 1987 | French | | |
Alec Wilder | 1907 | 1980 | American | | |
Necil Kazım Akses | 1908 | 1999 | Turkish | | |
Leroy Anderson | 1908 | 1975 | American | Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols | |
Menachem Avidom | 1908 | 1995 | Israeli | | |
Jan Zdeněk Bartoš | 1908 | 1981 | Czech | | |
Joseph Beer | 1908 | 1987 | German | | |
Roberta Bitgood | 1908 | 2007 | American | | |
Elliott Carter | 1908 | 2012 | American | Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets | neoclassical (early), modernist |
Jean Coulthard | 1908 | 2000 | Canadian | | |
Jean-Yves Daniel-Lesur | 1908 | 2002 | French | | |
Gustav Ernesaks | 1908 | 1993 | Estonian | | |
Howard Ferguson | 1908 | 1999 | British | | |
Gunnar de Frumerie | 1908 | 1987 | Swedish | | |
Helen Glatz | 1908 | 1996 | English | | |
Irwin Heilner | 1908 | 1991 | American | | |
Kurt Hessenberg | 1908 | 1994 | German | | |
Miloslav Kabeláč | 1908 | 1979 | Czech | | |
Herman David Koppel | 1908 | 1998 | Danish | | neoclassical |
Lars-Erik Larsson | 1908 | 1986 | Swedish | | |
Joan Mary Last | 1908 | 2002 | English | | |
Nina Makarova | 1908 | 1976 | Russian | | |
Lucien Martin | 1908 | 1950 | Canadian | | |
Olivier Messiaen | 1908 | 1992 | French | Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise | mysticism, postimpressionist |
Vano Muradeli | 1908 | 1970 | Soviet Georgian | | |
Trude Rittmann | 1908 | 2005 | German | | |
Alice Samter | 1908 | 2004 | German | | |
Julian Scriabin | 1908 | 1919 | Russian | | |
Halsey Stevens | 1908 | 1989 | American | | |
Eugen Suchoň | 1908 | 1993 | Slovak | | folk-influenced |
Jonas Švedas | 1908 | 1971 | Lithuanian | | |
Sidney Torch | 1908 | 1990 | British | | |
Geirr Tveitt | 1908 | 1981 | Norwegian | | folk-influenced |
William Wordsworth | 1908 | 1988 | Scottish | | |
Lorenc Antoni | 1909 | 1991 | Kosovo Albanian | | |
Isabel Aretz | 1909 | 2005 | Argentine-Venezuelan | | |
Grażyna Bacewicz | 1909 | 1969 | Polish | String Quartet No. 3 | |
Gunnar Berg | 1909 | 1989 | Danish (Swiss-born) | Suite for cello | serialism |
Jean Berger | 1909 | 2002 | American (German-born) | | |
Paul Constantinescu | 1909 | 1963 | Romanian | | |
Václav Dobiáš | 1909 | 1978 | Czech | | |
Jaroslav Doubrava | 1909 | 1960 | Czech | | |
Maria Dziewulska | 1909 | 2006 | Polish | | |
Harald Genzmer | 1909 | 2007 | German | | neoclassicism |
Isador Goodman | 1909 | 1982 | South African-Australian | | |
Richard de Guide | 1909 | 1962 | Belgian | 3 symphonies, choral works, songs for voice and piano, a concerto for the piano and chamber works | |
Vagn Holmboe | 1909 | 1996 | Danish | 13 symphonies | neoclassicism |
Koichi Kishi |
1909 |
1937 |
Japanese |
|
|
Angelo Francesco Lavagnino | 1909 | 1987 | Italian | | |
Primitivo Lázaro | 1909 | 1997 | Spanish | | |
Ljubica Marić | 1909 | 2003 | Serb | Sounds of Space; Ostinato Super Thema Octoicha; Threshold of Dream | post-modernism |
Charles Naginski | 1909 | 1940 | American | | |
Paul Nordoff | 1909 | 1977 | American | | |
Robin Orr | 1909 | 2006 | Scottish | | |
Kurt Schwaen | 1909 | 2007 | German | | neoclassicism |
Elie Siegmeister | 1909 | 1991 | American | 9 operas[vague]; 8 symphonies[vague]; Western Suite | |
Todor Skalovski | 1909 | 2004 | Macedonian | | |
Ādolfs Skulte | 1909 | 2000 | Latvian | | |
Ignace Strasfogel | 1909 | 1994 | Polish | | |
Dana Suesse | 1909 | 1987 | American | | |
Asaf Zeynally | 1909 | 1932 | Azerbaijani | | |
Erkki Aaltonen | 1910 | 1990 | Finnish | | |
Samuel Barber | 1910 | 1981 | American | Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa | Romanticism |
Willy Berking | 1910 | 1979 | German | | |
Herman Berlinski | 1910 | 2001 | German-born American | | |
Miguel Bernal Jiménez | 1910 | 1956 | Mexican | | |
Ronald Binge | 1910 | 1979 | British | | light music |
Patricia Blomfield Holt | 1910 | 2003 | Canadian | |
Paul Bowles | 1910 | 1999 | American | | |
Henri Challan | 1910 | 1977 | French | | |
Salvador Contreras | 1910 | 1982 | Mexican | String Quartet No. 2; Tres movimientos para guitarra; Dos piezas dodecafónicas | neoclassical, serial |
Francis Judd Cooke | 1910 | 1995 | American | | |
Farid El-Atrache | 1910 | 1974 | Syrian-Egyptian | | |
Blas Galindo | 1910 | 1993 | Mexican | Sones de Mariachi | |
Remo Giazotto | 1910 | 1998 | Italian | Adagio attributed to Albinoni | |
Evgeny Golubev | 1910 | 1988 | Russian | | |
Bernhard Heiden | 1910 | 2000 | German-American | | |
Gerard Hengeveld | 1910 | 2001 | Dutch | | |
Mohamed Jamoussi | 1910 | 1982 | Tunisian | | |
Jiang Wen-Ye | 1910 | 1983 | Chinese | | |
Otto Joachim | 1910 | 2010 | German-born Canadian | | electronic music |
Charles Jones | 1910 | 1997 | Canadian | | |
Abu Bakr Khairat | 1910 | 1963 | Egyptian | | |
Erland von Koch | 1910 | 2009 | Swedish | | |
Pierre Lantier | 1910 | 1998 | French | | |
Rolf Liebermann | 1910 | 1999 | Swiss | Leonore 40/45 (opera); Concerto for Jazzband and Symphony Orchestra | |
Jean Martinon | 1910 | 1976 | French | | |
Paule Maurice | 1910 | 1967 | French | | |
Alfred Mendelssohn | 1910 | 1966 | Romanian | | |
Herbert Owen Reed | 1910 | 2014 | American | La Fiesta Mexicana | folk-influenced |
William Reed | 1910 | 2002 | English | | |
Karel Reiner | 1910 | 1979 | Czech | | |
Pierre Schaeffer | 1910 | 1995 | French | | Musique concrète |
Friedrich Schröder | 1910 | 1972 | German | | light music |
William Schuman | 1910 | 1992 | American | New England Triptych; Symphony No. 6 | |
Meinrad Schütter | 1910 | 2006 | Swiss | | |
Leon Stein | 1910 | 2002 | American | | |
Robert Still | 1910 | 1971 | English | | |
Soulima Stravinsky | 1910 | 1994 | Swiss-American | | |
Heinrich Sutermeister | 1910 | 1995 | Swiss | | |
Josef Tal | 1910 | 2008 | Israeli | 7 operas; 6 symphonies; 13 concerti | |
Stanley Vann | 1910 | 2010 | English | | |
Jehan Alain | 1911 | 1940 | French | Litanies (organ) | |
René Amengual | 1911 | 1954 | Chilean | | |
José Ardévol | 1911 | 1981 | Cuban | 3 symphonies | atonality |
Stanley Bate | 1911 | 1959 | English | | |
Jeanne Behrend | 1911 | 1988 | American | | |
Paul Burkhard | 1911 | 1977 | Swiss | | |
Ján Cikker | 1911 | 1989 | Slovak | | folk-influenced |
Gábor Darvas | 1911 | 1985 | Hungarian | | electronic music |
Ding Shande | 1911 | 1995 | Chinese | Long March Symphony | |
Mark Fax | 1911 | 1974 | American | | |
Roberto García Morillo | 1911 | 2003 | Argentine | | |
Jean-Jacques Grunenwald | 1911 | 1982 | French | | |
Bernard Herrmann | 1911 | 1975 | American | Wuthering Heights | |
Alan Hovhaness | 1911 | 2000 | Armenian-American | 67 numbered symphonies including Mysterious Mountain; And God Created Great Whales (taped whale sounds and orchestra); Fantasy on Japanese Woodprints | |
Kikuko Kanai | 1911 | 1986 | Japanese | | |
Jan Koetsier | 1911 | 2006 | Dutch | | |
Vilho Luolajan-Mikkola | 1911 | 2005 | Finnish | | |
Frederick May | 1911 | 1985 | Irish | | |
Robert McBride | 1911 | 2007 | American | | |
Gian Carlo Menotti | 1911 | 2007 | Italian | The Medium; The Consul; Amahl and the Night Visitors | |
Anne-Marie Ørbeck | 1911 | 1996 | Norwegian | | |
Allan Pettersson | 1911 | 1980 | Swedish | Barefoot Songs; Symphony No. 9 | |
Eduard Pütz | 1911 | 2000 | German | | |
Franz Reizenstein | 1911 | 1968 | German-born British | | |
Nino Rota | 1911 | 1979 | Italian | | |
Ananda Samarakoon | 1911 | 1962 | Sri Lankan | | |
Endre Szervánszky | 1911 | 1977 | Hungarian | | |
Władysław Szpilman | 1911 | 2000 | Polish | | |
Tan Xiaolin | 1911 | 1948 | Chinese | | |
Vladimir Ussachevsky | 1911 | 1990 | American | | |
Hans Vogt | 1911 | 1992 | German | Die Stadt hinter dem Strom (opera), Requiem | |
Eberhard Werdin | 1911 | 1991 | German | | |
Bojan Adamič | 1912 | 1995 | Slovenian | | |
Mukhtar Ashrafi | 1912 | 1975 | Uzbekistani | | |
Wayne Barlow | 1912 | 1996 | American | The Winter's Passed, for oboe and string orchestra; Hampton Beach Overture; Sinfonia da camera | |
Arthur Berger | 1912 | 2003 | American | | |
John Cage | 1912 | 1992 | American | 4'33"; Sonatas and Interludes | Aleatoric music, extended technique, prepared piano |
Ingolf Dahl | 1912 | 1970 | German-born American | | |
Alfred Desenclos | 1912 | 1971 | French | | |
Rudolf George Escher | 1912 | 1980 | Dutch | | |
Arkady Filippenko | 1912 | 1983 | Ukrainian | | |
Jean Françaix | 1912 | 1997 | French | Clarinet Concerto; Two-Piano Concerto | neoclassicism |
Don Gillis | 1912 | 1978 | American | Symphony No. 5½ | |
Peggy Glanville-Hicks | 1912 | 1990 | Australian | | |
Carlos Guastavino | 1912 | 2000 | Argentine | | |
Johana Harris | 1912 | 1995 | Canadian | | |
Gisela Hernández | 1912 | 1971 | Cuban | | |
Robert Hughes | 1912 | 2007 | Scottish-born Australian | | |
Daniel Jones | 1912 | 1993 | Welsh | | |
Sirvart Kalpakyan Karamanuk | 1912 | 2008 | Armenian | | |
Felipe Padilla de León |
1912 |
1992 |
Filipino |
|
|
Ma Sicong | 1912 | 1987 | Chinese | | |
Igor Markevitch | 1912 | 1983 | Ukrainian | | |
Tauno Marttinen | 1912 | 2008 | Finnish | | |
José Pablo Moncayo | 1912 | 1958 | Mexican | Huapango | |
Xavier Montsalvatge | 1912 | 2002 | Spanish | | |
Conlon Nancarrow | 1912 | 1997 | American-Mexican | Studies for player-piano | |
Nie Er | 1912 | 1935 | Chinese | | folk-influenced |
Barbara Pentland | 1912 | 2000 | Canadian | | |
Zoltán Pongrácz | 1912 | 2007 | Hungarian | | |
Vadim Salmanov | 1912 | 1978 | Russian | Symphony No. 2 | |
Jadwiga Szajna-Lewandowska | 1912 | 1994 | Polish | | |
Jiří Traxler | 1912 | 2011 | Czech | | |
Günter Wand | 1912 | 2002 | German | | |
Milton Adolphus | 1913 | 1988 | American | | |
Violet Archer | 1913 | 2000 | Canadian | | |
Anatoly Bogatyrev | 1913 | 2003 | Belarusian | In the Forests of Polesie, Nadezhda Durova | Nationalism |
Margaret Bonds | 1913 | 1972 | American | | |
Henry Brant | 1913 | 2008 | Canadian-American | Orbits, Verticals Ascending, Angels and Devils | spatial music |
Benjamin Britten | 1913 | 1976 | English | War Requiem; Sinfonia da Requiem; Peter Grimes; The Young Person's Guide to the Orchestra; Cello Symphony | Neoclassicism, neotonality |
Merton Brown | 1913 | 2000 | American | | |
Storm Bull | 1913 | 2007 | American | | |
Matilde Capuis | 1913 | 2017 | Italian | | |
Ronald Center | 1913 | 1973 | Scottish | | |
Peggy Stuart Coolidge | 1913 | 1981 | American | Spirituals in Sunshine and Shadow, New England Autumn | folk- and blues-influenced |
Gyula Dávid | 1913 | 1977 | Hungarian | | |
Norman Dello Joio | 1913 | 2008 | American | | |
František Domažlický | 1913 | 1997 | Czech | | |
Alvin Etler | 1913 | 1973 | American | | |
Ernest van der Eyken | 1913 | 2010 | Belgian | Elegie voor Bieke | |
Vivian Fine | 1913 | 2000 | American | | |
Morton Gould | 1913 | 1996 | American | | |
Raymond Hanson | 1913 | 1976 | Australian | | |
Hans Henkemans | 1913 | 1995 | Dutch | | |
Dulcie Holland | 1913 | 2000 | Australian | | |
Miriam Hyde | 1913 | 2005 | Australian | | |
Jørgen Jersild | 1913 | 2004 | Danish | | |
Kent Kennan | 1913 | 2003 | American | | |
Tikhon Khrennikov | 1913 | 2007 | Russian | | |
René Leibowitz | 1913 | 1972 | French | Chamber Concerto for 12 instruments | |
George Lloyd | 1913 | 1998 | English | | |
Witold Lutosławski | 1913 | 1994 | Polish | Concerto for Orchestra; Jeux vénitiens; Musique funebre; Symphony No. 2; Symphony No. 3 | Neoclassicism, folk-influenced, later Aleatoric music |
Aleksandr Machavariani | 1913 | 1995 | Georgian | | |
Jerome Moross | 1913 | 1983 | American | | |
Maurice Ohana | 1913 | 1992 | French | | |
Willy Ostijn | 1913 | 1993 | Belgian | | neoclassicism |
Gardner Read | 1913 | 2005 | American | | |
Lucio San Pedro |
1913 |
2002 |
Filipino |
|
|
Svend S. Schultz | 1913 | 1998 | Danish | | |
Constantin Silvestri | 1913 | 1969 | Romanian | | |
Raimond Valgre | 1913 | 1949 | Estonian | | |
Valery Zhelobinsky | 1913 | 1946 | Russian | | |
Carl-Olof Anderberg | 1914 | 1972 | Swedish | Concerto for viola and orchestra | |
Cacilda Borges Barbosa | 1914 | 2010 | Brazilian | | |
Dimitris Dragatakis | 1914 | 2001 | Greek | | |
Cecil Effinger | 1914 | 1990 | American | Little Symphony No. 1; Four Pastorales for oboe and chorus | neoclassicism |
Irving Fine | 1914 | 1963 | American | Partita for wind quintet; Symphony | serial |
Roger Goeb | 1914 | 1997 | American | | |
Cor de Groot | 1914 | 1993 | Dutch | | |
Alexei Haieff | 1914 | 1994 | American | Piano Concerto; Symphony No. 2 | neoclassical, jazz-influenced |
Hermann Haller | 1914 | 2002 | Swiss | | neoclassical |
Fumio Hayasaka | 1914 | 1955 | Japanese | | |
Akira Ifukube | 1914 | 2006 | Japanese | | |
Dezider Kardoš | 1914 | 1991 | Slovak | | folk-influenced |
Rafael Kubelík | 1914 | 1996 | Czech | | |
Gail Kubik | 1914 | 1984 | American | | |
Ludwig Lenel | 1914 | 2002 | American | | |
William Lloyd Webber | 1914 | 1982 | English | | |
Riccardo Malipiero | 1914 | 2003 | Italian | | atonality, twelve-tone technique |
Ismail Marzuki | 1914 | 1958 | Indonesian | | |
Wilfrid Mellers | 1914 | 2008 | English | | |
Josef Páleníček | 1914 | 1991 | Czech | | |
Andrzej Panufnik | 1914 | 1991 | Polish | 10 symphonies | |
Teresa Rampazzi | 1914 | 2001 | Italian | | |
Stjepan Sulek | 1914 | 1986 | Croatian | | |
Harold Truscott | 1914 | 1992 | English | | |
Josée Vigneron-Ramackers | 1914 | 2002 | Belgian | | |
Haim Alexander | 1915 | 2012 | Israeli | | |
David Ashkenazi | 1915 | 1997 | Russian | | |
Esther Ballou | 1915 | 1973 | American | | |
Alexander Brott | 1915 | 2005 | Canadian | | |
David Diamond | 1915 | 2005 | American | Rounds for string orchestra | neoclassicism |
Grigory Frid | 1915 | 2012 | Russian | The Diary of Anne Frank | |
Alojz Geržinič | 1915 | 2008 | Slovenian | | |
Sembiin Gonchigsumlaa | 1915 | 1991 | Mongolian | | |
Ebbe Grims-land | 1915 | 2015 | Swedish | | |
Júlia Hajdú | 1915 | 1987 | Hungarian | | |
Pamela Harrison | 1915 | 1990 | English | | |
Najla Jabor | 1915 | 2001 | Brazilian | | |
Vítězslava Kaprálová | 1915 | 1940 | Czech | Military Sinfonietta, Op. 11; Partita for Piano and Strings, Op. 20 | |
Eunice Katunda | 1915 | 1991 | Brazilian | | |
Homer Keller | 1915 | 1996 | American | | |
Dorian Le Gallienne | 1915 | 1963 | Australian | | |
Dai-Keong Lee | 1915 | 2005 | Chinese-American | | |
Vic Legley | 1915 | 1994 | Belgian | | |
Douglas Lilburn | 1915 | 2001 | New Zealander | | |
Knut Nystedt | 1915 | 2014 | Norwegian | | |
Robert Moffat Palmer | 1915 | 2010 | American | | |
George Perle | 1915 | 2009 | American | | |
Vincent Persichetti | 1915 | 1987 | American | | neoclassicism |
Dimitar Sagaev | 1915 | 2003 | Bulgarian | | |
Gösta Schwarck | 1915 | 2012 | Danish | | |
John Serry Sr. | 1915 | 2003 | American | American Rhapsody; Concerto for Free Bass Accordion | symphonic jazz influenced |
Robert Strassburg | 1915 | 2003 | American | | |
Carlos Surinach | 1915 | 1997 | Spanish | | |
Georgy Sviridov | 1915 | 1998 | Russian | Piano Sonata | neoromantic |
Earl Wild | 1915 | 2010 | American | | |
Joseph R. Wood | 1915 | 2000 | American | | |
Jan Håkan Åberg | 1916 | 2012 | Swedish | | |
Rostom Aramovic Alagian | 1916 | 2009 | Armenian-Georgian | | |
Gaston Allaire | 1916 | 2011 | Canadian | | |
Denis ApIvor | 1916 | 2004 | British | | |
Milton Babbitt | 1916 | 2011 | American | Composition for Four Instruments; String Quartet No. 2; All Set; Philomel | serialism, electronic music |
Philip Bezanson | 1916 | 1975 | American | | |
Karl-Birger Blomdahl | 1916 | 1968 | Swedish | Aniara (opera) | Swedish modernism |
Valentino Bucchi | 1916 | 1976 | Italian | | |
Mutal Burhonov | 1916 | 2002 | Uzbekistani | | |
Henri Dutilleux | 1916 | 2013 | French | Timbres, espace, mouvement; Tout un Monde Lointain; The Shadows of Time | neo-impressionism |
Helmut Eder | 1916 | 2005 | Austrian | | |
Merrill Leroy Ellis | 1916 | 1981 | American | | |
Einar Englund | 1916 | 1999 | Finnish | | |
Alberto Ginastera | 1916 | 1983 | Argentine | Bomarzo; Cinco canciones populares argentinas; Danzas Argentinas | |
Douglas Guest | 1916 | 1996 | English | | |
Luis Herrera de la Fuente | 1916 | 2014 | Mexican | | |
Malcolm MacDonald | 1916 | 1992 | British | | |
Carin Malmlöf-Forssling | 1916 | 2005 | Swedish | | |
Warren Martin | 1916 | 1982 | American | | |
Veli Mukhatov | 1916 | 2005 | Turkmenistani | | |
Nydia Pereyra-Lizaso | 1916 | 1998 | Uruguayan | | |
Nikolay Peyko | 1916 | 1995 | Russian | | |
Jan Rychlík | 1916 | 1964 | Czech | | |
Zikmund Schul | 1916 | 1944 | German | | |
Mordecai Seter | 1916 | 1994 | Russian-born Israeli | | |
Bernard Stevens | 1916 | 1983 | British | | |
Irwin Swack | 1916 | 2006 | American | | |
Erna Tauro | 1916 | 1993 | Finnish-Swedish | | |
Guido Turchi | 1916 | 2010 | Italian | | |
Arnold van Wyk | 1916 | 1983 | South African | | |
Els Aarne | 1917 | 1995 | Estonian | | |
Richard Arnell | 1917 | 2009 | English | | |
Brian Boydell | 1917 | 2000 | Irish | | |
Rudolf Brucci | 1917 | 2002 | Italian-Croatian | | |
Anthony Burgess | 1917 | 1993 | English | | |
Edward T. Cone | 1917 | 2004 | American | | |
Roque Cordero | 1917 | 2008 | Panamanian | | |
Ivor Darreg | 1917 | 1994 | American | | microtone, xenharmonic |
Robert Erickson | 1917 | 1997 | American | | twelve tone, extended technique |
Robert Farnon | 1917 | 2005 | Canadian | | light music |
John Gardner | 1917 | 2011 | English | Tomorrow Shall Be My Dancing Day | |
Pietro Grossi | 1917 | 2002 | Italian | | computer music |
Egil Harder | 1917 | 1997 | Danish | | |
Lou Harrison | 1917 | 2003 | American | Concerto for Violin and Percussion Orchestra; Piano Concerto | |
Prenkë Jakova | 1917 | 1969 | Albanian | | |
Hilda Jerea | 1917 | 1980 | Romanian | | |
Václav Kašlík | 1917 | 1989 | Czech | | |
Rena Kyriakou | 1917 | 1994 | Greek | | |
Antonio Lauro | 1917 | 1986 | Venezuelan | | guitar music |
Clarisse Leite | 1917 | 2003 | Brazilian | | |
Emanuel Leplin | 1917 | 1972 | American | Symphonies 1, 2 & 3; Violin Concerto; Comedy, Galaxy, Cosmos | |
Dinu Lipatti | 1917 | 1950 | Romanian | | |
José Maceda | 1917 | 2004 | Filipino | | |
Jean-Étienne Marie | 1917 | 1989 | French | | |
Oskar Morawetz | 1917 | 2007 | Canadian | | |
Geraldine Mucha | 1917 | 2012 | Scottish | | |
James Penberthy | 1917 | 1999 | Australian | | |
Tarateño Rojas | 1917 | 2001 | Bolivian | | |
Reginald Smith Brindle | 1917 | 2003 | British | El Polifemo de Oro for guitar | |
Maj Sønstevold | 1917 | 1996 | Swedish | | |
Eta Tyrmand | 1917 | 2008 | Belarusian | | |
Robert Ward | 1917 | 2013 | American | Concerto for piano and orchestra | |
Richard Yardumian | 1917 | 1985 | Armenian-American | | |
Isang Yun | 1917 | 1995 | Korean-German | | |
Olivier Alain | 1918 | 1994 | French | | |
Louis Applebaum | 1918 | 2000 | Canadian | | |
Jürg Baur | 1918 | 2010 | German | Concerto romano for oboe and orchestra; Der Roman mit dem Kontrabass (opera) | serialism, quotation, neoclassicism |
Leonard Bernstein | 1918 | 1990 | American | West Side Story; Chichester Psalms; Candide; Serenade; Mass | jazz-influenced and pop-influence; also a composer of popular songs, under pseudonym "Lenny Amber" |
Lorne Betts | 1918 | 1985 | Canadian | | |
Lina Pires de Campos | 1918 | 2003 | Brazilian | | |
Gayane C'ebotaryan | 1918 | 1998 | Armenian | | |
Liviu Comes | 1918 | 2004 | Romanian | choral | |
Philip Cranmer | 1918 | 2006 | English | | |
Robert Docker | 1918 | 1992 | English | | |
Gottfried von Einem | 1918 | 1996 | Austrian | Dantons Tod, Der Besuch der alten Dame, cantata An die Nachgeborenen | eclectic |
Raymond Gallois-Montbrun | 1918 | 1994 | French | | |
Gara Garayev | 1918 | 1982 | Azerbaijani | | |
Harold Gramatges | 1918 | 2008 | Cuban | | |
Lucrecia Roces Kasilag | 1918 | 2008 | Filipino | | |
Marcelo Koc | 1918 | 2006 | Argentine | Música para 5 instrumentos; Concerto for Viola and Orchestra | |
Lila Lalauni | 1918 | 1996 | Greek | | |
Leonard B. Meyer | 1918 | 2007 | American | | |
Anthony A. Mitchell | 1918 | 2009 | American | | |
Arie Van de Moortel | 1918 | 1976 | Belgian | | |
A. J. Potter | 1918 | 1970 | Irish | | |
Godfrey Ridout | 1918 | 1984 | Canadian | | |
George Rochberg | 1918 | 2005 | American | | serialism, later Neoromanticism |
Denise Tolkowsky | 1918 | 1991 | English | | |
Jórunn Viðar | 1918 | 2017 | Icelandic | | |
Bernd Alois Zimmermann | 1918 | 1970 | German | Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi | serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic, polystylism |
István Anhalt | 1919 | 2012 | Hungarian-Canadian | | |
Bülent Arel | 1919 | 1990 | Turkish | | electronic music |
Jacob Avshalomov | 1919 | 2013 | American | | |
Sven-Erik Bäck | 1919 | 1994 | Swedish | | |
Bernard Barrell | 1919 | 2005 | English | | |
Niels Viggo Bentzon | 1919 | 2000 | Danish | | |
Karel Berman | 1919 | 1995 | Czech | | |
Roslyn Brogue | 1919 | 1981 | American | | |
Ota Čermák | 1919 | 1963 | Czech | | |
John W. Duarte | 1919 | 2004 | British | | |
Eleonora Eksanishvili | 1919 | 2003 | Georgian | | |
Ludmila Frajt | 1919 | 1999 | Serbian | | |
Udo Kasemets | 1919 | 2014 | Estonian-born Canadian | | |
Leif Kayser | 1919 | 2001 | Danish | | |
Talivaldis Kenins | 1919 | 2008 | Latvian-Canadian | | |
Leon Kirchner | 1919 | 2009 | American | | |
Gideon Klein | 1919 | 1945 | Czech | | |
Li Huanzhi | 1919 | 2000 | Chinese | | |
Václav Nelhýbel | 1919 | 1996 | Czech-American | | |
Juan Orrego-Salas | 1919 | 2019 | Chilean | | |
Jiří Pauer | 1919 | 2007 | Czech | | |
Qu Xixian | 1919 | 2008 | Chinese | | |
Rezső Sugár | 1919 | 1988 | Hungarian | | |
Helen Tobias-Duesberg | 1919 | 2010 | Estonian-American | | |
Akihiro Tsukatani | 1919 | 1995 | Japanese | | |
Galina Ustvolskaya | 1919 | 2006 | Russian | | |
Harold Van Heuvelen | 1919 | 2017 | American | | |
Roman Vlad | 1919 | 2013 | Italian | | eclectic |
Mieczysław Weinberg | 1919 | 1996 | Polish | The Passenger and other operas, Violin Concerto | |
John Worley | 1919 | 1999 | American | | |
Alexander Arutiunian | 1920 | 2012 | Armenian | Trumpet Concerto in A-flat major | avant-garde |
Bebe Barron | 1920 | 1989 | American | | electronic music |
José Antonio Bottiroli | 1920 | 1990 | Argentine | | |
Dave Brubeck | 1920 | 2012 | American | | |
Geoffrey Bush | 1920 | 1998 | English | | |
Henri Crolla | 1920 | 1960 | Italian | | |
Rolande Falcinelli | 1920 | 1996 | French | | |
Dorothea Anne Franchi | 1920 | 2003 | New Zealander | | |
Peter Racine Fricker | 1920 | 1990 | English | | |
Jacob Gilboa | 1920 | 2007 | Israeli | | |
Karen Khachaturian | 1920 | 2011 | Soviet and Russian | | |
Earl Kim | 1920 | 1998 | American | | |
John La Montaine | 1920 | 2013 | American | | |
Kurt Leimer | 1920 | 1974 | German | | |
John Lessard | 1920 | 2003 | American | | |
Aleksandr Lokshin | 1920 | 1987 | Russian | | |
Bruno Maderna | 1920 | 1973 | Italian | Satyricon | avant-garde, electronic music |
Robert Moevs | 1920 | 2007 | American | | |
Jean Perrin | 1920 | 1989 | Swiss | | |
Marco Rizo | 1920 | 1998 | Cuban | | |
István Sárközy | 1920 | 2002 | Hungarian | Júlia énekek, Sinfonia concertante |
Armin Schibler | 1920 | 1986 | Swiss | | |
Harold Shapero | 1920 | 2013 | American | Symphony for Classical Orchestra | |
Heikki Suolahti | 1920 | 1936 | Finnish | Sinfonia piccola | Romanticism |
Robert Turner | 1920 | 2012 | Canadian | | |
John Vallier | 1920 | 1991 | English | | |
Zbyněk Vostřák | 1920 | 1985 | Czech | | |
Douglas Allanbrook | 1921 | 2003 | American | | |
Chaya Arbel | 1921 | 2007 | Israeli | | |
Malcolm Arnold | 1921 | 2006 | English | Symphony No. 5 and No. 7; English Dances | |
Arno Babajanian | 1921 | 1983 | Armenian | | |
Seymour Barab | 1921 | 2014 | American | | |
Jack Beeson | 1921 | 2010 | American | Lizzie Borden | |
William Bergsma | 1921 | 1994 | American | Violin Concerto, March with Trumpets | |
Dennis Berry | 1921 | 1994 | English | | |
Marcel Bitsch | 1921 | 2011 | French | | |
Laci Boldemann | 1921 | 1969 | Swedish | | |
Jarmil Burghauser | 1921 | 1997 | Czech | | |
Adrienne Clostre | 1921 | 2006 | French | | |
Jeanne Demessieux | 1921 | 1968 | French | | |
Andrzej Dobrowolski | 1921 | 1990 | Polish | | |
Johannes Driessler | 1921 | 1998 | German | | |
Halim El-Dabh | 1921 | 2017 | Egyptian-born American | | electronic music |
Hans Ulrich Engelmann | 1921 | 2011 | German | | |
Oscar Feltsman | 1921 | 2013 | Russian | | |
Fritz Geißler | 1921 | 1984 | German | | |
Ruth Gipps | 1921 | 1999 | British | | |
Nazife Güran | 1921 | 1993 | Turkish | | |
Antony Hopkins | 1921 | 2014 | British | | |
Karel Husa | 1921 | 2016 | Czech-American | Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles | |
Andrew Imbrie | 1921 | 2007 | American | | neoclassicism |
Yoshirō Irino | 1921 | 1980 | Japanese | | |
Kan Ishii | 1921 | 2009 | Japanese | | |
Božidar Kantušer | 1921 | 1999 | American/Slovenian | | |
Joonas Kokkonen | 1921 | 1996 | Finnish | | |
Mustafa Krantja | 1921 | 2002 | Albanian | | |
Robert Kurka | 1921 | 1957 | American | | |
Ingvar Lidholm | 1921 | 2017 | Swedish | | |
Edward Salim Michael | 1921 | 2006 | French | | |
Joseph Hanson Kwabena Nketia | 1921 | 2019 | Ghanaian | | |
Will Ogdon | 1921 | 2013 | American | | |
Astor Piazzolla | 1921 | 1992 | Argentine | tangos | |
Ariel Ramírez | 1921 | 2010 | Argentine | Misa Criolla (1964) | |
Primož Ramovš | 1921 | 1999 | Slovenian | | |
Alfred Reed | 1921 | 2005 | American | | |
Ralph Shapey | 1921 | 2002 | American | | |
Robert Simpson | 1921 | 1997 | English | | |
Leo Smit | 1921 | 1999 | American | | |
Vladimír Sommer | 1921 | 1997 | Czech | | |
Jan Tausinger | 1921 | 1980 | Czech | | |
İlhan Usmanbaş | 1921 | | Turkish | | |
Peter Wishart | 1921 | 1984 | English | | |
Rosalina Abejo | 1922 | 1991 | Filipino | | |
Fikret Amirov | 1922 | 1984 | Azerbaijani | | |
Peter Tranchell | 1922 | 1993 | English | | |
Raffaello de Banfield | 1922 | 2008 | English | | |
Sadao Bekku | 1922 | 2012 | Japanese | | |
Antonio Bibalo | 1922 | 2008 | Italian-Norwegian | | opera |
John Boda | 1922 | 2002 | American | | |
Gérard Calvi | 1922 | 2015 | French | | |
Doreen Carwithen | 1922 | 2003 | British | | |
Alessandro Casagrande | 1922 | 1964 | Italian | | |
Chen Peixun | 1922 | 2007 | Chinese | | |
Đỗ Nhuận | 1922 | 1991 | Vietnamese | | |
Tom Eastwood | 1922 | 1999 | English | | |
Lukas Foss | 1922 | 2009 | German-born American | Baroque Variations, Griffelkin | |
Wim Franken | 1922 | 2012 | Dutch | | |
German Galynin | 1922 | 1966 | Russian | Sonata Triad for piano, First Concerto for Piano and Orchestra, Second Concerto for Piano and Orchestra, Spanish Fantasy for piano | |
Odette Gartenlaub | 1922 | 2014 | French | | |
Stefans Grové | 1922 | 2014 | South African | | |
Iain Hamilton | 1922 | 2000 | Scottish | chamber & orchestral works; operas & vocal works[vague] | |
Michael Howard | 1922 | 2002 | English | | |
Ilja Hurník | 1922 | 2013 | Czech | sonata da camera for flute, oboe, cello and harpsichord | |
David N. Johnson | 1922 | 1987 | American | | |
Kelsey Jones | 1922 | 2004 | Canadian | | |
Leo Kraft | 1922 | 2014 | American | | |
Otmar Mácha | 1922 | 2006 | Czech | | |
Ester Mägi | 1922 | 2021 | Estonian | | |
Tale Ognenovski | 1922 | 2012 | Macedonian | | |
Pierre Petit | 1922 | 2000 | French | | |
Allen Sapp | 1922 | 1999 | American | | |
Kazimierz Serocki | 1922 | 1981 | Polish | | |
Attia Sharara | 1922 | 2014 | Egyptian | | |
Francis Thorne | 1922 | 2017 | American | | |
Leif Thybo | 1922 | 2001 | Danish | | |
Camillo Togni | 1922 | 1993 | Italian | Helian di Trakl, Rondeaux per dieci, Blaubart (opera) | |
George Walker | 1922 | 2018 | American | | |
Felix Werder | 1922 | 2012 | German-born Australian | | electronic music |
Raymond Wilding-White | 1922 | 2001 | English | | |
James Wilson | 1922 | 2005 | Irish | | |
Iannis Xenakis | 1922 | 2001 | Greek | Metastaseis | avant-garde, stochastic music |
Zhu Jian'er | 1922 | 2017 | Chinese | | |
Doris Akers | 1923 | 1995 | American | | |
Warren Barker | 1923 | 2006 | American | | |
Leslie Bassett | 1923 | 2016 | American | | |
Jocelyne Binet | 1923 | 1968 | Canadian | | |
Jan Boerman | 1923 | 2020 | Dutch | | |
Teresa Borràs i Fornell | 1923 | 2010 | Spanish | | |
James Clifford Brown | 1923 | 2004 | English | | |
Arthur Butterworth | 1923 | 2014 | English | | influenced by Sibelius |
Jean Catoire | 1923 | 2005 | French | | |
Chou Wen-chung | 1923 | 2019 | Chinese/American | Landscapes | |
Radim Drejsl | 1923 | 1953 | Czech | | |
Madeleine Dring | 1923 | 1977 | English | | |
Asankhan Dzhumakhmatov | 1923 | 2008 | Kyrgyzstani | | |
Karel Goeyvaerts | 1923 | 1993 | Belgian | Sonata for Two Pianos, Nr. 2 for thirteen instruments, Nr. 5 met zuivere tonen, Aquarius (opera) | neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music |
Simeon ten Holt | 1923 | 2012 | Dutch | Canto Ostinato | minimalism |
Jiří Hudec | 1923 | 1996 | Czech | | |
Jean Eichelberger Ivey | 1923 | 2010 | American | | |
Rune Lindblad | 1923 | 1991 | Swedish | | |
György Ligeti | 1923 | 2006 | Hungarian | Atmosphères, Musica ricercata, Lux Aeterna | avant-garde, micropolyphony, polystylism |
Ursula Mamlok | 1923 | 2016 | German-born, American | | |
Peter Mennin | 1923 | 1983 | American | | |
Vasilije Mokranjac | 1923 | 1984 | Serbian | | |
Rexho Mulliqi | 1923 | 1982 | Albanian | | |
Daniel Pinkham | 1923 | 2006 | American | | |
Mel Powell | 1923 | 1998 | American | | |
Stefan Remenkov | 1923 | 1988 | Bulgarian | | |
Elena Romero | 1923 | 1996 | Spanish | | |
Ned Rorem | 1923 | | American | Our Town, 3 symphonies | |
Triphon Silyanovski | 1923 | 2005 | Bulgarian | | |
Donald Swann | 1923 | 1994 | English | | |
Lester Trimble | 1923 | 1986 | American | | |
Ludmila Ulehla | 1923 | 2009 | American | | |
Gerhard Wimberger | 1923 | 2016 | Austrian | | |
Friedrich Zehm | 1923 | 2007 | German | | |
Claude Abravanel | 1924 | 2012 | Swiss | | |
Leni Alexander | 1924 | 2005 | German-Chilean | | |
Axel Borup-Jørgensen | 1924 | 2012 | Danish | | |
Altamiro Carrilho | 1924 | 2012 | Brazilian | | |
Pierre Cochereau | 1924 | 1984 | French | | |
Jeanne Colin-De Clerck | 1924 | | Belgian | | |
Ikuma Dan | 1924 | 2001 | Japanese | Symphony No. 4 (1965), Sonata for flute and piano (1986) | atonality |
Stephen Dodgson | 1924 | 2013 | British | | |
Heimo Erbse | 1924 | 2005 | German | | |
Arthur Frackenpohl | 1924 | 2019 | American | | |
Lejaren Hiller | 1924 | 1994 | American | HPSCHD (collaboration with John Cage) | computer music, stochastic music |
Stanley Hollingsworth | 1924 | 2003 | American | | |
Egil Hovland | 1924 | 2013 | Norwegian | | church music |
Klaus Huber | 1924 | 2017 | Swiss | | |
Maurice Jarre | 1924 | 2009 | French | | |
Lockrem Johnson | 1924 | 1977 | American | | |
Milko Kelemen | 1924 | 2018 | Croatian | | |
Ezra Laderman | 1924 | 2015 | American | | |
Yehoshua Lakner | 1924 | 2003 | Israeli | | |
Benjamin Lees | 1924 | 2010 | American | Concerto for String Quartet and Orchestra | |
Riichiro Manabe | 1924 | 2015 | Japanese | | |
Franco Mannino | 1924 | 2005 | Italian | | |
Angela Morley | 1924 | 2009 | English | | |
Krystyna Moszumańska-Nazar | 1924 | 2009 | Polish | | |
Serge Nigg | 1924 | 2008 | French | | |
Luigi Nono | 1924 | 1990 | Italian | Il canto sospeso, Intolleranza 1960, Prometeo | avant-garde |
Gladys Nordenstrom | 1924 | 2016 | American | | |
Mikhaïl Nossyrev | 1924 | 1981 | Russian | | Modernist |
Julia Perry | 1924 | 1979 | American | | |
Joly Braga Santos | 1924 | 1988 | Portuguese | | |
Ruth Schönthal | 1924 | 2006 | German | | |
Jitka Snížková | 1924 | 1989 | Czech | | |
Robert Starer | 1924 | 2001 | Austrian-born American | | |
Otar Taktakishvili | 1924 | 1989 | Georgian | | |
Ernest Tomlinson | 1924 | 2015 | English | | |
Georgi Tutev | 1924 | 1994 | Bulgarian | | |
Yasushi Akutagawa | 1925 | 1989 | Japanese | Rapsodia per orchestra (1971) | atonality |
Jurriaan Andriessen | 1925 | 1996 | Dutch | | |
Louis Barron | 1925 | 2008 | American | | electronic music |
Veniamin Basner | 1925 | 1996 | Russian | | |
Robert Beadell | 1925 | 1994 | American | The Number of Fools (opera) | jazz-influenced |
Gustavo Becerra-Schmidt | 1925 | 2010 | Chilean | | |
Cathy Berberian | 1925 | 1983 | Armenian-American | Stripsody | avant-garde |
Luciano Berio | 1925 | 2003 | Italian | Sequenza; Sinfonia | avant-garde, polystylism |
Edith Borroff | 1925 | 2019 | American | | |
André Boucourechliev | 1925 | 1997 | French | | |
Pierre Boulez | 1925 | 2016 | French | Le marteau sans maître; …explosante-fixe…; Répons | avant-garde, serialism, aleatory, polystylism |
Tristram Cary | 1925 | 2008 | English-Australian | | |
Charles Chaynes | 1925 | 2016 | French | | |
Aldo Clementi | 1925 | 2011 | Italian | | |
Andrei Eshpai | 1925 | 2015 | Russian | | |
Cromwell Everson | 1925 | 1991 | South African | | |
Jindřich Feld | 1925 | 2007 | Czech | | |
Eloy Fominaya | 1925 | 2002 | American | | |
Fernando González Casellas | 1925 | 1998 | Argentine | | |
Ron Goodwin | 1925 | 2003 | British | New Zealand Suite | best known as a composer of film scores |
Clytus Gottwald | 1925 | | German | | |
Manos Hatzidakis | 1925 | 1994 | Greek | | |
Svatopluk Havelka | 1925 | 2009 | Czech | | |
Bertold Hummel | 1925 | 2002 | German | | |
Ginette Keller | 1925 | 2010 | French | | |
Giselher Klebe | 1925 | 2009 | German | | |
Gerard Kockelmans | 1925 | 1965 | Dutch | | |
Włodzimierz Kotoński | 1925 | 2014 | Polish | Concerto per quattro, for piano, harpsichord, guitar, harp, and orchestra | |
Frank Lewin | 1925 | 2008 | American | | |
Teo Macero | 1925 | 2008 | American | One and Three Quarters | microtonal, jazz-influenced |
Kiril Makedonski | 1925 | 1984 | Macedonian | five symphonies, two ballets, two symphonic poems, choral music and songs | |
Ivo Malec | 1925 | 2019 | French | Cantate pour elle; Dodecameron; Lumina | |
Kirke Mechem | 1925 | | American | four operas (Tartuffe), two symphonies, choral music | |
Miroslav Miletić | 1925 | 2018 | Croatian | | |
Nguyễn Văn Quỳ | 1925 | 2022 | Vietnamese | | |
Julián Orbón | 1925 | 1991 | Spanish/Cuban | Three Symphonic Versions | |
Michel Philippot | 1925 | 1996 | French | | |
Hans-Hubert Schönzeler | 1925 | 1997 | German-born Australian | | |
Gunther Schuller | 1925 | 2015 | American | | jazz-influence; Third Stream |
Vladimir Shainsky | 1925 | 2017 | Russian | | |
Hale Smith | 1925 | 2009 | American | | |
Claudio Spies | 1925 | 2020 | Chilean-American | | |
Ernie Stires | 1925 | 2008 | American | | |
Boris Tchaikovsky | 1925 | 1996 | Russian | | |
Mikis Theodorakis | 1925 | 2021 | Greek | Symphony No. 1-4,7, Sinfonietta Concerto for piano No.1,2, Creatan Concertino; Kata Saddukaion Pathi (Sadducean-Passion) | also composer of popular songs and film scores including Zorba the Greek; Serpico |
Sulkhan Tsintsadze | 1925 | 1991 | Georgian | | |
Vladimir Vavilov | 1925 | 1973 | Russian | | |
Paul W. Whear | 1925 | 2021 | American | Catharsis Suite for orchestra; Lancaster Overture for orchestra; Catskill Legend for band | |
Sergei Agababov | 1926 | 1959 | Russian | | |
Herbert H. Ágústsson | 1926 | 2017 | Icelandic | | |
Garbis Aprikian | 1926 | | Armenian | | |
Rodolfo Arízaga | 1926 | 1985 | Argentine | | |
John Bevan Baker | 1926 | 1994 | British | Suite for Piano; The Seer (opera) | |
Edward Bland | 1926 | 2013 | American | | |
Brian Bonsor | 1926 | 2011 | Scottish | | |
Modesta Bor | 1926 | 1998 | Venezuelan | | |
Brian Brockless | 1926 | 1995 | English | | |
Earle Brown | 1926 | 2002 | American | December 1952; Available Forms I & II | open form; graphic notation |
Louis Calabro | 1926 | 1991 | American | | |
Edwin Carr | 1926 | 2003 | New Zealander | | |
Jacques Castérède | 1926 | 2014 | French | | |
Friedrich Cerha | 1926 | | Austrian | Spiegel | |
Janine Charbonnier | 1926 | 2022 | French | | |
Barney Childs | 1926 | 2000 | American | | extended technique, improvisation, indeterminacy |
Eregzengiin Choidog | 1926 | 1988 | Mongolian | | |
Jani Christou | 1926 | 1970 | Greek | Mysterion, Praxis for 12 | atonality, meta-serialism,[clarification needed] improvisation |
Francis Dhomont | 1926 | | French | | |
Manuel Enríquez | 1926 | 1994 | Mexican | | |
Franco Evangelisti | 1926 | 1980 | Italian | Incontri di fasce sonore | electronic music |
Morton Feldman | 1926 | 1987 | American | Rothko Chapel, String Quartet No. 2 | |
Carlisle Floyd | 1926 | 2021 | American | Susannah; Wuthering Heights; Of Mice and Men | |
Kenneth Gaburo | 1926 | 1993 | American | The Flow of (u) | |
Johann Melchior Gletle | 1926 | 1983 | Swiss | Vespers in Vienna | |
Čestmír Gregor | 1926 | 2011 | Czech | | |
Eric Gross | 1926 | 2011 | Austrian-Australian | | |
Hans Werner Henze | 1926 | 2012 | German | Ondine | polystylism |
Lee Hoiby | 1926 | 2011 | American | | |
Zhun Huang | 1926 | | Chinese | | |
Ben Johnston | 1926 | 2019 | American | Sonata for Microtonal Piano; String Quartet No. 4 (Variations on "Amazing Grace") | microtonal music |
Betsy Jolas | 1926 | | French | | |
Werner Kaegi | 1926 | | Swiss | | electronic music |
Melinda Kistétényi | 1926 | 1999 | Hungarian | | |
Gottfried Michael Koenig | 1926 | 2021 | German-Dutch | Project 1 | computer music, electronic music |
Karl Kohn | 1926 | | American | | |
Oldřich František Korte | 1926 | 2014 | Czech | Concerto Grosso | neo-classicism, expressionist, neo-romantic |
Meyer Kupferman | 1926 | 2003 | American | | |
György Kurtág | 1926 | | Hungarian | Játékok | |
Doming Lam | 1926 | | Chinese | | |
John Lambert | 1926 | 1995 | British | | |
Celso Garrido Lecca | 1926 | | Peruvian | | |
Ton de Leeuw | 1926 | 1996 | Dutch | | |
George Martin | 1926 | 2016 | English | | |
Maria de Lourdes Martins | 1926 | 2009 | Portuguese | | |
Janez Matičič | 1926 | 2022 | Slovenian | | |
Hans Otte | 1926 | 2007 | German | | |
Carmen Petra-Basacopol | 1926 | | Romanian | | |
Claire Polin | 1926 | 1995 | American | | |
Marga Richter | 1926 | 2020 | American | Concerto for Piano and Violas, Cellos and Basses | |
William Schmidt | 1926 | 2009 | American | | |
William O. Smith | 1926 | 2020 | American | Concerto for Jazz Soloist and Orchestra | jazz-influenced; serialism; avant-garde |
Kurt-Heinz Stolze | 1926 | 1970 | German | | |
Natela Svanidze | 1926 | | Georgian | | |
Cornel Trăilescu | 1926 | 2019 | Romanian | | |
David Tudor | 1926 | 1996 | American | | |
Anatol Vieru | 1926 | 1998 | Romanian | Concerto for violin, cello and orchestra; seven symphonies; eight string quartets | modality |
Robert Wykes | 1926 | 2021 | American | | |
Rolv Yttrehus | 1926 | 2018 | American | | |
Aleksandr Zatsepin | 1926 | | Russian | | |
Marilyn J. Ziffrin | 1926 | 2018 | American | | |
André Almuró | 1927 | 2009 | French | | |
W. D. Amaradeva | 1927 | 2016 | Sri Lankan | | |
Paul Angerer | 1927 | 2017 | Austrian | | |
John Beckwith | 1927 | | Canadian | | |
Pascal Bentoiu | 1927 | 2016 | Romanian | | |
Josef Berg | 1927 | 1971 | Czech | | |
Joseph Castaldo | 1927 | 2000 | American | | |
Asger Lund Christiansen | 1927 | 1998 | Danish | | neoclassicism |
Dolores Claman | 1927 | 2021 | Canadian | | |
John Diercks | 1927 | 2020 | American | | |
Emma Lou Diemer | 1927 | | American | | |
Franco Donatoni | 1927 | 2000 | Italian | | |
John W. Downey | 1927 | 2004 | American | | |
Donald Erb | 1927 | 2008 | American | Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra | jazz-influenced, aleatory, electronic music, eclectic |
Pierre Henry | 1927 | 2017 | French | Symphonie pour un homme seul | musique concrète |
Elaine Hugh-Jones | 1927 | 2020 | Welsh | | |
Wilfred Josephs | 1927 | 1997 | English | | |
John Joubert | 1927 | 2019 | English | | |
Wilhelm Killmayer | 1927 | 2017 | German | Sinfonia I–III, Song cycles | |
Osvaldo Lacerda | 1927 | 2011 | Brazilian | | |
Vlastimil Lejsek | 1927 | 2010 | Czech | | |
Bernhard Lewkovitch | 1927 | | Danish | | |
Janet Maguire | 1927 | 2019 | Austrian | | |
Richard Maxfield | 1927 | 1969 | American | | |
Ștefan Niculescu | 1927 | 2010 | Romanian | Ison II | |
Bernard Parmegiani | 1927 | 2013 | French | | electronic or acousmatic music |
Wayne Peterson | 1927 | 2021 | American | The Face of the Night, the Heart of the Dark | electro-acoustic, and electronic music |
Witold Szalonek | 1927 | 2001 | Polish | | |
William Ennis Thomson | 1927 | 2019 | American | | |
George Balch Wilson | 1927 | | American | | |
Thomas Wilson | 1927 | 2001 | Scottish | | |
Çesk Zadeja | 1927 | 1997 | Albanian | | |
Margrit Zimmermann | 1927 | 2020 | Swiss | | |
Samuel Adler | 1928 | | American (German-born) | | |
Luna Alcalay | 1928 | 2012 | Austrian | | |
Ruth Anderson | 1928 | 2019 | American | | |
Tadeusz Baird | 1928 | 1981 | Polish | | |
Jean Barraqué | 1928 | 1973 | French | Piano Sonata, Chant après chant | serialism |
Lubor Bárta | 1928 | 1972 | Czech | Piano Trio in C Major, Concertino for trombone and piano | |
Frank Bencriscutto | 1928 | 1997 | American | Concerto Grosso for saxophone quartet and band | concert band music |
Euel Box | 1928 | 2017 | American | | |
Vitaly Bujanovsky | 1928 | 1993 | Russian | | |
Jean-Michel Damase | 1928 | 2013 | French | | |
George Dreyfus | 1928 | | French | | |
Jacob Druckman | 1928 | 1996 | American | Windows | |
Du Mingxin | 1928 | | Chinese | | |
Judith Dvorkin | 1928 | 1995 | American | | |
David Farquhar | 1928 | 2007 | New Zealander | A Unicorn for Christmas, Ring Round the Moon | neoclassicism |
Nicolas Flagello | 1928 | 1994 | American | | Neoclassicism |
Valentin Gheorghiu | 1928 | | Romanian | | |
Otar Gordeli | 1928 | 1994 | Georgia | | |
Beverly Grigsby | 1928 | | American | | |
Guo Zurong |
1928 |
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Chinese |
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Bengt Hambraeus | 1928 | 2000 | Swedish | | |
Robert Helps | 1928 | 2001 | American | | |
Frigyes Hidas | 1928 | 2007 | Hungarian | | |
Miloslav Ištvan | 1928 | 1990 | Czech | | |
Karl Korte | 1928 | 2022 | American | | |
Bidzina Kvernadze | 1928 | 2010 | Georgian | | |
Kamilló Lendvay | 1928 | 2016 | Hungarian | | |
Henk van Lijnschooten | 1928 | 2006 | Dutch | | |
Zdeněk Lukáš | 1928 | 2007 | Czech | | |
Ennio Morricone | 1928 | 2020 | Italian | | also a composer of film music: Once Upon a Time in America; The Mission; The Good, the Bad and the Ugly; A Fistful of Dollars; Once Upon a Time in the West |
Diether de la Motte | 1928 | 2010 | German | operas, orchestra, chamber | |
Thea Musgrave | 1928 | | Scottish | | |
Jorge Peña Hen | 1928 | 1973 | Chilean | | |
Thomas Rajna | 1928 | 2021 | Hungarian | | |
Einojuhani Rautavaara | 1928 | 2016 | Finnish | Cantus Arcticus; Symphony No. 7 "Angel of Light"; Piano Concerto No. 3 "The Gift of Dreams" | |
Ronald Stevenson | 1928 | 2015 | British | | |
Karlheinz Stockhausen | 1928 | 2007 | German | Kontra-Punkte; Gesang der Jünglinge; Klavierstücke; Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Inori, first six operas of the Licht cycle | avant-garde, electronic music, serialism, aleatory, intuitive music, formula composition, polystylism |
Jay Sydeman | 1928 | 2021 | American | | |
Peter Tahourdin | 1928 | 2009 | English-born Australian | | |
Tommy Tycho | 1928 | 2013 | Hungarian-Australian | | |
Raymond Warren | 1928 | | British | | |
Nikolla Zoraqi | 1928 | 1991 | Albanian | | |
Harry Bannink | 1929 | 1999 | Dutch | | |
Erling Bjerno | 1929 | | Danish | | |
Augustyn Bloch | 1929 | 2006 | Polish | | |
Antonio Braga | 1929 | 2009 | Italian | | |
Reiner Bredemeyer | 1929 | 1995 | German | | |
Theo Bruins | 1929 | 1993 | Dutch | | |
Nini Bulterijs | 1929 | 1989 | Belgian | | |
Geghuni Hovannesi Chitchian | 1929 | | Armenian | | |
Dinos Constantinides | 1929 | 2021 | Greek-American | Antigone (opera), Cello Concerto "Shenzhen" | |
George Crumb | 1929 | 2022 | American | Ancient Voices of Children, Black Angels | extended technique, numerology |
Samar Das | 1929 | 2001 | Bangladeshi | | |
Edison Denisov | 1929 | 1996 | Russian | L'écume des jours (opera), Requiem, 2 Symphonies, Violin Concerto, Flute Concerto | avant-garde, serialism, extended technique, polystylism, electronic music |
Frédéric Devreese | 1929 | 2020 | Belgian | | |
Petr Eben | 1929 | 2007 | Czech | | |
Hormoz Farhat | 1929 | 2021 | Iranian | | |
Luc Ferrari | 1929 | 2005 | French | Presque rien No. 1: "Le Lever du jour au bord de la mer" | electronic music |
Carlton Gamer | 1929 | | American | | |
Jerry Goldsmith | 1929 | 2004 | American | | also composer of film scores, Music for Orchestra; Fireworks |
Alun Hoddinott | 1929 | 2008 | Welsh | | |
Pedro Iturralde | 1929 | 2020 | Spanish | | |
Leonard Kastle | 1929 | 2011 | American | | |
Waldemar Kazanecki | 1929 | 1991 | Polish | | |
Charles Knox | 1929 | 2019 | American | | neo-classical, musical palindromes |
Ctirad Kohoutek | 1929 | 2011 | Czech | | |
Boris Kravchenko | 1929 | 1979 | Russian | | |
Kenneth Leighton | 1929 | 1988 | English | | |
Miłosz Magin | 1929 | 1999 | Polish | | |
André Mathieu | 1929 | 1968 | Canadian | | |
Teizo Matsumura | 1929 | 2007 | Japanese | | atonality |
Toshiro Mayuzumi | 1929 | 1997 | Japanese | | |
Robert Muczynski | 1929 | 2010 | American | | |
Ron Nelson | 1929 | | American | Rocky Point Holiday | |
Aleksandra Pakhmutova | 1929 | | Russian | | |
Henri Pousseur | 1929 | 2009 | Belgian | Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées | serialism, aleatory, eclectic, polystylism, electronic music, world music, popular music influence, |
André Previn | 1929 | 2019 | German/American | A Streetcar Named Desire | |
Josef Anton Riedl | 1929 | 2016 | German | | |
Bogusław Schaeffer | 1929 | 2019 | Polish | | |
Peter Sculthorpe | 1929 | 2014 | Australian | Requiem; Kakadu; Earth Cry; Rites of Passage | |
Hans Stadlmair | 1929 | 2019 | Austrian | Trumpet Concerto with strings; Saxofonia; Miró | |
Siegfried Strohbach | 1929 | 2019 | German | 5 Galgenlieder; Ein Stern aus Jacob | |
James Helme Sutcliffe | 1929 | 2000 | American | | |
Avet Terterian | 1929 | 1994 | Armenian | | |
Lloyd Ultan | 1929 | 1998 | American | | |
James Yannatos | 1929 | 2011 | American | | |
Akio Yashiro | 1929 | 1976 | Japanese | piano concerto | atonality |
Gerd Zacher | 1929 | 2014 | German | | |
Muhal Richard Abrams | 1930 | 2017 | American | | |
Yardena Alotin | 1930 | 1994 | Israeli | | |
David Amram | 1930 | | American | | |
Robert Ashley | 1930 | 2014 | American | In Memoriam... Kit Carson (opera) | electronic music, extended techniques |
Larry Austin | 1930 | 2018 | American | Improvisations for Orchestra and Jazz Soloists | electronic music, computer music, jazz-influenced |
Petar Bergamo | 1930 | | Croatian | | Romanticism, atonality |
Claude Bolling | 1930 | 2020 | French | Suite for flute and jazz piano trio | jazz-influenced |
Jacques Calonne | 1930 | 2022 | Belgian | | |
John Carmichael | 1930 | | Australian | | |
Robert Cogan | 1930 | 2021 | American | | |
John Davison | 1930 | 1999 | American | | |
Pierre-Max Dubois | 1930 | 1995 | French | | |
Jean Guillou | 1930 | 2019 | French | | |
Friedrich Gulda | 1930 | 2000 | Austrian | | |
Cristóbal Halffter | 1930 | 2021 | Spanish | Líneas y puntos; Don Quixote | eclectic, electronic music |
Christopher Headington | 1930 | 1996 | British | | |
Ryōhei Hirose | 1930 | 2008 | Japanese | | |
Nikolai Karetnikov | 1930 | 1994 | Russian | Symphony No. 3, Concert Piece for piano | |
Antoinette Kirkwood | 1930 | 2014 | English | | |
Günter Kochan | 1930 | 2009 | German | | |
Gordon Langford | 1930 | 2017 | English | Facets of Glass; Rhapsody for Trombone | brass band music |
Theo Loevendie | 1930 | | Dutch | | |
Lu Yen | 1930 | 2008 | Chinese-born Taiwanese | | |
Gudrun Lund | 1930 | 2020 | Danish | | |
Usko Meriläinen | 1930 | 2004 | Finnish | | |
William P. Perry | 1930 | | American | | |
Betty Roe | 1930 | | English | | |
Dieter Schnebel | 1930 | 2018 | German | Mahler-Moment; Maulwerke; Baumzucht | |
Pieter van der Staak | 1930 | 2007 | Dutch | | |
Tōru Takemitsu | 1930 | 1996 | Japanese | A Flock Descends into the Pentagonal Garden; Toward the Sea | neo-impressionism |
Eino Tamberg | 1930 | 2010 | Estonian | | |
Veljo Tormis | 1930 | 2017 | Estonian | | |
Nancy Van de Vate | 1930 | | American | | |
Joan Franks Williams | 1930 | 2003 | American | | |
Robert William Witt | 1930 | 1967 | American | | neoclassical |
Heinz Werner Zimmermann | 1930 | 2022 | German | | |
Louis W. Ballard | 1931 | 2007 | American | | |
Vytautas Barkauskas | 1931 | 2020 | Lithuanian | | |
Martin Boykan | 1931 | 2021 | American | Echoes of Petrarch; Piano Trio No. 2; String Quartet No. 3 | serialism |
Sylvano Bussotti | 1931 | 2021 | Italian | | |
Charles Camilleri | 1931 | 2009 | Maltese | | |
Nancy Laird Chance | 1931 | | American | | |
F. R. C. Clarke | 1931 | 2009 | Canadian | | |
Lucia Dlugoszewski | 1931 | 2000 | American | | |
Felicia Donceanu | 1931 | 2022 | Romanian | | |
Frederick A. Fox | 1931 | 2011 | American | | |
Robert Gauldin | 1931 | | American | | |
Lucien Goethals | 1931 | 2006 | Belgian | | serialism, electronic music |
Sofia Gubaidulina | 1931 | | Russian | Offertorium; Music for Flute, Strings, and Percussion | |
Donald Harris | 1931 | 2016 | American | | |
Hikaru Hayashi | 1931 | 2012 | Japanese | Viola Concerto "Elegia" | |
Derek Holman | 1931 | 2019 | English | | |
Josef Maria Horváth | 1931 | 2019 | Hungarian | | |
Mauricio Kagel | 1931 | 2008 | Argentine / German | Staatstheater; Kantrimiusik; Ludwig van | polystylism |
Rudolf Kelterborn | 1931 | 2021 | Swiss | | |
Krzysztof Komeda | 1931 | 1969 | Polish | | |
Rudolf Komorous | 1931 | | Canadian | | |
Yüksel Koptagel | 1931 | | Turkish | | |
André Laporte | 1931 | | Belgian | Das Schloss | eclectic |
David Lumsdaine | 1931 | | Australian | | |
Maria Dolores Malumbres | 1931 | 2019 | Spanish | | |
Myriam Marbe | 1931 | 1997 | Romanian | | |
Donald Martino | 1931 | 2005 | American | | |
Arne Nordheim | 1931 | 2010 | Norwegian | Epitaffio; The Tempest (ballet); Magma | many works include electronics |
Ib Nørholm | 1931 | 2019 | Danish | | |
Ivo Petrić | 1931 | 2018 | Slovenian | | |
Leon Schidlowsky | 1931 | | Chilean-Israeli | | |
Makoto Shinohara | 1931 | | Japanese | Fragmente | electronic music, influence of traditional Japanese music |
Yuzo Toyama | 1931 | | Japanese | | |
Peter Westergaard | 1931 | 2019 | American | | |
Malcolm Williamson | 1931 | 2003 | Australian | Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations | |
Elaine Barkin | 1932 | | American | | |
François Bayle | 1932 | | French | | |
Niccolò Castiglioni | 1932 | 1996 | Italian | | |
Henning Christiansen | 1932 | 2008 | Danish | | fluxus |
Rudi Martinus van Dijk | 1932 | 2003 | Dutch | | |
Tod Dockstader | 1932 | 2008 | American | | electronic music |
James Douglas | 1932 | 2022 | Scottish | | |
Alexander Goehr | 1932 | | English | Arianna | twelve-tone, later modal, eclectic |
Pelle Gudmundsen-Holmgreen | 1932 | 2016 | Danish | | |
André Hajdu | 1932 | 2016 | Israeli | | |
Baligh Hamdi | 1932 | 1993 | Egyptian | | |
Diana Pereira Hay | 1932 | | Danish | | |
Hans G. Helms | 1932 | 2012 | German | | |
Marta Jiráčková | 1932 | | Czech | | |
M. William Karlins | 1932 | 2005 | American | Works for Saxophone; works for Double Bass[vague] | |
Wojciech Kilar | 1932 | 2013 | Polish | Krzesany | holy minimalism; also composer of film music: Dracula (film music) |
Bronius Kutavičius | 1932 | 2021 | Lithuanian | | |
Henri Lazarof | 1932 | 2013 | Bulgarian | | |
Martin Mailman | 1932 | 2000 | American | | |
Tera de Marez Oyens | 1932 | 1996 | Dutch | | |
Richard Meale | 1932 | 2009 | Australian | Voss | avant-garde |
Per Nørgård | 1932 | | Danish | Voyage into the Golden Screen | |
Coleridge-Taylor Perkinson | 1932 | 2004 | American | | |
Malcolm Peyton | 1932 | | American | | |
Gundaris Pone | 1932 | 1994 | Latvian-American | | |
Max Schubel | 1932 | 2010 | American | | |
Kilza Setti | 1932 | | Brazilian | | |
Rodion Shchedrin | 1932 | | Russian | Lolita; 2 symphonies; The Carmen Ballet; 6 piano concertos | polystylism |
Sergei Slonimsky | 1932 | 2020 | Russian | | polystylism |
Claude T. Smith | 1932 | 1987 | American | | |
Gitta Steiner | 1932 | 1990 | American | | |
Muammer Sun | 1932 | 2021 | Turkish | | |
Gilles Tremblay | 1932 | 2017 | Canadian | Sonorisation du Pavillon du Québec; Fleuves | electronic music, serialism |
John Williams | 1932 | | American | also composer of film scores, The Five Sacred Trees | |
Hugh Wood | 1932 | 2021 | English | Symphony; Cello Concerto; Piano Concerto; Violin Concerto No. 1; Scenes from Comus | symphonic serialism |
Leonardo Balada | 1933 | | Spanish-American | 6 symphonies[vague]; 6 operas[vague] | Avant-garde, later folk-influenced |
Easley Blackwood Jr. | 1933 | | American | | polyrhythm, microtone |
Seóirse Bodley | 1933 | | Irish | | |
Michael Brimer | 1933 | | Australian | | |
Colin Brumby | 1933 | 2018 | Australian | | |
Walter Buczynski | 1933 | | Canadian | | |
Justin Connolly | 1933 | 2020 | British | | modernism |
Ramiro Cortés | 1933 | 1984 | American | | serialism, atonality |
Pozzi Escot | 1933 | | American | | |
Antón García Abril | 1933 | 2021 | Spanish | | |
Henryk Górecki | 1933 | 2010 | Polish | Symphony of Sorrowful Songs | holy minimalism |
Don Kay | 1933 | | Australian | | |
István Láng | 1933 | | Hungarian | | |
Bo Linde | 1933 | 1970 | Swedish | | Neoromanticism |
Altaf Mahmud | 1933 | 1971 | Bangladeshi | | |
W. Francis McBeth | 1933 | 2012 | American | | |
Arne Mellnäs | 1933 | 2002 | Swedish | | |
Akira Miyoshi | 1933 | 2013 | Japanese | | |
Harrison Oxley | 1933 | 2009 | British | | |
Krzysztof Penderecki | 1933 | 2020 | Polish | Threnody for the Victims of Hiroshima; St. Luke Passion; Polish Requiem; Symphony No. 2: Christmas | avant-garde, extended technique, later neoromanticism, polystylism |
Yves Prin | 1933 | | French | | neo-impressionism |
Eric Salzman | 1933 | 2017 | American | | avant-garde, atonal, electronic, new music theater |
John Sanders | 1933 | 2003 | English | | |
George Tibbits | 1933 | 2008 | Australian | | |
Tôn-Thất Tiết | 1933 | | Vietnamese-French | | |
Roland Trogan | 1933 | 2012 | American | | |
Bertram Turetzky | 1933 | | American | | |
Xin Huguang | 1933 | 2011 | Chinese | Gada Meilin | |
Pierre Ancelin | 1934 | 2001 | French | | |
Alain Bancquart | 1934 | 2022 | French | | |
İlhan Baran | 1934 | 2016 | Turkish | | |
Harrison Birtwistle | 1934 | 2022 | English | The Mask of Orpheus (opera), Silbury Air | |
Rob du Bois | 1934 | 2013 | Dutch | Pastorale VII; Concerto for Two Violins and Orchestra | serialism, improvisation, musical quotation |
Benjamin Boretz | 1934 | | American | | |
Jeremy Dale Roberts | 1934 | 2017 | English | I heard a Voice; Cello Concerto – Deathwatch; Croquis; Capriccio | |
Mario Davidovsky | 1934 | 2019 | American | | |
Peter Maxwell Davies | 1934 | 2016 | English | Taverner, Eight Songs for a Mad King, Symphony No. 1, Symphony No. 3, Symphony No. 6, Strathclyde Concertos, Naxos Quartets | |
Peter Dickinson | 1934 | | English | | |
Anthony Gilbert | 1934 | | British | | |
Vinko Globokar | 1934 | | French | | |
Geoffrey Grey | 1934 | | British | | |
Alemdar Karamanov |
1934 |
2007 |
Ukrainian |
|
|
Jan Klusák | 1934 | | Czech | | polystylism |
Nicole Lachartre | 1934 | 1991 | French | | |
William Mathias | 1934 | 1992 | Welsh | Let the people praise Thee, O God | |
Siegfried Matthus | 1934 | 2021 | German | Judith, Te Deum | |
Zhanneta Metallidi | 1934 | 2019 | Russian | | |
Gonzalo de Olavide | 1934 | 2005 | Spanish | | |
Paul Panhuysen | 1934 | 2015 | Dutch | | |
Raymond Premru | 1934 | 1998 | American | | |
Bernard Rands | 1934 | | English | | |
Roger Reynolds | 1934 | | American | | |
Alan Ridout | 1934 | 1996 | British | | |
Alfred Schnittke | 1934 | 1998 | Russian | 10 symphonies, notably the First Symphony (1969–1972), the Third (1981), Fourth (1984), and Fifth (1988) Symphonies; and the Viola (1985) and 1st Cello (1985–1986) Concertos, First Concerto Grosso (1977), Second (1980) and Third (1983) String Quartets and the String Trio (1985) | polystylism |
Ramon Sender | 1934 | | Spanish | | electronic music |
Avo Sõmer | 1934 | | American | | |
Walter Steffens | 1934 | | German | | |
James Tenney | 1934 | 2006 | American | | |
Alicia Terzian | 1934 | | Armenian-Argentine | | |
Fisher Tull | 1934 | 1994 | American | | |
Bernard Vitet | 1934 | 2013 | French | | |
Richard Wernick | 1934 | | American | | |
Christian Wolff | 1934 | | American | Summer, for string quartet; Pebbles, for violin and piano | indeterminacy |
Arlene Zallman | 1934 | 2006 | American | | |
Tomislav Zografski | 1934 | 2000 | Macedonian | Passacalia; Skherzo; Sonata for Two Pianos; In praise of Ciryl and Methodius | |
Vasif Adigozalov | 1935 | 2006 | Azerbaijani | | |
Luis Advis | 1935 | 2004 | Chilean | | |
Theodore Antoniou | 1935 | 2018 | Greek | | |
Ayo Bankole | 1935 | 1976 | Nigerian | | |
Jiří Bárta | 1935 | 2012 | Czech | Concerto for Orchestra | |
Derek Bell | 1935 | 2002 | Irish | | |
Nigel Butterley | 1935 | 2022 | Australian | | |
Chen Gang | 1935 | | Chinese | Butterfly Lovers' Violin Concerto (collaboration with He Zhanhao) | |
John Eaton | 1935 | 2015 | American | | microtonal music |
Biancamaria Furgeri | 1935 | | Italian | | |
Helen Gifford | 1935 | | Australian | | |
Kazuko Hara | 1935 | 2014 | Japanese | | |
Elgar Howarth | 1935 | | English | | |
Teiji Ito | 1935 | 1982 | Japanese | | |
Samuel Jones | 1935 | | American | | |
Sándor Kalloś | 1935 | | Russian | | |
Giya Kancheli | 1935 | 2019 | Georgian | 7 symphonies | holy minimalism |
Georg Katzer | 1935 | 2019 | German | Baukasten für Orchester [de]; D-Dur Musikmaschine [de] | |
Helmut Lachenmann | 1935 | | German | Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern | extended technique |
François-Bernard Mâche | 1935 | | French | | |
Pierre Mariétan | 1935 | 2003 | Swiss | | |
Diego Masson | 1935 | | French | | |
Nicholas Maw | 1935 | 2009 | English | Odyssey; The World in the Evening | |
Khayyam Mirzazade | 1935 | 2018 | Azerbaijani | | |
Akin Euba | 1935 | 2020 | Nigerian | | |
Jacqueline Nova | 1935 | 1975 | Colombian | | |
Arvo Pärt | 1935 | | Estonian | Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten | holy minimalism, polystylism |
Terry Riley | 1935 | | American | In C | minimalism |
Aulis Sallinen | 1935 | | Finnish | The King Goes Forth to France | |
Peter Schat | 1935 | 2003 | Dutch | | |
Kurt Schwertsik | 1935 | | Austrian | | |
Noam Sheriff | 1935 | 2018 | Israeli | | |
Donald Sur | 1935 | 1999 | American | | |
Conrad Susa | 1935 | 2013 | American | | |
Gloria Wilson Swisher | 1935 | | American | | |
André Tchaikowsky | 1935 | 1982 | Polish | | |
Jiří Teml | 1935 | | Czech | | |
Wang Qiang | 1935 | | Chinese | | |
La Monte Young | 1935 | | American | The Well-Tuned Piano | minimalism, microtonal music, improvisation, Asian-music influence |
Mirjana Živković | 1935 | 2020 | Serbian | | |
Gilbert Amy | 1936 | | French | | serialism, electronic music, also composer of film music |
Izabella Arazova | 1936 | | Armenian | Concerto for Orchestra | |
Richard Rodney Bennett | 1936 | 2012 | English | | |
David Blake | 1936 | | British | | |
Herbert Blendinger | 1936 | 2020 | German-Austrian | viola concerto, cantata Mdia in vita, string quartets | also a violist |
Harold Budd | 1936 | 2020 | American | | avant-garde, ambient music |
Cornelius Cardew | 1936 | 1981 | English | Treatise; The Great Learning | serialism, improvisation, aleatory |
Monic Cecconi-Botella | 1936 | | French | | |
Michel Decoust | 1936 | | French | | |
Aleksandar Džambazov | 1936 | 2022 | Macedonian | Rhapsody for Skopje, Seven dance variations for piano and orchestra | |
Iván Erőd | 1936 | 2019 | Hungarian-Austrian | opera Seidenraupen, song cycle Milchzahnlieder, piano trios | |
Malcolm Forsyth | 1936 | 2011 | Canadian | | |
Erika Fox | 1936 | | British | | |
Éric Gaudibert | 1936 | 2012 | Swiss | | |
Frans Geysen | 1936 | | Belgian | | |
Malcolm Goldstein | 1936 | | American | | |
Daniel Goode | 1936 | | American | | |
Barbara Heller | 1936 | | German | | |
Michael Hennagin | 1936 | 1993 | American | | |
Takekuni Hirayoshi | 1936 | 1998 | Japanese | | |
Mogens Winkel Holm | 1936 | 1999 | Danish | | |
Maki Ishii | 1936 | 2003 | Japanese | | |
Oleksandr Krasotov | 1936 | 2007 | Ukrainian | | |
Ladislav Kupkovič | 1936 | 2016 | Slovak | Vier Präparierter Texte | Wandelkonzerte, historicism |
Young-ja Lee | 1936 | | South Korean | | |
Gérard Masson | 1936 | | French | | |
Colin Mawby | 1936 | 2019 | English | Laudate Pueri Dominum; Requiem of Hope; The Quest | |
Sheila Nelson | 1936 | 2020 | English | | |
Jocy de Oliveira | 1936 | | Brazilian | | |
Anthony Payne | 1936 | 2021 | English | | |
Erika Radermacher | 1936 | | German | | |
Steve Reich | 1936 | | American | Piano Phase; Music for 18 Musicians | minimalism; Neoconservative postmodernism |
Aribert Reimann | 1936 | | German | Lear; Nahe Ferne; Wolkenloses Christfest | |
Vivian Adelberg Rudow | 1936 | | American | | |
Elliott Schwartz | 1936 | 2016 | American | Equinox for orchestra | |
Brunhilde Sonntag | 1936 | 2002 | German | | |
Robert Suderburg | 1936 | 2013 | American | Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") | |
John White | 1936 | | English | Cello and Tuba Machine; 175 piano sonatas | |
Hans Zender | 1936 | 2019 | German | Stephen Climax (opera) | |
Keiko Abe | 1937 | | Japanese | | |
Edward Applebaum | 1937 | 2020 | American | | |
Rafig Babayev | 1937 | 1994 | Azerbaijani | | |
Jan Bach | 1937 | 2020 | American | | |
Junsang Bahk | 1937 | | South Korean | | |
Osvaldas Balakauskas | 1937 | | Lithuanian | | |
Janet Beat | 1937 | | Scottish | | |
David Bedford | 1937 | 2011 | British | | |
David Behrman | 1937 | | American | | |
Constança Capdeville | 1937 | 1992 | Portuguese | | |
Azio Corghi | 1937 | 2022 | Italian | Divara – Wasser und Blut | |
Zbigniew Bargielski | 1937 | | Polish | | |
Miguel Ángel Coria | 1937 | 2016 | Spanish | | |
David Cornwall | 1937 | 2006 | American | | |
Gordon Crosse | 1937 | 2021 | British | | |
David Del Tredici | 1937 | | American | Child Alice; Final Alice | neoromanticism |
Harutiun Dellalian | 1937 | 1990 | Armenian | | |
Eugen Doga | 1937 | | Moldovan | My Sweet and Tender Beast Waltz, Gramophone Waltz | |
Anatoly Dokumentov | 1937 | | Russian | | |
John Ferritto | 1937 | 2010 | American | | |
Misha Geller | 1937 | 2007 | Russian | Concerto for Violin, Piano and Orchestra | |
Philip Glass | 1937 | | American | Violin Concerto; operas; 8 symphonies | minimalism |
Lóránt Hajdú | 1937 | | Hungarian | | |
Jon Hassell | 1937 | 2021 | American | | |
Walter Hekster | 1937 | 2012 | Dutch | | |
Katherine Hoover | 1937 | 2018 | American | | |
Shamshi Kaldayakov | 1937 | 1992 | Kazakhstani | | |
Nikolai Kapustin | 1937 | 2020 | Russian | | |
Povl Kjøller | 1937 | 1999 | Danish | | |
Marta Lambertini | 1937 | 2019 | Argentine | | |
Philip Ledger | 1937 | 2012 | British | | |
Paul Méfano | 1937 | 2020 | French | | |
Robert Moran | 1937 | | American | | |
Gösta Neuwirth | 1937 | | Austrian | | |
Bo Nilsson | 1937 | 2018 | Swedish | | |
Irina Odagescu | 1937 | | Romanian | | |
John Ogdon | 1937 | 1989 | English | | |
Jean-Louis Petit | 1937 | | French | | |
Jože Privšek | 1937 | 1998 | Slovenian | | |
Irma Ravinale | 1937 | 2013 | Italian | | |
Rolf Riehm | 1937 | | German | Les Chants de la Revolution sont des Chants de l’Amour | |
Edwin Roxburgh | 1937 | | English | | |
Valentyn Silvestrov | 1937 | | Ukrainian | Symphony No. 5 | |
Dmitry Smolsky | 1937 | 2017 | Belarusian | | |
Joop Stokkermans | 1937 | 2012 | Dutch | | |
Loris Tjeknavorian | 1937 | | Armenian-Iranian | | |
Wang Xilin | 1937 | | Chinese | | folk-influenced |
Olly Wilson | 1937 | 2018 | American | | |
Guy Woolfenden | 1937 | 2016 | English | | |
Yehuda Yannay | 1937 | | American-Israeli | At the End of the Parade; Radiant Inner Light; Piano Concerto | extended techniques, multimedia, postmodern |
Maryanne Amacher | 1938 | 2009 | American | | |
Elizabeth R. Austin | 1938 | | American | | |
Virko Baley | 1938 | | Ukrainian-American | | |
Bart Berman | 1938 | | Dutch-Israeli | | |
E. Clement Bethel | 1938 | 1987 | Bahamian | | |
Howard Blake | 1938 | | English | | |
Jean-Claude Risset | 1938 | 2016 | French | | |
William Bolcom | 1938 | | American | Songs of Experience; Songs of Innocence | |
David Borden | 1938 | | American | | |
Glen Carter-Varney | 1938 | | Australian | | |
Álvaro Cassuto | 1938 | | Portuguese | | serialism, neotonality |
Paul Chihara | 1938 | | American | Shogun: The Musical | |
Gloria Coates | 1938 | | American | Music on Open Strings | |
John Corigliano | 1938 | | American | Symphony No. 2; A Dylan Thomas Trilogy | polystylism, also compose of film music: The Red Violin |
Alvin Curran | 1938 | | American | For Cornelius; Songs and Views of the Magnetic Garden; Inner Cities | |
Jean-Claude Éloy | 1938 | | French | | Electroacoustic music |
Givi Gachechiladze | 1938 | | Georgian | | |
Calvin Hampton | 1938 | 1984 | American | | |
John Harbison | 1938 | | American | The Great Gatsby | Neoconservative postmodernism |
Paavo Heininen | 1938 | 2022 | Finnish | | |
Hans-Joachim Hespos | 1938 | 2022 | German | Seiltanz | avant-garde, extended techniques |
Jacques Hétu | 1938 | 2010 | Canadian | | |
Tyzen Hsiao | 1938 | 2015 | Taiwanese | | |
Ashenafi Kebede | 1938 | 1998 | Ethiopian | The Shepherd Flutist | |
Raja Hossain Khan | 1938 | 1989 | Bangladeshi | | |
Zygmunt Krauze | 1938 | | Polish | | |
Piotr Lachert | 1938 | 2018 | Polish | | |
Douglas Leedy | 1938 | 2015 | American | | |
Reinbert de Leeuw | 1938 | 2020 | Dutch | | |
Mesías Maiguashca | 1938 | | Ecuadorian | F-Melodies; Ayayayayay | electronic music; spectralism |
Barton McLean | 1938 | | American | Rainforest Images (jointly composed with Priscilla McLean) | postmodernist, ambient, drone, minimalist, musique concrète, computer music |
Dexter Morrill |
1938 |
2019 |
American |
Crosswalk, Getz Variations, Hudson River Dreams, Iron Horse Concerto, Fantasy Quintet, Ponzo, Roxbury Preludes, Three Lyric Pieces, Stelladagio, Walden Nocturnes |
computer music, jazz-influenced, electronic music, improvisation |
Michael Parsons | 1938 | | English | | |
Piera Pistono | 1938 | | Italian | | |
Simon Preston | 1938 | 2022 | English | | |
Dianne Goolkasian Rahbee | 1938 | | Armenian-American | | |
Michel Rateau | 1938 | 2020 | French | | |
Frederic Rzewski | 1938 | 2021 | American | The People United Will Never Be Defeated! | |
Tona Scherchen | 1938 | | Swiss | | |
José Serebrier | 1938 | | Uruguayan | | |
Mieko Shiomi | 1938 | | Japanese | | |
Gregory Short | 1938 | 1999 | American | | |
Christopher Steel | 1938 | 1991 | British | | |
Atli Heimir Sveinsson | 1938 | 2019 | Icelandic | | |
Yuji Takahashi | 1938 | | Japanese | | |
Cornelia Tăutu | 1938 | 2019 | Romanian | | |
Dimitri Terzakis | 1938 | | Greek | | |
Joan Tower | 1938 | | American | Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman | |
Jan Vriend | 1938 | | Dutch | | |
Charles Wuorinen | 1938 | 2020 | American | Time's Encomium; 8 symphonies; chamber music | twelve-tone technique, serialism |
José Antonio Abreu | 1939 | 2018 | Venezuelan | | |
Alojz Ajdič | 1939 | | Slovenian | | |
Louis Andriessen | 1939 | 2021 | Dutch | | minimalism |
Jon Appleton | 1939 | 2022 | American | | |
Elinor Armer | 1939 | | American | | |
Charles Boone | 1939 | | American | | |
Leo Brouwer | 1939 | | Cuban | | |
Wendy Carlos | 1939 | | American | Switched-On Bach (record album of transcriptions, produced with the use of a Moog synthesizer) | Electronic music (original and transcriptions) |
Gian Paolo Chiti | 1939 | | Italian | | |
Maija Einfelde | 1939 | | Latvian | | |
Oleg Felzer | 1939 | 1998 | Azerbaijani | | |
Jonathan Harvey | 1939 | 2012 | English | Mortuos Plango Vivos Voco; Advaya; Bhakti; Wheel of Emptiness | spectralism |
Heinz Holliger | 1939 | | Swiss | Schneewittchen | |
Nicolaus A. Huber | 1939 | | German | | |
Tom Johnson | 1939 | | American | An Hour for Piano | minimalism |
Mikheil Kobakhidze | 1939 | 2019 | Georgian | | |
Barbara Kolb | 1939 | | American | | |
Jaroslav Krček | 1939 | | Czech | | |
Jean-Pierre Leguay | 1939 | | French | | |
Arkady Luxemburg | 1939 | | Moldovan-American | | |
Ma Shui-Long | 1939 | 2015 | Taiwanese | | |
Tigran Mansurian | 1939 | | Armenian | | |
Bruce Mather | 1939 | | Canadian | | |
John McCabe | 1939 | 2015 | English | Chagall Windows; symphonies; ballets; string quartets | |
María Luisa Ozaita | 1939 | 2017 | Spanish | | |
Florencio Pozadas | 1939 | 1968 | Bolivian | | electroacoustic music |
Patric Standford | 1939 | 2014 | English | Symphony No.1 "The Seasons"; A Christmas Carol Symphony; Cello Concerto; Christus Requiem | |
Tomáš Svoboda | 1939 | | Czech-American | Overture of the Season; Marimba Concerto; "Children's Treasure Box" piano series | |
Zsigmond Szathmáry | 1939 | | Hungarian | | |
Richard Teitelbaum | 1939 | 2020 | American | | |
Boris Tishchenko | 1939 | 2010 | Russian | | polystylism |
Inger Wikström | 1939 | | Swedish | | |
James Willey | 1939 | | American | | |
Ellen Taaffe Zwilich | 1939 | | American | | neoromanticism |
Dieter Acker | 1940 | 2006 | German | | |
Juraj Beneš | 1940 | 2004 | Slovak | | |
Margaret Brouwer | 1940 | | American | | |
Graciela Castillo | 1940 | | Argentine | | electroacoustic |
Julius Eastman | 1940 | 1990 | American | | |
Joseph Fennimore | 1940 | | American | Berlitz: Introduction to French; Eventide | eclectic |
Henry Flynt | 1940 | | American | | |
Eleanor Hovda | 1940 | 2009 | American | | |
Alden Jenks | 1940 | | American | | |
Terry Jennings | 1940 | 1981 | American | | minimalist |
David C. Johnson | 1940 | 2021 | American | | |
Ken-Ichiro Kobayashi | 1940 | | Japanese | | |
Maria Teresa Luengo | 1940 | | Argentine | | |
Dorothy Rudd Moore | 1940 | 2022 | American | | |
Gary Lee Nelson | 1940 | | American | | |
Nguyen-Thien Dao | 1940 | 2015 | Vietnamese-French | | |
Jorge Peixinho | 1940 | 1995 | Portuguese | | electronic music |
Peer Raben | 1940 | 2007 | German | | |
Dan-Alexandru Voiculescu | 1940 | 2009 | Romanian | | |
Alexander Yossifov | 1940 | 2016 | Bulgarian | | |
Frank Zappa | 1940 | 1993 | American | The Perfect Stranger; The Yellow Shark | |
Adrienne Albert | 1941 | | American | | |
Stephen Albert | 1941 | 1992 | American | Symphony No. 1: Riverrun | |
Judith Margaret Bailey | 1941 | | English | | |
Anđelka Bego-Šimunić | 1941 | 2022 | Bosnian | | neoclassicism |
Konrad Boehmer | 1941 | 2014 | Dutch | | |
Derek Bourgeois | 1941 | 2017 | English | | |
Geoffrey Burgon | 1941 | 2010 | British | Magnificat and Nunc Dimittis; Monty Python's Life of Brian (film score) | |
David Cope | 1941 | | American | | |
James Di Pasquale | 1941 | | American | | |
Francisco Feliciano |
1941 |
2014 |
Filipino |
|
|
Johannes Fritsch | 1941 | 2010 | German | | |
Kay Gardner | 1941 | 2002 | American | | |
Angelo Gilardino | 1941 | 2022 | Italian | | |
Adolphus Hailstork | 1941 | | American | | |
Sorrel Hays | 1941 | 2020 | American | | |
Moya Henderson | 1941 | | Australian | Lindy | |
Valeri Kikta | 1941 | | Ukrainian | | |
Philip Krumm | 1941 | | American | | |
Antony le Fleming | 1941 | | English | | |
Paul Alan Levi | 1941 | | American | | |
John Melby | 1941 | | American | | |
Yvar Mikhashoff | 1941 | 1993 | American | | |
John Mitchell | 1941 | | American | | |
Richard Nanes | 1941 | 2009 | American | | |
Emmanuel Nunes | 1941 | 2012 | Portuguese | Machina Mundi; Quodlibet | electronic music |
Sook-Ja Oh | 1941 | | Korean | | |
Magaly Ruiz | 1941 | | Cuban | | |
Erkki Salmenhaara | 1941 | 2002 | Finnish | | minimalism |
Serge Tcherepnin | 1941 | | American | | |
Richard Edward Wilson | 1941 | | American | | |
Birgitte Alsted | 1942 | | Danish | | |
Philip Bračanin | 1942 | | Australian | | |
John Cale | 1942 | | Welsh | | |
John Barnes Chance | 1942 | 1972 | American | Elegie; Variations on a Korean Folk Song | |
Brian Cherney | 1942 | | Canadian | | |
Charles Dodge | 1942 | | American | Earth's Magnetic Field | electronic music, computer music |
Chinary Ung | 1942 | | Cambodian | | |
Adel Kamel | 1942 | 2003 | Egyptian | | |
Volker David Kirchner | 1942 | 2020 | German | Die Trauung (opera); Missa Moguntina (Mainz Mass); Symphony No. 2 "Mythen" | |
Jonathan Kramer | 1942 | 2004 | American | | postmodernism |
Tomás Marco | 1942 | | Spanish | Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 Anatomía fractal de los ángeles; Ojos verdes de luna | avant-garde, neoclassical, folk-influenced, eclectic |
Ingram Marshall | 1942 | 2022 | American | | electronic music; instrumental music |
David Matthews | 1942 | | English | | |
Paul McCartney | 1942 | | English | Liverpool Oratorio; Standing Stone; Ecce Cor Meum | member of The Beatles and Wings |
John McGuire | 1942 | | American | Pulse Music III; A Capella | electronic music, fusion of serialism and minimalism, postminimalism |
Priscilla McLean | 1942 | | American | Rainforest Images (jointly composed with Barton McLean) | postmodernist, ambient, drone, minimalist, musique concrète, computer music |
Haruna Miyake | 1942 | | Japanese | | |
Meredith Monk | 1942 | | American | | |
Gentil Montaña | 1942 | 2011 | Colombian | | |
David Padrós | 1942 | 2016 | Spanish | | |
Horațiu Rădulescu | 1942 | 2008 | Romanian/French | six string quartets | spectralism |
Diogenes Rivas | 1942 | | Venezuelan | | |
Daniel Roth | 1942 | | French | | |
Wojciech Rybicki | 1942 | 2019 | Polish | | |
Shigeaki Saegusa | 1942 | | Japanese | Piano Concerto | avant-garde |
Clive Strutt | 1942 | | English | The Tragedy of Man | neoromantic |
Kyungsun Suh | 1942 | | Korean | | |
Viktor Suslin | 1942 | 2012 | Russian | | |
José Antônio Rezende de Almeida Prado | 1943 | 2010 | Brazilian | | |
Solange Ancona | 1943 | | French | | |
Daniel Börtz | 1943 | | Swedish | | |
Joanna Bruzdowicz | 1943 | 2021 | Polish | | |
Gavin Bryars | 1943 | | English | Jesus' Blood Never Failed Me Yet, Doctor Ox's Experiment | |
Laura Clayton | 1943 | | American | | |
Eleanor Cory | 1943 | | American | | |
Edward Cowie | 1943 | | English | | |
William Duckworth | 1943 | 2012 | American | | |
Hugues Dufourt | 1943 | | French | | |
Dennis Eberhard | 1943 | 2005 | American | | |
Ross Edwards | 1943 | | Australian | | |
Margriet Ehlen | 1943 | | Dutch | | |
Julio Estrada | 1943 | | Mexican | | |
Brian Ferneyhough | 1943 | | English | Etudes Transcendantales | New Complexity |
Faraj Garayev | 1943 | | Azerbaijani | | |
Rolf Gehlhaar | 1943 | 2019 | American | Sub rosa; Five German Dances | electronic music, sound installations |
Heinz Karl Gruber | 1943 | | Austrian | Frankenstein!!, Charivari, Aerial | |
Robin Holloway | 1943 | | English | | |
Bill Hopkins | 1943 | 1981 | English | En Attendant; Sensation | |
Jerry Hunt | 1943 | 1993 | American | | |
Ilaiyaraaja | 1943 | | Indian | How to Name it; Nothing but wind; Thiruvasagam -An Oratorio; The Music Messiah; India 24 hours; | Indian Classical (Carnatic), Western classical, Fusion, Jazz, Indian folk |
Zoltán Jeney | 1943 | 2019 | Hungarian | | |
Alexander Knaifel | 1943 | | Russian | The Canterville Ghost | modernism, polystylism |
Morten Lauridsen | 1943 | | American | vocal works | |
Tania León | 1943 | | Cuban | | |
Fred Lerdahl | 1943 | | American | | Neoconservative postmodernism |
Bruce MacCombie | 1943 | 2012 | American | | |
Bill McGlaughlin | 1943 | | American | Remembering Icarus; Walt Whitman's Dream | |
Krzysztof Meyer | 1943 | | Polish | 12 string quartets | |
Costin Miereanu | 1943 | | French | | |
Alejandro Núñez Allauca | 1943 | | Peruvian | | |
Marta Ptaszynska | 1943 | | Polish | | |
Joseph Schwantner | 1943 | | American | Aftertones of Infinity; A Sudden Rainbow | |
Alice Shields | 1943 | | American | The Transformation of Ani, Criseyde, Komachi at Sekidera, White Heron Dance, Zhaojün - The Woman Who Saved the World, Dark Mountain in Spring | electronic and acoustic opera, vocal music, chamber music |
Roger Smalley | 1943 | 2015 | Australian (born English) | Pulses; 2 piano concertos | serialism, eclectic |
Pril Smiley | 1943 | | American | | electronic music |
Tim Souster | 1943 | 1994 | British | | |
Ivan Tcherepnin | 1943 | 1998 | French-American | | |
Vangelis | 1943 | | Greek | | electronic music |
Michael Vetter | 1943 | 2013 | German | Missa Universalis | new-age, Zen-influenced |
Alexander Vustin | 1943 | 2020 | Russian | Word | |
Udo Zimmermann | 1943 | 2021 | German | Weiße Rose, Der Schuhu und die fliegende Prinzessin | opera |
William Albright | 1944 | 1998 | American | | polystylistic |
Alison Bauld | 1944 | | Australian | | |
Gilbert Biberian | 1944 | | Armenian-British | | |
Willem Breuker | 1944 | 2010 | Dutch | | |
Neely Bruce | 1944 | | American | | postminimalist |
Tatyana Chudova | 1944 | 2021 | Russian | | |
Barry Conyngham | 1944 | | Australian | | |
Lyell Cresswell | 1944 | | New Zealander | | |
Péter Eötvös | 1944 | | Hungarian | Love and Other Demons | eclectic, extended technique, electronic music, folk-music influence |
John Fodi | 1944 | 2009 | Canadian | | |
Christopher Gunning | 1944 | | British | | |
John Hawkins | 1944 | 2007 | Canadian | | |
York Höller | 1944 | | German | Schwarze Halbinseln; Der Meister und Margarita | electronic music, serialism, Gestalt composition |
Karl Jenkins | 1944 | | Welsh | The Armed Man; Adiemus; Requiem | |
Thomas Koppel | 1944 | 2006 | Danish | | avant-garde |
Beatriz Lockhart | 1944 | 2015 | Uruguayan | | |
Arif Mirzayev | 1944 | | Azerbaijani | | |
Pehr Henrik Nordgren | 1944 | 2008 | Finnish | | |
Michael Nyman | 1944 | | English | The Man Who Mistook His Wife for a Hat | minimalism |
Claire Renard | 1944 | | French | | |
Goff Richards | 1944 | 2011 | English | | |
Rhian Samuel | 1944 | | Welsh | | |
Leif Segerstam | 1944 | | Finnish | | |
John Tavener | 1944 | 2013 | English | | holy minimalism |
László Vidovszky | 1944 | | Hungarian | | |
Ahmed Achour | 1945 | 2021 | Tunisian | Concerto for clarinet and orchestra | |
Graciela Agudelo | 1945 | 2018 | Mexican | | |
Charles Amirkhanian | 1945 | | American | | |
Georges Aperghis | 1945 | | Greek | | |
Clarence Barlow | 1945 | | Indian-British | | |
Anthony Braxton | 1945 | | American | | |
Ole Buck | 1945 | | Danish | | |
Boudewijn Buckinx | 1945 | | Belgian | | |
Judith Clingan | 1945 | | Australian | | |
Rauf Dhomi | 1945 | | Kosovan | | |
Edward Gregson | 1945 | | English | | |
Keith Jarrett | 1945 | | American | | |
Ivan Karabyts | 1945 | 2002 | Ukrainian | | |
Shirish Korde | 1945 | | American | | |
Fredric Kroll | 1945 | | American | | |
Chan-Hae Lee | 1945 | | South Korean | | |
Thomas Oboe Lee | 1945 | | Chinese-American | | |
Jacques Lenot | 1945 | | French | | |
Luca Lombardi | 1945 | | Italian | | |
Younghi Pagh-Paan | 1945 | | South Korean | | |
Thomas Pasatieri | 1945 | | American | | |
Russell Peck | 1945 | 2009 | American | | |
Johnterryl Plumeri | 1945 | 2016 | American | | |
Basil Poledouris | 1945 | 2006 | American | | |
Štěpán Rak | 1945 | | Czech | | |
Doug Riley | 1945 | 2007 | Canadian | | |
John Rutter | 1945 | | English | choral music | |
Carol Sams | 1945 | | American | Beauty and the Beast (children's opera) | |
İstemihan Taviloğlu | 1945 | 2006 | Turkish | | |
Thomas Wells | 1945 | | American | | |
Maury Yeston | 1945 | | American | Tom Sawyer: A Ballet in Three Acts, Concerto for Cello and Orchestra, An American Cantata | Broadway musicals Nine, Titanic, Grand Hotel |
Judith Lang Zaimont | 1945 | | American | | |
Zhao Jiping | 1945 | | Chinese | | |
Barbara Benary | 1946 | 2019 | German | | |
Gilius van Bergeijk | 1946 | | Dutch | | |
Niels Bernhart | 1946 | 2008 | Danish | | |
Renate Birnstein | 1946 | | German | | |
Robert Boury | 1946 | | American | | |
Anne Boyd | 1946 | | Australian | | |
Martin Bresnick | 1946 | | American | | |
Geneviève Calame | 1946 | 1993 | Swiss | | |
Suzanne Ciani | 1946 | | American | | electronic music |
Pierre Even (composer) | 1946 | | Luxembourgian | | |
Michael Finnissy | 1946 | | English | | |
Zsolt Gárdonyi | 1946 | | Hungarian German | Magnificat, Mozart Changes (organ) | |
Janice Giteck | 1946 | | American | | |
Gérard Grisey | 1946 | 1998 | French | Vortex temporum | |
Ann-Elise Hannikainen | 1946 | 2012 | Finnish | | |
Ho Wai-On | 1946 | | British | | |
Tristan Keuris | 1946 | 1996 | Dutch | | |
Ladislav Kubík | 1946 | 2017 | Czech-American | | |
Yasuo Kuwahara | 1946 | 2003 | Japanese | | |
Peter Lieberson | 1946 | 2011 | American | | |
Ulrich Leyendecker | 1946 | 2018 | German | | |
Vladimir Martynov | 1946 | | Russian | | minimalism |
Dimitri Nicolau | 1946 | 2008 | Italian | | |
David Noon | 1946 | | American | | |
Pierre Pincemaille | 1956 | 2018 | French | | |
Nicola Piovani | 1946 | | Italian | | |
Kenneth Platts | 1946 | 1989 | British | | |
Robert Xavier Rodriguez | 1946 | | American | | |
Tolib Shakhidi | 1946 | | Tajik | | |
Giuseppe Sinopoli | 1946 | 2001 | Italian | | |
Denis Smalley | 1946 | | New Zealander | | electroacoustic music, acousmatic music |
Richard St. Clair | 1946 | | American | The Lamentations of Shinran; Album of Ragtime Pieces for Piano; Love-Canzonettes for Chorus; Piano Sonatas | Neoromanticism |
Pēteris Vasks | 1946 | | Latvian | | |
Diderik Wagenaar | 1946 | | Dutch | | |
Dana Wilson | 1946 | | American | | |
Heinz Winbeck | 1946 | 2019 | German | | |
John Adams | 1947 | | American | Nixon in China; Harmonielehre; Shaker Loops, Short Ride in a Fast Machine; Violin Concerto | post-minimalism |
David Ahern | 1947 | 1988 | Australian | | |
Liana Alexandra | 1947 | 2011 | Romanian | | |
Franghiz Ali-Zadeh | 1947 | | Azerbaijani | "Mugam Sayagi". Her works have been performed by Yo-Yo Ma and the Kronos Quartet. |
She is best known for her works that combine the musical tradition of the Azerbaijani mugam and 20th-century Western compositional techniques. |
Laurie Anderson | 1947 | | American | | |
Ruth Bakke | 1947 | | Norwegian | | |
Jean-Yves Bosseur | 1947 | | French | | |
Alan Bullard | 1947 | | English | | |
Michel Chion | 1947 | | French | | |
Anders Eliasson | 1947 | 2013 | Swedish | four symphonies | |
Jack Gallagher | 1947 | | American | | |
Donald Grantham | 1947 | | American | | |
Barry Guy | 1947 | | British | | |
John S. Hilliard | 1947 | 2019 | American | Baron Cimetiere's Mambo | |
Ko Fan-long | 1947 | | Taiwanese | | |
Jo Kondo | 1947 | | Japanese | | |
Grigoriy Korchmar | 1947 | | Russian | | |
Nikolai Korndorf | 1947 | 2001 | Russian and Canadian | | |
Zarrina Mirshakar | 1947 | | Tajik | | |
Tristan Murail | 1947 | | French | Gondwana | spectral music |
Paul Patterson | 1947 | | English | | |
Morris Pert | 1947 | 2010 | Scottish | | |
Karl Aage Rasmussen | 1947 | | Danish | | |
Václav Riedlbauch | 1947 | 2017 | Czech | | |
Salvatore Sciarrino | 1947 | | Italian | | |
Howard Skempton | 1947 | | English | | |
Emil Tabakov | 1947 | | Bulgarian | | |
Roger Craig Vogel | 1947 | | American | | |
Gwyneth Van Anden Walker | 1947 | | American | | |
Zunduin Khangal | 1948 | 1996 | Mongolian | | |
Claude Baker | 1948 | | American | | |
Josef Bardanashvili | 1948 | | Georgian | | |
Gisèle Barreau | 1948 | | French | | |
Michael Berkeley | 1948 | | English | | |
Chester Biscardi | 1948 | | American | | |
Glenn Branca | 1948 | 2018 | American | | avant-garde |
Stephen Brown | 1948 | | Canadian | | |
Diana Burrell | 1948 | | English | | |
Brian Elias | 1948 | | British | | |
Brian Eno | 1948 | | English | | ambient music, minimalism |
Richard Festinger | 1948 | | American | | |
Jani Golob | 1948 | | Slovenian | | |
Mikko Heiniö | 1948 | | Finnish | | |
Bern Herbolsheimer | 1948 | 2016 | American | Aria da capo (opera) | |
Bo Holten | 1948 | | Danish | | |
Jean-Michel Jarre | 1948 | | French | | |
Kerstin Jeppsson | 1948 | | Swedish | | |
Theo Jörgensmann | 1948 | | German | | |
Marjan Mozetich | 1948 | | Canadian | | |
Peter Ruzicka | 1948 | | German | | |
Allen Shawn | 1948 | | American | | |
Dmitri Smirnov | 1948 | 2020 | Russian / British | Tiriel (opera), Thel (opera) | serialism, collage, electroacoustic music, polystylism, musical cryptography |
Jukka Tiensuu | 1948 | | Finnish | | |
Julia Tsenova | 1948 | 2010 | Bulgarian | Sinfonia con piano concertante; Endless Circle for string quintet; Musica Solitudinis; Four songs, to poems by Emily Dickinson | |
Claude Vivier | 1948 | 1983 | Canadian | Kopernikus: Rituel de la Mort | spectral music, Asian-music influence |
Fu Tong Wong |
1948 |
|
Chinese-American |
Symphony: The Hero with Great Eagle |
|
Eleanor Alberga | 1949 | | Jamaican | | |
Kalevi Aho | 1949 | | Finnish | | |
Carlos Azevedo | 1949 | 2012 | Portuguese | | |
Carol E. Barnett | 1949 | | American | | |
Leonid Bobylev | 1949 | | Russian | Symphony (1985), Concerto for viola and string orchestra (1970) | |
Jolyon Brettingham Smith | 1949 | 2008 | English | | |
John Casken | 1949 | | English | | |
Daniel Catán | 1949 | 2011 | Mexican | Florencia en el Amazonas; Rappaccini's Daughter | neo-impressionism |
Chan Ka Nin | 1949 | | Canadian | | |
Daniel Steven Crafts | 1949 | | American | | |
Rocco Di Pietro | 1949 | | Italian | | |
Dean Drummond | 1949 | 2013 | American | | |
Tim Hodgkinson | 1949 | | English | | |
Michel Herr | 1949 | | Belgian | | |
Michaël Lévinas | 1949 | | French | | |
Dan Locklair | 1949 | | American | | |
Fernando Mencherini | 1949 | 1997 | Italian | | |
Theodore Papakonstantinou | 1949 | 1970 | Cypriot | | |
Stephen Paulus | 1949 | 2014 | American | Pilgrim's Hymn; The Road Home; | |
Geoffrey Poole | 1949 | | English | | |
Christopher Rouse | 1949 | 2019 | American | Karolju; Phantasmata; Trombone Concerto; Symphony No. 1; Symphony No. 2 | |
Poul Ruders | 1949 | | Danish | | |
Thomas Schmidt-Kowalski | 1949 | 2013 | German | | |
Dave Smith | 1949 | | English | | |
Steven Stucky | 1949 | 2016 | American | Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 | |
Vladimir Tošić | 1949 | | Serbian | | |
Kevin Volans | 1949 | | South African | Hunting Gathering | |
Philip Wilby | 1949 | | English | | brass-band music |
Ernani Aguiar | 1950 | | Brazilian | | |
Beth Anderson | 1950 | | American | | |
Robert Black | 1950 | 1993 | American | | |
Gene Bowen | 1950 | | American | | |
Stephen Chatman | 1950 | | Canadian | | |
David B. Doty | 1950 | | American | | |
Elena Firsova | 1950 | | Russian / British | The Nightingale and the Rose | |
Olivier Greif | 1950 | 2000 | French | | |
Åse Hedstrøm | 1950 | | Norwegian | | |
Alistair Hinton | 1950 | | Scottish | | |
Christopher Hobbs | 1950 | | English | | |
Otomar Kvěch | 1950 | 2018 | Czech | | |
Emmanuel Gyimah Labi | 1950 | | Ghanaian | | |
Lam Manyee | 1950 | | Chinese | | |
Libby Larsen | 1950 | | American | Marimba Concerto | |
Elodie Lauten | 1950 | 2014 | American | | |
Arturo Márquez | 1950 | | Mexican | Danzón no. 2 | |
Joseph Pehrson | 1950 | 2020 | American | | |
Stephen Oliver | 1950 | 1992 | English | | |
Jay Reise | 1950 | | American | | |
Joe Hisaishi | 1950 | | Japanese | | also notable as a film composer |
Lepo Sumera | 1950 | 2000 | Estonian | | electro-acoustic music |
William Sweeney | 1950 | | Scottish | | folk-influenced |
Carl Verbraeken | 1950 | | Belgian | | |
Rafał Augustyn | 1951 | | Polish | | |
Alan Belkin | 1951 | | Canadian | | |
Michael Blake | 1951 | | South African | French Suite | |
John Burke | 1951 | 2020 | Canadian | | |
Howard J. Buss | 1951 | | American | Modern Times | |
Chen Qigang | 1951 | | Chinese-French | | |
Anthony Davis | 1951 | | American | | |
Paul Dresher | 1951 | | American | | |
Huib Emmer | 1951 | | Dutch | | |
Richard Emsley | 1951 | | British | | |
James Erber | 1951 | | British | | |
Lorenzo Ferrero | 1951 | | Italian | Salvatore Giuliano, La Conquista, Risorgimento! | postmodern |
David Froom | 1951 | | American | | |
Nancy Galbraith | 1951 | | American | | postmodern/postminimalist |
Francisco Guerrero Marín | 1951 | 1997 | Spanish | | |
Halina Harelava | 1951 | | Belarusian | | |
Earl Howard | 1951 | | American | | avant-garde |
Brian Israel | 1951 | 1986 | American | | |
Viera Janárceková | 1951 | | Slovakian | | |
Patricia Jünger | 1951 | | Swiss-Austrian | | |
Aivars Kalējs | 1951 | | Latvian | | Neoromanticism |
Patrick Larley | 1951 | | British | | |
Mona Lyn Reese | 1951 | | American | | |
Michael Rosenzweig | 1951 | | South African | Symphony in One Movement; String Quartet No. 2 | |
Doina Rotaru | 1951 | | Romanian | Concerto for clarinet and orchestra; Florilegium, concerto for flute and flutes orchestra; Wings of Light for 24 flutists | |
Craig Russell | 1951 | | American | | |
Robert Savage | 1951 | 1993 | American | "An Eye-Sky Symphony" | |
George Tsontakis | 1951 | | American | | |
Hans Abrahamsen | 1952 | | Danish | | |
Sérgio Assad | 1952 | | Brazilian | | |
Simon Bainbridge | 1952 | 2021 | British | | |
Gerald Barry | 1952 | | Irish | | |
Max Beckschäfer | 1952 | | German | Michelangelo-Fragmente, vocal music | also academic for music theory |
Judith Bingham | 1952 | | British | | |
Roger Bourland | 1952 | | American | | |
David Carlson | 1952 | | American | | |
Mark Carlson | 1952 | | American | | |
Rhys Chatham | 1952 | | American | | avant-garde, minimalism |
Maia Ciobanu | 1952 | | Romanian | | |
Todd Tamanend Clark | 1952 | | American | "Brain and Spinal Column", "The Grim Rider", "Into the Vision" | electronic, psychedelic |
Tina Davidson | 1952 | | American | | |
Richard Einhorn | 1952 | | American | Voices of Light (oratorio); The Origin (opera/oratorio) | |
Reinhard Febel | 1952 | | German | opera Sekunden und Jahre des Caspar Hauser, Wolkenstein, Sinfonie | |
Heiner Goebbels | 1952 | | German | | |
Stephen Hartke | 1952 | | American | | |
Margriet Hoenderdos | 1952 | 2010 | Dutch | | |
Lee Hyla |
1952 | 2014 | American | | |
Scott Johnson | 1952 | | American | | |
Oliver Knussen | 1952 | 2018 | British | Where the Wild Things Are | |
Lev Konov | 1952 | | Russian | | |
Gerd Kühr | 1952 | | German | operas Stallerhof, Tod und Teufel | |
Christian Lauba | 1952 | | Tunisian born French | The Lose Forest for ensemble of 12 saxophones, Neuf études pour saxophone | |
Irfan Ljubijankić | 1952 | 1995 | Bosnian | | |
Philippe Manoury | 1952 | | French | 60th Parallel (opera), Pluton for piano and live electronics | punctualism, computer-assisted composition |
Kazuhiro Morita | 1952 | | Japanese | | |
Dominic Muldowney | 1952 | | English | | |
Alla Pavlova | 1952 | | Russian | | |
Qu Xiao-Song | 1952 | | Chinese | | |
Godfried-Willem Raes | 1952 | | Belgian | | |
Wolfgang Rihm | 1952 | | German | 12 string quartets; Die Eroberung von Mexico (opera) | New Simplicity, expressionism, neoromanticism |
Kaija Saariaho | 1952 | | Finnish | L’amour de loin; Adriana Mater; La Passion de Simone | |
Tatyana Sergeyeva | 1952 | | Russian | | |
Motoyuki Shitanda | 1952 | | Japanese | | |
Ryuichi Sakamoto | 1952 | | Japanese | | |
Peter-Jan Wagemans | 1952 | | Dutch | | |
Moshe Zorman | 1952 | | Israeli | | |
John Luther Adams | 1953 | | American | Various pieces inspired by Alaskan landscapes | |
Martin Amlin | 1953 | | American | | |
Avril Anderson | 1953 | | English | | |
Patrick Ascione | 1953 | 2014 | French | Divertissement | Electroacoustic and Acousmatic music |
Daniel Asia | 1953 | | American | | |
Roger Bellon | 1953 | | French | | |
Josefina Benedetti | 1953 | | American | | |
Susan Morton Blaustein | 1953 | | American | | |
Cornelis de Bondt | 1953 | | Dutch | | |
Hans-Jürgen von Bose | 1953 | | German | Piano music | |
Wendy Mae Chambers | 1953 | | American | | |
Chen Yi | 1953 | | Chinese | | |
Andrew Culver | 1953 | | American | | |
Stéphane Delplace | 1953 | | French | | |
Jody Diamond | 1953 | | American | | |
Violeta Dinescu | 1953 | | Romanian | Der 35. Mai (children's opera) | |
Arnold Dreyblatt | 1953 | | American | | |
Denis Dufour | 1953 | | French | Cycle Plis de perversion, Bocalises, Messe à l'usage des vieillards, Hérisson Cathédrale | instrumental perceptive morphology, acousmatic music, mixed music, electronic music |
Nicolas Economou | 1953 | 1993 | Cypriot | | |
René Eespere | 1953 | | Estonian | | |
Eibhlis Farrell | 1953 | | Irish | | |
David Felder | 1953 | | American | | |
David First | 1953 | | American | | |
Georg Friedrich Haas | 1953 | | Austrian | Double Concerto for accordion, viola and chamber ensemble, Concerto for violin and orchestra | spectral music |
He Xuntian | 1953 | | Chinese | | |
Adriana Hölszky | 1953 | | Romanian-German | | |
Juhani Komulainen | 1953 | | Finnish | | |
Peter Scott Lewis | 1953 | | American | | |
Tod Machover | 1953 | | American | | |
Jeff Manookian | 1953 | 2021 | American | | |
Wim Mertens | 1953 | | Belgian | The Belly of an Architect (incl. Struggle for Pleasure), Maximizing the Audience | minimalism |
Akira Nishimura | 1953 | | Japanese | | |
Anthony Powers | 1953 | | British | | |
Alexander Raskatov | 1953 | | Russian | | |
Roberto Sierra | 1953 | | Puerto Rican | Missa Latina | |
Vladimir Soltan | 1953 | 1997 | Belarusian | | |
Z. Randall Stroope | 1953 | | American | "Inscription of Hope", "The Pasture", "Homeland" | |
James Wood | 1953 | | English | Stoicheia, Ho shang Yao | microtonality, percussion, voice |
Takashi Yoshimatsu | 1953 | | Japanese | Symphony No. 2 | |
Zhou Long | 1953 | | Chinese | | |
Lidia Zielińska | 1953 | | Polish | | |
John Zorn | 1953 | | American | | Avant-garde |
Richard Blackford | 1954 | | English | | |
Sylvie Bodorová | 1954 | | Czech | | |
Elisabetta Brusa | 1954 | | Italian | | |
Robert Carl | 1954 | | American | | |
Chan Wing-wah | 1954 | | Chinese | | |
Nicolas Collins | 1954 | | American | | electronic music |
Michael Daugherty | 1954 | | American | UFO | |
Paul Dirmeikis | 1954 | | American | Message laisse à Pondichéry le 18 novembre 1973 | eclectic |
Joël-François Durand | 1954 | | French | Piano Concerto | |
María Escribano | 1954 | 2002 | Spanish | | |
Eric Ewazen | 1954 | | American | | |
Susan Frykberg | 1954 | | New Zealander | | electroacoustic |
Ge Gan-ru | 1954 | | Chinese | |
Elliot Goldenthal | 1954 | | American | | |
Robert Greenberg | 1954 | | American | | |
Irina Hasnaș | 1954 | | Romanian | | |
Birgit Havenstein | 1954 | | German | | |
Anders Hillborg | 1954 | | Swedish | | |
Vladimír Hirsch | 1954 | | Czech | | avant-garde |
Brenda Hutchinson | 1954 | | American | | |
Stephen Jaffe | 1954 | | American | | |
Denise Kelly | 1954 | | Irish | | |
Eric Moe | 1954 | | American | | |
John Musto | 1954 | | American | | |
Șerban Nichifor | 1954 | | Romanian | | |
Betty Olivero | 1954 | | Israeli | | |
Cecilie Ore | 1954 | | Norwegian | | |
Tobias Picker | 1954 | | American | | |
Arturo Rodas | 1954 | | Franco-Ecuadorian | Arcaica, a concerto for percussion & orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros (The birds tree): opera "for the voice of the instruments" | avant-garde, polystylism |
Jan Sandström | 1954 | | Swedish | Motorbike Concerto, Es ist ein Ros entsprungen, Rekviem | |
Paweł Szymański | 1954 | | Polish | | |
Carl Vine | 1954 | | Australian | | |
Judith Weir | 1954 | | British | | |
René Wohlhauser | 1954 | | Swiss | | |
Bob Chilcott | 1955 | | British | Choral music | |
David Conte | 1955 | | American | | |
Pascal Dusapin | 1955 | | French | Perelà, uomo di fumo | |
Roland Dyens | 1955 | 2016 | Tunisian-French | | |
Mark Edgley Smith | 1955 | 2008 | English | | |
Ludovico Einaudi | 1955 | | Italian | | minimalism |
Juraj Filas | 1955 | | Slovak | | |
Diamanda Galás | 1955 | | American | | |
Kyle Gann | 1955 | | American | | Just intonation |
Naji Hakim | 1955 | | Lebanese-French | | |
Toshio Hosokawa | 1955 | | Japanese | Vision of Lear, Circulating Ocean, Voiceless Voice in Hiroshima | neo-impressionism |
David A. Jaffe | 1955 | | American | "Silicon Valley Breakdown"; "The Seven Wonders of the Ancient World" | computer music, folk-music-influenced |
Olli Kortekangas | 1955 | | Finnish | | |
Bernardo Kuczer | 1955 | | Argentinian | Civilización o Barbarie | Electronic music |
Jukka Linkola | 1955 | | Finnish | | |
Pedro Luís Neves | 1955 | | Portuguese | | |
Michael Obst | 1955 | | German | Solaris | electronic music |
Gérard Pape | 1955 | | American | | electronic music |
Bright Sheng | 1955 | | Chinese | The Silver River | Folk-influenced |
Tibor Szemző | 1955 | | Hungarian | | |
Krassimir Taskov | 1955 | | Bulgarian | | |
Ian Venables | 1955 | | English | Songs of Eternity and Sorrow, Remember This | |
Ye Xiaogang | 1955 | | Chinese | | |
Eduardo Alonso-Crespo | 1956 | | Argentine | | |
Miguel Álvarez-Fernández | 1979 | | Spanish | Auto Sacramental Invisible; Voyelles | electronic music; sound installation; radio art |
Javier Álvarez | 1956 | | Mexican | Metro Chabacano, Temazcal | |
Regina Harris Baiocchi | 1956 | | American | | |
Sally Beamish | 1956 | | British | | |
Chiara Benati | 1956 | | Italian | | |
Tim Brady | 1956 | | Canadian | | |
Benet Casablancas | 1956 | | Spanish | Seven Scenes from Hamlet, New Epigrams, Alter Klang, Seven Haikus for sextet, L'enigma di Lea (opera) | Expressionism, Avant-garde, neo-impressionism |
Richard Danielpour | 1956 | | American | Margaret Garner | |
Daniel Dorff | 1956 | | American | | |
Anne Dudley | 1956 | | English | | |
Dror Elimelech | 1956 | | Israeli | | |
Michelle Ekizian | 1956 | | American | | |
Miguel Frasconi | 1956 | | American | | |
Kenneth Fuchs | 1956 | | American | Falling Man (for baritone voice and orchestra, text by Don DeLillo, adapted by J. D. McClatchy) | American Symphonic School |
Vladimír Godár | 1956 | | Slovak | | |
Michael Gordon | 1956 | | American | | |
Philip Grange | 1956 | | English | | |
Guo Wenjing | 1956 | | Chinese | | Opera |
Madeleine Isaksson | 1956 | | Swedish | | |
Jouni Kaipainen | 1956 | 2015 | Finnish | | |
Makiko Kinoshita | 1956 | | Japanese | | |
Graeme Koehne | 1956 | | Australian | Inflight Entertainment (oboe concerto); Tivoli Dances | |
Leon Milo | 1956 | 2014 | American | TimeTexture for piano and electronics | electroacoustic music |
Thomas Pernes | 1956 | 2018 | Austrian | | avant-garde |
Paul Phillips | 1956 | | American | | |
Iris ter Schiphorst | 1956 | | German | | |
Oliver Schroer | 1956 | 2008 | Canadian | | |
Stefano Scodanibbio | 1956 | 2012 | Italian | | |
Laurence Traiger | 1956 | | American | | |
Miguel del Águila | 1957 | | Uruguayan-American | Concierto en Tango, Conga, Salon Buenos Aires, Violin Concerto, Wind Quintet No. 2 | |
Masamichi Amano | 1957 | | Japanese | | |
Gheorghi Arnaoudov | 1957 | | Bulgarian | | minimalism |
Charles Roland Berry | 1957 | | American | | |
Linda Bouchard | 1957 | | Canadian | | |
Mary Ellen Childs | 1957 | | American | | |
James Clarke | 1957 | | English | | |
Chaya Czernowin | 1957 | | Israeli | | |
Alexandre Danilevsky | 1957 | | Russian-born French | | |
Don Davis | 1957 | | American | Río de Sangre | also composer of film music: The Matrix |
Andrew Ford | 1957 | | English-born Australian | | |
Ellen Fullman | 1957 | | American | | |
Jiří Gemrot | 1957 | | Czech | | |
Guan Xia | 1957 | | Chinese | Symphonic Overture No. 1 | |
Regina Irman | 1957 | | Swiss | | |
Ivo Josipović | 1957 | | Croatian | | |
Elena Kats-Chernin | 1957 | | Australian | | |
Camille Kerger | 1957 | | Luxembourg | | |
Kim Jin-hi | 1957 | | South Korean | | |
David Lang | 1957 | | American | The Little Match Girl Passion | |
Jorge Liderman | 1957 | 2008 | American | | |
Paul Moravec | 1957 | | American | Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery | |
Zurab Nadareishvili | 1957 | | Georgian | | |
Pan Shiji | 1957 | | Taiwanese | String Quartet no. 4 | |
Gerhard Präsent | 1957 | | Austrian | Himmelslicht; Missa minima; Trio intricato | |
Gerhard Schedl | 1957 | 2000 | Austrian | Slow, Cello Concerto | |
Petros Shoujounian | 1957 | | Armenian-Canadian | | |
Cong Su | 1957 | | Chinese | | |
Tan Dun | 1957 | | Chinese | Water Passion after St. Matthew | Extended technique, Folk-influenced; also composer of film music: Crouching Tiger, Hidden Dragon |
Michael Glenn Williams | 1957 | | American | | |
Falko Steinbach | 1957 | | German | | |
Eve Beglarian | 1958 | | Armenian-American | | |
Karl Gottfried Brunotte | 1958 | | German | | |
Giulio Castagnoli | 1958 | | Italian | Concerto for Cello and Double Orchestra; Concerto for Piano and Orchestra; Missa Sancti Evasii | |
Oscar van Dillen | 1958 | | Dutch | | |
Paul Elwood | 1958 | | American | | |
Suzanne Giraud | 1958 | | French | | |
Juliana Hall | 1958 | | American | | |
Hanna Havrylets | 1958 | 2022 | Ukrainian | | |
Richard Kastle | 1958 | | American | | Neoclassical |
Mark Kilstofte | 1958 | | American | | |
Christian Lindberg | 1958 | | Swedish | Arabenne, Mandrake in the Corner | |
Magnus Lindberg | 1958 | | Finnish | Kraft; Clarinet Concerto | |
Mladen Milicevic | 1958 | | Bosnian/American | cl? – for prepared clarinet and electronics (1985) | experimental music, sound installation, and film music |
Jun Miyake | 1958 | | Japanese | | |
Mo Wuping | 1958 | 1993 | Chinese | | |
Esa-Pekka Salonen | 1958 | | Finnish | LA Variations; Insomnia | |
Thomas Simaku | 1958 | | Albanian | | |
Bent Sørensen | 1958 | | Danish | | |
Rafał Stradomski | 1958 | | Polish | | |
Nigel Westlake | 1958 | | Australian | | |
Julia Wolfe | 1958 | | American | | |
Sinta Wullur | 1958 | | Indonesian-Dutch | | |
Akio Yasuraoka | 1958 | | Japanese | | |
Jay Alan Yim | 1958 | | American | | |
Andrew York | 1958 | | American | | |
Hiroaki Zakōji | 1958 | 1987 | Japanese | | |
Davide Zannoni | 1958 | | Italian | | |
Caroline Ansink | 1959 | | Dutch | | |
Richard Barrett | 1959 | | Welsh | Construction | electroacoustic music, improvisation |
Kendall Durelle Briggs | 1959 | | American | | |
Sebastian Currier | 1959 | | American | | |
Paul Doornbusch | 1959 | | Australian | | computer music, electroacoustic music |
Alfio Fazio | 1959 | | Italian | | |
Vladimír Franz | 1959 | | Czech | | |
Lucio Garau | 1959 | | Italian | | |
James Harley | 1959 | | Canadian | | |
Adina Izarra | 1959 | | Venezuelan | | |
Vakhtang Kakhidze | 1959 | | Georgian | | |
Shigeru Kan-no | 1959 | | Japanese | Play Station Cycles; Simulation Cycles | |
Ana Lara | 1959 | | Mexican | | |
James MacMillan | 1959 | | Scottish | The Sacrifice; Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies | |
Steve Martland | 1959 | 2013 | English | | |
John Palmer | 1959 | | British | | |
Victor Rasgado | 1959 | | Mexican | | |
Erkki-Sven Tüür | 1959 | | Estonian | 6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots | |
Nobuo Uematsu | 1959 | | Japanese | Liberi Fatali | |
Robert Ian Winstin | 1959 | 2010 | American | | |
Maria de Alvear | 1960 | | Spanish-German | | |
Miguel Álvarez-Fernández | 1979 | | Spanish | Auto Sacramental Invisible; Voyelles | electronic music; sound installation; radio art |
Dirk Brossé | 1960 | | Belgian | | |
George Benjamin | 1960 | | English | Sudden Time; Antara | |
Nigel Clarke | 1960 | | English | Samurai; A Richer Dust (Symphony No 1.); The Miraculous Violin; Mysteries of the Horizon (Trumpet/Cornet Concerto); Earthrise; Gagarin | |
Sidney Corbett | 1960 | | American | | |
Nathan Currier | 1960 | | American | Gaian Variations | |
Karlheinz Essl, Jr. | 1960 | | Austrian | Lexikon-Sonate | |
Detlev Glanert | 1960 | | German | operas Leyla und Medjnun, Caligula, Solaris | |
Osvaldo Golijov | 1960 | | Argentine | | |
Annie Gosfield | 1960 | | American | | |
Julian Grant | 1960 | | English | | |
Georg Hajdu | 1960 | | German | | |
Pertti Jalava | 1960 | | Finnish | Music for orchestra (including five symphonies), chamber ensembles, big band, jazz ensembles, wind band and choir | |
Aaron Jay Kernis | 1960 | | American | Musica Instrumentalis, Colored Field | |
Priti Paintal | 1960 | | Indian | | |
Alexander Shchetynsky | 1960 | | Ukrainian | | |
William Susman | 1960 | | American | Marimba Montuño (solo); Camille (chamber ensmeble); Trailing Vortices (chamber orchestra); Fate of the Lhapa (film score) | postminimalism; also composer of film music: Native New Yorker |
Mark-Anthony Turnage | 1960 | | English | Greek; From All Sides; Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp | |
Ana-Maria Avram | 1961 | 2017 | Romanian | | spectral music |
John Burge | 1961 | | Canadian | | |
Unsuk Chin | 1961 | | South Korean | Alice in Wonderland; Violin Concerto; Fantasie mécanique; Cantatrix Sopranica | |
Marc-André Dalbavie | 1961 | | French | | |
Nailia Galiamova | 1961 | | Uzbekistani | | |
Lucio Gregoretti | 1961 | | Italian | | |
Jorge Grundman | 1961 | | Spanish | | |
Daron Hagen | 1961 | | American | | |
Jake Heggie | 1961 | | American | Dead Man Walking | |
Hanna Kulenty | 1961 | | Polish | Ad Unum, Breathe, The Mother of Black Winged-Dreams, Trumpet Concerto, String Quartet No. 4 | |
Lowell Liebermann | 1961 | | American | | |
Peter Machajdík | 1961 | | Slovak / German | Namah; Double Bayan Concerto; Farewell Fanfares; Lasea; Nell'autunno del suo abbraccio insonne | postminimalism, electronic music |
Alo Mattiisen | 1961 | 1996 | Estonian | | |
Erica Muhl | 1961 | | American | Consolation | |
Remilson Nery | 1961 | | Brazilian | Works for classical guitar, piano, strings, brass, woodwinds, percussion, chamber music, including mixed choir and children’s choir | |
Michiru Ōshima | 1961 | | Japanese | | |
Michael Torke | 1961 | | American | "Vanada"; Javelin; Rapture (percussion concerto); Ecstatic Orange | |
Roman Turovsky-Savchuk | 1961 | | Ukrainian/American | Tombeau for Omelyan Kovch | historicist–neo-Baroque |
Peter Zagar | 1961 | | Slovak | | |
Mohamed Abdelwahab Abdelfattah | 1962 | | Egypt | Die Wunderzahl, String Quartet No. 2 "Monamnamat" | electroacoustic, postmodernism |
Michael Abels | 1962 | | American | Global Warming | |
Sylvia Constantinidis | 1962 | | Venezuelan-American | | |
Arne Eigenfeldt | 1962 | | Canadian | | |
Carl Faia | 1962 | | American | | |
Stefano Gervasoni | 1962 | | Italian | | |
Jack Gibbons | 1962 | | English | Ave Verum Corpus, Choral works, Serenade for string orchestra, Song cycles, Piano works | |
Jennifer Higdon | 1962 | | American | | |
Craig Hella Johnson | 1962 | | American | Numerous choral compositions and arrangements | |
Claus-Steffen Mahnkopf | 1962 | | German | | |
P. Q. Phan | 1962 | | Vietnamese | | |
Surendran Reddy | 1962 | 2010 | South African | | |
Rudi Spring | 1962 | | German | Heimkunft, chamber symphonies, song cycles | |
Kaoru Wada | 1962 | | Japanese | | |
Graham Waterhouse | 1962 | | English | Piccolo Quintet, Three Pieces for Solo Cello, Gestural Variations | |
Sandeep Bhagwati | 1963 | | Indian | opera Ramanujan | |
Michel Bosc [fr] | 1963 | | French | | |
Philip Cashian | 1963 | | British | | |
Graham Fitkin | 1963 | | British | | |
Michael Zev Gordon | 1963 | | British | | |
Svante Henryson | 1963 | | Swedish | | |
Sophie Lacaze | 1963 | | French | | |
Shinkichi Mitsumune | 1963 | | Japanese | | |
Hikari Ōe | 1963 | | Japanese | | |
John Pickard | 1963 | | British | | |
Fausto Romitelli | 1963 | 2004 | Italian | | |
Calliope Tsoupaki | 1963 | | Greek | | |
Hana Vejvodová | 1963 | 1994 | Czech | Brass Quintet | |
Edson Zampronha | 1963 | | Brazilian | Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a | |
Luca Belcastro | 1964 | | Italian | | |
Marco Betta | 1964 | | Italian | | |
Scott Boerma | 1964 | | American | | |
Boris Böhmann | 1964 | | German | | |
Gregers Brinch | 1964 | | Danish | | |
Judy Dunaway | 1964 | | American | | avant-garde |
Julia Gomelskaya | 1964 | 2016 | Ukrainian | | |
Fiona Joy Hawkins | 1964 | | Australian | | |
Jun Nagao | 1964 | | Japanese | | |
Javier Parrado | 1964 | | Bolivian | | |
Cristian Pațurcă | 1964 | 2011 | Romanian | | |
Richard Rijnvos | 1964 | | Dutch | Block Beuys | |
Anton Batagov | 1965 | | Russian | | post-minimalist |
Irina Bogushevskaya | 1965 | | Russian | | |
Zana Clarke | 1965 | | Australian | | |
Carin Bartosch Edström | 1965 | | Swedish | | |
Moritz Eggert | 1965 | | German | | |
Thierry Escaich | 1965 | | French | | |
Yoshiki Hayashi | 1965 | | Japanese | | |
Yuri Khanon | 1965 | | Russian | The Shagreen Bone, The Symphony of Dogs, The Middle Symphony, Agonia Dei, What Zarathustra Said Indeed | polystylism, neoclassicism |
Gordon McPherson | 1965 | | Scottish | | |
Peter Nardone | 1965 | | Scottish | | |
Bernd Redmann | 1965 | | German | opera Die Gehetzten, orchestra Fiasko, chamber Migrant | |
Georgia Spiropoulos | 1965 | | Greek | Klama, for mixed choir & live electronics | avant-garde |
Paul Steenhuisen | 1965 | | Canadian | |
Mats Wendt | 1965 | | Eddan – The Invincible Sword of the Elf-Smith | |
Roberto Carnevale | 1966 | | Italian | Linae (1992–1995) | |
Nicholas Frances Chase | 1966 | | American | | |
Juan J. Colomer | 1966 | | Spanish | La complicidad del espectro | |
Dorothy Hindman | 1966 | | American | drowningXnumbers, Magic City for orchestra | |
Jan Müller-Wieland | 1966 | | German | operas Gastspiel, Komödie ohne Titel, Das Märchen der 672. Nacht | |
John Psathas | 1966 | | New Zealand | | |
Juan María Solare | 1966 | | Argentine | | |
Donald Reid Womack | 1966 | | American | | |
Julian Anderson | 1967 | | British | | |
Mark Applebaum | 1967 | | American | | |
Derek Bermel | 1967 | | American | | |
Sansan Chien | 1967 | 2011 | Chinese | | |
Salvatore Di Vittorio | 1967 | | Italian | | |
Amos Elkana | 1967 | | Israeli | | |
Jens Josef | 1967 | | German | Musik für Flöte(n), Viola und Kontrabass, chamber music | |
Andreas Kunstein | 1967 | | Dutch | | |
Olli Mustonen | 1967 | | Finnish | | |
Alberto Posadas | 1967 | | Spanish | | |
Eric Qin | 1967 | 1993 | American | | experimental music |
Christopher Theofanidis | 1967 | | American | |
Xu Yi | 1967 | | Chinese | | |
Jun Yamaguchi | 1967 | | Japanese | | |
Hiroyuki Yamamoto | 1967 | | Japanese | | |
Laura Andel | 1968 | | Argentine | | |
Joe Cutler | 1968 | | British | | |
Jens Joneleit | 1968 | | German | operas Der Brand, Piero &‐ Ende der Nacht, Metanoia. Über das Denken hinaus | |
Johannes Kretz | 1968 | | Austrian | | |
Francisco Lara | 1968 | | Spanish | | |
Olga Neuwirth | 1968 | | Austrian | | avant-garde |
Roxanna Panufnik | 1968 | | English | Westminster Mass | |
Alwynne Pritchard | 1968 | | British | | |
Victoria Borisova-Ollas | 1969 | | Russian-Swedish | Wings of the Wind | |
Nicola Campogrande | 1969 | | Italian | | |
Andrea Cera | 1969 | | Italian | | Electroacoustic |
Johanna Doderer | 1969 | | Austrian | | Opera |
Ciarán Farrell | 1969 | | Irish | | |
Pierre Kolp | 1969 | | Belgian | | avant-garde |
Yannis Kyriakides | 1969 | | Cypriot | | |
Jocelyn Morlock | 1969 | | Canadian | | |
Patrick Nunn | 1969 | | British | | |
Roy Zu-Arets | 1969 | | American-Israeli | | |
Michel van der Aa | 1970 | | Dutch | After Life | |
Rodolfo Acosta | 1970 | | Colombian | | |
David Bruce | 1970 | | British-American | | |
Fred Momotenko | 1970 | | Russian-Dutch | | |
Graziella Concas | 1970 | | Italian | | |
Donnacha Dennehy | 1970 | | Irish | | |
Daniel Felsenfeld | 1970 | | American | Insomnia Redux | |
Arlene Sierra | 1970 | | American | | |
Fazıl Say | 1970 | | Turkish | 1001 Nights in the Harem, Istanbul Symphony | Piano symphony Turkish music (style) |
Eric Whitacre | 1970 | | American | Cloudburst, Lux Aurumque, Water Night | choral music |
Thomas Adès | 1971 | | English | Powder Her Face; Asyla; Traced Overhead | |
Yoshino Aoki | 1971 | | Japanese | | |
Richard Causton | 1971 | | English | | |
Carlo Forlivesi | 1971 | | Italian | Requiem | |
Michael Hersch | 1971 | | American | Symphony No. 1; Fracta; Arraché | |
Klaus Lang | 1971 | | Austrian | | |
Paweł Mykietyn | 1971 | | Polish | | |
Takatomi Nobunaga | 1971 | | Japanese | String Quartet | |
Guto Puw | 1971 | | Welsh | | |
Tomomi Adachi | 1972 | | Japanese | | |
Natasha Barrett | 1972 | | British | | electroacoustic |
Hiba Kawas | 1972 | | Lebanese | | |
Bappa Mazumder | 1972 | | Bangladeshi | | |
Kevin Puts | 1972 | | American | | |
André Ristic | 1972 | | Canadian | | |
Lera Auerbach | 1973 | | Russian | | |
Fred Jonny Berg | 1973 | | Norwegian | | |
J. Ryan Garber | 1973 | | American | Parabolisms; Resonances | |
Nihad Hrustanbegovic | 1973 | | Bosnian-Dutch | Stork suite; Sevdah Medieval Rhapsody | minimalism; also a composer of film music, and an improviser |
Mindia Khitarishvili | 1973 | | Georgian | | |
Andrew March | 1973 | | English | Marine — à travers les arbres | |
Jörg Widmann | 1973 | | German | Fantasie for Solo Clarinet; First String Quartet | |
Kristoffer Zegers | 1973 | | Dutch | | |
Ehesuma | 1974 | | Chinese | | |
Marek Brezovský | 1974 | 1994 | Slovak | | |
Derek Charke | 1974 | | Canadian | Past Winters Solstice, for piano trio | |
Julian Cochran | 1974 | | English-born Australian | | |
Sophie Viney | 1974 | | English | Music of the Spheres | |
Tim Benjamin | 1975 | | Anglo-French | | |
Avner Dorman | 1975 | | Israeli | | |
Bongani Ndodana-Breen | 1975 | | South African | | |
Olesya Rostovskaya | 1975 | | Russian | Concert for oboe | |
Đuro Živković | 1975 | | Serbian-Swedish | | |
Ali Ahmadifar | 1976 | | Iranian | | |
Pritom Ahmed | 1976 | | Bangladeshi | | |
Svitlana Azarova | 1976 | | Ukrainian Dutch | Diagram for 5 cellos | |
Tomi Räisänen | 1976 | | Finnish | A Walk Through the Fields of Symmetry | |
Frederik Magle | 1977 | | Danish | Concerto for organ and orchestra | |
Wu Fei | 1977 | | Chinese | | |
Daniel Hensel | 1978 | | German | | |
Jimmy López | 1978 | | Peruvian | Arco de luz | |
Tarik O'Regan | 1978 | | British-American | | |
Mehdi Hosseini | 1979 | | Iranian | | |
Christophe Bertrand | 1981 | 2010 | French | | |